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On most practical matters Ralph treated Frank Merrill's opinion with a contempt that was offensively obvious to the others. In questions of theory or of abstruse information, he was foolishly deferential. At those times, he always gave Frank his t.i.tle of Professor.
"I hardly think so," Frank Merrill answered. "I think we'll have an equable, semi-tropical climate all the year round--about like Honolulu."
"Well, anyway," Ralph Addington went on, "it's barbarous living like this. And we want to be prepared for anything." His gaze left Frank Merrill's face and traveled with a growing significance to each of the other three. "Anything," he repeated with emphasis. "We've got enough truck here to make a young Buckingham Palace. And we'll go mad sitting round waiting for those air-queens to pay us a visit. How about it?"
"It's an excellent idea," Frank Merrill said heartily. "I have been on the point of proposing it many times myself."
However, they seemed unable to pull themselves together; they did nothing that day. But the next morning, urged back to work by the harrying monotony of waiting, they began to clear a s.p.a.ce among the trees close to the beach. Two of them had a little practical building knowledge: Ralph Addington who had roughed it in many strange countries; Billy Fairfax who, in the San Francisco earthquake, had on a wager built himself a house. They worked with all their initial energy. They worked with the impetus that comes from capable supervision. And they worked as if under the impulse of some unformulated motive. As usual, Honey Smith bubbled with spirits. Billy Fairfax and Pete Murphy hardly spoke, so close was their concentration. Ralph Addington worked longer and harder than anybody, and even Honey was not more gay; he whistled and sang constantly. Frank Merrill showed no real interest in these proceedings.
He did his fair share of the work, but obviously without a driving motive. He had reverted utterly to type. He spent his leisure writing a monograph. When inspiration ran low, he occupied himself doctoring books. Eternally, he hunted for the flat stones between which he pressed their swollen bulks back to shape. Eternally he puttered about, mending and patching them. He used to sit for hours at a desk which he had rescued from the ship's furniture. The others never became accustomed to the comic incongruity of this picture--especially when, later, he virtually boxed himself in with a trio of book-cases.
"Wouldn't you think he was sitting in an office?" Ralph Addington said.
"Curious about Merrill," Honey Smith answered, indulging in one of his sudden, off-hand characterizations, bull's-eye shots every one of them. "He's a good man, ruined by culturine. He's the bucko-mate type translated into the language of the academic world. Three centuries ago he'd have been a Drake or a Frobisher. And to-day, even, if he'd followed the lead of his real ability, he'd have made a great financier, a captain of industry or a party boss. But, you see, he was brought up to think that book-education was the whole cheese. The only ambition he knows is to make good in the university world. How I hated that college atmosphere and its insistence on culture! That was what riled me most about it. As a general thing, I detest a professor. Can't help liking old Frank, though."
The four men virtually took no time off from work; or at least the change of work that stood for leisure was all in the line of home-making. Eternally, they joked each other about these womanish occupations; but they all kept steadily to it. Ralph Addington and Honey Smith put the furniture into shape, repairing and polishing it. Billy Fairfax sorted out the gla.s.s, china, tools, household utensils of every kind.
Pete Murphy went through the trunks with his art side uppermost. He collected all kinds of Oriental bric-a-brac, pictures and draperies. He actually mended and pressed things; he had all the artist's capability in these various feminine lines. When the others joked him about his exotic and impracticable tastes, he said that, before he left, he intended to establish a museum of fine arts, on Angel Island.
Hard as the men worked, they had always the appearance of those who await the expected. But the expected did not occur; and gradually the sharp edge of antic.i.p.ation wore dull. Emotionally they calmed. Their nerves settled to a normal condition. The sudden whirr of a bird's flight attracted only a casual glance. In Ralph Addington alone, expectation maintained itself at the boiling point. He trained himself to work with one eye searching the horizon. One afternoon, when they had scattered for a siesta, his hoa.r.s.e cry brought them running to the beach from all directions.
So suddenly had the girls appeared that they might have materialized from the air. This time they had not come from the sea. When Ralph discovered them, they were hovering back of them above the trees that banded the beach. The sun was setting, blood-red; the whole western sky had broken away. The girls seemed to be floating in a sea of crimson-amber ether. Its light brought l.u.s.tre to every feather; it turned the edges of their wings to flame; it changed their smoothly piled hair to helmets of burnished metal.
The men tore from the beach to the trees at full speed. For a moment the violence of this action threw the girls into a panic. They fluttered, broke lines, flew high, circled. And all the time, they uttered shrill cries of distress.
"They're frightened," Billy Fairfax said. "Keep quiet, boys."
The men stopped running, stood stock-still.
Gradually the girls calmed, sank, took up the interweaving figures of their air-dance. If at their first appearance they seemed creatures of the sea, this time they were as distinctively of the forest. They looked like spirits of the trees over which they hovered. Indeed, but for their wings they might have been dryads. Wreaths of green encircled their heads and waists. Long leafy streamers trailed from their shoulders.
Often in the course of their aerial play, they plunged down into the feathery tree-tops.
Once, the blonde with the blue wings sailed out of the group and balanced herself for a toppling second on a long, outstretching bough.
"Good Lord, what a picture!" Pete Murphy said.
As if she understood, she repeated her performance. She cast a glance over her shoulder at them--unmistakably noting the effect.
"Hates herself, doesn't she?" commented Honey Smith. "They're talking!"
he added after an interval of silence. "Some one of them is giving directions--I can tell by the tone of her voice. Can't make out which one it is though. Thank G.o.d, they can talk!"
"It's the quiet one--the blonde--the one with the white wings,"
Billy Fairfax explained. "She's captain. Some bean on her, too; she straightened them out a moment ago when they got so frightened."
"I now officially file my claim," said Ralph Addington, "to that peachy one--the golden blonde--the one with the blue wings, the one who tried to stand on the bough. That girl's a corker. I can tell her kind of pirate craft as far as I see it."
"Me for the thin one!" said Pete Murphy. "She's a pippin, if you please.
Quick as a cat! Graceful as they make them. And look at that mop of red hair! Isn't that a holocaust? I bet she's a shrew."
"You win, all right," agreed Ralph Addington. "I'd like nothing better than the job of taming her, too."
"See here, Ralph," bantered Pete, "I've copped Brick-top for myself. You keep off the gra.s.s. See!"
"All right," Ralph answered. "Katherine for yours, Petruchio. The golden blonde for mine!" He smiled for the first time in days. In fact, at sight of the flying-girls he had begun to beam with fatuous good nature.
"Two blondes, two brunettes, and a red-top" said Honey Smith, summing them up practically. "One of those brunettes, the brown one, must be a Kanaka. The other's prettier--she looks like a Spanish woman. There's something rather taking about the plain one, though. Pretty snappy--if anybody should fly up in a biplane and ask you!"
"It's curious," Frank Merrill said with his most academic manner, "it has not yet occurred to me to consider those young women from the point of view of their physical pulchritude. I'm interested only in their ability to fly. The one with the silver-white wings, the one Billy calls the 'quiet one,' flies better than any of the others, The dark one on the end, the one who looks like a Spaniard, flies least well. It is rather disturbing, but I can think of them only as birds. I have to keep recalling to myself that they're women. I can't realize it."
"Well, don't worry," Ralph Addington said with the contemptuous accent with which latterly he answered all Frank Merrill's remarks. "You will."
The others laughed, but Frank turned on them a look of severe reproof.
"Oh, h.e.l.l!" Honey Smith exclaimed in a regretful tone; "they're beating it again. I say, girls," he called at the top of his lungs, "don't go!
Stay a little longer and we'll buy you a dinner and a taxicab."
Apparently the flying-girls realized that he was addressing them. For a hair's breadth of a second they paused. Then, with a speed that had a suggestion of panic in it, they flew out to sea. And again a flood of girl-laughter fell in bubbles upon them.
"They distrust muh!" Honey commented. But he smiled with the indolent amus.e.m.e.nt of the man who has always held the master-hand with women.
"Must have come from the east, this time," he said as they filed soberly back to camp. "But where in thunder do they start from?"
They had, of course, discussed this question as they had discussed a hundred other obvious ones. "I'm wondering now," Frank Merrill answered, "if there are islands both to the east and the west. But, after all, I'm more interested to know if there are any more of these winged women, and if there are any males."
Again they talked far into the night. And as before their comment was of the wonder, the romance, the poetry of their strange situation. And again they drew imaginary pictures of what Honey Smith called "the young Golden Age" that they would soon inst.i.tute on Angel Island.
"Say," Honey remarked facetiously when at length they started to run down, "what happens to a man if he marries an angel? Does he become angel-consort or one of those seraphim arrangements?"
Ralph Addington laughed. But Billy Fairfax and Pete Murphy frowned.
Frank Merrill did not seem to hear him. He was taking notes by the firelight.
The men continued to work at the high rate of speed that, since the appearance of the women, they had set for themselves. But whatever form their labor took, their talk was ever of the flying-girls. They referred to them individually now as the "dark one," the "plain one," the "thin one," the "quiet one," and the "peachy one." They theorized eternally about them. It was a long time, however, before they saw them again, so long that they had begun to get impatient. In Ralph Addington this uneasiness took the form of irritation. "If I'd had a gun," he snarled more than once, "by the Lord Harry, I'd have winged one of them." He sat far into the night and waited. He arose early in the morning and watched. He went for long, slow, solitary, silent, prowling hikes into the interior. His eyes began to look strained from so minute a study of the horizon-line. He grew haggard. His att.i.tude in the matter annoyed Pete Murphy, who maintained that he had no right to spy on women.
Argument broke out between them, waxing hot, waned to silence, broke out again and with increased fury. Frank Merrill and Billy Fairfax listened to all this, occasionally smoothing things over between the disputants.
But Honey Smith, who seemed more amused than bothered, deftly fed the flame of controversy by agreeing first with one and then with the other.
Late one afternoon, just as the evening star flashed the signal of twilight, the girls came streaming over the sea toward the island.
At the first far-away glimpse, the men dropped their tools and ran to the water's edge. Honey Smith waded out, waist-deep.
"Well, what do you know about that?" he called out. "Pipe the formation!"
They came ma.s.sed vertically. In the distance they might have been a rainbow torn from its moorings, borne violently forward on a high wind.
The rainbow broke in spots, fluttered, and then came together again. It vibrated with color. It pulsed with iridescence.
"How the thunder--" Addington began and stopped. "Well, can you beat it?" he concluded.
The human column was so arranged that the wings of one of the air-girls concealed the body of another just above her.
The "dark one" led, flying low, her scarlet pinions beating slowly back and forth about her head.