Bonaventure Part 22

'Take me up, and bear me hence Into some other chamber'"--

"Glad to see you back, Mr. Tarbox," responded the host; and as his guest received the candle and heard the number of his room,--"books must 'a' went well this fine day."

Mr. Tarbox fixed him with his eye, drew a soft step closer, said in a low tone:

"'My only books Were woman's looks, And folly's all they've taught me.'"

The landlord raised his eyebrows, rounded his mouth, and darted out his tongue. The guest shifted the candle to his left hand, laid his right softly upon the host's arm, and murmured:

"List! Are we alone? If I tell thee something, wilt thou tell it never?"

The landlord smiled eagerly, shook his head, and bent toward his speaker.

"Friend Perkins," said Mr. Tarbox, in m.u.f.fled voice--

"'So live, that when thy summons comes to join The innumerable caravan which moves To that mysterious realm where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave, at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave Like one that wraps the drapery of his couch About him, and lies down to pleasant dreams.'

"Don't let the newspapers get hold of it--good-night."

But it was only at daybreak that Mr. Tarbox disordered the drapery of his couch to make believe he had slept there, and at sunrise he was gone to find Claude.

CHAPTER VII.

'THANASE'S VIOLIN.

Had Marguerite gone to New Orleans the better to crush Claude out of her heart? No, no! Her mother gave an explanation interesting and reasonable enough, and at the same time less uncomfortably romantic.

Marguerite had gone to the city to pursue studies taught better there than in Opelousas; especially music.

Back of this was a reason which she had her mother's promise not to mention,--the physician's recommendation--a change of scene. He spoke of slight malarial influences, and how many odd forms they took; of dyspepsia and its queer freaks; of the confining nature of house cares, and of how often they "ran down the whole system." His phrases were French, but they had all the weary triteness of these; while Marguerite rejoiced that he did not suspect the real ailment, and Zosephine saw that he divined it perfectly.

A change of scene. Marguerite had treated the suggestion lightly, as something amusingly out of proportion to her trivial disorder, but took pains not to reject it. Zosephine had received it with troubled a.s.sent, and mentioned the small sugar-farm and orangery of the kinsman Robichaux, down on Bayou Terrebonne. But the physician said, "If that would not be too dull;" mentioned, casually, the city, and saw Marguerite lighten up eagerly. The city was chosen; the physician's sister, living there, would see Marguerite comfortably established.

All was presently arranged.

"And you can take your violin with you, and study music," he said.

Marguerite had one, and played it with a taste and skill that knew no compet.i.tor in all the surrounding region.

It had belonged to her father. Before she was born, all Lafayette parish had known it tenderly. Before she could talk she had danced--courtesied and turned, tiptoed and fallen and risen again, latter end first, to the gay strains he had loved to wring from it.

Before it seemed safe, for the instrument, to trust it in her hands, she had learned to draw its bow; and for years, now, there had been no resident within the parish who could not have been her scholar better than to be her teacher.

When Claude came, she had shut the violin in its case, and left the poor thing hidden away, despising its powers to charm, lost in self-contempt, and helpless under the spell of a chaste pa.s.sion's first enchantment. When he went, she still forgot the instrument for many days. She returned with more than dutiful energy to her full part in the household cares, and gave every waking hour not so filled to fierce study. If she could not follow him--if a true maiden must wait upon faith--at least she would be ready if fate should ever bring him back.

But one night, when she had conned her simple books until the words ran all together on the page, some good angel whispered, "The violin!" She took it and played. The music was but a song, but from some master of song. She played it, it may be, not after the best rules, yet as one may play who, after life's first great billow has gone over him, smites again his forgotten instrument. With tears, of all emotions mingled, starting from her eyes, and the bow trembling on the strings, she told the violin her love. And it answered her:

"Be strong! be strong! you shall not love for naught. He shall--he shall come back--he shall come back and lead us into joy." From that time the violin had more employment than ever before in all its days.

So it and Marguerite were gone away to the great strange city together. The loneliness they left behind was a sad burden to Zosephine. No other one thing had had so much influence to make so nearly vulnerable the defences of her heart when Mr. Tarbox essayed to storm them. On the night following that event, the same that he had spent so sleeplessly in St. Martinville, she wrote a letter to Marguerite, which, though intended to have just the opposite effect, made the daughter feel that this being in New Orleans, and all the matter connected with it, were one unmixed ma.s.s of utter selfishness.

The very written words that charged her to stay on seemed to say, "Come home!" Her strong little mother! always quiet and grave, it is true, and sometimes sad; yet so well poised, so concentrated, so equal to every pa.s.sing day and hour!--she to seem--in this letter--far out of her course, adrift, and mutely and dimly signalling for aid! The daughter read the pages again and again. What could they mean? Here, for instance, this line about the mother's coming herself to the city, if, and if, and if!

The letter found Marguerite in the bosom of a family that dwelt in the old Rue Bourbon, only a short way below Ca.n.a.l Street, the city's centre. The house stands on the street, its drawing-room windows opening upon the sidewalk, and a narrow balcony on the story above shading them scantily at noon. A garden on the side is visible from the street through a lofty, black, wrought-iron fence. Of the details within the enclosure, I remember best the vines climbing the walls of the tall buildings that shut it in, and the urns and vases, and the evergreen foliage of the j.a.pan plum-trees. A little way off, and across the street, was the pleasant restaurant and salesroom of the Christian Women's Exchange.

The family spoke English. Indeed, they spoke it a great deal; and French--also a great deal. The younger generation, two daughters and a son, went much into society. Their name was that of an ancient French n.o.ble house, with which, in fact, they had no connection. They took great pains to call themselves Creoles, though they knew well enough they were Acadians. The Acadian caterpillar often turns into a Creole b.u.t.terfly. Their great-grandfather, one of the children of the Nova-Scotian deportation, had been a tobacco-farmer on the old Cote Acadien in St. John the Baptist parish. Lake des Allemands lay there, just behind him. In 1815, his son, their grandfather, in an excursion through the lake and bayou beyond, discovered, far south-eastward in the midst of the Grande Prairie des Allemands, a "pointe" of several hundred acres extent. Here, with one or two others, he founded the Acadian settlement of "La Vacherie," and began to build a modest fortune. The blood was good, even though it was not the blood of ancient robbers; and the son in the next generation found his way, by natural and easy stages, through Barataria and into the city, and became the "merchant" of his many sugar and rice planting kinsmen and neighbors.

It was a great favor to Marguerite to be taken into such a household as this. She felt it so. The household felt it so. Yet almost from the start they began to play her, in their social world, as their best card--when they could. She had her hours of school and of home study; also her music, both lessons and practice; was in earnest both as to books and violin, and had teachers who also were in earnest; and so she found little time for social revels. Almost all sociality is revel in New-Orleans society, and especially in the society she met.

But when she did appear, somehow she shone. A native instinct in dress,--even more of it than her mother had at the same age,--and in manners and speech, left only so little rusticity as became itself a charm rather than a blemish, suggested the sugar-cane fields; the orange-grove; the plantation-house, with pillared porch, half-hidden in tall magnolias and laurestines and bushes of red and white camellias higher and wider than arms can reach, and covered with their regal flowers from the ground to their tops; and the bayou front lined with moss-draped live-oaks, their noonday shadows a hundred feet across. About her there was not the faintest hint of the country tavern. She was but in her seventeenth year; but on her native prairies, where girls are women at fourteen, seventeen was almost an advanced stage of decay. She seemed full nineteen, and a very well-equipped nineteen as social equipments went in the circle she had entered. Being a schoolgirl was no drawback; there are few New-Orleans circles where it is; and especially not in her case, for she needed neither to t.i.tter nor chatter,--she could talk. And then, her violin made victory always easy and certain.

Sometimes the company was largely of down-town Creoles; sometimes of up-town people,--"Americans;" and often equally of the two sorts, talking French and English in most amusing and pleasing confusion. For the father of the family had lately been made president of a small bank, and was fairly boxing the social compa.s.s in search of depositors. Marguerite had not yet discovered that--if we may drag the metaphor ash.o.r.e--to enter society is not to emerge upon an unbroken table-land, or that she was not on its highest plateau. She noticed the frequency with which she encountered unaccomplished fathers, stupid mothers, rude sons and daughters, and ill-distributed personal regard; but she had the common-sense not to expect more of society than its nature warrants, guessed rightly that she would find the same thing anywhere else, and could not know that these elements were less mixed with better here than in many other of the city's circles, of whose existence she had not even heard. However:

Society, at its very best, always needs, and at its best or worst always contains, a few superior members, who make themselves a blessing by working a constant, tactful redistribution of individuals by their true values, across the unworthy lines upon which society ever tends to stratify. Such a person, a matron, sat with Marguerite one April evening under a Chinese lantern in the wide, curtained veranda of an Esplanade-street house whose drawing-room and Spanish garden were filled with company.

Marguerite was secretly cast down. This lady had brought her here, having met her but a fortnight before and chosen her at once, in her own private counsels, for social promotion. And Marguerite had played the violin. In her four months' advanced training she had accomplished wonders. Her German professor made the statement, while he warned her against enthusiastic drawing-room flattery. This evening she had gotten much praise and thanks. Yet these had a certain discriminative moderation that was new to her ear, and confirmed to her, not in the pleasantest way, the realization that this company was of higher average intelligence and refinement than any she had met before. She little guessed that the best impression she had ever made she made here to-night.

Of course it was not merely on account of the violin. She had beauty, not only of face and head, but of form and carriage. So that when she stood with her instrument, turning, as it were, every breath of air into music, and the growing volume of the strains called forth all her good Acadian strength of arms and hand, she charmed not merely the listening ear, but the eye, the reason, and the imagination in its freest range.

But, indeed, it was not the limitations of her social triumphs themselves that troubled her. Every experience of the evening had helped to show her how much wider the world was than she had dreamed, and had opened new distances on the right, on the left, and far ahead; and nowhere in them all could eye see, or ear hear, aught of that one without whom to go back to old things was misery, and to go on to new was mere weariness. And the dear little mother at home!--worth nine out of any ten of all this crowd--still at home in that old tavern-keeping life, now intolerable to think of, and still writing those yearning letters that bade the daughter not return! No wonder Marguerite's friend had divined her feelings, and drawn her out to the cool retreat under the shadow of the veranda lanterns.

A gentleman joined them, who had "just come," he said. Marguerite's companion and he were old friends. Neither he nor Marguerite heard each other's name, nor could see each other's face more than dimly. He was old enough to be twitted for bachelorhood, and to lay the blame upon an outdoor and out-of-town profession. Such words drew Marguerite's silent but close attention.

The talk turned easily from this to the ease with which the fair s.e.x, as compared with the other, takes on the graces of the drawing-room.

"Especially," the two older ones agreed, "if the previous lack is due merely to outward circ.u.mstances." But Marguerite was still. Here was a new thought. One who attained all those graces and love's prize also might at last, for love's sake, have to count them but dross, or carry them into retirement, the only trophies of abandoned triumphs. While she thought, the conversation went on.

"Yes," said her friend, replying to the bachelor, "we acquire drawing-room graces more easily; but why? Because most of us think we must. A man may find success in one direction or another; but a woman has got to be a social success, or she's a complete failure. She can't snap her fingers at the drawing-room."

"Ah!" exclaimed Marguerite, "she can if she want!" She felt the strength to rise that moment and go back to Opelousas, if only--and did not see, until her companions laughed straight at her, that the lady had spoken in jest.

"Still," said the bachelor, "the drawing-room is woman's element--realm--rather than man's, whatever the reasons may be. I had a young man with me last winter"--

"I knew it!" thought Marguerite.

"--until lately, in fact; he's here in town now,--whom I have tried once or twice to decoy into company in a small experimental way. It's harder than putting a horse into a ship. He seems not to know what social interchange is for."

"Thinks it's for intellectual profit and pleasure," interrupted the ironical lady.

"No, he just doesn't see the use or fun of it. And yet, really, that's his only deficiency. True, he listens better than he talks--overdoes it; but when a chap has youth, intelligence, native refinement, integrity, and good looks, as far above the mean level as many of our society fellows are below it, it seems to me he ought to be"--

"Utilized," suggested the lady, casting her eyes toward Marguerite and withdrawing them as quickly, amused at the earnestness of her attention.

"Yes," said the bachelor, and mused a moment. "He's a talented fellow.

It's only a few months ago that he really began life. Now he's outgrown my service."

"Left the nest," said the lady.

"Yes, indeed. He has invented"--

"Oh, dear!"