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Best from Fantasy and Science Fiction 11th Part 20

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"I don't know it," said Virginia. "I guess it. But I guess good, very good.

After all, I went to the Abba-dingo."

"I asked you, darling, to tell me what happened there."

She shook her head mutely and began walking down the streetway. I had no choice but to follow her. It made me a little irritable.

I asked again, more crossly, "What was it like?"

With hurt, girlish dignity she said, "Nothing, nothing. It was a long climb.

The old woman made me go with her. It turned out that the machine was not talking that day anyhow, so we got permission to drop down a shaft and to come back on the rolling road. It was just a wasted day."

She had been talking straight ahead, not to me, as though the memory were a little ugly.

Then she turned her face to me. The brown eyes looked into my eyes as though she were searching for my soul. (Soul. There's a word we have in French, and there is noth-ing quite like it in the Old Common Tongue.) She bright-ened and pleaded with me: "Let's not be dull on the new day. Let's be good to the new us, Paul. Let's do something really French, if that's what we are to be."

"A cafe," I cried. "We need a cafe. And I know where one is.""Where?"

"Two undergrounds over. Where the machines come out and where you can see the homunculi peering over the edge." The thought of homunculi peering out struck the new-me as funny, though the old-me had taken them as much for granted as clouds or windows or tables. Of course homun-culi had feelings; they weren't exactly people, since they were bred from animals, but they looked just about like peo-ple, and they could talk. It took a Frenchman like the new-me to realize that those things were picturesque. More than picturesque: romantic.

Evidently Virginia thought the same, for she said, "But they're nette, just adorable. And what is the cafe called?"

"The Greasy Cat," said I.

The Greasy Cat. How was I to know that this led to a nightmare between high waters, and to the winds which cried? How was I to suppose that this had anything to do with Alpha Ralpha Boulevard?

No force in the world could have taken me there, if I had known.

Other new-French people had gotten to the cafe before us.

A waiter with a big brown moustache took our order. I looked closely at him to see if he might be a licensed homunculus, allowed to work among people because his services were indispensable; but he was not. He was pure machine, though his voice rang out with old-Parisian heartiness, and the designers had even built into him the nervous old habit of mopping the back of his hand against his big mous-tache, and had fixed him so that little beads of sweat showed high up on his brow, just below the hairline.

"Mamselle? M'sieu? Beer? Coffee? Red wine next month. The sun will shine in the quarter after the hour and after the half hour. At twenty minutes to the hour it will rain for five minutes so that you can enjoy these umbrellas.

I am a native of Alsace. You may speak French or German to me."

"Anything," said Virginia. "You decide, Paul."

"Beer, please," said I. "Blonde beer for both of us."

"But certainly, m'sieu," said the waiter. He left, waving his cloth wildly over his arm.

Virginia puckered up her eyes against the sun and said, "I wish it would rain now. I've never seen real rain."

"Be patient, honey."

She turned earnestly to me. "What is 'German,' Paul?"

"Another language, another culture. I read they will bring it to life next year. But don't you like being French?""I like it fine," she said. "Much better than being a num-ber. But Paul-"

And then she stopped, her eyes blurred with perplexity.

"Yes, darling?"

"Paul," she said, and the statement of my name was a cry of hope from some depth of her mind beyond new-me, beyond old-me, beyond even the contrivances of the Lords who moulded us. I reached for her hand.

Said I, "You can tell me, darling."

"Paul," she said, and it was almost weeping, "Paul, why does it all happen so fast? This is our first day, and we both feel that we may spend the rest of our lives together. There's something about marriage, whatever that is, and we're sup-posed to find a priest, and I don't understand that, either.

Paul, Paul, Paul, why does it happen so fast? I want to love you. I do love you. But I don't want to be made to love you. I want it to be to the real me," and as she spoke, tears poured from her eyes though her voice remained steady enough.

Then it was that I said the wrong thing. "You don't have to worry, honey.

I'm sure that the Lords of the Instrumentality have programmed everything well."

At that, she burst into tears, loudly and uncontrollably. I had never seen an adult weep before. It was strange and frightening.

A man from the next table came over and stood beside me, but I did not so much as glance at him.

"Darling," said I, reasonably, "darling, we can work it out-"

"Paul, let me leave you, so that I may be yours. Let me go away for a few days or a few weeks or a few years. Then, if-if-if I do come back, you'll know it's me and not some program ordered by a machine. For G.o.d's sake, Paul-for G.o.d's sake!" In a different voice she said, "What is G.o.d, Paul?

They gave us the words to speak, but I do not know what they mean."

The man beside me spoke. "I can take you to G.o.d," he said.

"Who are you?" said I. "And who asked you to interfere?" This was not the kind of language that we had ever used when speaking the Old Common Tongue-when they had given us a new language they had built in temperament as well.

The stranger kept his politeness-he was as French as we but he kept his temper well.

"My name," he said, "is Maximilien Macht, and I used to be a Believer."

Virginia's eyes lit up. She wiped her face absent-mindedly while staring at the man. He was tall, lean, sunburned. (How could he have gottensunburned so soon?) He had reddish hair and a moustache almost like that of the robot waiter.

"You asked about G.o.d, Mamselle," said the stranger. "G.o.d is where He has always been-around us, near us, in us."

This was strange talk from a man who looked worldly. I rose to my feet to bid him goodbye. Virginia guessed what I was doing and she said: "That's nice of you, Paul. Give him a chair." There was warmth in her voice.

The machine waiter came back with two conical beakers made of gla.s.s.

They had a golden fluid in them with a cap of foam on top. I had never seen or heard of beer before, but I knew exactly how it would taste. I put imaginary money in the tray, received imaginary change, paid the waiter an imaginary tip. The Instrumentality had not yet figured out how to have separate kinds of money for all the new cultures, and of course you could not use real money to pay for food or drink. Food and drink are free.

The machine wiped his moustache, used his serviette (checked red and white) to dab the sweat off his brow, and then looked inquiringly at Monsieur Macht.

"M'sieu, you will sit here?"

"Indeed," said Macht.

"Shall I serve you here?"

"But why not?" said Macht. "If these good people permit."

"Very well," said the machine, wiping his moustache with the back of his hand. He fled to the dark recesses of the bar.

All this time Virginia had not taken her eyes off Macht. "You are a Believer?" she asked. "You are still a Believer, when you have been made French like us? How do you know you're you? Why do I love Paul? Are the Lords and their machines controlling everything in us? I want to be me. Do you know how to be me?"

"Not you, Mamselle," said Macht, "that would be too great an honor. But I am learning how to be myself. You see," he added, turning to me, "I have been French for two weeks now, and I know how much of me is myself, and how much has been added by this new process of giving us language and danger again."

The waiter came back with a small beaker. It stood on a stem, so that it looked like an evil little miniature of Earthport. The fluid it contained was milky white.

Macht lifted his gla.s.s to us. "Your health!"

Virginia stared at him as if she were going to cry again. When he and I sipped, she blew her nose and put her handkerchief away. It was the firsttime I had ever seen a person perform that act of blowing the nose, but it seemed to go well with our new culture.

Macht smiled at both of us, as if he were going to begin a speech. The sun came out, right on time. It gave him a halo, and made him look like a devil or a saint.

But it was Virginia who spoke first. "You have been there?"

Macht raised his eyebrows a little, frowned, and said, "Yes," very quietly.

"Did you get a word?" she persisted.

"Yes." He looked glum, and a little troubled.

"What did it say?"

For answer, he shook his head at her, as if there were things which should never be mentioned in public.

I wanted to break in, to find out what this was all about.

Virginia went on, heeding me not at all: "But it did say something!"

"Yes," said Macht.

"Was it important?"

"Mamselle, let us not talk about it."

"We must," she cried. "It's life or death." Her hands were clenched so tightly together that her knuckles showed white. Her beer stood in front of her, untouched, growing warm in the sunlight.

"Very well," said Macht, "you may ask ... I cannot guarantee to answer."

I controlled myself no longer. "What's all this about?"

Virginia looked at me with scorn, but even her scorn was the scorn of a lover, not the cold remoteness of the past.

"Please, Paul, you wouldn't know. Wait a while. What did it say to you, M'sieu Macht?"

"That I, Maximilien Macht, would live or die with a brown-haired girl who was already betrothed." He smiled wrily. "And I do not even quite know what 'betrothed' means."

"We'll find out," said Virginia. "When did it say this?"

"Who is 'it'?" I shouted at them. "For G.o.d's sake, what is this all about?"

Macht looked at me and dropped his voice when he spoke: "The Abba-dingo." To her he said, "Last week."Virginia turned white. "So it does work, it does, it does. Paul, darling, it said nothing to me. But it said to my aunt something which I can't ever forget!"

I held her arm firmly and tenderly and tried to look into her eyes, but she looked away. Said I, "What did it say?"

"Paul and Virginia."

"So what?" said I.

I scarcely knew her. Her lips were tense and compressed. She was not angry. It was something different, worse. She was in the grip of tension. I suppose we had not seen that for thousands of years, either. "Paul, seize this simple fact, if you can grasp it. The machine gave that woman our names-but it gave them to her twelve years ago."

Macht stood up so suddenly that his chair fell over, and the waiter began running toward us.

"That settles it," he said. "We're all going back."

"Going where?" I said.

"To the Abba-dingo."

"But why now?" said I; and, "Will it work?" said Vir-ginia, both at the same time.

"It always works," said Macht, "if you go on the northern side."

"How do you get there?" said Virginia.

Macht frowned sadly. "There's only one way. By Alpha Ralpha Boulevard."

Virginia stood up. And so did I.

Then, as I rose, I remembered. Alpha Ralpha Boulevard. It was a ruined street hanging in the sky, faint as a vapor trail. It had been a processional highway once, where con-querors came down and tribute went up. But it was ruined, lost in the clouds, closed to mankind for a hundred centuries.

"I know it," said I. "It's ruined."

Macht said nothing, but he stared at me as if I were an outsider...

Virginia, very quiet and white of countenance, said, "Come along."

"But why?" said I. "Why?"

"You fool," she said, "if we don't have a G.o.d, at least we have a machine.

This is the only thing left on or off the world which the Instrumentality doesn't understand. Maybe it tells the future. Maybe it's an un-machine. Itcertainly comes from a different time. Can't you see it, darling? If it says we're us, we're us."

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Best from Fantasy and Science Fiction 11th Part 20 summary

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