Blackwood Farm Part 20

"Of course I was going out to the island, and of course I was going to invoke Rebecca, but just how and when I wasn't so sure."

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"I WOKE UP very early, dressed in my hunting jeans and vest, and while Big Ramona still slept I sat down at my computer and wrote a letter to this strange invader of Sugar Devil Island, which went, sort of, as follows: Dear Trespa.s.ser, This communication is from Tarquin Blackwood and is to notify you that my family owns this island and this house, and that you must take your books and your furnishings and leave these premises without further delay.

The family has plans for this island and will be proceeding just as soon as you have vacated the Hermitage.

If you have any need to communicate with me, I reside at Blackwood Manor, and will be more than happy to talk with you by letter, by fax, or by phone, or in person --howsoever you desire, Yours sincerely, Tarquin Blackwood, better known as Quinn "Then, after supplying the relevant numbers for fax and phone, I hit the print b.u.t.ton and, making four copies of the eviction notice, signed all of them and folded them and put them into my inside fishing-vest pocket.

"Then, I crept into Pops' room, and, not finding him thereabouts --he had probably gotten up at five a.m. and was already at work in the flower beds --I took his thirty-eight pistol, made sure it was loaded, put that into my pocket and then, stopping quickly in the kitchen pantry, got a card of thumbtacks, which were always in there, you know, for the family bulletin board, and I headed to the pier.

"Let me add that I also had my rifle, my hunting knife and the kitchen knife, and I thought I was completely ready until I found Jasmine in her bare feet down at the landing by the pirogue, smoking a cigarette.

" 'All right, you crazy boy, I know where you're going, and your Pops says to let you alone. So I put that cooler of drinks for you in the boat. And there's a couple of sandwiches in there too, wrapped in foil.'

" 'Oh, I love you for that,' I said, and I kissed her, feeling an awareness of her as a woman suddenly, a thing which caught my brain rather like a power surge, and most definitely a surprise. I'll never forget it, the way that kiss ignited something. And I think I very boastfully squeezed her arm.

"Whatever, I don't think it ignited anything for her. And as I went to push off, she called out: " 'Tarquin Blackwood, are you an imbecile?'

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" 'No ma'am,' I said sarcastically, 'you expect me to change my mind?'

" 'How you're going to get people to believe what you saw out there if you don't take pictures of it, genius!' She reached into her ap.r.o.n pocket and took out a small flash camera --the kind you can buy nowadays anywhere, in which the film is already loaded and ready to go.

" 'Oh, thank G.o.d you thought of it!' I said.

" 'You can say that prayer again, Little Boss. Don't forget to press the b.u.t.ton for the flash.'

"I wanted to kiss her again, but I was already drifting away.

"As for Goblin, he came after me, vivid and yet transparent, pleading with me not to go, saying, 'Bad, Quinn, bad,' over and over, and once again I told him in polite terms to leave me alone. He vanished then, but I suspect he was with me as I went on.

"In fact, I figured that he had to be; because where else could Goblin go? I was thinking a lot of late as to where Goblin was and where Goblin wasn't, and I was more than impatient with him, as I've said.

"Back to the swamp: "There was a mist crawling over the water, and at first the swamp looked inviting and beautiful, harmonious and embracing --the stuff of poetry and photograph captions --but within a very short time it was the evil bog of mosquitoes and chain-girded cypress trees with arrows carved into their bark. The rustling of creatures in the dark waters and the sight of more than one alligator gave me the creeps.

"The dizziness returned, which alarmed me considerably, and the voices came once more, too low for me to really understand what they said. What was I overhearing? Did these ghosts quarrel with each other forever? Is that what Rebecca had meant when she said things don't move in a straight line?

" You can't do it, you have to let me go You can't do it, you have to let me go. . .

"Why wasn't this ghostly discourse loud enough for me to be sure of every word?

" 'I'm coming, Rebecca,' I said aloud. 'You be straight with me, now, Rebecca. I know your tricks, and yet I'm coming. You be straight.'

"On and on I went through this dense green h.e.l.l of tormented gray trees and anguished vines, of rattling leaf and fetid water, feeling ever fainter and probing deeply with the pole and propelling myself forward as fast as I could.

" I'm begging you, G.o.d help me I'm begging you, G.o.d help me. . . .

"I knew it was Rebecca crying, Rebecca pleading, but with whom? Then came the inevitable sinister laughter and a man's voice speaking rapidly and angrily. Was it Manfred?

"A gator shot past me, his big slimy back visible for only a moment, and the pirogue rocked dangerously and then righted itself clumsily and on I went. I trembled, thinking about the gator, and I hated myself for it. I went on.

"Each time the dizziness came over me really heavily I slowed my pace, for fear of falling, and the high green thick of the swamp swallowed me treacherously, as I tried to make out what was being said: . . . Loved you, always loved you, you promised, in Naples, forever, in the ruins Loved you, always loved you, you promised, in Naples, forever, in the ruins . . . And there came the deep voice, and the laughter rippling through it all. . . . And there came the deep voice, and the laughter rippling through it all.

"Were there three of them? Were there more?

"At last the weathered hulk of the Hermitage loomed in front of me, and the pirogue struck the bank amid the wild blackberries, and I was nearly knocked out of the boat. I quickly secured it to the nearest tree --a thing I had not done last time --laid the pole in it in intelligent fashion and then proceeded to explore the island once more.

"There had been gators on the island. I heard the plash as they went back into the swamp. What was I going to do if I encountered a mean gator? Well, it had never happened, and maybe it never would. I had no real fear of them, because they aren't generally vicious and they don't want trouble; nevertheless, this was the first time I had been in their august company without Pops or another man to 117.

take command.

"I stood listening. I could hear nothing but the mournful, broken cry of the birds. And that humming, that humming of bees and mosquitoes which I connected to the slime of sweat that now covered my skin.

"The house looked as empty as it had before. But that didn't mean a whole lot.

"Nevertheless, the mausoleum --or whatever it was --drew me, and I went back to it, studying it more carefully than I had the first time.

"No door of any kind, of that I was certain. So what in the name of G.o.d did it contain?

"As for the procession of figures graven in the gold, I was certain now they were Roman and that they were grieving; that the women were weeping and the men hammering on their foreheads with clenched fists.

"On an end panel which contained only a trio of weeping children there appeared some background engraving on a different plane from the figures --details that I hadn't noticed before at all.

"With my fingers I traced in one corner the image of a mountain, and the mountain had a high cone and was erupting, and above it streamed right and left a great heavy cloud. Far to the right, and somewhat below the position of the mountain, was the image of a small walled city, drawn in tiny detail, and it seemed more than obvious that the evil cloud from the erupting mountain was a threat to the little town.

" 'Volcano. Ancient Rome. A city. People in mourning.' It had to be Mount Vesuvius, this mountain, and the city had to be the fabled city of Pompeii.

"Even I who had traveled almost nowhere in my life knew the full story of the eruption of Vesuvius in A.D. 79 and how it had buried Herculaneum and Pompeii. Only in the eighteenth century had they been officially rediscovered, and if there was anywhere I wanted to travel --outside of Ruby River Parish --it was to the ruins of Pompeii.

"The tragedy of those buried cities had always enthralled me and sometimes in a painful way. Years ago I'd seen photographs of plaster casts made of those poor Romans struggling to escape the cinder rain falling on Pompeii and they had made me cry.

"Of course Pompeii and Herculaneum were on the Bay of Naples, and Manfred had taken Rebecca to Naples. Vesuvius loomed over Naples, and Rebecca had cried, 'Remember Naples' when Manfred had been beating her, when he had carried her or dragged her out of the house.

"Again, the dizziness came and there rose the simmer of voices. I tipped forward until my forehead touched the gold carving. I was aware of the perfume of flowers. Was that wisteria? My senses were scrambled. I was dry-mouthed and sweating. And I heard Rebecca sobbing, What they did What they did to me, Quinn, what they did. to me, Quinn, what they did.

"With a supreme act of will, I threw off the dizziness. I was on my knees. And as I looked up I realized there was an inscription running in a band along the top of the gold plates, just beneath the granite roof of the tomb, an inscription I hadn't seen for the glare of the vagrant sun on the gold.

"I went round the mausoleum twice. The words were in Latin, and I couldn't translate, but I could pick out the name Petronia, and the words for sleep and for death.

"I cursed myself that I didn't have any paper with me, except my letters to the trespa.s.ser, so that I could copy this down. Then I realized I had four copies of my letter, for posting in four places, and all I needed to do was sacrifice one copy. So, taking out my pen, I scribbled down the entire inscription, circling the monument twice to make sure I had the words correct.

"By now I was thirsting and I went back to the pirogue, picked up the small plastic cooler that Jasmine had packed for me and went up the stairs into the house.

"All was the same as I had found it yesterday. I crept up the staircase and stared again at the iron chains. I noted with a faint twinge of horror that the fifth chain with the hook was somewhat shorter than the other chains but I didn't know what it meant. There were hooks in the wall also. I 118.

hadn't noticed those before either, and in the mora.s.s of blackish tarlike substance I thought I saw more of the shape of human bones.

"I took out the camera, and with trembling hands I snapped two pictures, and then I backed up and took a couple more. What would it show? I wasn't certain. All I could do was snap another two close-ups and hope that someone believed in what I saw.

"I knelt down and I touched what looked like the remnants of human hair. A jarring chill ran through me, and I heard the dreamlike laughter again, and then a scream that was so guttural it was almost a groan. It came again, a cry of pure agony, and I drew back, absolutely unable to come close again to the remains.

"I photographed the room and then I went downstairs and photographed the marble desk and the gold Roman-style chair. I photographed the fireplace with its heap of half-burnt wood and ash. I shot a close-up of the tumbled books on the desk.

"Next I went out of the Hermitage and photographed the whole place. I shot pictures of the mausoleum, and with my thumb over the flash so it wouldn't reflect in the gold I got close-ups of the figures, hoping there would be enough available light.

" 'Jasmine, I shall love you forever,' I said. I put the camera into my top vest pocket, zipped the pocket shut and resolved that I would now prove to all the world that, of Sugar Devil Island and Manfred's dark existence, I had spoken the truth.

"But what did it all mean? Was it some mad poet who made his way out here to sit in a golden chair in solitude, perhaps taking his work to and from with him, and only leaving behind those books which no longer mattered? Or was it a mere boy like me?

"And the time, what was it? Why it was just past noon, and I was hungry and getting sick.

"But I had to post my letters to the trespa.s.ser. I attended to that right away. I tacked up one such letter on the wooden door, placed another on the marble table, with books to anchor the four corners of it, and then tacked another on the wall near to the stairs.

"My duty was done, I figured, and now, to stop the nausea which was threatening, I brought the cooler over to the desk and sat down in the Roman chair. The leather sling seat was extremely comfortable, as it always is with such chairs, and I was overjoyed to discover that Jasmine had filled the cooler with six beers. Of course she had put some cola in there also, and there were the sandwiches, and even an apple nestled into the ice, but six beers!

"I don't think I will ever forget that moment. But there's no point in lingering on it. I have too much to tell. Let me only say that I whispered to the open air, 'Jasmine, can a woman of thirty-five find romance with a boy of eighteen? I'll meet you behind the big house at six.'

"By the time I finished that little ditty, I had swallowed half of the first beer. I tore open the sandwiches, which were thick with ham and cheese and b.u.t.ter --cold, delicious, visible b.u.t.ter --and devoured both of them in a few bites. Then I devoured the apple, finished the first beer and drank another one after that.

"I told myself that was plenty, that I had to keep my wits about me, but I was overexcited and instead of depressing me the beer had contributed to a kind of crazy elation, and with a third ice-cold can in hand I went back upstairs again and I sat down as close to the chains and their dark legacy as I dared.

"The sun was lowering outside, and only feeble rays managed to get through the labyrinth of green that crowded most of the house. Some light came in through the cupola and as I lay back looking up there, watching the light twinkle and shift, I heard in my head a thin high-pitched scream.

"Was it a bird? Was it a human? My eyelids were closing. I reclined, one elbow on the dusty boards. I drank more of the beer. I finished it. And then I realized I had to sleep. My body was forcing me to it. I had to sleep. I lay back feeling comfortable and warm, and I said as I stared up into the cupola: 119.

" 'Rebecca, come to me, tell me what they did.' I shut my eyes and I was dreaming, my body shapeless and vibrating in its half sleep. Her sobbing came to me clearly, and then before me, in a nighttime place of candles, I saw a leering face and I heard a low, vicious laugh. I tried to focus on the face but I couldn't see it, and then when I looked down I saw that I was a woman, and that someone was stripping away from me a beautiful burgundy dress. My b.r.e.a.s.t.s were bare. My whole body suddenly was naked, and I was screaming.

"I had to get away from those who tormented me, and there before me a hand gripped the rusted hook, the hook at the end of the chain. I screamed a woman's scream. I was a woman. I was Rebecca and yet I was Quinn and we two were one.

"Never had I known such pure terror as the hand with the hook approached, and then I felt an unendurable pain beneath my right breast, an agony as something thick yet sharp stabbed me and pushed against me, and then I heard the laughter again, chilling merciless laughter, and a man's voice murmuring --no, arguing, pleading disgustedly --but the laughter covered the argument, it covered the pleading. No one would stop this! I knew I was hanging by the hook, that the hook held me by the rib beneath my breast, and my whole weight now pulled on the chain and its hook!

"I cried out, I screamed. I was a woman and a man screaming, I was Rebecca helpless and in torment and near to fainting yet unable to faint, and I was Quinn, protective and horrified and yet desperately trying to see the evil ones who were doing this, and there were two of them, yes, definitely two of them, and I had to know if it was Manfred. And then I was Rebecca screaming and the pain went on, the unendurable pain that was endured --it went on and on, and then the scene, blessedly, started to shift.

" 'Oh, G.o.d, Rebecca,' I heard myself whispering. 'I know what they did --hung you by the hook beneath your rib and left you here to die.'

"Someone shook me awake. I looked up.

"It was Rebecca, and she was smiling, and she said, 'Quinn, you came. You didn't let me down. You came.'

"I was shocked. She was as real as she had been in the house, only she wore the gorgeous burgundy dress she'd worn in the dream.

" 'Oh, thank Heaven, you're all right!' I cried. 'It couldn't be going on forever.'

" 'Don't think about it now, my darling,' she said. 'Now you know it, and you know what the fifth chain was for. Just be with me, my darling.'

"As I sat up she sat down beside me and I turned to face her, and our lips met. I kissed her clumsily and she put her tongue into my mouth, and I was as aroused as I'd been in the house.

"I was pure male, quite divided from her and quite locked to her, enchanted by the low-cut burgundy dress and the pink nipples that had to be so close, and ah, how precious the cameo on its black ribbon around her naked throat.

"Her b.r.e.a.s.t.s were only half covered by the burgundy velvet, and I shoved my hand into her dress awkwardly, and when I felt her nipples I went a little bit mad.

" 'Love you, positively love you,' I said with gritted teeth, and then I pushed the cloth down and I kissed her nipples until she drew me back up.

"I looked into her eyes.

"I wanted her too much to talk, and she allowed it, taking my hand and putting it under her skirts. Real, all real, all savory and frenzied, and finally, her little s.e.x gasping for me, closing on me, and then the moment of fulfillment --so sudden, so jarring, so total. So gone.

"I found myself staring down at her --I was actually lying on top of her --and the flush in her cheeks took my breath away. I muttered some obscenity, some crudity. But I was so purely satisfied, so blissful that I could question nothing in these moments. I kissed her in the same open-mouthed pa.s.sionate way I had kissed her the very first time.

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"I lay back, tired to the point of stupor, and she was the one now looking down at me.

" 'Be my vengeance, Quinn,' she said softly. 'Tell the world my story, yes, but be my vengeance, too.'

" 'But how, Rebecca? How can I do that when those who hurt you are gone?' I sat up, gently forcing her backwards.

"She looked urgent.

"We sat together. 'Tell me truly, Rebecca, what can I do to make your spirit rest?'

"The horror of the earlier scene came back to me, the grim picture of her hanging on the hook, naked and helpless, and of those two evil ones who had done it to her.

" 'It was Manfred himself, wasn't it?' I asked her. 'What can I do, Rebecca, to send your soul to peace?'

"She said nothing. She only kissed me again.

" 'You know you're gone too, Rebecca,' I said. 'Along with those who did the deed, however awful it was.' I had to say it. I had to tell her. 'Rebecca, there is no one alive now who can suffer for what is done.'

" 'No, Quinn, I'm here,' she said sweetly, 'I'm always here, I see you always, I see everything. Be my vengeance, Quinn. Fight for me.'

"I kissed her again. I covered her b.r.e.a.s.t.s with kisses. We lay tangled and I felt the velvet of her burgundy dress. Her hair came loose, tumbled disgracefully in our lovemaking, and then I sighed, and, kissing her cheeks, again I pa.s.sed into a blackness that was cool and enveloping as if I had drifted bodiless into the s.e.x act itself.

"Sleep. How long? Hours upon hours.

"Then suddenly I was awake. I knew the heat, the sweat.

"And the darkness! Good Lord, the darkness!

"Nighttime on Sugar Devil Island. Nighttime in Sugar Devil Swamp. Oh, of all the idiot mistakes to have made, to have fallen into a drunken sleep here one good hour from home, with all the swamp creatures waking and hungry. What good was a pistol? What good a rifle if a snake drops on you from an overhanging tree? I didn't mind poking at the gators to scare them off, but what about everything else, including the bobcats, that came out to feast after dark?

"I rose up, furious with myself. And I had been so sure that I wouldn't be tricked by her, that I knew her for the evil thing that she was.