Big Jack Part 15

"Well, my G.o.d." As it struck home, Samantha squeezed her eyes shut. "I never thought of it. Never considered it."

"Or the person who killed Andrea Jacobs and Tina Cobb may be connected to Crew. It may be his son, who's decided he wants to get back what he feels belonged to his father."

"We always a.s.sumed . . . Everything my grandparents found out about Judith showed, clearly showed, she was doing everything she could to give her son a normal life. We a.s.sumed she succeeded. Just because his father was a murderer, a thief, a son of a b.i.t.c.h, doesn't mean the child took on his image. I don't believe we work that way, Lieutenant. That we're genetically fated. Do you?"

"No." She glanced at Roarke. "No, I don't. But I do believe, whatever their parentage, some people are just born bad."

"What a happy thought," Roarke murmured.

"Not finished. However we're born, we end up making choices. Right ones, wrong ones. I need to find Westley Crew and determine what choices he made. This needs to be closed out, Samantha. It needs to end."

"They'll never forgive themselves. If somehow this has come full circle and struck out at me, my grandparents will never forgive themselves for making the choice they made all those years ago."

"I hope they're smarter than that," Roarke said. "They made a choice, for a child they didn't even know. If that child made choices as a man, it's on him. What we do with our lives always is."

They left together, with Eve bouncing the new information in her head until she formed patterns. "I need you to find them," she said to Roarke.

"Understood."

"Coincidence happens, but mostly it's bulls.h.i.t. I'm not buying that some guy read Gannon's book and got a hard-on for missing diamonds and decided to kill a couple of women in order to find them. He's got an investment in them, a connection to them. The book set it off, but the connection goes further back. How long before the book came out did the hype for it start?"

"I'll find out. There will also be a list of some sort of people, reviewers, accounts and so forth, that were sent advance copies. You have to add word of mouth to that, I'm afraid. People the editorial staff, publicity and others might have spoken to."

"We've got this great book coming out," Peabody began. "It's about this diamond heist right here in New York."

"Exactly so. The man you're looking for might have heard of it over drinks somewhere. Might have an acquaintance or attended a party with one of the editors, a reviewer, someone in sales who spoke about it."

"Won't that be fun to wade through? Get me the list," she repeated as they stepped out into the lobby. "And let me know who you put on her, security-wise. I want my people to know your people. Oh, and I need two box seats, Mets game."

"Personal use or bribe?"

"Bribe. Please, you know I'm a Yankees fan."

"What was I thinking. How do you want them?"

"Just send the authorization to d.i.c.khead at the lab. Berenski. Thanks. I gotta book."

"Kiss me goodbye."

"I already kissed you goodbye this morning. Twice."

"Third time lucky." He planted his lips firmly on hers. "I'll be in touch, Lieutenant." He strolled out. Even before he hit the sidewalk a sleek black car pulled up to the curb, and a driver hopped out to open the door.

Like magic, Eve thought.

"I'd like to be in touch with him. Anytime. Anywhere. Any way."

Eve turned her head slowly. "Did you say something, Peabody?"

"Who, sir, me, sir? Nope. Absolutely not."

"Good."

[image]

She took the meeting with Mira next while Peabody ate lunch at her desk and updated the file. As far as food went, Eve figured Peabody had the better end of the stick.

The Eatery was always crowded, always noisy, no matter what the time of day. It made Eve think of a public school cafeteria, except the food was even worse and most of the people chowing down were armed.

Mira was there ahead of her and had a booth. She'd either gotten very lucky, Eve thought, or had used some clout to order one up earlier. Either way, a booth was a big step up from one of the tiny four-tops crammed together, or the counter service, where cop a.s.ses hung over the stingy stools.

Mira wasn't a cop-technically-and sure as h.e.l.l didn't look like one. She didn't, to Eve's mind, look like a criminologist, a doctor or a psychiatrist either. Though she was all of those.

What she looked like was a pretty, well-dressed woman who might be seen browsing the high-end shops along Madison.

She might've bought the suit in one of them. Surely only the very brave or very stylish would wear that lemon-foam shade in a city like New York, where grime just sprang up off the asphalt and clung to any available surface like a leech to flesh.

But the suit was spotless and looked cool and fresh. It set off the highlights in Mira's soft brown hair and made her eyes seem bluer. She wore a trio of long, thin, gold ropes with it where stones of a deeper yellow glinted like little pieces of sunlight.

She was drinking something out of a tall gla.s.s that looked as frosty as her suit, and smiled over the rim as Eve slid into the booth across from her.

"You look hot and harried. You should have one of these."

"What is it?"

"Delicious." Without waiting for Eve's a.s.sent, Mira ordered one from the comp menu bolted to the side of the booth. "How are you otherwise?"

"Okay." It always took Eve a moment to adjust when small talk was involved. And with Mira it wasn't exactly small talk. People made that when they didn't give a d.a.m.n one way or the other, and mostly, she a.s.sumed, to hear their own voices. Mira cared. "Good. Summerset's vacationing far, far away. Cheers me right up."

"He made a quick recovery from his injuries."

"He was still a little wobbly on the one pin, but yeah."

"And how is our newest detective?"

"She likes to sneak her badge out and grin at it a lot yet. And she manages to work the word 'detective' into a sentence several times a day. She's dressing really weird. Throws me off. Otherwise, she's jetting along with it."

Eve glanced at the drink that slid out of the serving slot. It did look pretty good. She took one cautious sip. "It tastes like your suit. Cool and summery and a little tart." She thought it over. "That probably sounded wrong."

"No." With a laugh, Mira sat back. "Thank you. A color like this? Completely impractical. That's why I couldn't resist it. I was just admiring your jacket, and how that wonderful shade of toast looks on you. It would turn my complexion muddy. And I just can't wear separates with the same panache as you."

"Separates?"

It took Mira a moment to realize such a basic fashion word baffled her favorite cop. "Jacket, pants, whatever, sold individually rather than as part of a unit, as a suit would be."

"Hah. Separates. How about that. And I always thought they were, you know, jacket, pants, whatever."

"My G.o.d, I would love love to go shopping with you." This time Mira's laugh flowed over the cranky noises of the Eatery. "And you look as if I've just stabbed you with my fork under the table. One day I'll rope you into it, but for now rather than ruin your appet.i.te, why don't I ask you how Mavis is doing?" to go shopping with you." This time Mira's laugh flowed over the cranky noises of the Eatery. "And you look as if I've just stabbed you with my fork under the table. One day I'll rope you into it, but for now rather than ruin your appet.i.te, why don't I ask you how Mavis is doing?"

"Good." Though Eve wasn't sure talking about pregnancy was any less of an appet.i.te blower than shopping. "You wouldn't know she was, ah, cooking anything in there if she didn't advertise it. She and Leonardo might rent blimp s.p.a.ce. He's designing her all kinds of pregnant-chick clothes, but I can't really tell the difference."

"Give them all my best. I know you want to get to business. Why don't we order first? I'm having a Greek salad. You can usually trust those here."

"Yeah, that's fine."

Mira ordered two from the menu. "Do you know I remember bits and pieces about the robbery at the Exchange? It was very big news at the time."

"How? You're too young."

"Now that that has set me up for the day. Actually, I was only, what . . . oh, how depressing. I'd've been about four, I suppose. But my uncle happened to be dating a woman who had a booth in the Exchange. She was a jewelry designer and was there, on the main floor, when the robbery happened. I remember hearing my parents talk about it, and when I was a bit older I developed such an interest in crime that I looked up the details. The family connection, however distant, added to the excitement for me." has set me up for the day. Actually, I was only, what . . . oh, how depressing. I'd've been about four, I suppose. But my uncle happened to be dating a woman who had a booth in the Exchange. She was a jewelry designer and was there, on the main floor, when the robbery happened. I remember hearing my parents talk about it, and when I was a bit older I developed such an interest in crime that I looked up the details. The family connection, however distant, added to the excitement for me."

"Is she still around? The designer?"

"I have no idea. It didn't work out between her and my uncle. I do know that she didn't know a thing until security shut the place down. She didn't know the inside man. At least that's what I got from my uncle when I asked him about it later. I could get you her name, I'm sure, if you want to try to track her down."

"I might, but it's probably the wrong direction. At least at this point. Tell me about the killer."

"Well. The act, the murders themselves, aren't his priority. They're a by-product. His victims and his methods are different, each suiting his needs at the time. He would be most interested in his own needs. The fact that they were both women, even attractive, isn't important. I doubt he has a spouse or serious relationship as either would interfere with his self-absorption. There was nothing s.e.xual, despite his romancing of Tina Cobb, and that romancing was not only a means to an end but on his own terms."

"Taking her places he preferred in order to show off his superior intellect and taste."

"Yes. There was nothing personal in either murder. He sees the big picture, from his own narrow view. Cobb could be utilized and exploited, and so she was. He plans and considers, so it follows that he knew he could kill her when her use to him ended. He knew her, set out to know her. He knew her face, the touch of her hand, the sound of her voice, may have been intimate with her physically if it moved him toward his goal, but there would be no personal connection for him."

"He destroyed her face."

"Yes, but not out of rage, not out of personal emotion. Out of self-preservation. Both murders were a result of his need to protect himself. He will remove, destroy, eliminate anything or anyone who gets in the way of his goal or his own personal safety."

"There was violence in his elimination of Cobb."

"Yes."

"He hurt her. To extract information?"

"Possibly, yes. More likely to attempt to mislead the police, to make them think it was a crime of pa.s.sion. It may have been both. He would have considered. He has time to consider. He took Cobb to crowded places, away from her own aegis. But his choices reflect a certain style. Art, theater, a trendy restaurant."

"Reflecting his aegis."

"He would want to be comfortable, yes." The first salad plate slid out, and Mira set it in front of Eve. "He entered Gannon's home when he knew she was out. He was careful to shut down the security, to take the disks. To protect himself. He brought a weapon-though he believed the house empty, he brought the knife. He prepares for eventualities, takes detours when necessary. He didn't attempt to make the break-in and murder appear to be a burglary gone wrong by taking away valuables."

"Because it had already been done? Because Alex Crew used that method with Laine Tavish?"

Mira took the second plate, smiled. "It reflects a powerful ego, doesn't it? 'I won't repeat, I'll create.' And a respect for art and antiques. He didn't vandalize, didn't destroy the artwork, the valuable furniture. He'd consider such a thing beneath him. He has knowledge of such things, likely owns such things himself. Certainly he aspires to. But if it was only aspiration, he would have taken what appealed to his sense of aesthetic or avarice. He's very focused."

"He's educated? Cultured?"

"Art galleries, museums, West Village theater?" Mira shrugged a shoulder. "He could have taken the girl to Coney Island, to Times Square, to a dozen places a young man of her same sphere might take a girl on a date. But he didn't."

"Because, like stealing art pieces or electronics, it would be beneath him to munch on a soy dog in Coney Island."

"Mmm." Mira nibbled on salad. "He isn't looking for glory, fame or attention. He isn't looking for s.e.x or even wealth in the traditional sense. He's looking for something very specific."

"Alex Crew had a son."

Mira's brows winged up. "Did he?"

"A kid at the time this all went down."

She filled Mira in, then let the doctor absorb the new data while they ate.

"I see what you're considering. The son hears of the book, or reads it, and learns one of his father's former partners' ancestors is right here in New York. That she has enough information for a book, and very likely has more. That she may very well have access to the diamonds. But why, if he's known of them all this time, hasn't he tried to find them, or get to the Gannons before?"

"Maybe he didn't know the whole story until the book. Maybe he didn't know the connection." Eve waved with her fork. "Anyway, that's for me to figure out. What I want is your opinion. Does it follow pattern, profile, that the person I'm after is Crew's son?"

"It could give him what he'd consider a proprietary right to them. They were his father's property, so to speak. But if his father brought them to him when he was a child-"

"It wasn't in the book," Eve reminded her. "And we can't know what Crew did or didn't do or say or take when he paid that last visit."

"All right. From what we know of Crew, he felt ent.i.tled to the entire booty, and killed for it. They were an obsession for him, one he pursued even though he had enough to ensure he'd live well for the rest of his life. It's possible the son is working with the same obsession, the same view."

"My gut tells me it comes from Crew."

"And your gut is usually right. Does it trouble you to take that line, Eve? To play the sins of the father in your head?"

"Yeah." She could say it here, to Mira. "Some."

"Heredity can be a strong pull. Heredity and early environment together, an almost irresistible pull. Those who break it, who make their own despite it, are very strong."

"Maybe." Eve leaned forward. No one around them would listen, but she leaned closer, lowered her voice. "You know, you can just sink down, you can sink and say it's somebody else's fault you're down there in the p.i.s.s and the s.h.i.t of the world. But it's just an excuse. The lawyers, the shrinks, the doctors and social reformers can say, 'Oh, it's not her fault, she's not responsible. Look where she came from. Look what he did to her. She's traumatized. She's damaged.' "

Mira laid a hand over Eve's. She knew she was thinking of herself, the child, and what the woman might have become. "But?"

"The cops, we know that the victims, the ones who are broken or shattered or dead . . . or dead, they need somebody to stand up for them, to say, 'G.o.dd.a.m.n it, it is is your fault. You did this, and you have to pay for it, no matter if your mother beat you or your father . . . No matter what, you don't have the right to damage the next guy.' " your fault. You did this, and you have to pay for it, no matter if your mother beat you or your father . . . No matter what, you don't have the right to damage the next guy.' "

Mira gave Eve's hand a squeeze. "And that's why you are."

"Yeah. That's why I am."

Chapter 9.

Eve viewed a session in the lab with d.i.c.kie Berenski as she did a dental checkup. You had to do it, and if you were lucky it wouldn't be as bad as you imagined. But it was usually worse.