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Bob, Son of Battle Part 12

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Red Wull, who had been watching him uneasily, now came up and shoved his muzzle into his master's hand. The cold touch brought the little man back to earth. He shook himself, turned wearily away from the window, and went to the door of the house.

He stood there looking out; and all round him was the eternal drip, drip of the thaw. The wind lulled, and again the minute-bell tolled out clear and inexorable, resolute to recall what was and what had been.

With a choking gasp the little man turned into the house, and ran up the stairs and into his room. He dropped on his knees beside the great chest in the corner, and unlocked the bottom drawer, the key turning noisily in its socket.

In the drawer he searched with feverish fingers, and produced at length a little paper packet wrapped about with a stained yellow ribbon. It was the ribbon she had used to weave on Sundays into her soft hair.

Inside the packet was a cheap, heart-shaped frame, and in it a photograph.

Up there it was too dark to see. The little man ran down the stairs, Red Wull jostling him as he went, and hurried to the window in the kitchen.

It was a sweet, laughing face that looked up at him from the frame, demure yet arch, shy yet roguish--a face to look at and a face to love.

As he looked a wintry smile, wholly tender, half tearful, stole over the little man's face.

"La.s.sie," he whispered, and his voice was infinitely soft, "it's lang sin' I've daured look at ye. But it's no that ye're forgotten, dearie."

Then he covered his eyes with his hand as though he were blinded.

"Dinna look at me sae, la.s.s!" he cried, and fell on his knees, kissing the picture, hugging it to him and sobbing pa.s.sionately.

Red Wull came up and pushed his face compa.s.sionately into his master's; but the little man shoved him roughly away, and the dog retreated into a corner, abashed and reproachful.

Memories swarmed back on the little man.

It was more than a decade ago now, and yet he dared barely think of that last evening when she had lain so white and still in the little room above.

"Pit the bairn on the bed, Adam man," she had said in low tones. "I'll be gaein' in a wee while noo. It's the lang good-by to you--and him."

He had done her bidding and lifted David up. The tiny boy lay still a moment, looking at this white-faced mother whom he hardly recognized.

"Minnie!" he called piteously. Then, thrusting a small, dirty hand into his pocket, he pulled out a grubby sweet.

"Minnie, ha' a sweetie--ain o' Davie's sweeties!" and he held it out anxiously in his warm plump palm, thinking it a certain cure for any ill.

"Eat it for mither," she said, smiling tenderly; and then: "Davie, ma heart, I'm leavin' ye."

The boy ceased sucking the sweet, and looked at her, the corners of his mouth drooping pitifully.

"Ye're no gaein' awa', mither?" he asked, his face all working. "Ye'll no leave yen wee laddie?"

"Ay, laddie, awa'--reet awa'. HE's callin' me." She tried to smile; but her mother's heart was near to bursting.

"Ye'll tak' yen wee Davie wi' ye mither!" the child pleaded, crawling up toward her face.

The great tears rolled, unrestrained, down her wan cheeks, and M'Adam, at the head of the bed, was sobbing openly.

"Eh, ma bairn, ma bairn, I'm sair to leave ye!" she cried brokenly.

"Lift him for me, Adam."

He placed the child in her arms; but she was too weak to hold him. So he laid him upon his mother's pillows; and the boy wreathed his soft arms about her neck and sobbed tempestuously.

And the two lay thus together.

Just before she died, Flora turned her head and whispered:

"Adam, ma man, ye'll ha' to be mither and father baith to the lad noo"; and she looked at him with tender confidence in her dying eyes.

"I wull! afore G.o.d as I stan' here I wull!" he declared pa.s.sionately.

Then she died, and there was a look of ineffable peace upon her face.

"Mither and father baith!"

The little man rose to his feet and flung the photograph from him. Red Wull pounced upon it; but M'Adam leapt at him as he mouthed it.

"Git awa', ye devil!" he screamed; and, picking it up, stroked it lovingly with trembling fingers.

"Maither and father baith!"

How had he fulfilled his love's last wish? How!

"Oh G.o.d! "--and he fell upon his knees at the table-side, hugging the picture, sobbing and praying.

Red Wull cowered in the far corner of the room, and then crept whining up to where his master knelt. But M'Adam heeded him not, and the great dog slunk away again.

There the little man knelt in the gloom of the winter's afternoon, a miserable penitent. His gray-flecked head was bowed upon his arms; his hands clutched the picture; and he prayed aloud in gasping, halting tones.

"Gie me grace, O G.o.d! 'Father and mither baith,' ye said, Flora--and I ha'na done it. But 'tis no too late--say it's no, la.s.s. Tell me there's time yet, and say ye forgie me. I've tried to bear wi' him mony and mony a time. But he's vexed me, and set himself agin me, and stiffened my back, and ye ken hoo I was aye quick to tak' offence. But I'll mak' it up to him--mak' it up to him, and mair. I'll humble masel' afore him, and that'll be bitter enough. And I'll be father and mither baith to him. But there's bin none to help me; and it's bin sair wi'oot ye.

And--. but, eh, la.s.sie, I'm wearyin' for ye!"

It was a dreary little procession that wound in the drizzle from Kenmuir to the little Dale Church. At the head stalked James Moore, and close behind David in his meagre coat. While last of all, as if to guide the stragglers in the weary road, come Owd Bob.

There was a full congregation in the tiny church now. In the squire's pew were Cyril Gilbraith, Muriel Sylvester, and, most conspicuous, Lady Eleanour. Her slender figure was simply draped in gray, with gray fur about the neck and gray fur edging sleeves and jacket; her veil was lifted, and you could see the soft hair about her temples, like waves breaking on white cliffs, and her eyes big with tender sympathy as she glanced toward the pew upon her right.

For there were the mourners from Kenmuir: the Master, tall, grim, and gaunt; and beside him Maggie, striving to be calm, and little Andrew, the miniature of his father.

Alone, in the pew behind, David M'Adam in his father's coat.

The back of the church was packed with farmers from the whole March Mere Estate; friends from Silverdale and Grammoch-town; and nearly every soul in Wastrel-dale, come to show their sympathy for the living and reverence for the dead.

At last the end came in the wet dreariness of the little churchyard, and slowly the mourners departed, until at length were left only the parson, the Master, and Owd Bob.

The parson was speaking in rough, short accents, digging nervously at the wet ground. The other, tall and gaunt, his face drawn and half-averted, stood listening. By his side was Owd Bob, scanning his master's countenance, a wistful compa.s.sion deep in the sad gray eyes; while close by, one of the parson's terriers was nosing inquisitively in the wet gra.s.s.

Of a sudden, James Moore, his face still turned away, stretched out a hand. The parson, broke off abruptly and grasped it. Then the two men strode away in opposite directions, the terrier hopping on three legs and shaking the rain off his hard coat.

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Bob, Son of Battle Part 12 summary

You're reading Bob, Son of Battle. This manga has been translated by Updating. Author(s): Alfred Ollivant. Already has 673 views.

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