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Bell's Cathedrals: The Cathedral Church of Chichester (1901) Part 6

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The #Organ# was placed on the north side of the choir after it had been removed from its earlier position on the Arundel screen; and in 1888, when it was largely remodelled, a new oak case was designed for it. It was made originally by Harris in 1678, and had then only one manual and no pedals; but between this date and the last alteration, it had already been enlarged no less than at six different times.

As the choir stalls are immediately under the crossing, above which rises the new central tower and spire, they are a convenient place from which to examine the work of restoration. The new work represents as nearly as possible all that was there before the collapse of the old piers and arches.

In the #South Transept# the most important feature is the beautifully designed stonework of the tracery in the south window; but this may be seen better from the cloisters, as the crude vulgarity of the bad painted gla.s.s makes it difficult to examine it from within the building.

The #Sacristy# (10), now used as a choir school and vestry, is a large vaulted chamber, lighted on the south side by six small windows (see page 87).

The #Chapel of S. Pantaleon# (11), on the east side of the transept, still retains the old piscina in the south wall; but it is used now as the vestry for the dean and canons.

The vaulting ribs in the part of the transept between this chapel and the sacristy are carved like those in the last bay of the presbytery next to the lady-chapel, and are of the same date. They appear to be part of the work done during Bishop Gilbert Leophardo's episcopate.

The #Pictures# by Bernardi on the back of the choir stalls (see ill.u.s.tration, p. 113) represent Ceadwalla and Henry VIII. granting and confirming privileges to the bishops of their day. The portraits of the bishops of the see from Wilfrid to Sherborne are in the north transept.

The #South Aisle of the Choir# is entered from the south transept under a deeply moulded arch. On the south is the priest-vicars' vestry (12), and at the east end the #chapel of S. Mary Magdalen#. This chapel was restored by Messrs. G.F. Bodley, A.R.A., and T. Garner, architects, in memory of the Rev. T.F. Crosse, who was precentor and canon of the cathedral. The aumbry in the north wall was the receptacle in which S. Richard's head was preserved in a case of silver. This is mentioned in William de Tenne's will. On the other side is the old piscina. The paintings in the panels by Miss Lowndes represent, on the north side (i) S. Richard celebrating the Eucharist in S. Edmund's Chapel, (ii) the same bishop preaching, and (iii) his death; on the south, (i) Mary anoints our Lord's Feet, (ii) The Crucifixion, (iii) After the Resurrection. The carved and painted reredos is of stone. Close to this chapel is the doorway into the church from the east walk of the cloisters; in the spandrels of the arches, both inside and outside, are the arms of William of Wykeham.

Above it is a window, the gla.s.s in which was given by Cardinal Manning (when Archdeacon of Chichester) in memory of his wife.

[Ill.u.s.tration: THE TRIFORIUM IN THE CHOIR. _S.B. Bolas & Co., photo_.]

[Ill.u.s.tration. DECORATION ON THE VAULT OF THE LADY-CHAPEL, BY TH.

BERNARDI, 1519 (SEE P. 34). (Scale about 4 feet 10 ins. to 1 in).

_H.C. Corletle, delin_.]

The #Presbytery#, Ambulatory, or retro-choir, is the s.p.a.ce between the back of the reredos and the entrance to the lady-chapel. The design in detail of these two bays is very different in character from the three in the choir, which are like those in the nave. The two piers of Purbeck marble are circular, and about them are grouped four detached shafts of the same material. They are united only at the base and by the abacus above the capitals, which are beautifully carved (see page 16). The main arches in the two bays are not pointed, but round, like those in the nave and choir; but, unlike the latter, they have deeply cut mouldings in three orders. The triforium arcade above, on the north and south sides, has moulded and carved details of a similar character. Some of the beautifully carved figure-work still remains in the spandrels between the subsidiary pointed arches. But the most beautiful piece of design in all this work is in the arches of the triforium pa.s.sage across the east wall, above the entrance to the lady-chapel.

[Ill.u.s.tration: THE PRESBYTERY OR RETRO-CHOIR, LOOKING NORTH-EAST.]

It should be noticed that the sub-arches in the triforium here are pointed, not round, as in the case of those in the same position westward of this portion. And the support to these arches in the centre, is a group of shafts instead of only one column. The clerestory, however, offers a greater contrast to the earlier work in that the central arch, as well as the side ones, is lifted up much higher, the detached columns being lengthened to obtain the alteration. Each arch also, at this level, is now pointed.

S. Richard's shrine occupied the bay in the presbytery immediately behind the High Altar. It stood upon a platform which was approached on its eastern side by steps, and was enclosed by iron grilles. The platform was removed at the time of the general restoration in 1861-1867, and upon it used to stand also the tombs of Bishop Day and Bishop Christopherson or Curteys.

The #Lady-Chapel#, as its walls and vaulting clearly show, was once completely decorated with designs in colour. The windows now are the only parts that indicate an attempt to renew this portion of its earlier condition. The new reredos is of alabaster, and was designed by Messrs Carpenter & Ingelow.

The #North Choir Aisle# contains some monuments which are referred to separately. The now unused chapel at its eastern end was dedicated to S. Catharine.

The #Library# is approached through a doorway in this aisle. There is a chamber above in which was the library of pre-Reformation days.

The present library formed the chapel of S. John the Baptist and S.

Edmund the King (13) until it became the chancel of the parish church of S. Peter the Great, the north transept being used as its nave. Part of the vaulting in it is unlike any other in the building, having the chevron or zigzag ornament cut on the side of the mouldings of the ribs (see page 98).

[Ill.u.s.tration: THE LADY-CHAPEL.]

The library collection contains many relics of various kinds: among them are Oslac's grant of land to the church at Selsea, A.D. 780; a ma.n.u.script of the twelfth century; Cranmer's copy of the "Consultatio"

of Herman of Cologne; an old Sarum missal; the sealed book of Charles II.; fragments of ecclesiastical vessels; and a leaden "Absolution" of Bishop G.o.dfrey dating from the eleventh century.

The #North Transept# has on its west side two of the old twelfth-century round-arched windows, and opposite are the two large round-arched openings into the library and the chamber above it. The vaulting of this transept is not the same in detail as that to the south of the choir, and is rather earlier in the type of its mouldings. Close by the south springing of the arch leading to the library is one of the few pieces of figure-carving in the church. It is a head full of vigour and character.

The #Monuments in the Transepts and Choir# have been injured and restored or removed at various times. The large one (14) under the south window is Langton's tomb and effigy (d. 1336). The new one nearest to the singing school is a memorial and effigy of Mr. John Abel Smith, of Dale Park, who represented Chichester in the House of Commons. On the east wall is another tomb of Tudor date (15), with niches for sculpture. The tomb next to the back of the choir-stalls (16) is that of Bishop Richard de la Wych. The two panels in relief (17), in the south aisle of the choir are works of about the twelfth century (see page 105). It is supposed that originally they were brought to Chichester from Selsea. They were discovered in 1829 hidden in the wall behind the woodwork of the stalls in the choir, and were subsequently placed in their present position. The subject of the one nearest to the transept is the "Raising of Lazarus," and of the other, "Our Lord with Mary and Martha at Bethany." These are two of the most interesting relics of earlier days that remain in the cathedral.

Historically and artistically, they are of much value, but at present no more than has been stated is known about them. Bishop Sherborne's monument (18) was built during his lifetime, and at his death he provided for its care by New College, of which he had been a fellow.

It is still well cared for; but with its original decorations it must have been a very beautiful object.

[Ill.u.s.tration: THE NORTH CHOIR AISLE, LOOKING WEST. _S.B. Bolas & Co., photo_.]

Dean Hook, who died in 1875, is commemorated by a monument (19) opposite Sherborne's. It was designed by Sir Gilbert Scott, and, like the pavements of the choir, it has in its composition many specimens of coloured marbles. Much of the detail is executed in mosaic. Under the arch of the presbytery arcade nearest to the reredos, on the south side, is Bishop Day's tomb (20). On the south side of the lady-chapel, close to the entrance, are the memorial slabs of two early bishops, perhaps Hilary and John de Greneford, beneath the arch where Bishop Gilbert's effigy was placed. On the opposite side is a s.p.a.ce under an arch in which may be traced the lines of some decoration which once ornamented some memorial. Upon the floor below is the memorial of Bishop Ralph (21), the builder of the first portions of the cathedral. Close by is a large wall tablet in memory of Bishop Thomas Bickley. It is a design of the seventeenth-century period, and is interesting of its kind. Under the arch on the north side of the presbytery, opposite Day's tomb, is that of Bishop Christopherson or Curteys (22), and against the wall of the aisle near the chapel of S. Catharine is a curious marble slab with some carving upon it. It represents two hands, with parts of the arms, supporting a heart, and the full inscription, now almost gone, was "ICY GIST LE COEUR DE MAUDDE" ("Here lies the heart of Maud"). It is evidently work of an early date, but nothing is accurately known of its history, though it has been a.s.sumed that it was made in the twelfth or thirteenth century (23). To the west of this is a bust of Bishop Otter (24). In an arched recess in the wall nearer to the library is the tomb and effigy of Bishop Storey (25). Close to this are two memorials of the sixteenth century. On the west side of the north transept are the monuments of Bishops Henry King, Carleton, and Grove.

[Ill.u.s.tration: THE LIBRARY. _S.B. Bolas & Co., photo_.]

The #Stained Gla.s.s# in the cathedral is all modern, and most of it is of the worst possible kind. It is bad in design and crude in colour, and much of it is not really stained gla.s.s at all, but a painted subst.i.tute. The only really good window in the building is that at the east end of the south choir aisle in S. Mary Magdalen's chapel. It was designed by Mr. C.E. Kempe. The gla.s.s in the lady-chapel windows is better than most of the rest, and it is admitted that the worst gla.s.s that was ever placed in any cathedral church by a generous munificence is that which is now in the large window of the south transept.

[Ill.u.s.tration: THE TOWN CROSS. Built by Bishop Storey, _c_. 1500.

_Photochrom Co., Ltd., photo_.]

CHAPTER IV.

THE DIOCESE AND SEE.

To trace the history of the establishment of the city of Chichester we need go back to the time when the Romans had occupied the same site under the ancient name of Regnum. They had fortified themselves in this position, and evidence of their occupation is to be found to-day in the subdivision of the city into four parts by those streets which meet at the Market Cross. But as the centre of the Imperial fabric became weaker the dependencies were abandoned, and the Roman legions recalled early in the fifth century. So when in 477 A.D. "came Aelle to Britain, and his three sons, Cymen, Wlencing, and Cissa, with three ships," and landed at "the place which is named Cymenesora, and there slew many Welsh, and drove some into the forest which is named Andredslea," there were no Roman soldiers to oppose them.

In this brief sentence, quoted from the Anglo-Saxon chronicle, there is a reference to several interesting matters which concern the later history of the South Saxons, their acceptance of Christianity, and the foundation of that Church--first at Selsea, then at Chichester--which was to be the future local centre to support and foster the faith they for so long rejected. The Jute leaders, Hengest and Horsa, had established themselves on British soil in 449 A.D. This was twenty-eight years before Aelle arrived, and with his followers "slew many Welsh"; that is, the British natives, the Wealas, or strangers, whom he found in possession of the land. The place "named Cymenesora,"

at which Aelle had landed, was close to Wittering, at the mouth of Chichester harbour. And the chronicle, relating what had occurred thirteen years later, records how "in this year (490-1) Aelle and Cissa besieged Andredes ceaster, and slew all that dwelt therein, so that not even one Briton was left." This fortress of Anderida, which had been a Roman _castrum_, occupied the spot now called Pevensey, the landing-place of a later conqueror, the Norman William, in 1066. It guarded on the east the strip of land between the South Downs and the sea; and when it fell before them, the Saxons became masters of the region to the north known then as Andredeslea, or Andredeswold, the forest or weald of Anderida. To the west was Regnum, Cissa's Ceaster, or Chichester, another of those fortresses which the provident and energetic Romans had established along the South Coast.

One of Aelle's followers, named Boso, or Bosa, settled at the head of a branch of Chichester harbour, and, as in the case of his superior, Cymen, the place was named after him, as Bosenham, or Bosham. This was in the fifth century. Augustine began his work in Kent late in the sixth century, and Birinus, who was sent independently direct from Rome, had undertaken the conversion of the West Saxons fifteen years before the middle of the succeeding century. But neither by these missionaries nor their brethren was the territory of the South Saxons affected.

The West Saxons, by conquest, extended their rule westward and northward, and missionary enterprise followed the course of military success and subsequent civil protection. The original British occupiers of the land withdrew to Wales, or else became subject to the conquerors. Similar had been the course of events which followed the taking of Kent by the Jutes. So when Augustine arrived he was welcomed by Aethelberht, whose wife Bertha, a Frankish princess, was already a Christian.

Augustine having founded the see of Canterbury, was soon enabled, by the help of political and social influence, to effect the establishment of other sees. Rochester, London, and York were soon centres of activity; but these neighbour princ.i.p.alities had not, ecclesiastically, affected the territories that were close to their respective domains; for the kingdom of the South Saxons remained, nearly two centuries after Aelle's conquest, in the same heathen condition as prevailed in his day.

Bede relates that at Bosham, Dicul had founded a monastery where, "surrounded by woods and water, lived five or six brethren, serving the Lord in humility and poverty." But "no one cared to emulate their life, or listen to their teaching." Dicul came from Ireland, and it is supposed that he had been educated in the monastic centre of missionary life which in the sixth century had been founded there. It is not, however, known how these few men found their way to the South Saxon sh.o.r.es, and their presence there had no influence upon the minds of those invaders who had possessed themselves of the adjacent lands.

A quarrel in the Northumbrian kingdom was the cause which sent a missionary to Suss.e.x in 680 A.D.

Ecgfrith and his witan had banished #Wilfrith#, Archbishop of York, from his see. The unfortunate exile wandered some time in search of welcome. Eventually he found his way to Suss.e.x, where Aethelwealh and his Christian wife offered him a new field for his energies. Twenty years earlier he had been in the same kingdom. On that occasion, having been consecrated by the Bishop of Paris, he was returning from Gaul when the vessel in which he travelled was driven upon the coast and stranded. While in this helpless condition they were discovered and attacked by the South Saxons, who were three times beaten off, but whilst they were continuing their preparations for another a.s.sault, the vessel rose with the tide and escaped. Under other circ.u.mstances he was now among these people again. The famine which prevailed at the time of his arrival gave him the necessary opportunity to gain their affections by first satisfying their material needs. He showed the starving folk how to catch fish with nets which he and his companions had made, and then was able to teach them other things. He preached with success for some time, and baptized many who heard him. Bede has left a record characteristic of his day, in which he relates that immediately they had accepted the faith which he taught, "the rain, so long withheld, revisited the thirsty land."

Aethelwealh, grateful for Wilfrith's aid, granted him lands at Selsea.

The bishop at once gave freedom to those families and their slaves who occupied the district, and baptized them, giving them release, as Bede has told, from spiritual and temporal bond's at the same time. Selsea thus became another see from which Christian principle and practice might be taught in the midst of the surrounding tribes. In this spot, near the residence of the king, a church was built, in which the bishop's cathedra was placed. The structure was dedicated to S. Peter, and was the first cathedral church in Suss.e.x. It is not now known what the architectural character of this building was. Perhaps there was some attempt in its design to take advantage of such suggestions as the Romans left behind them at Regnum, for we find in early instances of English architecture that such examples had exercised some influence upon the elementary efforts of those days. But it is more likely that his first church was nothing but a small and simple barn, for men were not then burdened with the idea that a cathedral must be a big church, provided it served as a centre from which the bishop could use his pastoral responsibility. During Wilfrith's stay at Selsea many changes took place.

Then Ceadwalla, who had defeated Aedilwalch, or Aethelwealh, confirmed the grants to the Church made by his predecessor, in return for the kindness he had received from Wilfrith some time before.

Under their new head the missionaries at Selsea undertook, with the king's sanction, to convert those who inhabited the neighbouring island of Wight and also parts of the mainland which now were subject to the new ruler. But after five years in the south Wilfrith returned to his old diocese of York. Suss.e.x, to a large extent, had accepted the faith he endeavoured to teach, and many churches were established and organised before his departure.

[Ill.u.s.trations: OUR LORD WITH MARTHA AND MARY. THE RAISING OF LAZARUS.

SCULPTURED PANELS IN THE SOUTH CHOIR AISLE, SUPPOSED TO HAVE BEEN BROUGHT FROM THE CATHEDRAL AT SELSEA (SEE P. 96).]

For some years after Wilfrith had returned to York there was no bishop in charge of the newly founded diocese in Suss.e.x. The community of workers he had brought together at Selsea still continued to exist; but Suss.e.x in ecclesiastical affairs was subject to Winchester during this interval. Ceadwalla, when Kentwine, King of Wess.e.x, died in 685, had begun "to strive for the kingdom," so the chronicle has recorded, and having established himself upon the throne, he succeeded also in conquering the ruler of Suss.e.x, and so brought both kingdoms under his sway. Wilfrith had converted him to the Christian faith; but when this prelate was recalled to his former diocese, no one had been appointed to carry on the work he had begun. For twenty years this vacancy continued. Then, after the death of Ceadwalla, Ine, his successor, divided the large diocese, which was subject to the Bishop of Winchester, by making, with the consent of his witan, a new see at Sherburne and reviving that of Selsea. Of this latter, #Eadberht# was appointed the first bishop in the year 709. The community in Selsea over which Eadberht had presided before his consecration was a secular foundation. Whatever was the principle upon which it had been founded, there seems no doubt that during the interim which elapsed before a bishop was placed in charge some elementary form of government was carried on by a succession of elected presidents. This body was either composed of secular clergy, who were distributed throughout the diocese, living as priests in charge of parishes _in saeculo_, or it was a foundation supported by those who lived according to a _regula_. The regulars were those who lived together, having vowed obedience to some particular form of rule. These were unmarried men, who used one building, property, refectory, and dormitory of the inst.i.tution in common. Not all of these were ordained, as there were among them lay brothers as well as those who were priests. But the seculars--those in the world--were not subject to rules and conditions such as these. Many, as priests living in their parishes, were married men.

After the consecration of Eadberht and his installation as Bishop of Selsea, the cathedra, or episcopal chair, was occupied successively by twenty prelates. The period during which these held office, including the few intervals when for a time the see remained vacant, extended over about three hundred and seventy years. Little is known of these bishops further than that their signatures are to be found attached to various charters. These were all called Bishops of the South Saxons.

#Aethelgar# was Bishop of Selsea in 980. He had been a member of the monastic colony at Glas...o...b..ry, near Wells. After occupying the see for about eight years, he succeeded Dunstan as Archbishop of Canterbury.

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Bell's Cathedrals: The Cathedral Church of Chichester (1901) Part 6 summary

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