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Atlantic Narratives: Modern Short Stories Part 6

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'Jack, dearest, how long will you be with me? How long is the leave?'

He raised his eyes then and looked at her; a curious look. Something in it blurred her mind with a sense of some other sort of fear.

'Only till to-night,' he said.

It seemed confusion rather than pain that she felt. 'Only till to-night, Jack? But Richard Crawley has been back for three days already. I thought they gave you longer?'

'I know, mummy.' His eyes were dropped again and his hand at the b.u.t.ton--did it tremble?--twisted and untwisted. 'I've been back for three days already.--I've been in London.'



'In London?' Her breath failed her. The sense of alien fear became a fog, horrible, suffocating. 'But--Jack--why?'

'I didn't wire, mummy, because I knew I'd have to be there for most of my time. I felt that I couldn't wire and tell you. I felt that I had to see you when I told you. Mother--I'm married.--I came back to get married.--I was married this morning.--O mother, can you ever forgive me?'

His shaking hands held her and his eyes could not meet hers.

She felt the blood rush, as if her heart had been divided with a sword, to her throat, to her eyes, choking her, burning her; and as if from far away she heard her own voice saying, after a little time had pa.s.sed, 'There's nothing I couldn't forgive you, Jack. Tell me. Don't be afraid of hurting me.'

He held her tightly, still looking down as he said, 'She is a dancer, mother, a little dancer. It was in London, last summer. A lot of us came up from Aldershot together. She was in the chorus of one of those musical comedies. Mother, you can never understand. But it wasn't just low and vulgar. She was so lovely,--so very young,--with the most wonderful golden hair and the sweetest eyes.--I don't know.--I simply went off my head when I saw her. We all had supper together afterwards.

Toppie knew one of the other girls, and Dollie was there. That's her name--Dollie Vaughan--her stage name. Her real name was Byles. Her people, I think, were little tradespeople, and she'd lost her father and mother, and an aunt had been very unkind. She told me all about it that night. Mother, please believe just this: it wasn't only the obvious thing.--I know I can't explain. But you remember, when we read _War and Peace_,'--his broken voice groped for the a.n.a.logy,--'you remember Natacha, when she falls in love with Anatole, and nothing that was real before seems real, and she is ready for anything. It was like that. It was all fairyland, like that. No one thought it wrong. It didn't seem wrong. Everything went together.'

She had gathered his hand closely in hers and she sat there, quiet, looking at her hopes lying slain before her. Her Jack. The wife who was, perhaps, to have been his. The children that she, perhaps, should have seen. All dead. The future blotted out. Only this wraith-like present; only this moment of decision; Jack and his desperate need the only real things left.

And after a moment, for his laboring breath had failed, she said, 'Yes, dear?' and smiled at him.

He covered his face with his hands. 'Mother, I've ruined your life.'

He had, of course, in ruining his own; yet even at that moment of wreckage she was able to remember, if not to feel, that life could mend from terrible wounds, could marvelously grow from compromises and defeats. 'No, dearest, no,' she said. 'While I have you, nothing is ruined. We shall see what can be done. Go on. Tell me the rest.'

He put out his hand to hers again and sat now a little turned away from her, speaking on in his deadened, bitter voice.

'There wasn't any glamour after that first time. I only saw her once or twice again. I was awfully sorry and ashamed over the whole thing. Her company left London, on tour, and then the war came, and I simply forgot all about her. And the other day, over there, I had a letter from her.

She was in terrible trouble. She was ill and had no money, and no work.

And she was going to have a child--my child; and she begged me to send her a little money to help her through, or she didn't know what would become of her.'

The fog, the horrible confusion, even the despair, had pa.s.sed now. The sense of ruin, of wreckage almost irreparable, was there; yet with it, too, was the strangest sense of gladness. He was her own Jack, completely hers, for she saw now why he had done it; she could be glad that he had done it; she could be glad that he had done it. 'Go on, dear,' she said. 'I understand; I understand perfectly.'

'O mother, bless you!' He put her hand to his lips, bowing his head upon it for a moment. 'I was afraid you couldn't. I was afraid you couldn't forgive me. But I had to do it. I thought it all over--out there.

Everything had become so different after what one had been through. One saw everything differently. Some things didn't matter at all, and other things mattered tremendously. This was one of them. I knew I couldn't just send her money. I knew I couldn't bear to have the poor child born without a name and with only that foolish little mother to take care of it. And when I found I could get this leave, I knew I must marry her.

That was why I didn't wire. I thought I might not have time to come to you at all.'

'Where is she, Jack?' Her voice, her eyes, her smile at him, showed him that, indeed, she understood perfectly.

'In lodgings that I found for her; nice and quiet, with a kind landlady.

She was in such an awful place in Ealing. She is so changed, poor little thing. I should hardly have known her. Mother, darling, I wonder, could you just go and see her once or twice? She's frightfully lonely; and so very young.--If you could--if you would just help things along a little till the baby comes, I should be so grateful. And, then, if I don't come back, will you, for my sake, see that they are safe?'

'But, Jack,' she said, smiling at him, 'she is coming here, of course. I shall go and get her to-morrow.'

He stared at her and his color rose. 'Get her? Bring her here, to stay?'

'Of course, darling. And if you don't come back, I will take care of them, always.'

'But, mother,' said Jack, and there were tears in his eyes, 'you don't know, you don't realize. I mean--she's a dear little thing--but you couldn't be happy with her. She'd get most frightfully on your nerves.

She's just--just a silly little dancer who has got into trouble.'

Jack was clear-sighted. Every vestige of fairyland had vanished. And she was deeply thankful that they should see alike, while she answered, 'It's not exactly a time for considering one's nerves, is it, Jack? I hope I won't get on hers. I must just try and make her as happy as I can.'

She made it all seem natural and almost sweet. The tears were in his eyes, yet he had to smile back at her when she said, 'You know that I am good at managing people. I'll manage her. And perhaps when you come back, my darling, she won't be a silly little dancer.'

They sat now for a little while in silence. While they had talked, a golden sunset, slowly, had illuminated the western sky. The river below them was golden, and the wintry woodlands bathed in light. Jack held her hands and gazed at her. Love could say no more than his eyes, in their trust and sorrow, said to her; she could never more completely possess her son. Sitting there with him, hand in hand, while the light slowly ebbed and twilight fell about them, she felt it to be, in its accepted sorrow, the culminating and transfiguring moment of her maternity.

When they at last rose to go it was the hour for Jack's departure, and it had become almost dark. Far away, through the trees, they could see the lighted windows of the house which waited for them, but to which she must return alone.

With his arms around her shoulders, Jack paused a moment, looking about him. 'Do you remember that day--when we first came here, mummy?' he asked.

She felt in him suddenly a sadness deeper than any he had yet shown her. The burden of the past she had lifted from him; but he must bear now the burden of what he had done to her, to their life, to all the future. And, protesting against his pain, her mother's heart strove still to shelter him while she answered, as if she did not feel his sadness, 'Yes, dear, and do you remember the hepaticas on that day?'

'Like you,' said Jack in a gentle voice. 'I can hardly see the plants.

Are they all right?'

'They are doing beautifully.'

'I wish the flowers were out,' said Jack. 'I wish it were the time for the flowers to be out, so that I could have seen you and them together, like that first day.' And then, putting his head down on her shoulder, he murmured, 'It will never be the same again. I've spoiled everything for you.'

But he was not to go from her uncomforted. She found the firmest voice in which to answer him, stroking his hair and pressing him to her with the full rea.s.surance of her resolution. 'Nothing is spoiled, Jack, nothing. You have never been so near me--so how can anything be spoiled?

And when you come back, darling, you'll find your son, perhaps, and the hepaticas may be in flower, waiting for you.'

II

Mrs. Bradley and her daughter-in-law sat together in the drawing-room.

They sat opposite each other on the two chintz chesterfields placed at right angles to the pleasantly blazing fire, the chintz curtains drawn against a rainy evening. It was a long, low room, with paneled walls; and, like Mrs. Bradley's head, it had an air at once majestic, decorated, and old-fashioned. It was a rather crowded room, with many deep chairs and large couches, many tables with lamps and books and photographs upon them, many porcelains, prints, and pots of growing flowers. Mrs. Bradley, her tea-table before her, was in her evening black silk; lace ruffles rose about her throat; she wore her accustomed necklace of old enamel, blue, black, and white, set with small diamonds, and the enamel locket which had within it Jack's face on one side and his father's on the other; her white hands, moving gently among the teacups, showed an ancient cl.u.s.ter of diamonds above the slender wedding-ring.

From time to time she lifted her eyes and smiled quietly over at her daughter-in-law. It was the first time that she had really seen Dollie, that is, in any sense that meant contemplative observation. Dollie had spent her first week at Dorrington in bed, sodden with fatigue rather than ill. 'What you need' Mrs. Bradley had said, 'is to go to sleep for a fortnight'; and Dollie had almost literally carried out the prescription.

Stealing carefully into the darkened room, with its flowers and opened windows and steadily glowing fire, Mrs. Bradley had stood and looked for long moments at all that she could see of her daughter-in-law,--a flushed, almost babyish face lying on the pillow between thick golden braids, sleeping so deeply, so unconsciously,--her sleep making her mother-in-law think of a little boat gliding slowly yet steadily on and on, between new sh.o.r.es; so that, when she was to awake and look about her, it would be as if, with no bewilderment or readjustment, she found herself transformed, a denizen of an altered world. That was what Mrs.

Bradley wanted, that Dollie should become an inmate of Dorrington with as little effort or consciousness for any of them as possible; and the drowsy days and nights of infantine slumbers seemed indeed to have brought her very near.

She and Pickering, the admirable woman who filled so skillfully the combined positions of lady's maid and parlormaid in her little establishment, had braided Dollie's thick tresses, one on either side--Mrs. Bradley laughing a little and both older women touched, almost happy in their sense of something so young and helpless to take care of. Pickering understood, nearly as well as Jack's mother, that Master Jack, as he had remained to her, had married very much beneath him; but at this time of tragic issues and primitive values, she, nearly as much as Jack's mother, felt only the claim, the pathos of youth and helplessness. It was as if they had a singularly appealing case of a refugee to take care of: social and even moral appraisals were inapplicable to such a case, and Mrs. Bradley felt that she had never so admired Pickering as when seeing that for her, too, they were in abeyance. It was a comfort to feel so fond of Pickering at a time when one was in need of any comfort one could get; and to feel that, creature of codes and discriminations as she was, to a degree that had made her mistress sometimes think of her as a sort of Samurai of service, a function rather than a person, she was even more fundamentally a kind and Christian woman. Between them, cook intelligently sustaining them from below and the housemaids helpful in their degree, they fed and tended and nursed Dollie, and by that eighth day she was more than ready to get up and go down and investigate her new surroundings.

She sat there now, in the pretty tea-gown her mother-in-law had bought for her, leaning back against her cushions, one arm lying along the back of the couch and one foot in its patent-leather shoe, with its sparkling buckle and alarming heel, thrusting forward a carefully arched instep.

The att.i.tude made one realize, however completely tenderer preoccupations held the foreground of one's consciousness, how often and successfully she must have sat to theatrical photographers. Her way of smiling, too, very softly, yet with the effect of a calculated and dazzling display of pearly teeth, was impersonal, and directed, as it were, to the public via the camera rather than to any individual interlocutor. Mrs. Bradley even imagined, unversed as she was in the methods of Dollie's world, that of allurement in its conscious and determined sense, she was almost innocent. She placed herself, she adjusted her arm and her foot, and she smiled gently; intention hardly went further than that wish to look her best.

Pink and white and gold as she was, and draped there on the chesterfield in a profusion of youth and a frivolity that was yet all pa.s.sivity, she made her mother-in-law think, and with a certain sinking of the heart, of a Dorothy Perkins rose, a flower she had never cared for; and Dollie carried on the a.n.a.logy in the sense she gave that there were such myriads more just like her. On almost every page of every ill.u.s.trated weekly paper, one saw the ingenuous, limpid eyes, the display of eyelash, the lips, their outline emphasized by just that touch of rouge, those copious waves of hair. Like the Dorothy Perkins roses on their pergolas, so these pretty faces seemed--looped, draped, festooned--to climb over all the available s.p.a.ces of the modern press.

But this, Mrs. Bradley told herself, was to see Dollie with a dry, hard eye, was to see her superficially, from the social rather than from the human point of view. Under the photographic creature must lie the young, young girl--so young, so harmless that it would be very possible to mould her, with all discretion, all tenderness, into some suitability as Jack's wife. Dollie, from the moment that she had found her, a sodden, battered rose indeed, in the London lodging-house, had shown herself grateful, even humble, and endlessly acquiescent. She had not shown herself at all abashed or apologetic, and that had been a relief; had counted for her, indeed, in her mother-in-law's eyes, as a sort of innocence, a sort of dignity. But if Dollie were contented with her new mother, and very grateful to her, she was also contented with herself; Mrs. Bradley had been aware of this at once; and she knew now that, if she were being carefully and commendingly watched while she poured out the tea, this concentration did not imply unqualified approval. Dollie was the type of young woman to whom she herself stood as the type of the 'perfect lady'; but with the appreciation went the proviso of the sharp little London mind,--versed in the whole ritual of smartness as it displayed itself at theatre or restaurant,--that she was a rather dowdy one. She was a lady, perfect but not smart, while, at the same time, the quality of her defect was, she imagined, a little bewildering and therefore a little impressive. Actually to awe Dollie and to make her shy, it would be necessary to be smart; but it was far more pleasant and perhaps as efficacious merely to impress her, and it was as well that Dollie should be impressed; for anything in the nature of an advantage that she could recognize would make it easier to direct, protect, and mould her.

She asked her a good many leisurely and unstressed questions on this first evening, and drew Dollie to ask others in return; and she saw herself stooping thoughtfully over a flourishing young plant which yet needed transplanting, softly moving the soil about its roots, softly finding out if there were any very deep tap-root that would have to be dealt with. But Dollie, so far as tastes and ideas went, hardly seemed to have any roots at all; so few that it was a question if any change of soil could affect a creature so shallow. She smiled, she was at ease; she showed her complete a.s.surance that a young lady so lavishly endowed with all the most significant gifts, need not occupy herself with mental adornments.

'You're a great one for books, I see,' she commented, looking about the room. 'I suppose you do a great deal of reading down here to keep from feeling too dull'; and she added that she herself, if there was 'nothing doing,' liked a good novel, especially if she had a box of sweets to eat while she read it.

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Atlantic Narratives: Modern Short Stories Part 6 summary

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