At Start And Finish Part 17

There were a few of the gentler s.e.x in the audience, but the great majority were men, the flotsam and jetsam of the Bowery. Some of these joined in the laughter at Jim's elaborate apology, and others scowled their resentment at the disturbance. From the abode of the gallery G.o.ds (filled mostly with boys, big and little) came a shrill "Put 'em out!"

and a big wad of paper composed of an entire "World," and thrown by a skilful hand, which landed on the top of Jim's head.

But Jim, apparently not at all noticing the attention which he was attracting, unfolded his play-bill, and began to study it with the air of a connoisseur, or a provincial manager in search of talent. The doc.u.ment was headed with "BILLY JAYNE'S REFINED VAUDEVILLE CO.," and near the bottom of the first page was bracketed, "Robert Loring, Ba.s.so Profundo, Nautical Songs, Without a Rival."

It was evidently Robert who was "doing his turn" when we entered, for his song told of "wild waves, brave ships, oak timbers, fearful storms, wrecks, and watery graves," in tones deep enough to make the heart quake. He ended, just as we were well settled in our seats, with a row of descending notes, the last several feet below the lowest brick of the cellar, and bowed himself off the stage, amid a burst of applause, which was followed by another demonstration, well mingled with laughter, when Jim remarked very audibly to the old lady by his side, "I really wonder how he does it," and "Shouldn't you think it would hurt him?"

Loring had already occupied the full time for "his turn" (we discovered later that the performer came out and filled up his ten minutes just the same, whether applauded and encored, or greeted with stony silence), so, notwithstanding vigorous clapping, a.s.sisted by the more demonstrative boot-heel, Robert only made his bow from the wings, and departed.

As he disappeared on one side, a diminutive little darky hurried on from the other, and changed the cards, announcing as the next star, "Sam Walker." An examination of the play-bill rewarded us also with the information that Sam was the "World's Champion Clog Dancer, Lancashire Style." Two attendants in ragged costumes brought out a big square of white marble, which they deposited with considerable labor on one side of the stage, and after a little delay, to make the audience impatient, the distinguished Walker appeared, clad in well-chalked white tights, and with the champion's belt buckled round his waist. It was at least six inches wide, and so heavy with gold, silver, and precious stones that the redoubtable Sam was obliged to remove it before he could dance at all. Sam's brother Alfred, in a rusty dress suit, took his seat in a chair on the other side of the stage, and with an enormous accordeon furnished the music for the champion, who treated us to a continuation of festive taps, stopping with wonderful precision whenever the music broke off, even if in the middle of a note.

Next came "Annette Toineau," the "Queen of French Song, Fresh from Her Parisian Triumphs;" and the big man at the piano began to execute a lively tune, which set all the feet in the house in motion, until Annette herself appeared. This she did with a nod, a wink, and a kick that won instant applause, even before she opened her mouth to sing. An enthusiastic admirer in the gallery called out, "You're all right, Liz, old girl," from which remark, and the accent (much more Celtic than French) with which she afterward treated us, I argued that Annette was but a stage name, and the "Parisian Triumphs" probably a fiction of the manager. Annette was a very pretty little girl, with a trim figure in abbreviated skirts, and she sang rather naughty songs in a manner that made them worse than they were written.

I could hear Jim, after she was through, remark to the old lady by his side, that such songs were likely to lead to the perversion of youth, and should not be sung except to those who had reached the age of discretion; by which I suppose he meant himself and the old lady, though she was old enough to be his grandmother. Jim's censorious remarks were, however, more than offset by Harry, who, at the other end of our line, applauded so vociferously that Annette rewarded him with a direct and beaming smile when she made her last bow.

Then followed "Leslie and Manning, Knock-about Grotesques," "Cora, the Queen of the Slack Wire," and "Sam Berne, the Dutch Monarch;" the last of whom first convulsed us by asking Tom, in a sepulchral whisper, to "Please wake your friend," pointing to Paddy, who was indeed asleep; and then had a very funny dialogue with the piano-pounder, in which they both pretended to get in a towering pa.s.sion over the question as to whether the singing or the accompaniment was the worse.

The delights of the play-bill were now well-nigh exhausted, the next to the last on the list being "Alice Wentworth, America's Most Dashing Soubrette." She appeared to the tune of some gay waltz notes from the long-suffering piano. Alice was a slender girl, with brown hair and large, dark eyes. I doubt she could ever have been "dashing," though pretty she certainly had been. There were also signs that "once she had seen better days," as the old song goes. But now, despite the a.s.sistance of paint and padding, it was evident that sickness or dissipation had robbed her of most of the attractions she had once possessed. Her face was too thin for the bright color on her cheeks, her steps were too listless for the generously filled stockings, and she coughed several times before she began her song. It was a jolly little thing, sung in good time and tune, and with those touches which indicate unmistakably the rudiments, at least, of a musical education. The song was well received, but at the end of the verse she had a dance, which called for considerable exertion, and was very trying for her. She got through the first two verses all right, but when she started the third her strength was gone; she broke down, and gasped for breath. The piano continued for a few notes, then stopped, and there was a dead silence.

It was a pitiful sight enough: the poor girl trying to get strength enough to continue, coughing and gasping painfully; but some one in the orchestra back of us hissed, there was a cry from the gallery of "Take her off," and then a chorus of yells and cat-calls. It was the same old wolf instinct which makes the pack tear to pieces the wounded straggler,--the wolf instinct in some way transmitted to man.

I was indignant enough, and looked around at the audience after the chap that made the first hiss, but should probably have done nothing had not Tom Furness, who has the biggest heart in the world, made an effort to stem the tide. He jumped on his feet, rising to his full height, and began to applaud with all his might. Of course we all joined in, Paddy's big feet and hands making a prodigious noise; and the better nature of the audience being given a lead, the hisses were drowned by a great storm of applause that fairly shook the old theatre.

Poor Alice succeeded in getting enough breath to finish her song, and, dancing no more, gave as an encore "Ye Banks and Braes o' Bonny Doon,"

in a way that reached the hearts of the toughest in the house. It is wonderful how such an audience is affected by the pathetic. An allusion to an "old mother," an "old home," or suffering from sin and wrong will catch them quicker than the most doubtful verse.

The last word of the old Scotch song ended, Alice made her bow amid applause as hearty if not as noisy as when we drowned the hissing, and I hope the poor girl was able to keep her place, or, better still, went back to the old home, among the New Hampshire hills, perhaps, or under the shadow of the Maine pines.

There was now a great bustle on the stage, a rush of "supes," and a clamor of orders. The scenery was pushed back and the drop-scenes hoisted out of the way. Padded posts were set in the floor, ropes strung and pulled taut, making a very satisfactory ring, and the chairs placed in the corners. By the demonstration on the stage and the eagerness of the audience, it was evident that we had now come to the great attraction of the evening. The play-bill read "George Johnson, Heavy-Weight Boxer, Will Knock Out Three Opponents in Three Rounds Each, or Forfeit $50 to the Man Who Stays."

Now, although I was fairly well informed concerning the boxing world, I was unable to remember "George Johnson's" name, and wondered why he had not been taken on by some of the well-known men who intruded themselves into the papers so frequently. The play-bill said clearly that he had challenged the world, and Tom suggested that Johnson was probably too good for them to take him on, or perhaps he had not a diligent backer who could wield a vigorous pen. Harry, who stripped at one hundred and thirty, declared his willingness to put on the gloves with Mr. Johnson if they would let him stand on a chair. Paddy, to whom the performance had become a dreadful bore, endured only through respect for the high society in which he was travelling, had now become wide awake, and at Harry's remark p.r.i.c.ked up his ears and asked with much interest if they gave any one in the audience a chance to put on the gloves. Jim told him that there were probably three "stiffs" already engaged to go through the motions of a knock-out, and Paddy remarked that it was a pity, and subsided for the time.

When everything was arranged, the pails of water, sponges, and towels handy, and the gloves thrown into the middle of the ring, the manager introduced Mr. Richard Foley as the referee of the bouts, ending his remarks with some very florid compliments to Mr. Foley's well-known fairness in such matters. What was our surprise to discover in the gentlemanly referee the identical man we had first stopped on the street to inquire for "Dinny Sullivan, the copper." He wore the same short coat and plaid trousers, but had discarded the tall hat and the cigar, without which he looked lonely. The mouse under his eye had also disappeared, the artist having succeeded in disguising its mournful hue by a skilful application of flesh paint.

After the enthusiasm which greeted his appearance had a little subsided, Mr. Foley raised his hand in a Napoleonic fashion to command silence, stepped to the front of the stage, and hanging on the ropes in an att.i.tude of extreme ease and freedom from restraint, made the usual little speech without which a boxing contest would seem out of joint. He declared the bout to be one of "a friendly nature" for "scientific points only," and ended with the warning that any disturbance from the audience would stop the contest immediately.

At the close of his remarks appeared the celebrated George Johnson, a tall mulatto, who took his seat in the chair facing the audience, followed by his handlers. He was stripped to the waist, and wore a blue sash, white trunks, and tan shoes. He was a powerful fellow, well trained, and looked like a bronze statue when he rose, bowing and smiling at a little group of colored friends who called to him from the front of the gallery.

A moment later "Jack Costigan, the Jersey blacksmith," made his debut, and was greeted with even more enthusiasm than Johnson, probably because of the predominating nationality of the audience, for he was certainly not a beauty, or even a well-built man. Indeed, he was a mighty tough-looking customer, his black hair clipped close enough to reveal a number of white scars, his face pockmarked, his shoulders stooping, and he was at least ten pounds lighter than Johnson, with much less height and reach. He looked sheepish enough to prepare us for the "lie down"

that was to follow, and seemed pleased that his chair gave him the opportunity to turn his back to the spectators.

After the very labored introductions by Mr. Foley, in which a slight allusion was made to their previous records, the men took their corners, and at the call of "time" they shook hands and got to business. Now, I shall have hardly a word to say concerning this bout, for there was a much more stirring one to follow. It was evident from the beginning, although Johnson was the better man, and could have won anyway, that Costigan was not sent to do his best. He was an old war-horse, performed his part well, kept up the mill until the middle of the third round, and then at a comparatively light blow went down. He pretended to make a desperate effort to rise while the ten seconds were counted, then picked himself up, and Johnson was declared the winner.

After Costigan disappeared there was a long wait, the house growing more and more impatient. At last the manager appeared and announced his great regret that the two other boxers had disappointed him. He announced that one of them had a broken arm, and read a physician's certificate to that effect. The other, as far as we could learn, was suffering from a broken heart; that is, he had, after looking the redoubtable Johnson over, declined to face him for any consideration.

The manager, again expressing his sorrow at the unavoidable disappointment, handed our friend, Mr. Foley, a fifty-dollar bill, making a great splurge about it, and asked if there were not some gentlemen in the house who would take the places of the delinquents.

At this there was a dead silence, except the noise made by Paddy and Harry whispering together, but what they said I did not understand.

Again the manager repeated the request, evidently not expecting its acceptance, and ended with a challenge reflecting delicately upon the courage of his audience.

He had hardly spoken the words when suddenly, to my surprise and dismay, Paddy rose slowly to his feet, and clearing his throat said, in husky tones, "Faith, thin, 'tis a pity it is not to hev the foight, and lackin' a better I'll give him a bit av a go meself."

There had been many murmurs of disappointment when it looked as if there would be but one bout, instead of three as advertised, and at Paddy's speech there was deafening applause. I did my best to dissuade him, as did Tom Furness as well; but Jim took up the plan with enthusiasm, and despite our protests the three "devil-may-cares" crowded along the aisle, and disappeared through a little door under the gallery, which led to the stage. A few moments later they filed on, all three with their coats off, stepped through the ropes, and Paddy took his seat in the chair facing Johnson, his red face wreathed in smiles, and his sleeves rolled up to the elbows, Jim and Harry going to work in a very business-like manner to prepare for the contest.

Now, all this was great fun for the audience, the manager, and even Johnson himself, who grinned back at Paddy, showing a long row of white teeth. It took no expert to see that the Irishman was dead easy, and there were the antic.i.p.ated windmill swings, and abortive efforts to hit on his part, and a scientific exhibition from Johnson, with a knock-out to follow.

Tom and I expected nothing better, unless Johnson should be careless enough to let Paddy hit him once, in which case he might be treated to a surprise party, for Pat had an arm like a gorilla, and a fist as big as a small ham. Indeed, when Jim tried to push the gloves on which Costigan had discarded, after his lie down, he found it a job requiring the exercise of patience and considerable strength as well.

At last Paddy was all right, Harry fanning him with the towel, Jim kneeling behind him, whispering sage advice into his ear, to which Paddy nodded his head with a confident grin. We were close enough to hear his husky, "'Tis right you are," and "Sure that wud phase 'im." The boys looked striking enough on the stage, with their refined faces, fashionable clothes, and spotless linen. Not one in the building but knew they were gentlemen, and nearly all wished them success with their man. Paddy himself had caught the crowd also, the gallery becoming his at first sight of his wide smile and the sound of his "illigant brogue."

Mr. Foley called "time," and at the word Harry gave a last flap, Jim a final word of advice, and as Paddy rose to his feet they pulled the chair through the ropes, and left their man in the ring, to do his "_devoir_" as best he might.

He certainly was not anxious, nor did he lack confidence in himself. He advanced cheerfully, shook his opponent by the hand, and got in position. Now, where Paddy learned to "shape himself" I never heard, but I doubt if there is anything like it in the long history of "Fistiana." I have seen many queer things in old sporting prints, where the fancy of the artist, I am sure, has maligned the science of good men with their "fives," but nothing like Paddy's pose has ever appeared to me before or since. His left foot was well forward, his left arm high, as if he feared the rap of a "shillalah" instead of the straight blow of a fist. His right hand he held low behind him, ready to hit, as if he held a flail or a "bit av a scythe," and he swung his fist round and round in a little circle. Even Tom and I could not refrain from laughter, the crowd yelled themselves hoa.r.s.e, and Johnson could hardly restrain himself.

The latter shaped beautifully. After his first surprise was over he grew serious, stepped in, led lightly, landing on Pat's nose, and when Paddy, after a belated duck, swung a terrific blow at his opponent, he found him well out of reach. It was just as I expected: Johnson could hit Paddy when and where he pleased. He played with him as a cat would with a mouse. He made a punching-bag of him, hit and got away. He ducked, he countered, he dodged, he swung on Pat's jaw. He side-stepped, and tapped him lightly; he uppercut him when he made a bull rush, so that his head lifted as if on a hinge. He hooked him with right and left, and played the "devil's tattoo" all over his body, ending with a rib-roaster that made even Paddy sigh. In short, when Patrick O'Malley, our "Knight of the Rake and Roller," took his seat at the end of the first round his smile was gone, and he looked like a man in a trance.

Johnson had hit hard enough to have put most men to sleep, but on Paddy's tough anatomy had made no serious impression, after all. Pat's right eye was in a fair way to close, and his face looked puffy and his neck sore, but he was as strong as ever, and his courage as good, though he probably would have been willing to admit that over the picnic aspect of the occasion there had come a cloud. Harry and Jim got at work at him with sponge and towel the minute he took his seat. A very artistic exhibition they gave, and no doubt Jim's advice which he whispered was very good, but there was nothing before Paddy but a "knock-out" unless the unexpected happened.

Johnson was without a mark, and I question whether he had been hit at all. He took his drink, smiled up at his handlers as they worked the cool sponge over his hot chest and arms, and leaned back on the ropes with an air of extreme contentment.

When the bell rang for the second round Paddy came up in good condition, but with a somewhat dubious expression on his countenance, and he kept his left a little lower, ready to stop some of the straight punches he had accepted so generously in the first round. He did not swing quite as wildly as before, and although hit harder, the blows did not land quite as often. In the last half-minute, however, Johnson cut loose, and Paddy's broad face and thick neck were visited in a savage manner. The bell barely saved him, for the poor fellow was fairly smothered with blows, and yet he stood up to his punishment without flinching, and fought back as best he could.

Tom had lost patience when he saw Paddy staggering like a bullock under an axe, and though I told him we could do nothing to help, he insisted we should at least be with the rest of the party. So the minute the bell rang for the end of the round, we crowded along the seats, and hurrying through the door, I was just in time to reach Paddy's corner before he started in for the third and last round. Now, of all men on earth Paddy believed in me; Jim and Harry were all right, and doing all possible for him, but when he felt my hand on his arm, and heard my whisper in his ears, his heart, almost gone, came back to him. He turned his swollen face up to me, and with a new light in his eyes he said, "Tell me what I'll do, Misther Brown; tell me, darlin', an' I'll lick the nager yet."

There was something wonderfully pathetic in his blind confidence, and I never cared so much for the big-hearted Irishman as I did that minute.

To tell the truth, I had been half willing to see him knocked out after his foolish persistence against my advice. Then again I knew it was not at all a serious matter to one with his strength and vitality, and a dash of cold water would leave him no worse memories than a sore head and a few bruises. But after his appeal I felt very different. I racked my brain, but though I had been studying his opponent from the beginning, trying to find his weak point, he was so very shifty on his feet, and Paddy was so deathly slow, I could think of nothing. Pat had been swinging at his opponent's head, from the very start, the same old blow, landing never. He had not tried for the body once, and I made up my mind just before the bell rang, and whispered, "Never mind his top-knot, Paddy; wait until he leads, then step in, and hit him in the ribs; and hit him hard."

The third round started much like the others, but now on Paddy's face was not the foolish smile of the first, nor the dubious look of the second. "Misther Brown" had told him what to do, he was supremely confident in my wisdom, and had no doubt of the result. His mouth was firm and his eyes clear as he faced his opponent and waited for his opportunity.

I could see that Johnson did not half like the change. He was altered too, his face had grown cruel, his eyes fierce, and he came in like a tiger crouching for a spring. The joke was all gone out of the game now; he must knock Paddy out in the next three minutes or the fifty dollars would be forfeited. Nothing but a blow in the right spot would be of any use, and it must have the full swing of the body behind it. I could see plainly by his high guard that he feared nothing from Paddy but a swing on the head, and I doubt if he thought of much else beside how he could land on the point of Paddy's jaw just the right blow. As I knelt between Jim and Harry, peering through the ropes, I made up my mind that Paddy had good enough advice if he knew how to use it.

As usual, Johnson stepped in, leading with his left a light tap, meant only to open up Paddy's guard, so he could swing on him. As usual, he landed on Paddy's nose, the blood starting freely; but instead of answering with a blind swing as before, this time Paddy took the blow coming on; indeed, he started in before he was. .h.i.t, and the blow did not stop him at all. The result was, he found himself, for the first time, almost, since he had put his hands up, at a good striking distance. With a fierce grunt he smashed his huge fist full on the mark where the ribs branch, just above the belt. It was a terrible blow, unexpected, given with all the good intentions that a sense of debt could foster, and with the impetus of their two weights, for Johnson was coming in himself.

It doubled his antagonist up like a frog, and Paddy was kind enough to undouble him with a straight push in the face that straightened him up again. Harry could not refrain from calling, "Now's your time, Pat!" for which he was very properly warned by the referee; but Paddy really did not hear him, and needed no advice. Science was forgotten, and in the mix-up that followed, Paddy showed a ready hand, cultivated by many a boyish fight and youthful set-to. Johnson was now not so much interested in putting Paddy out, as in saving himself; he was fighting blindly, hugging and clinching when he could; keeping away as much as possible, and growing more and more groggy under the shower of blows that were rained on him. Time was nearly up when, after a break away, Paddy stepped back, gathered himself, rushed in, and swung his huge right hand with all the strength of his powerful body. It was a half hook, and it landed on Mr. Johnson's jaw, and he went down like a felled tree, falling with stiff knees, and striking nothing until his face reached the floor with a thud. He made no effort to rise, and Paddy was so wild that, had I not called to him, I think he would have gone into Johnson's corner for a fresh antagonist among his handlers. Johnson lay on the floor while the ten seconds were ticked off, and then Mr. Foley stepped to the footlights, and, announcing that Mr. O'Malley had won the bout, handed him the fifty-dollar bill.

Paddy hesitated a moment, for he had not thought once of the money; then he drew from his hip pocket an old-fashioned leather folding wallet, much worn and discolored, and with a chuckle put the big bill safely away. The audience had risen as one man to cheer Paddy when the decision was given, and now the tumult broke out again, and he was forced to bow his acknowledgments from over the footlights. Even this was not enough, and he finally cleared his throat, and made a short speech, of which I could distinguish nothing but the last words, as he gave a comprehensive sweep of his gloved hand, including our whole company, and yelled, "An'

ivery wan a winner." He would have spoken longer had not the manager, with rare presence of mind, dropped the curtain in front of him. Johnson had come to himself very quickly with the a.s.sistance of his handlers, and now stepped up to Paddy with very honest congratulations, and the contestants shook hands with mutual respect and no ill will.

We were delayed a few minutes by our inability to get the boxing-glove off of Paddy's big right hand; the left he had removed himself on receipt of the bill. We finally cut it off him, formed in line of march, and threading our way through the wings, joined the last stragglers of the audience as they filed out. I tried hard to subdue the spirits of my companions, but with little success. Jim and Harry were greatly elated, and Tom (who of all men enjoys winning) was now as bad as the others, and deserting me, left the conservative vote in a very decided minority.

There was certainly nothing lacking in the perfect success of the evening but the fact that "Dinny, the copper," the great object of our search, had evaded us. I voted to give him up and go back to the hotel; the others hesitated, but Tom, who never despairs,--Tom still declared that Dinny would yet appear. Tom is a man who has faith that a ball team will win with the score five to one against in the ninth inning, two out, and a weak hitter at the bat.

Jim and Harry were too much elated by their success with Paddy in the "squared circle" to ask for much else. In fact, they were slightly hilarious. The intoxication of victory, on top of their efforts to "kape the night out," was a bit too much for them. In pa.s.sing along they tipped over a table by the door, sending a shower of play-bills on the floor, and when a stout fellow remonstrated, Jim promptly "crowned" his derby hat with a blow that sent it down to his chin.

In the lobby the big wooden statue of Terpsich.o.r.e, standing in scant attire, with one foot lifted for the dance, caught Harry's eye. He whispered to Jim and Paddy, and before I could interfere, they had torn her from her fastenings, and "stood the old girl on her head." As the muse was being balanced in this undignified position in the corner, there suddenly arose a cry of "Police!" "Police!" in high-pitched and nasal tones from the ticket office. It was Paddy's "ancient enemy" who had discovered us, with his face close to the aperture, secure in the protection of the window. He called l.u.s.tily, until a huge fist swung through the hole, and landed on the Roman nose with a dull, sickening thud. Silence followed Paddy's skilful blow, but the mischief was done, for there suddenly appeared through the door behind us a knock-kneed bobby, club in hand. Tom called "'Ware the cop!" and by giving the promptest kind of leg bail they just escaped him, bolting out the door, and across the Bowery, the crooked-legged copper close after.

Harry, who was leading, swung down a dimly lighted alley, Jim and Paddy following in order. The policeman, who apparently had little confidence in his ability to catch such nimble-footed gentry, stopped at the corner, and commenced a devil's tattoo with his night club on the pavement as a signal for some compatriot to head off the fugitives. Tom and I, who were close up, dashed by him without a word, resolved to stick to our friends, no matter what the cost. Tom was chuckling with delight, gave me a look over his shoulder, and set a killing pace, with the laudable ambition of running me off my feet, as well as distancing our pursuers. Chasing and being chased is one of the primitive pleasures of man, and I doubt if we ever quite outgrow it. We cut through the darkness, with the cool night air in our faces, sprinting over the slippery cobble-stones of the pavement as if in the finals of a "hundred." There was a mad pleasure in it all, and the listening for sounds of pursuit and the looking sharply ahead for threatening danger added a double zest. It reminded me of a night in old Lancashire, when with some schoolmates I had raided a farmer's orchard, and with the spoils under our jackets we had led him a cross-country run of a couple of miles, knowing that a good thrashing was close behind as the punishment for a stumble or a temporary shortness of breath.

We were gaining on the three dark forms ahead, for we could see them more and more plainly as they bobbed against the lights at the end of the street. Occasionally some one would yell at us from a window or doorway, but the pounding of the knock-kneed bobby was growing more and more faint, and we heard no footsteps at all behind us. We had almost reached Paddy, whose boxing efforts had told on his endurance, and I was just about to call to Jim and Harry, when suddenly there emerged from the darkness a herculean figure in bra.s.s b.u.t.tons.