Blackout. Part 47

"I'll get you there," he said and roared down Cardle Street to Notting Hill Gate and past the Underground station.

Oh, no, Polly thought. I didn't tell them I'm leaving I didn't tell them I'm leaving. When she'd realized the siren had sounded, she'd forgotten all about it. I should have left a note I should have left a note.

It was too late now. It was already twenty till. She'd be lucky to catch her train as it was. But she was seeing the tears streaming down Miss Hibbard's face and the look on Sir G.o.dfrey's ashen face before he saw her. She was remembering her own knees giving way when she saw the wrecked church.

I can't do that to them again, she thought, not when they'll have to face so many real deaths in the four and a half years ahead not when they'll have to face so many real deaths in the four and a half years ahead. She leaned forward and tapped the cabbie on the shoulder. "I've changed my mind," she said. "Take me to Notting Hill Gate Underground Station."

"But what about your train, miss?"

"I'll take the next one," she said.

He made a U-turn and headed back. "Do you want me to wait again?" he asked, pulling up in front of the station.

With the sirens already having gone, the guard wouldn't let her out of the station. "No, I'll take the tube from here," she said, handed him the fare, and ran inside and down to the platform.

"Oh, good, the warden told you," Miss Laburnum said the moment she saw her.

"Told me what?"

"About the gas leak."

"A delayed-action bomb went off two streets over and ruptured a gas main," Miss Hibbard said, coming over with her knitting. "During supper."

A gas leak! A spark from the taxi's ignition could have blown us both sky-high.

The rector and Mrs. Rickett were there, and Mrs. Brightford and her girls, all spreading out their blankets. "I'm glad you're here," Miss Laburnum said. "We've been discussing the play."

"I can't stay," Polly said. "I only came to tell you I won't be here tonight."

"Oh, but you must," Miss Laburnum said.

"We've decided the only fair thing to do is put it to a vote," Mrs. Wyvern said.

Oh, dear, that meant Barrie. Poor Sir G.o.dfrey.

"But Sir G.o.dfrey wants us to wait till Sunday. First he wants us to see a scene from Twelfth Night Twelfth Night. The one where Viola longs to tell him of her love, but she can't because she can't reveal her true ident.i.ty-and he wants you to play Viola."

He was obviously counting on her to help him talk them out of Barrie. But she had had to catch the 7: to catch the 7:55. "I'm afraid someone else will have to play Viola. I-"

"Oh, but Sir G.o.dfrey insists insists you do it. He says you're perfect for the part." you do it. He says you're perfect for the part."

"I can't. I've had a letter from my sister. My mother's ill, and I must go home. I only came to tell you so you wouldn't think-"

"You were killed," Trot said promptly, and Polly was very glad she'd come, even though it meant she'd missed the 6:48.

"Yes," she said, "and to tell you I won't be back till Sunday night at the earliest. It all depends on how my mother is. Tell Sir G.o.dfrey I'm sorry I couldn't stay, but my train-"

"Of course, you must go. We quite understand," the rector said, and the others, excepting Mrs. Rickett, nodded sympathetically.

"Thank you. For everything. Goodbye," she said and hurried off down the platform and along the tunnel, sorry she hadn't been able to tell Sir G.o.dfrey goodbye, though that was probably for the best. Lying to Miss Laburnum and the rector was one thing, but Sir G.o.dfrey wasn't fooled nearly so easily. And she wasn't certain she could have turned him down if he'd asked her to stay and play the part of Viola to his Orsino.

And I must must make the 7:55 make the 7:55, she thought, hurrying across to the escalator, glancing at her watch as she pushed through the crowd. A quarter past. If there wasn't too long a wait between trains, she should be able to- "Miss Sebastian, wait," Sir G.o.dfrey called. He caught up to her. "I've just been told that you are leaving us."

"Yes. I've had a letter saying my mother's ill."

"And so you must away to Northumbria?"

"Yes."

"Forever?"

I should have pretended I didn't hear him calling me, she thought. And it didn't matter what she told him, he could see right through her. "I don't know."

A look like pain crossed his face, and he said quietly, abandoning his theatrical language, "Are you in some sort of trouble, Viola?"

Yes, she thought. And you were right. Viola's the perfect role for me. I And you were right. Viola's the perfect role for me. I am am in disguise. I in disguise. I can't can't tell you the truth tell you the truth.

"No," she said, hoping she really was was the actress he'd said she was. "It's only that I'm so worried over my mother. My sister says she's not in any danger, but I'm afraid-" the actress he'd said she was. "It's only that I'm so worried over my mother. My sister says she's not in any danger, but I'm afraid-"

"That she's not telling you the truth?"

"Yes," she said, meeting his gaze steadily. "She knows how difficult it is for me to take time off from my job. That's why I must go, to see if she's all right. If it isn't anything serious, I'll return on Sunday, but if she's really ill, I may have to stay for several weeks, or months."

And you don't believe a word I'm saying, she thought.

But all he said was, "I wish her a speedy recovery and you a speedy return. If you are not here for the vote Sunday night, I fear I shall be doomed to performing Peter Pan Peter Pan, a fate which surely you would not wish on me."

Polly laughed. "No. Goodbye, Sir G.o.dfrey."

"Goodbye, fair Viola. What a pity I never got to act Twelfth Night Twelfth Night with you, though perhaps it's just as well. I should have hated to find myself playing Malvolio, smiling and cross-gartered. And sadly mistaken in thinking the lady cared for him." with you, though perhaps it's just as well. I should have hated to find myself playing Malvolio, smiling and cross-gartered. And sadly mistaken in thinking the lady cared for him."

"Never," Polly said. "You could never play any part but Duke Orsino."

He clutched his chest dramatically. "Oh, to be twenty-five again!" He pushed her onto the escalator. "Now, begone. Swiftly, that we may meet again. Sunday night at Notting's Gate when the Luftwaffe roars. Fail me not, fair maid! My life and your good name upon it!" he said and disappeared into the crowd before she could reply.

She hurried toward the Central Line platform. It was already twenty till. I'll never make it to Euston in time I'll never make it to Euston in time, she thought. Unless by some miracle it's late Unless by some miracle it's late.

It was, and it was a good thing-the sirens started up as the 7:55 was pulling out of the station. But even though they'd escaped that, they still spent most of the night stopped due to raids, and most of Sat.u.r.day forced onto sidings by troop trains, which meant she missed the train from Leamington. The next one wasn't till morning. "There's was pulling out of the station. But even though they'd escaped that, they still spent most of the night stopped due to raids, and most of Sat.u.r.day forced onto sidings by troop trains, which meant she missed the train from Leamington. The next one wasn't till morning. "There's nothing nothing tonight?" tonight?"

The ticket agent shook his head. "The war, you know."

And if the morning train was delayed like the one she'd just been on, she wouldn't make it to Backbury till Monday afternoon, by which time Merope would have left for Oxford to check in. Or would have gone back altogether. "Is there a bus to Backbury?"

The agent consulted a different schedule. "There's a bus to Hereford, and another that leaves for Backbury from there tomorrow morning at seven."

It would mean spending the night in the station in Hereford, but at least she would be in Backbury by Sunday, not Monday, and, unlike a train, a bus couldn't be shunted onto a siding for hours while a succession of troop trains pa.s.sed.

It could, however, be stopped at railway crossings while those same troop trains crawled by. And at roadblocks, where overzealous Home Guard officers insisted on checking everyone's papers. She needn't have worried about spending the night in the station. It was nearly seven in the morning before they reached Hereford.

The bus for Backbury was stopped by a troop train only once and for only half an hour. When the driver called out "Backbury," it was just a bit after eight. "What time's the next bus from here back to Hereford?" Polly asked as she got off.

"Twenty past five."

"In the afternoon?" afternoon?"

"Only two buses a day on Sunday. The war, you know."

Yes, I do know. But at least there was a train from Backbury. She was glad she'd checked the ABC and found out when it went. Taking the 11:19 would get her back to London far faster than the bus. If she could get to the manor and back in three hours.

And if she could find it. The driver had stopped among a small huddle of shops and cottages. She couldn't see a manor house. Or a railway station. She turned back to ask the bus driver, "Can you direct me to the manor?" but he'd already shut the door and was pulling away.

I'll have to ask one of the villagers, she thought, but there was no one in sight. They might be in church. It was was Sunday, and even if Backbury didn't have an early ma.s.s, the local equivalent of Mrs. Wyvern might be there arranging the altar flowers. But when she pushed open the door and looked in the sanctuary, she couldn't see anyone. "Hullo?" she called. "Anyone there?" Sunday, and even if Backbury didn't have an early ma.s.s, the local equivalent of Mrs. Wyvern might be there arranging the altar flowers. But when she pushed open the door and looked in the sanctuary, she couldn't see anyone. "Hullo?" she called. "Anyone there?"

The only response was a distant whistle. So I know which direction the railway station is So I know which direction the railway station is, she thought, going back outside and following the sound and the plume of smoke. She arrived at the station platform in time to see a troop train race by at top speed.

Why couldn't they have moved that quickly last night? she thought, walking over to the station, though it could hardly be called that. It was no larger than a potting shed. There was probably no point in knocking, but when she did, there was the sound of a cough and then a shuffle and an unshaven and obviously hungover-or drunken-man opened the door. she thought, walking over to the station, though it could hardly be called that. It was no larger than a potting shed. There was probably no point in knocking, but when she did, there was the sound of a cough and then a shuffle and an unshaven and obviously hungover-or drunken-man opened the door.

"I beg your pardon, sir," Polly said, taking a step back so he didn't fall on her. "Can you direct me to the manor?"

"Manor?" he said, weaving and squinting blearily at her. Definitely drunk.

"Yes. Can you tell me how to get there?"

He waved vaguely. "Road just beyond the church."

"Which way?"

"Only goes one way," he said and would have shut the door if she hadn't grabbed it and held it open.

"I'm looking for someone who works at the manor. One of the maids. Her name's Eileen. She cared for the evacuees at the manor. She has red hair and-"

"Evacuees?" he said, his eyes narrowing. "You ain't here about those b.l.o.o.d.y Hodbin brats, are you?"

Hodbin? That was the name of the evacuees who'd given Merope so much trouble.

"You'd better not be bringin' 'em back."

"I'm not. Does Eileen still work at the manor?" she asked, but he'd already slammed the door, and it would have been on her hand if she hadn't s.n.a.t.c.hed it away at the last second. "Can you tell me how far it is?" she called through the door, but got no answer.

It can't be that far. Merope walked it, Polly thought, going back to the church and then along the road beyond it. It was more a lane than a road-and the sort of lane that looked as if it would peter out in the middle of a field-but there was nothing else resembling either a road or a lane, and it led only south. It was also rutted with tire tracks, and Merope had been going to take driving lessons.

But it sounded from what the station agent had said that the Hodbins were no longer here, and if the evacuees had gone home, Eileen would have, too. From what Eileen had said, though, the Hodbins might have been sent home in disgrace. Or shipped off to a reform school.

The lane led past a hayfield and then into woods. There was a scent of rain in the air. Rain Rain, Polly thought. That's all I need. Merope had better be here, after all this That's all I need. Merope had better be here, after all this.

Where was the manor? Polly'd already come at least a mile, and there was still no gateway, or, in spite of all the tire tracks, a vehicle in which she could catch a ride. There were only woods. And more woods.

Merope-correction, Eileen; she had to remember to call her Eileen-had said her drop site was in the woods, near the manor house. If she wasn't there, perhaps Polly could still find it, though if she'd gone back it would no longer be working.

The lane curved to the left. It can't be much farther It can't be much farther, Polly thought, trudging along the ruts, but there was still no sign of a manor house through the woods, or any other house, for that matter, and the lane seemed to be narrowing. And ahead, the woods had been fenced off with barbed wire.

It is is going to peter out in a field going to peter out in a field, she thought. I must have come the wrong way I must have come the wrong way.

No, wait, there was the manor's gateway ahead, with its stone pillars and wrought-iron gate. And a sentry box, complete with a bar to keep vehicles out. And a uniformed sentry.

"State your name and business," he said.

"I'm Miss Sebastian. I was looking for someone, but I must have come the wrong way. I was trying to find the manor."

"This is it. Or was. Now it's the Royal Riflery Training School."

And it was a good thing she hadn't tried to find the drop on her own. She might have been shot. "When-how long has the school been here?"

"I'm afraid you'll have to ask Lieutenant Heffernan that. I've only been here two weeks."

"You don't know if any of the staff stayed on after the manor was taken over, do you?"

"You'll have to ask Lieutenant Heffernan." He stepped back into the sentry box and picked up the telephone. "A Miss Sebastian to see Lieutenant Heffernan. Yes, sir," he said. He hung up and came back out. "You're to go up." He raised the bar so she could pa.s.s through. "Follow the drive up to the house and ask for Operations." He handed her a pasteboard visitor's pa.s.s. "It's just through there," he said, pointing between a pair of new-looking barracks.

"Thank you," Polly said and started up the gravel drive, even though there was no point. Merope's a.s.signment had obviously ended with the takeover of the manor. Unless the remaining evacuees had been transferred to another village and she'd gone with them. But Lieutenant Heffernan couldn't tell her anything about the evacuees.

"I didn't arrive till after the school was in operation," he said.

"When did the Army take over the manor?"

"August, I believe."

August. "Did any of the staff stay on here?"

"No. Some of them may have gone with the lady of the manor. I believe she went to stay with friends."

In which case she'd only have taken her personal maid and chauffeur.

"I can give you her ladyship's address," he said, looking through a stack of papers. "It's here somewhere..."

"No, that's all right. Do you know if the evacuees who were here returned home or were billeted somewhere else?"

"I'm afraid I don't. I believe Sergeant Tilson was here then. He might be able to help."

But Sergeant Tilson hadn't been there either. "I didn't come till September fifteenth, and the evacuees had already gone back to their parents by then."

"To their parents? In London?"

He nodded.

Then Merope definitely hadn't gone with them. "What about the staff?"

"From what Captain Chase said, they went home to their families as well."