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[Footnote 1: A few particulars of this "most remarkable and amiable man," the well-known author of "Essays of Elia, Rosamund Gray, Poems", and other works, will interest most readers of the "Biographia".
He was born on the 18th of February, 1775, in the Inner Temple; died 27th December, 1834, about five months after his friend Coleridge, who continued in habits of intimacy with him from their first acquaintance till his death in July of the same year. In "one of the most exquisite of all the Essays of Elia," "The Old Benchers of the Middle Temple"
("Works", vol. ii, p. 188), Lamb has given the characters of his father, and of his father's master, Samuel Salt. The few touches descriptive of this gentleman's "unrelenting bachelorhood"--which appears in the sequel to have been a persistent mourner-hood--and the forty years' hopeless pa.s.sion of mild Susan P.--which very permanence redeems and almost dignifies, is in the author's sweetest vein of mingled humour and pathos, wherein the latter, as the stronger ingredient, predominates.
Mr. Lamb never married, for, as is recorded in the Memoir, "on the death of his parents, he felt himself called upon by duty to repay to his sister [a] the solicitude with which she had watched over his infancy. To her, from the age of twenty-one he devoted his existence, seeking thenceforth no connection which could interfere with her supremacy in his affections, or impair his ability to sustain and to comfort her."
[[Sub-footnote a: "A word Timidly uttered, for she "lives", the meek, The self-restraining, the ever kind."
From Mr. Wordsworth's memorial poem to her brother. P. W. V. P. 333.]]
Mr. Coleridge speaks of Miss Lamb, to whom he continued greatly attached, in these verses, addressed to her brother:
"Cheerily, dear Charles!
Thou thy best friend shall cherish many a year; Such warm presages feel I of high hope!
For not uninterested the dear maid I've viewed--her soul affectionate yet wise, Her polished wit as mild as lambent glories That play around a sainted infant's head."
(See the single volume of Coleridge's Poems, p. 28.)
Mr. Lamb has himself described his dear and only sister, whose proper name is Mary Anne, under the t.i.tle of "Cousin Bridget," in the Essay called "Mackery End", a continuation of that ent.i.tled "My Relations", in which he has drawn the portrait of his elder brother. "Bridget Elia," so he commences the former, "has been my housekeeper for many a long year.
I have obligations to Bridget, extending beyond the period of memory. We house together, old bachelor and maid, in a sort of double singleness; with such tolerable comfort upon the whole, that I, for one, find in myself no sort of disposition to go out upon the mountains, with the rash king's offspring, to bewail my celibacy."--("Works", vol. ii, p.
171.) He describes her intellectual tastes in this essay, but does not refer to her literary abilities. She wrote "Mrs. Leicester's School", which Mr. C. used warmly to praise for delicacy of taste and tenderness of feeling.
Miss Lamb still survives, in the words of Mr. Talfourd, "to mourn the severance of a life-long a.s.sociation, as free from every alloy of selfishness, as remarkable for moral beauty, as this world ever witnessed in brother and sister. "I have felt desirous to place in relief, as far as might be, such an interesting union--to show how blest a fraternal marriage may be, and what sufficient helpmates a brother and sister have been to each other. Marriages of this kind would perhaps be more frequent but for the want of some pledge or solid warranty of continuance equivalent to that which rivets wedlock between husband and wife. Without the vow and the bond, formal or virtual, no society, from the least to the greatest, will hold together. Many persons are so const.i.tuted that they cannot feel rest or satisfaction of spirit without a single supreme object of tender affection, in whose heart they are conscious of holding a like supremacy,--who has common hopes, loves, and interests with themselves. Without this the breezes do not refresh nor the sunbeams gladden them. A "share" in ever so many kind hearts does not suffice to their happiness; they must have the whole of one, as no one else has any part of it, whatever love of another kind that heart may still reserve for others. There is no reason why a brother and sister might not be to each other this second-self--this dearer half--though such an attachment is beyond mere fraternal love, and must have something in it "of choice and election," superadded to the natural tie: but it is seldom found to exist, because the durable cement is wanting--the sense of security and permanence, without which the body of affection cannot be consolidated, nor the heart commit itself to its whole capacity of emotion. I believe that many a brother and sister spend their days in uncongenial wedlock, or in a restless faintly expectant-singlehood, who might form a "comfortable couple" could they but make up their minds early to take each other for better for worse.
Two other poems of Mr. C. besides the one in which his sister is mentioned, are addressed to Mr. Lamb--"This Lime-tree-bower my Prison", and the lines "To a Friend, who had declared his intention of writing no more Poetry".--("Poetical Works", i, p. 201 and p. 205.) In a letter to the author ("Ainger", i, p. 121), Lamb inveighs against the soft epithet applied to him in the first of these. He hoped his ""virtues" had done "sucking""--and declared such praise fit only to be a "cordial to some greensick sonnetteer."
"Yes! they wander on In gladness all; but thou, methinks, most glad, My "gentle-hearted" Charles! for thou hast pined And hungered after nature, many a year, In the great city pent, winning thy way With sad yet patient soul through evil and pain And strange calamity."
In the next poem he is called "wild-eyed boy." The two epithets, "wild-eyed" and "gentle-hearted," will recall Charles Lamb to the minds of all who knew him personally. Mr. Talfourd seems to think that the special delight in the country, ascribed to him by my father, was a distinction scarcely merited. I rather imagine that his indifference to it was a sort of "mock apparel" in which it was his humour at times to invest himself. I have been told that, when visiting the Lakes, he took as much delight in the natural beauties of the region as might be expected from a man of his taste and sensibility. [b]
[[Sub-footnote b:
"Thou wert a scorner of the field, my Friend, But more in show than truth."
From Mr. W.'s poem "To a good man of most dear memory", quoted in p.
323.]]
Mr. Coleridge's expression, recorded in the "Table Talk", that he "looked on the degraded men and things around him like moonshine on a dunghill, that shines and takes no pollution," partly alludes to that tolerance of moral evil, both in men and books, which was so much remarked in Charles Lamb, and was, in so good a man, really remarkable.
His toleration of it in books is conspicuous in the view he takes of the writings of Congreve and Wycherley, in his essay on the artificial comedy of the last century ("Works", vol. ii, p. 322), and in many of his other literary criticisms. His toleration of it in men--at least his faculty of merging some kinds and degrees of it in concomitant good, or even beholding certain errors rather as objects of interest, or of a meditative pity and tenderness, than of pure aversion and condemnation, Mr. Talfourd has feelingly described in his "Memoir" (vol. ii, p.
326-9), "Not only to opposite opinions," he says, "and devious habits of thought was Lamb indulgent; he discovered the soul of goodness in things evil so vividly, that the surrounding evil disappeared from his mental vision." This characteristic of his mind is not to be identified with the idolizing propensity common to many ardent and imaginative spirits.
He "not only loved his friends in spite of their errors," as Mr.
Talfourd observes, "but loved them, "errors and all";" which implies that he was not unconscious of their existence. He saw the failings as plainly as any one else, nay, fixed his gentle but discerning eye upon them; whereas the idolizers behold certain objects in a bedarkening blaze of light, or rather of light-confounding brightness, the multiplied and heightened reflection of whatever is best in them, to the obscurity or trans.m.u.tation of all their defects. Whence it necessarily follows that the world presents itself to their eyes divided, like a chess-board, into black and white compartments--a moral and intellectual chequer-work; not that they love to make darkness, but that they luxuriate too eagerly in light: and their "over-muchness" toward some men involves an over-littleness towards others, whom they involuntarily contrast, in all their poor and peccant reality, with gorgeous idealisms. The larger half of mankind is exiled for them into a hemisphere of shadow, as dim, cold, and negative as the unlit portion of the crescent moon. Lamb's general tendency, though he too could warmly admire, was in a different direction; he was ever introducing streaks and gleams of light into darkness, rather than drowning certain objects in floods of it; and this, I think, proceeded in him from indulgence toward human nature rather than from indifference to evil. To his friend the disposition to exalt and glorify co-existed, in a very remarkable manner, with a power of severe a.n.a.lysis of character and poignant exhibition of it,--a power which few possess without exercising it some time or other to their own sorrow and injury. The consequence to Mr.
Coleridge was that he sometimes seemed untrue to himself, when he had but brought forward, one after another, perfectly real and sincere moods of his mind.
In his fine poem commemorating the deaths of several poets, Mr.
Wordsworth thus joins my father's name with that of his almost life-long friend:
"Nor has the rolling year twice measured, From sign to sign, its steadfast course, Since every mortal power of Coleridge Was frozen at its marvellous source; The rapt One of the G.o.dlike forehead, The heaven-eyed creature sleeps in earth; And Lamb, the frolic and the gentle, Has vanished from his lonely hearth."
S. C. Footnote 1 ends: main text resumes:]
Numerous retrospective notices by himself and others exist of this period; but none of his really boyish letters have been preserved. The exquisite Essay int.i.tled, "Christ's Hospital five and thirty years ago", by Lamb, is princ.i.p.ally founded on that delightful writer's recollections of the boy Coleridge, and that boy's own subsequent descriptions of his school days. Coleridge is Lamb's "poor friendless boy."--"My parents and those who should care for me, were far away.
Those few acquaintances of theirs, which they could reckon upon being kind to me in the great city, after a little forced notice, which they had the grace to take of me on my first arrival in town, soon grew tired of my holiday visits. They seemed to them to recur too often, though I thought them few enough; and, one after another, they all failed me, and I felt myself alone among six hundred playmates. O the cruelty of separating a poor lad from his early homestead! The yearnings which I used to have toward it in those unfledged years! How, in my dreams would my native town, far in the west, come back with its church, its trees, and faces! How I would wake weeping, and in the anguish of my heart exclaim upon sweet "Calne in Wiltshire!""
Yet it must not be supposed that Coleridge was an unhappy boy. He was naturally of a joyous temperament, and in one amus.e.m.e.nt, swimming, he excelled and took singular delight. Indeed he believed, and probably with truth, that his health was seriously injured by his excess in bathing, coupled with such tricks as swimming across the New River in his clothes, and drying them on his back, and the like. But reading was a perpetual feast to him. "From eight to fourteen," he writes, "I was a playless day-dreamer, a "h.e.l.luo librorum", my appet.i.te for which was indulged by a singular incident: a stranger, who was struck by my conversation, made me free of a circulating library in King Street, Cheapside."--"Here," he proceeds, "I read through the catalogue, folios and all, whether I understood them, or did not understand them, running all risks in skulking out to get the two volumes which I was ent.i.tled to have daily. Conceive what I must have been at fourteen; I was in a continual low fever. My whole being was, with eyes closed to every object of present sense, to crumple myself up in a sunny comer, and read, read, read,--fancy myself on Robinson Crusoe's island, finding a mountain of plum-cake, and eating a room for myself, and then eating it into the shapes of tables and chairs--hunger and fancy!"--"My talents and superiority," he continues, "made me for ever at the head in my routine of study, though utterly without the desire to be so; without a spark of ambition; and as to emulation, it had no meaning for me; but the difference between me and my form-fellows, in our lessons and exercises, bore no proportion to the measureless difference between me and them in the wide, wild, wilderness of useless, unarranged book knowledge and book thoughts. Thank Heaven! it was not the age for getting up prodigies; but at twelve or fourteen I should have made as pretty a juvenile prodigy as was ever emasculated and ruined by fond and idle wonderment. Thank Heaven! I was flogged instead of being flattered.
However, as I climbed up the school, my lot was somewhat alleviated."
CHAPTER II
CAMBRIDGE AND PANTISOCRACY
(1791 to 1795)
Come back into memory, like as thou wert in the day-spring of thy fancies, with Hope like a fiery column before thee--the dark pillar not yet turned--Samuel Taylor Coleridge--Logician, Metaphysician, Bard!--
S. T. Coleridge entered at Jesus College, Cambridge, the 5th of February, 1791. [He did not go into residence till October 1791.]
The poems he wrote about this time and during his first vacation at College are rather conventional, and give few indications of his future deft handling of verse. His "Mathematical Problem" sent to his brother George, is a piece of droll nonsense, but the letter accompanying it is much better than the verse. It reads as follows:
LETTER 6. TO GEORGE COLERIDGE, WITH A POEM ENt.i.tLED "A MATHEMATICAL PROBLEM"
Dear Brother,
I have often been surprised that Mathematics, the quintessence of Truth, should have found admirers so few and so languid. Frequent consideration and minute scrutiny have at length unravelled the cause; viz. that though Reason is feasted, Imagination is starved; whilst Reason is luxuriating in its proper Paradise, Imagination is wearily travelling on a dreary desert. To a.s.sist Reason by the stimulus of Imagination is the design of the following production. In the execution of it much may be objectionable. The verse (particularly in the introduction of the ode) may be accused of unwarrantable liberties, but they are liberties equally h.o.m.ogeneal with the exactness of Mathematical disquisition, and the boldness of Pindaric daring. I have three strong champions to defend me against the attacks of Criticism: the Novelty, the Difficulty, and the Utility of the work. I may justly plume myself that I first have drawn the nymph Mathesis from the visionary caves of abstracted idea, and caused her to unite with Harmony. The first-born of this Union I now present to you; with interested motives indeed--as I expect to receive in return the more valuable offspring of your Muse.
Thine ever S. T. C.
Christ's Hospital, March 31, 1791. [1]
[Footnote 1: Letters VIII-x.x.xI follow No. 6 of our collection.]
The piece of doggerel, to which this epistle is a preface, will be found in vol. ii, p. 386, of the Aldine Edition of Coleridge's Poems.
Coleridge's brother George also wrote verses, and "Mathematical Problem"
is just one of the cantrips in verse that pa.s.sed between the brothers.]
He gained Sir William Browne's gold medal for the Greek Ode in the summer of that year. It was on the Slave Trade. The poetic force and originality of this Ode were, as he said himself, much beyond the language in which they were conveyed. In the winter of 1792-3 he stood for the University (Craven) Scholarship with Dr. Keate, the late head-master of Eton, Mr. Beth.e.l.l (of Yorkshire) and Bishop Butler, who was the successful candidate. In 1793 he wrote without success for the Greek Ode on Astronomy, the prize for which was gained by Dr. Keate. The original is not known to exist, but the reader may see what is probably a very free version of it by Mr. Southey in his Minor Poems. ("Poetical Works", vol. ii, p. 170.) "Coleridge"--says a schoolfellow [1] of his who followed him to Cambridge in 1792, "was very studious, but his reading was desultory and capricious. He took little exercise merely for the sake of exercise: but he was ready at any time to unbend his mind in conversation; and, for the sake of this, his room, (the ground-floor room on the right hand of the staircase facing the great gate,) was a constant rendezvous of conversation-loving friends. I will not call them loungers, for they did not call to kill time, but to enjoy it. What evenings have I spent in those rooms! What little suppers, or "sizings", as they were called, have I enjoyed; when Aeschylus, and Plato, and Thucydides were pushed aside, with a pile of lexicons and the like, to discuss the pamphlets of the day. Ever and anon a pamphlet issued from the pen of Burke. There was no need of having the book before us;--Coleridge had read it in the morning, and in the evening he would repeat whole pages "verbatim"."--"College Reminiscences, Gentleman's Mag"., Dec. 1834.