Balthasar and Other Works - 1909 Part 5

Then, pointing to the old lady who was reading the Bible, she said to me:

"Pay no attention to her, that is mama. I shall not introduce you.

Should you speak she could not reply; she belongs to a religious sect which forbids unnecessary conversation. It is the very latest thing in sects. Its adherents wear sackcloth and eat out of wooden basins. Mama greatly enjoys these little observances. But you can imagine that I did not ask you here to talk to you about mama. I will put on my Egyptian costume. I shan't be long. In the meantime you might look at these little things."

And she made me sit down before a cabinet containing a mummy-case, several statuettes of the Middle Empire, a number of scarabs, and some beautiful fragments of a ritual for the burial of the dead.

Left alone, I examined the papyrus with the more interest, inasmuch as it was inscribed with a name I had already discovered on a seal. It was the name of a scribe of King Seti I. I immediately applied myself to noting the various interesting peculiarities the doc.u.ment exhibited.

I was plunged in this occupation for a longer time than I could accurately measure, when I was warned by a kind of instinct that some one was behind me. I turned and saw a marvellous being, her head surmounted by a gold hawk and the pure and adorable lines of her young body revealed by a clinging white sheath. Over this a transparent rose-coloured tunic, bound at the waist by a girdle of precious stones, fell and separated into symmetrical folds. Arms and feet were bare and loaded with rings.

She stood before me, her head turned towards her right shoulder in a hieratic att.i.tude which gave to her delicious beauty something indescribably divine.

"What! Is that you, Miss Morgan?"

"Unless it is Neferu-Ra in person. You remember the Neferu-Ra of Leconte de Lisle, the Beauty of the Sun?"

"'Pallid and pining on her virgin bed, Swathed in fine lawns from dainty foot to head.'{*}

* "Voici qu'elle languit sur son lit virginal, Tres pale, enveloppee avec des fines toiles."

"But of course you don't know. You know nothing of verse. And yet verses are so pretty. Come! Let's go to work."

Having mastered my emotion, I made some remarks to this charming young person about her enchanting costume. I ventured to criticise certain details as departing from archaeological accuracy. I proposed to replace certain gems in the setting of the rings by others more universally in use in the Middle Empire. Finally I decidedly opposed the wearing of a clasp of _cloisonne_ enamel. In fact, this jewel was a most odious anachronism. We at last agreed to replace this by a boss of precious stones deep set in fine gold. She listened with great docility, and seemed so pleased with me that she even asked me to stay to dinner. I excused myself because of my regular habits and the simplicity of my diet and took my leave. I was already in the vestibule when she called after me:

"Well, now, is my costume sufficiently smart? How mad I shall make all the other women at the Countess's ball!"

I was shocked at the remark. But having turned towards her I saw her again, and again I fell under her spell.

She called me back.

"Monsieur Pigeonneau," she said, "you are such a dear man! Write me a little story and I will love you ever and ever and ever so much!"

"I don't know how," I replied.

She shrugged her shoulders and exclaimed:

"What is the use of science if it can't help you to write a story! You must write me a story, Monsieur Pigeonnneau."

Thinking it useless to repeat my absolute refusal I took my leave without replying.

At the door I pa.s.sed the man with the a.s.syrian beard, Dr. Daoud, whose glance had so strangely affected me under the cupola of the Inst.i.tute.

He struck me as being of the commonest cla.s.s, and I found it very disagreeable to meet him again.

The Countess N------'s ball took place about fifteen days after my visit. I was not surprised to read in the newspaper that the beautiful Miss Morgan had created a sensation in the costume of Neferu-Ra.

During the rest of the year 1886 I did not hear her mentioned again.

But on the first day of the New Year, as I was writing in my study, a manservant brought me a letter and a basket.

"From Miss Morgan," he explained, and went away. I heard a mewing in the basket which had been placed on my writing table, and when I opened it out sprang a little grey cat.

It was not an Angora. It was a cat of some Oriental breed, much more slender than ours, and with a striking resemblance, so far as I could judge, to those of his race found in great numbers in the subterranean tombs of Thebes, their mummies swathed in coa.r.s.e mummy-wrappings. He shook himself, gazed about, arched his back, yawned, and then rubbed himself, purring, against the G.o.ddess Pasht, who stood on my table in all her purity of form and her delicate, pointed face. Though his colour was dark and his fur short, he was graceful, and he seemed intelligent and quite tame. I could not imagine the reason for such a curious present, nor did Miss Morgan's letter greatly enlighten me. It was as follows:

"Dear Sir,

"I am sending you a little cat which Dr. Daoud brought back from Egypt, and of which I am very fond. Treat him well for my sake, Baudelaire, the greatest French poet after Stephane Mallarme, has said:

"The ardent lover and the unbending sage, Alike companion in their ripe old age, With the sleek arrogant cat, the household's pride, Slothful and chilly by the warm fireside.'{*}

* "Les amoureux fervents et les savants austeres Aiment egalement, dans leur mure saison, Les chats puissants et doux, orgueil de la maison, Qui comme eux sont frileux et comme eux sedentaires."

"I need hardly remind you that you must write me a story. Bring it on Twelfth Night. We will dine together.

"Annie Morgan.

"P.S.--Your little cat's name is Porou."

Having read this letter, I looked at Porou who, standing on his hind legs, was licking the black face of Pasht, his divine sister. He looked at me, and I must confess that of the two of us he was the less astonished. I asked myself, "What does this mean?" But I soon gave up trying to understand.

"It is expecting too much of myself to try and discover reason in the follies of this madcap," I thought. "I must get to work again. As for this little animal, Madam Magloire my housekeeper can provide for his needs."

Whereupon I resumed my work on a chronology, all the more interesting as it gave me the opportunity to abuse somewhat my distinguished colleague, Monsieur Maspero. Porou did not leave my table. Seated on his haunches, his ears p.r.i.c.ked, he watched me write, and strange to say I accomplished no good work that day. My ideas were all in confusion; there came to my mind sc.r.a.ps of songs and odds and ends of fairy-tales, and I went to bed very dissatisfied with myself. The next morning I again found Porou, seated on my writing-table, licking his paws. That day again I worked very badly; Porou and I spent the greater part of the day watching each other. The next morning it was the same, and also the morning after; in short, the whole week. I ought to have been distressed, but I must confess that little by little I began to resign myself to my ill-luck, not only with patience, but even with some amus.e.m.e.nt. The rapidity with which a virtuous man becomes depraved is something terrible. The morning preceding Twelfth Night, which fell on a Sunday, I rose in high spirits and hurried to my writing-table, where, according to his custom, Porou, had already preceded me. I took a handsome copy-book of white paper and dipped my pen into the ink and wrote in big letters, under the watchful observation of my new friend:

"_The Misadventures of a one-eyed Porter?_."

Thereupon, without ceasing to look at Porou, I wrote all day long in the most prodigious haste a story of such astonishing adventures, so charming and so varied that I was myself vastly entertained. My one-eyed porter mixed up all his parcels and committed the most absurd mistakes.

Lovers in critical situations received from him, and quite without his knowledge, the most unexpected aid. He transported wardrobes in which men were concealed, and he placed them in other houses, frightening old ladies almost to death. But how describe so merry a story! While writing I burst out laughing at least twenty times. If Porou did not laugh, his solemn silence was quite as amusing as the most uproarious hilarity. It was already seven o'clock in the evening when I wrote the final line of this delightful story. During the last hour the room had only been lighted by Porou's phosph.o.r.escent eyes. And yet I had written with as much ease in the darkness as by the light of a good lamp. My story finished, I proceeded to dress. I put on my evening clothes and my white tie, and, taking leave of Porou, I hurried downstairs into the street. I had hardly gone twenty steps when I felt some one pull at my sleeve.

"Where are you running to, uncle, just like a somnambulist?"

It was my nephew Marcel who hailed me in this fashion. He is an honest, intelligent young man, and a house-surgeon at the Salpetriere. People say that he has a successful medical career before him. And indeed he would be clever enough if he would only be more on his guard against his whimsical imagination.

"Why, I am on my way to Miss Morgan, to take her a story I have just written."

"What, uncle! You write stories, and you know Miss Morgan? She is very pretty. And do you also know Dr. Daoud who follows her about everywhere?"

"A quack, a charlatan!"

"Possibly, uncle, and yet, unquestionably a most extraordinary experimentalist. Neither Bernheim nor Liegeois, not even Charcot himself, has obtained the phenomena he produces at will. He induces the hypnotic condition and control by suggestion without contact, and without any direct agency, through the intervention of an animal. He commonly makes use of little short-haired cats for his experiments.

"This is how he goes to work: he suggests an action of some kind to a cat, then he sends the animal in a basket to the subject he wishes to influence. The animal transmits the suggestion he has received, and the patient under the influence of the beast does exactly what the operator desires."

"Is this true?"

"Yes, quite true, uncle."

"And what is Miss Morgan's share in these interesting experiments?"