Assassin's Creed: Unity Part 11

So if she were here, I could tell her that I, too, had strayed during the early years of our adulthood. Betrothed though we were, sweethearts in name at least, we were rarely actually together-s.n.a.t.c.hed moments during the holidays was all we had-and she was not alone in wanting, as she put it, "liaisons."

Like her my infidelities (because, yes, sorry, Elise, there was more than one, the ladies of Versailles village being as accommodating as they were fetching) did nothing to tempt me away from her.

There are those men who think it's their right to sow their wild oats while their beloved stays virtuous, but I'm not one of those. I'm not a hypocrite. I try not to be, at least.

EXTRACTS FROM THE JOURNAL OF ELISE DE LA SERRE.

2 APRIL 1788.

i The day began with a panic.

"We don't think you would have a lady's maid," said Monsieur Carroll.

The terrible trio stood in the reception hall of their house in Mayfair, regarding Helene and me as we prepared to leave for our secret mission.

"That's quite all right with me," I said, and though I did of course have to still a flutter of nerves at the thought of going alone, I would at least have the advantage of not needing to worry about Helene.

"No," said Mr. Weatherall, coming forward. He shook his head emphatically. "She can invent a story about the family finding fortune. I don't want her to go in there alone. It's bad enough I can't go with her."

Madame Carroll looked doubtful. "It's one more thing she needs to remember. One more thing she needs to deal with."

"Mrs. Carroll," growled Mr. Weatherall, "with the greatest respect, that's a right lot of nonsense. The role of a n.o.ble lady is one young Elise has been playing her entire life. She'll be fine."

Helene and I stood patiently as our future was decided for us. Different in almost every other way, what she and I had in common was that other people decided our destinies for us. We were used to it.

And when they had finished our belongings were strapped to the roof of a carriage, and a coachman, an a.s.sociate of the Carrolls we were a.s.sured could be trusted, took us across town to Bloomsbury, and an address at Queen Square.

ii "It used to be called Queen Anne's Square," the coachman had told us. "It's just Queen Square now."

He'd accompanied Helene and me to the top of the steps and pulled the bell. As we waited I glanced around at the square, seeing two neat rows of white mansions, side by side, very English. There were fields to the north and nearby a church. Children played in the highway, darting in front of carts and carriages, the street alive with life.

We heard footsteps, then a great sc.r.a.ping of bolts. I tried to look confident. I tried to look like the person I was supposed to be.

Which was?

"Miss Yvonne Albertine and her lady's maid, Helene," announced the coachman to the butler who opened the door, "to see Miss Jennifer Scott."

In contrast to the life and noise behind us, the house radiated dark and foreboding, and I fought a strong sense of not wanting to go in there.

"Mademoiselle Scott is expecting you, mademoiselle," said the expressionless butler, motioning to us to enter.

We walked into a large entrance hall, which was dark with wood paneling and closed doors leading to rooms off the hall. The only light came from windows on a landing above and the house was quiet, almost deathly quiet. For a second or so I struggled to think what it was the atmosphere reminded me of, then I remembered: it was like our chteau in Versailles in the days after Mother had died. That same sense of time standing still, of life carried out in whispers and silent footsteps.

I had been warned it would be like this: that Mademoiselle Jennifer Scott, a spinster in her mid-seventies, was somewhat . . . odd. That she had an aversion to people, and not just strangers or any specific type of person, but people. She maintained a skeleton staff at her house on Queen Square and for some reason-some reason the Carrolls had yet to reveal to me-she was very important to the English Templars.

Our coachman was excused, then Helene was whisked away, perhaps to go and stand awkwardly in a corner of the kitchen and be gawked at by the staff, the poor thing; and then when it was just the butler and me left, I was led to the drawing room.

We entered a large room with drawn curtains. Tall potted plants had been placed in front of the windows, deliberately, I presumed, to limit people looking in or out. Again, it was dingy and dark in the room. Sitting in front of a b.u.mbling fire was the lady of the house, Mademoiselle Jennifer Scott.

"Miss Albertine to see you, my lady," he said, and left without getting a reply, closing the door softly behind him, leaving me alone with this strange lady who doesn't like people.

What else did I know about her? Her father was the pirate a.s.sa.s.sin Edward Kenway and her brother the renowned Templar Grand Master Haytham Kenway. I a.s.sumed it was their portraits on one wall, two similar-looking gentlemen, one wearing the robes of an a.s.sa.s.sin and another in a military uniform that I took to be Haytham. She herself had spent years on the Continent, a victim of the strife between a.s.sa.s.sin and Templar. Though no one seemed to know exactly what had happened to her, there was no doubt she had been scarred by her experiences.

The door closed behind me and I was alone in the room with her. I stood there for some moments, watching her as she sat staring into the flames with her chin in her hand, preoccupied. I was just wondering whether I should clear my throat to get her attention or if perhaps I should simply approach and introduce myself, when the fire came to my rescue. It crackled and popped, startling her so that she appeared to realize where she was, lifting her chin slowly from her hand and looking at me over the rims of her spectacles.

I was told that she had once been a beauty and truly the ghost of that beauty lingered around her, in features that remained exquisite and dark hair that was slightly unkempt and streaked with thick gray, like a witch. Her eyes were flinty, intelligent and appraising. I stood obediently and let her study me.

"Come forward, child," she said at last, and indicated the chair opposite.

I took a seat and again was subject to a long stare.

"Your name is Yvonne Albertine?"

"Yes, Mademoiselle Scott."

"You may call me Jennifer."

"Thank you, Mademoiselle Jennifer."

She pursed her lips. "No, just Jennifer."

"As you wish."

"I knew your grandmother and your father," she said, and waved her hand. "Well, I didn't really 'know' them as such, but I met them once in a chteau near Troyes in your home country."

I nodded. The Carrolls had warned me that Jennifer Scott was likely to be suspicious and might try to test me. Here it came, no doubt.

"Your father's name?" prompted Mademoiselle Scott, as though having trouble recalling it.

"Lucio," I told her.

She raised a finger. "That's right. That's right. And your grandmother?"

"Monica."

"Of course, of course. Good people. And how are they now?"

"Pa.s.sed, I am sad to say. Grandmother some years ago; Father in the middle of last year. This visit-the reason I'm here-was one of his final wishes, that I should come to see you."

"Oh yes?"

"I fear that things ended badly between my father and Mr. Kenway, my lady."

Her face remained impa.s.sive. "Remind me, child."

"My father wounded your brother."

"Of course, of course." She nodded. "He stuck a sword in Haytham, didn't he? How could I ever forget?"

You didn't forget.

I smiled sadly. "It was perhaps his biggest regret. He said that shortly before your brother lost consciousness he insisted on leniency for himself and Grandmother."

She nodded into her chest, hands grasped. "I remember, I remember. Terrible business."

"My father regretted it, even at the moment of death."

She smiled. "What a shame he was not able to make the journey to tell me this himself. I would have rea.s.sured him that he need have nothing to worry about. Many's the time I wanted to stab Haytham myself."

She stared into the jumping flames, her voice drifting as she was claimed by her memories. "Little squirt. I should have killed him when we were kids."

"You can't mean that . . ."

She chuckled wryly. "No, I don't suppose I can. I don't suppose what happened was Haytham's fault. Not all of it anyway." She took a deep breath, fumbled for a walking cane that rested by the arm of her chair and stood.

"Come, you must be tired after your journey from Dover. I shall show you to your room. I'm afraid to say that I am not one for socializing, and especially not when it comes to my evening meal, so you shall have to dine alone, but perhaps tomorrow we can walk the grounds, make each other's acquaintance?"

I stood and curtsied. "I would like that very much," I said.

She gave me another look as we left for the bedchambers on the floor above. "You look very much like your father, you know," she said.

"Thank you, my lady."

iii Later when I had eaten, a meal that I took alone, waited upon by Helene, I retired to my bedchamber in order for me to prepare for bed.

The truth was that I hated being fussed over by Helene. I had long ago drawn the line at allowing her to dress and undress me, but she said she had to do something, just to make all those hours she spent listening to boring gossip below stairs worthwhile, so I allowed her to lay out my clothes and fetch me a bowl of warm water for washing. In the evening I let her brush my hair, something I'd come to quite enjoy.

"How's everything going, my lady?" she asked, doing it now, speaking in French but still in a lowered voice.

"Everything is going well, I think. Did you happen to speak to Mademoiselle Scott at all?"

"No, my lady, I saw her in pa.s.sing and that was all."

"Well, you didn't miss much. She's certainly an odd character."

"A fine kettle of fish?"

That was one of Mr. Weatherall's expressions. We grinned at each other in the mirror.

"Yes," I said, "she certainly is a fine kettle of fish."

"Am I allowed to know what it is that Mr. and Mrs. Carroll want with her?"

I sighed. "Even if I knew, it would be best that you don't."

"You don't know?"

"Not yet. Which reminds me, what is the time?"

"Just coming up for ten, Mademoiselle Elise."

I shot her a look, hissing, "It's Mademoiselle Yvonne."

She blushed. "I'm sorry, Mademoiselle Yvonne."

"Just don't do that again."

"Sorry, Mademoiselle Yvonne."

"And now, I must ask you to leave me."

iv When she had gone, I went to my trunk stored beneath the bed, pulled it out, knelt and flicked the locks. Helene had emptied it but she wasn't aware of the false bottom. Beneath a fabric tab was a hidden catch and when I clicked it the panel came away to reveal the contents.

Among them was a spygla.s.s and a small signaling device. I fitted the candle to the signal, took the spygla.s.s and went to the window, where I opened the curtains just wide enough to look out into Queen Square.

He was across the road. Looking for all the world like a cab driver awaiting a fare, Mr. Weatherall sat atop a two-wheeled carriage, the lower half of his face covered with a scarf. I gave the predetermined signal. He used his hand to mask the carriage light, giving his reply, then, with a glance left and right, unwound the headscarf. I brought the spygla.s.s to my eye, so that I was able to see him clearly, and read his lips as he said, "h.e.l.lo, Elise," then brought a spygla.s.s to his own eye.

"h.e.l.lo," I mouthed in return.

Thus we had our silent conversation.

"How is it going?"

"I am in."

"Good."

"Please be careful, Elise," he said, and if it was possible to inject real concern and emotion into a silent conversation held in the dead of night, Mr. Weatherall managed it then.

"I will be," I said. Then I withdrew to sleep and to puzzle over my purpose in this strange place.

6 APRIL 1788.

i Much time has pa.s.sed and there is much to tell you about the events of the last few days. My sword has tasted blood for the second time, only this time it was wielded by me. And I have discovered something-something which, reading my journal back, I really should have known all along.

But let's begin at the beginning.