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Atlantic Narratives: Modern Short Stories Part 42

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'But the moral right?' whispered Alice.

'What was the quarrel about, anyway?' asked Austin. 'Frank's marriage, wasn't it? I never heard much about it.'

'That was part of it,' said Aunt Janet. 'Frank, you know, fell in love with a little country girl whom his father did not want him to marry, but he insisted on having his way, and married her.'

'Good for him,' nodded Austin approvingly.

Little Jack, glancing from one to another with wide blue eyes, was silently weaving his philosophy of life, and his interpretation of humanity.



'Religion was mixed up in it in some way,' contributed John. 'Uncle grew to be something of a fanatic, and he wanted them both to believe what he believed, and they wouldn't, or didn't, or couldn't. It was incompatibility of temper all round, I dare say.'

'Frank was a good son,' reminded Alice. 'He was patient with his father, and he all but gave up his life for Uncle John, nursing him through diphtheria.'

More and more the sweet, persistent voice brought trouble and question into the atmosphere from which trouble and question had so suddenly cleared. The new security began to seem unstable; the new-found joy a stolen thing. Even in the pauses, the personality of the woman spoke from curtain and cushion and fireplace of this room of her devising. She dominated the whole, seeming the only presence there; brother and sister and guests shrank in the radiance of her.

'Do you really think I ought to hunt Frank up?' asked the man.

Emily shook her head, but doubtfully.

'You probably couldn't find him, after all these years.'

'I could try,' admitted John.

'Nonsense!' cried Aunt Mary, over her embroidery. 'You stay right where you are, and pay off your mortgage. A man who has worked as hard as you have, and has had as much trouble, ought to take a bit of good luck when it comes.'

'Think how much good you could do with it,' murmured Aunt Janet.

'As the pickpocket said when he put the stolen dime in the collection plate,' said Austin; but fortunately Aunt Janet did not understand.

'Uncle had a right to do what he pleased with his own,' said John defiantly. 'If he chose to cast off his son, for reasons which he considered sufficient, he had the right.'

'But you cannot cast off your son,' persisted Alice. 'John, we have a boy of our own. You know that the obligation is one of all eternity; you cannot get rid of fatherhood.'

'O papa, papa, you hurt me,' squealed little John, suddenly interrupted in his philosophy-weaving.

'Confound it all!' cried John with sudden irritation. 'Isn't this just like life! To hold out the rope, just to grab it away again with a grin--I won't, I say. What is mine is mine.'

'But it isn't yours.'

'Did Frank have any children?' he asked.

'Several, I believe,' admitted Emily reluctantly.

'And he never got on?'

'He never got on.'

'And the twenty thousand might save their pesky little Mexican souls.'

The child's laughter rippled out across the shocked silence of the elders.

'Maybe Uncle John left them something,' suggested Emily. 'For a man who tried such big things this doesn't seem much money.'

Her brother shook his head.

'"The entire sum of which he stands possessed,"' he read from the lawyer's letter.

'You might make a few inquiries through the post. I rather imagine the Mexican mail service isn't very trustworthy,' suggested Aunt Mary, hopefully.

He looked at her, but in abstracted fashion, as if it were not to Aunt Mary that he was listening.

'I'll write to this Oklahoma lawyer, and then I must go to Mexico.'

'Isn't it a little quixotic?'

'It's most likely all kinds of foolishness, like everything else I do,'

groaned the man. 'But it's what I'd want done for my little chap if I were dead and he alive, and I had quarreled with him. I suppose I could keep this money and save my skin, but--'

'You couldn't keep it without finding out,' murmured Alice, 'because you are you, and the real you is incapable of doing a mean thing.'

'You must do as you think best,' said Emily at last. 'Maybe, if you find Frank, he won't want it all, but will divide, knowing that his father willed it to you.'

'That may be as it may be,' said the man, leaning back in his chair with the face of one listening. 'But I go to Mexico. It's a queer game we play here, and I'll be dashed if I can understand it, but I'm going to play it as fairly as I know how.'

So the voice of Alice won, of Alice, who had been dead for five long years.

THE MARBLE CHILD

BY E. NESBIT

All over the pavement of the church spread the exaggerated cross-hatching of the old pews' oak, a Smithfield market of intersecting lines such as children made with cards in the old days when kings and knaves had fat legs bulging above their serviceable feet, and queens had skirts to their gowns and were not cut across their royal middles by mirrors reflecting only the bedizened torso of them and the charge--heart, trefoil, or the like--in the right-hand top corner of the oblong that framed them.

The pew had qualities: tall fat ha.s.socks, red cushions, a comparative seclusion, and, in the case of the affluent, red curtains drawn at sermon-time.

The child wearied by the spectacle of a plump divine, in black gown and Geneva bands, thumping the pulpit-cushions in the madness of incomprehensible oratory, surrendered his ears to the noise of intonations which, in his own treble, would have earned the reprimand, 'Naughty temper.' His eyes, however, were, through some oversight of the G.o.ds of his universe, still his own. They found their own pasture: not, to be sure, the argent and sable of gown and bands, still less the gules of flushed denunciatory gills.

There is fair pasture in an old church which, when Norman work was broken down, men loved and built again as from the heart, with pillars and arches, which, to their rude time, symbolized all that the heart desires to materialize, in symbolic stone. The fretted tombs where the effigies of warrior and priest lay life-like in dead marble, the fretted canopies that brooded above their rest. Tall pillars like the trunks of the pine woods that smelt so sweet, the marvel of the timbered roof--turned upside down it would be like a ship. And what could be easier than to turn it upside down? Imagination shrank bashfully from the pulpit already tightly tenanted, but the triforium was plainly and beautifully empty; there one could walk, squeezing happily through the deep thin arches and treading carefully by the unguarded narrow ledge.

Only if one played too long in the roof aunts nudged, and urgent whispers insisted that one must not look about like that in church. When this moment came it came always as a crisis foreseen, half dreaded, half longed-for. After that the child kept his eyes lowered, and looked only at the faded red ha.s.socks from which the straw bulged, and in brief, guarded, intimate moments, at the other child.

The other child was kneeling, always, whether the congregation knelt or stood or sat. Its hands were clasped. Its face was raised, but its back bowed under a weight--the weight of the font, for the other child was of marble and knelt always in the church, Sundays and week-days. There had been once three marble figures holding up the shallow basin, but two had crumbled or been broken away, and now it seemed that the whole weight of the superimposed marble rested on those slender shoulders.

The child who was not marble was sorry for the other. He must be very tired.

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Atlantic Narratives: Modern Short Stories Part 42 summary

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