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Andersen's Fairy Tales Part I Part 3

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Thus it sounds complainingly out of the bell-deep in the Odense-Au. That is what grandmother told us.But the school master says that there was not any bell that rung down there, for that it could not do so; and that no Au-mann dwelt yonder, for there was no Au-mann at all!

And when all the other church bells are sounding sweetly, he says that it is not really the bells that are sounding, but that it is the air itself which sends forth the notes; and grandmother said to us that the Bell itself said it was the air who told it to him, consequently they are agreed on that point, and this much is sure.

"Be cautious, cautious, and take good heed to thyself,"

they both say.

The air knows everything. It is around us, it is in us, it talks of our thoughts and of our deeds, and it speaks longer of them than does the Bell down in the depths of the Odense-Au where the Au-mann dwells. It rings it out in the vault of heaven, far, far out, forever and ever, till the heaven bells sound "Ding-dong! ding-dong!"

THE BIRD OF POPULAR SONG.

In is winter-time. The earth wears a snowy garment, and looks like marble hewn out of the rock; the air is bright and clear; the wind is sharp as a well-tempered sword, and the trees stand like branches of white coral or blooming almond twigs, and here it is keen as on the lofty Alps.The night is splendid in the gleam of the Northern Lights, and in the glitter of innumerable twinkling stars.

But we sit in the warm room, by the hot stove, and talk about the old times. And we listen to this story: By the open sea was a giant's grave; and on the grave-mound sat at midnight the spirit of the buried hero, who had been a king. The golden circlet gleamed on his brow, his hair fluttered in the wind, and he was clad in steel and iron. He bent his head mournfully, and sighed in deep sorrow, as an unquiet spirit might sigh.

And a ship came sailing by. Presently the sailors lowered the anchor and landed. Among them was a singer, and he approached the royal spirit, and said, "Why mournest thou, and wherefore dost thou suffer thus?"

And the dead man answered, "No one has sung the deeds of my life; they are dead and forgotten. Song doth not carry them forth over the lands, nor into the hearts of men; therefore I have no rest and no peace."

And he spoke of his works, and of his warlike deeds, which his contemporaries had known, but which had not beensung, because there was no singer among his companions.

Then the old bard struck the strings of his harp, and sang of the youthful courage of the hero, of the strength of the man, and of the greatness of his good deeds. Then the face of the dead one gleamed like the margin of the cloud in the moonlight. Gladly and of good courage, the form arose in splendor and in majesty, and vanished like the glancing of the northern light. Nought was to be seen but the green turfy mound, with the stones on which no Runic record has been graven; but at the last sound of the harp there soared over the hill, as though he had fluttered from the harp, a little bird, a charming singing-bird, with ringing voice of the thrush, with the moving voice pathos of the human heart, with a voice that told of home, like the voice that is heard by the bird of pa.s.sage. The singing-bird soared away, over mountain and valley, over field and wood--he was the Bird of Popular Song, who never dies.

We hear his song--we hear it now in the room while the white bees are swarming without, and the storm clutches the windows. The bird sings not alone the requiem of heroes; he sings also sweet gentle songs of love, so many and so warm, of Northern fidelity and truth. He has stories in words and in tones; he has proverbs and s.n.a.t.c.hes of proverbs; songs which, like Runes laid under a dead man's tongue, force him to speak; and thus Popular Song tells ofthe land of his birth.

In the old heathen days, in the times of the Vikings, the popular speech was enshrined in the harp of the bard.

In the days of knightly castles, when the strongest fist held the scales of justice, when only might was right, and a peasant and a dog were of equal importance, where did the Bird of Song find shelter and protection? Neither violence nor stupidity gave him a thought.

But in the gabled window of the knightly castle, the lady of the castle sat with the parchment roll before her, and wrote down the old recollections in song and legend, while near her stood the old woman from the wood, and the travelling peddler who went wandering through the country. As these told their tales, there fluttered around them, with twittering and song, the Bird of Popular Song, who never dies so long as the earth has a hill upon which his foot may rest.

And now he looks in upon us and sings. Without are the night and the snow-storm. He lays the Runes beneath our tongues, and we know the land of our home. Heaven speaks to us in our native tongue, in the voice of the Bird of Popular Song. The old remembrances awake, the faded colors glow with a fresh l.u.s.tre, and story and song pour us a blessed draught which lifts up our minds and our thoughts, so that the evening becomes as a Christmasfestival.

The snow-flakes chase each other, the ice cracks, the storm rules without, for he has the might, he is lord--but not the LORD OF ALL.

It is winter time. The wind is sharp as a two-edged sword, the snow-flakes chase each other; it seems as though it had been snowing for days and weeks, and the snow lies like a great mountain over the whole town, like a heavy dream of the winter night. Everything on the earth is hidden away, only the golden cross of the church, the symbol of faith, arises over the snow grave, and gleams in the blue air and in the bright sunshine.

And over the buried town fly the birds of heaven, the small and the great; they twitter and they sing as best they may, each bird with his beak.

First comes the band of sparrows: they pipe at every trifle in the streets and lanes, in the nests and the houses; they have stories to tell about the front buildings and the back buildings.

"We know the buried town," they say; "everything living in it is piep! piep! piep!"

The black ravens and crows flew on over the white snow."Grub, grub!" they cried. "There's something to be got down there; something to swallow, and that's most important. That's the opinion of most of them down there, and the opinion is goo-goo-good!"

The wild swans come flying on whirring pinions, and sing of the n.o.ble and the great, that will still sprout in the hearts of men, down in the town which is resting beneath its snowy veil.

No death is there--life reigns yonder; we hear it on the notes that swell onward like the tones of the church organ, which seize us like sounds from the elf-hill, like the songs of Ossian, like the rushing swoop of the wandering spirits'

wings. What harmony! That harmony speaks to our hearts, and lifts up our souls! It is the Bird of Popular Song whom we hear.

And at this moment the warm breath of heaven blows down from the sky. There are gaps in the snowy mountains, the sun shines into the clefts; spring is coming, the birds are returning, and new races are coming with the same home sounds in their hearts.

Hear the story of the year: "The night of the snow-storm, the heavy dream of the winter night, all shall be dissolved, all shall rise again in the beauteous notes of the Bird of Popular Song, who never dies!"

THE BISHOP OF BORGLUM AND HIS WARRIORS.

Our scene is laid in Northern Jutland, in the so-called "wild moor." We hear what is called the "Wester-wow-wow"--the peculiar roar of the North Sea as it breaks against the western coast of Jutland. It rolls and thunders with a sound that penetrates for miles into the land; and we are quite near the roaring. Before us rises a great mound of sand--a mountain we have long seen, and towards which we are wending our way, driving slowly along through the deep sand. On this mountain of sand is a lofty old building--the convent of Borglum. In one of its wings (the larger one) there is still a church. And at this convent we now arrive in the late evening hour; but the weather is clear in the bright June night around us, and the eye can range far, far over field and moor to the Bay of Aalborg, over heath and meadow, and far across the deep blue sea.

Now we are there, and roll past between barns and other farm buildings; and at the left of the gate we turn aside to the Old Castle Farm, where the lime trees stand in lines along the walls, and, sheltered from the wind and weather, grow so luxuriantly that their twigs and leaves almost conceal the windows.

We mount the winding staircase of stone, and march through the long pa.s.sages under the heavy roof-beams.The wind moans very strangely here, both within and without. It is hardly known how, but the people say--yes, people say a great many things when they are frightened or want to frighten others--they say that the old dead choir-men glide silently past us into the church, where ma.s.s is sung. They can be heard in the rushing of the storm, and their singing brings up strange thoughts in the hearers--thoughts of the old times into which we are carried back.

On the coast a ship is stranded; and the bishop's warriors are there, and spare not those whom the sea has spared.

The sea washes away the blood that has flowed from the cloven skulls. The stranded goods belong to the bishop, and there is a store of goods here. The sea casts up tubs and barrels filled with costly wine for the convent cellar, and in the convent is already good store of beer and mead.

There is plenty in the kitchen--dead game and poultry, hams and sausages; and fat fish swim in the ponds without.

The Bishop of Borglum is a mighty lord. He has great possessions, but still he longs for more--everything must bow before the mighty Olaf Glob. His rich cousin at Thyland is dead, and his widow is to have the rich inheritance. But how comes it that one relation is always harder towards another than even strangers would be?

The widow's husband had possessed all Thyland, with the exception of the church property. Her son was not at home.

In his boyhood he had already started on a journey, for his desire was to see foreign lands and strange people. For years there had been no news of him. Perhaps he had been long laid in the grave, and would never come back to his home, to rule where his mother then ruled.

"What has a woman to do with rule?" said the bishop.

He summoned the widow before a law court; but what did he gain thereby? The widow had never been disobedient to the law, and was strong in her just rights.

Bishop Olaf of Borglum, what dost thou purpose? What writest thou on yonder smooth parchment, sealing it with thy seal, and intrusting it to the hors.e.m.e.n and servants, who ride away, far away, to the city of the Pope?

It is the time of falling leaves and of stranded ships, and soon icy winter will come.

Twice had icy winter returned before the bishop welcomed the hors.e.m.e.n and servants back to their home. They came from Rome with a papal decree--a ban, or bull, against the widow who had dared to offend the pious bishop. "Cursed be she and all that belongs to her. Let her be expelled from the congregation and the Church. Let no man stretch forth a helping hand to her, and let friends and relations avoid her as a plague and a pestilence!"

"What will not bend must break," said the Bishop of Borglum And all forsake the widow; but she holds fast to her G.o.d.

He is her helper and defender.

One servant only--an old maid--remained faithful to her; and with the old servant, the widow herself followed the plough; and the crop grew, although the land had been cursed by the Pope and by the bishop.

"Thou child of perdition, I will yet carry out my purpose!"

cried the Bishop of Borglum. "Now will I lay the hand of the Pope upon thee, to summon thee before the tribunal that shall condemn thee!"

Then did the widow yoke the last two oxen that remained to her to a wagon, and mounted up on the wagon, with her old servant, and travelled away across the heath out of the Danish land. As a stranger she came into a foreign country, where a strange tongue was spoken and where new customs prevailed. Farther and farther she journeyed, to where green hills rise into mountains, and the vine clothes their sides. Strange merchants drive by her, and they look anxiously after their wagons laden with merchandise. They fear an attack from the armed followers of the robber-knights. The two poor women, in their humble vehicle drawn by two black oxen, travel fearlessly through the dangerous sunken road and through the darksome forest. And now they were in Franconia. And there met them a stalwart knight, with a train of twelve armed followers. He paused, gazed at the strange vehicle, and questioned the women as to the goal of their journey and the place whence they came. Then one of them mentioned Thyland in Denmark, and spoke of her sorrows, of her woes, which were soon to cease, for so Divine Providence had willed it. For the stranger knight is the widow's son! He seized her hand, he embraced her, and the mother wept.

For years she had not been able to weep, but had only bitten her lips till the blood started.

It is the time of falling leaves and of stranded ships, and soon will icy winter come.

The sea rolled wine-tubs to the sh.o.r.e for the bishop's cellar. In the kitchen the deer roasted on the spit before the fire. At Borglum it was warm and cheerful in the heated rooms, while cold winter raged without, when a piece of news was brought to the bishop. "Jens Glob, of Thyland, has come back, and his mother with him." Jens Glob laid a complaint against the bishop, and summoned him before the temporal and the spiritual court."That will avail him little," said the bishop. "Best leave off thy efforts, knight Jens."

Again it is the time of falling leaves and stranded ships. Icy winter comes again, and the "white bees" are swarming, and sting the traveller's face till they melt.

"Keen weather to-day!" say the people, as they step in.

Jens Glob stands so deeply wrapped in thought, that he singes the skirt of his wide garment.

"Thou Borglum bishop," he exclaims, "I shall subdue thee after all! Under the shield of the Pope, the law cannot reach thee; but Jens Glob shall reach thee!"

Then he writes a letter to his brother-in-law, Olaf Hase, in Sallingland, and prays that knight to meet him on Christmas eve, at ma.s.s, in the church at Widberg. The bishop himself is to read the ma.s.s, and consequently will journey from Borglum to Thyland; and this is known to Jens Glob.

Moorland and meadow are covered with ice and snow. The marsh will bear horse and rider, the bishop with his priests and armed men. They ride the shortest way, through the waving reeds, where the wind moans sadly.Blow thy brazen trumpet, thou trumpeter clad in fox-skin! it sounds merrily in the clear air. So they ride on over heath and moorland--over what is the garden of Fata Morgana in the hot summer, though now icy, like all the country--towards the church of Widberg.

The wind is blowing his trumpet too--blowing it harder and harder. He blows up a storm--a terrible storm--that increases more and more. Towards the church they ride, as fast as they may through the storm. The church stands firm, but the storm careers on over field and moorland, over land and sea.

Borglum's bishop reaches the church; but Olaf Hase will scarce do so, however hard he may ride. He journeys with his warriors on the farther side of the bay, in order that he may help Jens Glob, now that the bishop is to be summoned before the judgment seat of the Highest.

The church is the judgment hall; the altar is the council table. The lights burn clear in the heavy bra.s.s candelabra.

The storm reads out the accusation and the sentence, roaming in the air over moor and heath, and over the rolling waters. No ferry-boat can sail over the bay in such weather as this.

Olaf Hase makes halt at Ottesworde. There he dismisses his warriors, presents them with their horses and harness,and gives them leave to ride home and greet his wife. He intends to risk his life alone in the roaring waters; but they are to bear witness for him that it is not his fault if Jens Glob stands without reinforcement in the church at Widberg. The faithful warriors will not leave him, but follow him out into the deep waters. Ten of them are carried away; but Olaf Hase and two of the youngest men reach the farther side. They have still four miles to ride.

It is past midnight. It is Christmas. The wind has abated.

The church is lighted up; the gleaming radiance shines through the window-frames, and pours out over meadow and heath. The ma.s.s has long been finished, silence reigns in the church, and the wax is heard dropping from the candles to the stone pavement. And now Olaf Hase arrives.

In the forecourt Jens Glob greets him kindly, and says, "I have just made an agreement with the bishop."

"Sayest thou so?" replied Olaf Hase. "Then neither thou nor the bishop shall quit this church alive."

And the sword leaps from the scabbard, and Olaf Hase deals a blow that makes the panel of the church door, which Jens Glob hastily closes between them, fly in fragments."Hold, brother! First hear what the agreement was that I made. I have slain the bishop and his warriors and priests.

They will have no word more to say in the matter, nor will I speak again of all the wrong that my mother has endured."

The long wicks of the altar lights glimmer red; but there is a redder gleam upon the pavement, where the bishop lies with cloven skull, and his dead warriors around him, in the quiet of the holy Christmas night.

And four days afterwards the bells toll for a funeral in the convent of Borglum. The murdered bishop and the slain warriors and priests are displayed under a black canopy, surrounded by candelabra decked with c.r.a.pe. There lies the dead man, in the black cloak wrought with silver; the crozier in the powerless hand that was once so mighty.

The incense rises in clouds, and the monks chant the funeral hymn. It sounds like a wail--it sounds like a sentence of wrath and condemnation, that must be heard far over the land, carried by the wind--sung by the wind--the wail that sometimes is silent, but never dies; for ever again it rises in song, singing even into our own time this legend of the Bishop of Borglum and his hard nephew.

It is heard in the dark night by the frightened husbandman, driving by in the heavy sandy road past the convent of Borglum. It is heard by the sleepless listener in the thickly-walled rooms at Borglum. And not only to the ear of superst.i.tion is the sighing and the tread of hurrying feet audible in the long echoing pa.s.sages leading to the convent door that has long been locked. The door still seems to open, and the lights seem to flame in the brazen candlesticks; the fragrance of incense arises; the church gleams in its ancient splendor; and the monks sing and say the ma.s.s over the slain bishop, who lies there in the black silver-embroidered mantle, with the crozier in his powerless hand; and on his pale proud forehead gleams the red wound like fire, and there burn the worldly mind and the wicked thoughts.

Sink down into his grave--into oblivion--ye terrible shapes of the times of old!

Hark to the raging of the angry wind, sounding above the rolling sea! A storm approaches without, calling aloud for human lives. The sea has not put on a new mind with the new time. This night it is a horrible pit to devour up lives, and to-morrow, perhaps, it may be a gla.s.sy mirror--even as in the old time that we have buried. Sleep sweetly, if thou canst sleep!

Now it is morning.

The new time flings sunshine into the room. The wind still keeps up mightily. A wreck is announced--as in the old time.During the night, down yonder by Lokken, the little fishing village with the red-tiled roofs--we can see it up here from the window--a ship has come ash.o.r.e. It has struck, and is fast embedded in the sand; but the rocket apparatus has thrown a rope on board, and formed a bridge from the wreck to the mainland; and all on board are saved, and reach the land, and are wrapped in warm blankets; and to-day they are invited to the farm at the convent of Borglum. In comfortable rooms they encounter hospitality and friendly faces. They are addressed in the language of their country, and the piano sounds for them with melodies of their native land; and before these have died away, the chord has been struck, the wire of thought that reaches to the land of the sufferers announces that they are rescued.

Then their anxieties are dispelled; and at even they join in the dance at the feast given in the great hall at Borglum.

Waltzes and Styrian dances are given, and Danish popular songs, and melodies of foreign lands in these modern times.

Blessed be thou, new time! Speak thou of summer and of purer gales! Send thy sunbeams gleaming into our hearts and thoughts! On thy glowing canvas let them be painted--the dark legends of the rough hard times that are past!

THE BOTTLE NECK.

Close to the corner of a street, among other abodes of poverty, stood an exceedingly tall, narrow house, which had been so knocked about by time that it seemed out of joint in every direction. This house was inhabited by poor people, but the deepest poverty was apparent in the garret lodging in the gable. In front of the little window, an old bent bird-cage hung in the sunshine, which had not even a proper water-gla.s.s, but instead of it the broken neck of a bottle, turned upside down, and a cork stuck in to make it hold the water with which it was filled. An old maid stood at the window; she had hung chickweed over the cage, and the little linnet which it contained hopped from perch to perch and sang and twittered merrily.

"Yes, it's all very well for you to sing," said the bottle neck: that is, he did not really speak the words as we do, for the neck of a bottle cannot speak; but he thought them to himself in his own mind, just as people sometimes talk quietly to themselves.

"Yes, you may sing very well, you have all your limbs uninjured; you should feel what it is like to lose your body, and only have a neck and a mouth left, with a cork stuck in it, as I have: you wouldn't sing then, I know. After all, it is just as well that there are some who can be happy. I have no reason to sing, nor could I sing now if I were ever so happy; but when I was a whole bottle, and they rubbed me with a cork, didn't I sing then? I used to be called acomplete lark. I remember when I went out to a picnic with the furrier's family, on the day his daughter was betrothed,--it seems as if it only happened yesterday. I have gone through a great deal in my time, when I come to recollect: I have been in the fire and in the water, I have been deep in the earth, and have mounted higher in the air than most other people, and now I am swinging here, outside a bird-cage, in the air and the sunshine. Oh, indeed, it would be worth while to hear my history; but I do not speak it aloud, for a good reason--because I cannot."

Then the bottle neck related his history, which was really rather remarkable; he, in fact, related it to himself, or, at least, thought it in his own mind. The little bird sang his own song merrily; in the street below there was driving and running to and fro, every one thought of his own affairs, or perhaps of nothing at all; but the bottle neck thought deeply. He thought of the blazing furnace in the factory, where he had been blown into life; he remembered how hot it felt when he was placed in the heated oven, the home from which he sprang, and that he had a strong inclination to leap out again directly; but after a while it became cooler, and he found himself very comfortable. He had been placed in a row, with a whole regiment of his brothers and sisters all brought out of the same furnace; some of them had certainly been blown into champagne bottles, and others into beer bottles, which made a little difference between them. In the world it often happens thata beer bottle may contain the most precious wine, and a champagne bottle be filled with blacking, but even in decay it may always be seen whether a man has been well born.

n.o.bility remains n.o.ble, as a champagne bottle remains the same, even with blacking in its interior. When the bottles were packed our bottle was packed amongst them; it little expected then to finish its career as a bottle neck, or to be used as a water-gla.s.s to a bird's-cage, which is, after all, a place of honor, for it is to be of some use in the world. The bottle did not behold the light of day again, until it was unpacked with the rest in the wine merchant's cellar, and, for the first time, rinsed with water, which caused some very curious sensations. There it lay empty, and without a cork, and it had a peculiar feeling, as if it wanted something it knew not what. At last it was filled with rich and costly wine, a cork was placed in it, and sealed down. Then it was labelled "first quality," as if it had carried off the first prize at an examination; besides, the wine and the bottle were both good, and while we are young is the time for poetry. There were sounds of song within the bottle, of things it could not understand, of green sunny mountains, where the vines grow and where the merry vine-dressers laugh, sing, and are merry. "Ah, how beautiful is life." All these tones of joy and song in the bottle were like the working of a young poet's brain, who often knows not the meaning of the tones which are sounding within him. One morning the bottle found a purchaser in the furrier's apprentice, who was told to bring one of the best bottles of wine. It was placed in the provision basket with ham and cheese and sausages. The sweetest fresh b.u.t.ter and the finest bread were put into the basket by the furrier's daughter herself, for she packed it.

She was young and pretty; her brown eyes laughed, and a smile lingered round her mouth as sweet as that in her eyes. She had delicate hands, beautifully white, and her neck was whiter still. It could easily be seen that she was a very lovely girl, and as yet she was not engaged. The provision basket lay in the lap of the young girl as the family drove out to the forest, and the neck of the bottle peeped out from between the folds of the white napkin.

There was the red wax on the cork, and the bottle looked straight at the young girl's face, and also at the face of the young sailor who sat near her. He was a young friend, the son of a portrait painter. He had lately pa.s.sed his examination with honor, as mate, and the next morning he was to sail in his ship to a distant coast. There had been a great deal of talk on this subject while the basket was being packed, and during this conversation the eyes and the mouth of the furrier's daughter did not wear a very joyful expression. The young people wandered away into the green wood, and talked together. What did they talk about? The bottle could not say, for he was in the provision basket. It remained there a long time; but when at last it was brought forth it appeared as if something pleasant had happened, for every one was laughing; the furrier's daughter laughed too, but she said very little, and her cheeks were like two roses. Then her father took the bottle and the cork-screw into his hands. What a strange sensation it was to have the cork drawn for the first time!

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Andersen's Fairy Tales Part I Part 3 summary

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