Blackberry Wine Part 24

For a while that seemed enough.

320.

62.SOCW. SOON. THEY WERE IN EVERYTHING NOW, THE SPECIALS - IN.

the air, the ground, the lovers; he lying on his bed, staring at the ceiling; she asleep, her face turned into the pillow like a child's, her bright hair a pennant against the linen. More potent than ever now, I could feel them, hear their eager voices urging, coaxing. Soon, they whispered. It has to be soon. It has to be now.

Jay looked at Marise asleep beside him. She looked trusting, secure. She murmured something quiet and wordless in her sleep. She smiled. Jay pulled the blanket closer around her and she buried her face in it with a long sigh.

Jay watched her and thought about the morning. There must be something he could do. He could not let her lose the farm. He could not abandon Lansquenet to developers. The film crew was arriving tomorrow. That gave him what? Six hours? Seven?

To do what? What could he do in seven hours? Or seventy, for that matter? What could anyone do?

Joe couJd do something.

The voice was almost familiar. Cynical, hearty, a little amused.

You know he coujd.

Sure. He almost spoke aloud. But Joe was dead. Grief surprised him again, as it always did when he thought of Joe. Joe was dead. No more magic. Like the Specials, it had finally run out for good.

321.

Tho never did have much sense, lad.

This time it really was Joe's voice. For a second his heart leaped, but he realized that Joe's voice was in his mind, in his memory. Joe's presence - his real, independent presence - was gone. This was just a subst.i.tute. A game. A conceit, like whistling in the dark.

Remember the Specials, I telled you. Don't you remember?'Of course I do,' whispered Jay helplessly. 'But there are no Specials any more. They're all gone. I finished them. I wasted them on trivial stuff, like getting people to tell me things. Like getting Marise--'

Why don't you b.l.o.o.d.y listen? Joe's voice, if it was Joe's voice, was everywhere now - in the air, in the light from the dying embers, in the glow of her hair spread out across the pillow. Where were you when I was teaching you all those times at Pog Hill? Didn't you learn anything?

'Sure.' Jay shook his head, puzzled. 'But without Joe none of that stuff works any more. Like that last time at Pog Hill--'

From the walls, laughter. The air was rich with it. A phantom scent of apples and smoke seemed to rise from the coals. The night sparkled.

Put your hand often enough in a wasps' nest, said Joe's voice, and you're going to get stung. Even magic won't stop that. Even magic doesn't go against nature. You've got to give magic a hand sometimes, Jail. Give it summat to use. A chance to work for itself. You've got to create the right conditions for magic to work.

'But I had the talisman. I believed--'

Never needed any talisman, replied the voice. You could have helped yourself. You could have fought back, couldn't you? But no. All you did was run away. Call that faith? Sounds like plain daft to me. So don't come that faith bulls.h.i.t with me.

Jay thought about that for a moment.

You've already got all you need, continued the voice cheerily. It's inside you, lad. AJIus has been. You don't need some old bloke's home-brew to do that work for you. You can do it all on your own.

'But I can't-'

No such b.l.o.o.d.y word, lad, said the voice. No such b.l.o.o.d.y word.

Then the voices were gone, and suddenly his head was ringing, not with dizziness but with sudden clarity. He knew what he had to do.

Six hours, he told himself. He had no time to lose.

NO-ONE SAW HIM LEAVE THE HOUSE. NO-ONE WAS WATCHING.

Even if they were no-one would question his presence, or find it odd. Nor was the deep basket of herbs which he carried in any way unusual. The broad-leaved plants which filled it might be a present for someone, a gift for a flagging garden. Even the fact that he was muttering something under his breath, something which sounded a little like Latin, would not surprise them. He was, after all, English, therefore a little crazy. Un peu fada. Monsieur Jay.

He found he remembered Joe's perimeter ritual very well indeed. There was no time to make incense, nor to prepare any new sachets, but he did not think that mattered now.

Even he could sense the Specials around him, hear their whispering voices, their fairground laughter. He took the seedlings carefully from the cold frame, as many as he could carry, along with a trowel and a tiny fork. He planted them at intervals on the roadside. He planted several at the intersection with the Toulouse road, two more at the stop sign, two more on the road to Les Marauds. Fog, Lansque- net's special fog, which rolls off the marshes and into the vineyards, rose about him like a bright sail in the early sun.

Jay Mackintosh hurried on his circuit, half running in his haste to make the deadline, planting Joe's tuberosa rosifea wherever there was a branch in the road, a gateway, a sign.

He turned round roadsigns or covered them with greenery when he could not dig them out of the soil. He removed 323.

Georges' and Lucien's welcome placard altogether. By the time he had finished there was not a single signpost for Lansquenet-sous-Tannes remaining. It took him almost four hours to complete the fourteen-mile circuit, looping around the village towards the Toulouse road, then back across Les Marauds. By the end he was exhausted. His head ached, his legs felt shaky as stilts. But he had finished.

It was done.

As Joe hid Pog Hill Lane, he thought in triumph, he had hidden the village of LansquenetsousTannes.

Marise and Rosa had gone by the time he got back. The sky began to lighten. The mist cleared.

324.

IT WAS ELEVEN O'CLOCK BEFORE KERRY ARRIVED. CRISP AND COOL.

in a white blouse and grey skirt, her doc.u.ment case in one hand. Jay was waiting for her.

'Good morning, Jay.'

'You're back.'

She looked over his shoulder into the room, noting the empty gla.s.ses and the wine bottles.

'We should have started earlier,' she said, 'but would you believe it? We got lost in the fog. Great blankets of white fog, just like the dry ice at a heavy-metal concert.' She laughed. 'Can you imagine? Half a day wasted already. And on our budget. I'm still waiting for the camera crew. Seems they took some kind of a wrong turning and ended up halfway back to Agen. These roads. It's a good thing I already knew the way.'

Jay looked at her. It hadn't worked, he thought bleakly. In spite of everything, in spite of his faith.

'So you're still going ahead with it?'

'Well, of course I'm going ahead,' replied Kerry impatiently.

'It's too good an opportunity to miss.' She examined her nails. 'You're a celebrity. When the book comes out I can show the world where you got your inspiration.' She smiled brightly. "It's such a wonderful book,' she added.

'It's going to be a terrific success. If anything, it's even better than fackapple Joe.'

Jay nodded. She was right, of course. Pog Hill and Lansquenet; two sides of the same tarnished coin. Both sacrificed, each in its own way, to the writing career of Jay Mackintosh. After publication the place just wouldn't be the same. Inevitably, he would move on. Narcisse, Josephine, Briancon, Guillaume, Arnauld, Roux, Poitou, Rosa even Marise - all reduced to the status of words on a page, glib fictions to be pa.s.sed over and forgotten, while in his absence, the developers moved in, planning and demolishing, rethinking and modernizing . . .

'I don't know why you're looking like that,' said Kerry.

'After all, you've got the Worldwide contract. That's a very generous sum you're looking at. More than generous. Or am I being vulgar?'

'Not at all.' A most peculiar feeling of calm, almost of drunkenness, was beginning to steal over him. His head felt as if it were filled with bubbles. The yeasty air seethed and hissed.

'They must want you very much,' remarked Kerry.

'Yes,' said Jay slowly. 'I think they do.'

Put your hand often enough in a wasps' nest, Joe had said, and you're going to get stung. Even magic won't stop that. You've got to give magic a hand sometimes, lad. Give it summat to use . . . the right conditions.

That was it, he thought dazedly. So simple. So ... simple.

Jay laughed. All at once his head was full of light. He could smell smoke and swampy water and the sweet heady scent of ripe blackberries. The air was elderflower champagne.

He knew Joe was with him, that Joe had never left.

Not even in '77. Joe had never left. He could almost see him standing by the door in his old pit cap and boots, grinning in that way he had when he was especially pleased with something, and though Jay knew it was in his imagination, he knew it was real, too. Sometimes real and imaginary are the same thing after all.

Two paces took him to the bed where the ma.n.u.script and the Worldwide contracts were still lying in their box. He pulled it out. Kerry turned towards him curiously.

326.

'What are you doing?'

Jay picked up the ma.n.u.script in his arms and began to laugh.

'Do you know what this is?' he asked her. 'It's the only copy I have of the book. And this' - holding out the signed contract for her to see - 'is the paperwork. Look. It's all completed. Ready to be sent off.'

'Jay, what are you doing?' Her voice was sharp.

Jay grinned and took a step towards the fireplace.

'You can't-' began Kerry.

Jay looked at her.

'No such b.l.o.o.d.y word,' he said.

And behind Kerry's sudden shriek he thought he could hear the sound of an old man's chuckle.

She shrieked because she suddenly knew what he was going to do. It was crazy, ridiculous, the kind of impulse to which he had never been p.r.o.ne, and yet there was also a strange light in his eyes which had never been there before.

As if someone had lit a fuse. His face was illuminated. He took the contracts in his hands, crumpled them and pushed them into the back of the grate. Then he began to do the same with the pages of the typescript. The paper began to catch, first crisping, then turning brown, then leaping into gleeful flame. The air was whirling with black b.u.t.terflies.

'What are you playing at?' Kerry's voice rose shrilly, 'Jay, what the f.u.c.k are you doing now?'

He grinned at her, breathless with laughter.

'What do you think? Wait a day or two, till you can get in touch with Nicky, and you'll be sure.'

'You're crazy,' said Kerry sharply. 'You're not going to make me believe you don't have copies of that typescript.

Plus the contracts can be replaced-'

'Sure they can.' He was relaxed, smiling. 'But it isn't going to be replaced. None of it is. And what use to anyone is a writer who never writes? How long can you sustain public interest in that? What's it worth? What am I worth without it?'

Kerry looked at him. The man who left six months ago was unrecognizable. The old Jay was vague, sullen, directionless.

This man was driven, illuminated. His eyes were shining. In spite of what he was throwing away - stupid, criminal, mad - he looked happy.

'You really are crazy,' she said in a strangled voice.

Throwing everything away - and for what? Some gesture?

It isn't you, Jay. I know you. You'll regret it.'

Jay just looked at her, smiling a little. Patiently.

'I don't see you staying here beyond a year.' Behind the scorn her voice was shaking. 'What are you going to do?

Run the farm? You've hardly any money. You've blown it all on this place. What will you do when the money runs out?'

"I don't know.' His tone was cheery, indifferent. 'Do you care?'

No!'

He shrugged. 'You'd better page your film crew and tell them to meet you somewhere else,' he told her quietly.

'There's no story for you here. Better try Le Pinot, just across the river. I'm sure you'll get something suitably upbeat and entertaining there.'

She stared at him, amazed. Just for a moment she thought she smelt something, a strange, vivid scent of sugar and apples and blackberry jelly and smoke. It was a nostalgic scent, and for a second she could almost understand why Jay loved this place so much, with its little vineyards and its apple trees and its roaming goats on the marsh flats. For that instant she was a little girl again, with her grandmother in the kitchen making pies and the wind from the coast making the telephone wires sing. Somehow, she felt the scent was a part of him, something which clung to him like old smoke, and as she looked at him for a moment he looked glided somehow, as if lit from behind, filaments of brightness shooting from his hair, his clothes. Then the scent was gone, the light was gone, and there was nothing but the staleness of the unaired room and the dregs of the wine on the table in front of them. Kerry shrugged.

'It's your loss,' she said sullenly. 'Do what you like.'

He nodded. 'And the series?'

'I might just drive out to Le Pinot,' she said. "Georges Clairmont tells me there was a production of Clochemerie filmed there recently. It might make a decent feature.'

He smiled. 'Good luck, Kerry.'

WHEN SHE HAD GONE HE WASHED AND PUT ON A CLEAN T-SHIRT.

and jeans. He considered for a moment what to do next.

Even now there were no certainties. In life, the happy ending is never a.s.sured. Around us now the house was absolutely still. The buzz of energy which permeated the walls had vanished.. No phantom scent of sugar and smoke remained. Even the cellar was quiet, the bottles of wine new wine, Sauternes and Saint-Emilion and a dozen young Anjou - still and silent. Waiting.

329.