An Essay Concerning Human Understanding Volume II Part 2

17. Supposition, that Species are distinguished by their real Essences useless.

Concerning the REAL ESSENCES of corporeal substances (to mention these only) there are, if I mistake not, two opinions. The one is of those who, using the word essence for they know not what, suppose a certain number of those essences, according to which all natural things are made, and wherein they do exactly every one of them partake, and so become of this or that species. The other and more rational opinion is of those who look on all natural things to have a real, but unknown, const.i.tution of their insensible parts; from which flow those sensible qualities which serve us to distinguish them one from another, according as we have occasion to rank them into sorts, under common denominations.

The former of these opinions, which supposes these essences as a certain number of forms or moulds, wherein all natural things that exist are cast, and do equally partake, has, I imagine, very much perplexed the knowledge of natural things. The frequent productions of monsters, in all the species of animals, and of changelings, and other strange issues of human birth, carry with them difficulties, not possible to consist with this hypothesis; since it is as impossible that two things partaking exactly of the same real essence should have different properties, as that two figures partaking of the same real essence of a circle should have different properties. But were there no other reason against it, yet the supposition of essences that cannot be known; and the making of them, nevertheless, to be that which distinguishes the species of things, is so wholly useless and unserviceable to any part of our knowledge, that that alone were sufficient to make us lay it by, and content ourselves with such essences of the sorts or species of things as come within the reach of our knowledge: which, when seriously considered, will be found, as I have said, to be nothing else but, those ABSTRACT complex ideas to which we have annexed distinct general names.

18. Real and nominal Essence

Essences being thus distinguished into nominal and real, we may further observe, that, in the species of simple ideas and modes, they are always the same; but in substances always quite different. Thus, a figure including a s.p.a.ce between three lines, is the real as well as nominal essence of a triangle; it being not only the abstract idea to which the general name is annexed, but the very ESSENTIA or being of the thing itself; that foundation from which all its properties flow, and to which they are all inseparably annexed. But it is far otherwise concerning that parcel of matter which makes the ring on my finger; wherein these two essences are apparently different. For, it is the real const.i.tution of its insensible parts, on which depend all those properties of colour, weight, fusibility, fixedness, &c., which are to be found in it; which const.i.tution we know not, and so, having no particular idea of, having no name that is the sign of it. But yet it is its colour, weight, fusibility, fixedness, &c., which makes it to be gold, or gives it a right to that name, which is therefore its nominal essence. Since nothing can be called gold but what has a conformity of qualities to that abstract complex idea to which that name is annexed. But this distinction of essences, belonging particularly to substances, we shall, when we come to consider their names, have an occasion to treat of more fully.

19. Essences ingenerable and incorruptible.

That such abstract ideas, with names to them, as we have been speaking of are essences, may further appear by what we are told concerning essences, viz. that they are all ingenerable and incorruptible. Which cannot be true of the real const.i.tutions of things, which begin and perish with them. All things that exist, besides their Author, are all liable to change; especially those things we are acquainted with, and have ranked into bands under distinct names or ensigns. Thus, that which was gra.s.s to-day is to-morrow the flesh of a sheep; and, within a few days after, becomes part of a man: in all which and the like changes, it is evident their real essence--i. e. that const.i.tution whereon the properties of these several things depended--is destroyed, and perishes with them. But essences being taken for ideas established in the mind, with names annexed to them, they are supposed to remain steadily the same, whatever mutations the particular substances are liable to. For, whatever becomes of ALEXANDER and BUCEPHALUS, the ideas to which MAN and HORSE are annexed, are supposed nevertheless to remain the same; and so the essences of those species are preserved whole and undestroyed, whatever changes happen to any or all of the individuals of those species. By this means the essence of a species rests safe and entire, without the existence of so much as one individual of that kind. For, were there now no circle existing anywhere in the world, (as perhaps that figure exists not anywhere exactly marked out,) yet the idea annexed to that name would not cease to be what it is; nor cease to be as a pattern to determine which of the particular figures we meet with have or have not a right to the NAME circle, and so to show which of them, by having that essence, was of that species. And though there neither were nor had been in nature such a beast as an UNICORN, or such a fish as a MERMAID; yet, supposing those names to stand for complex abstract ideas that contained no inconsistency in them, the essence of a mermaid is as intelligible as that of a man; and the idea of an unicorn as certain, steady, and permanent as that of a horse. From what has been said, it is evident, that the doctrine of the immutability of essences proves them to be only abstract ideas; and is founded on the relation established between them and certain sounds as signs of them; and will always be true, as long as the same name can have the same signification.

20. Recapitulation.

To conclude. This is that which in short I would say, viz. that all the great business of GENERA and SPECIES, and their ESSENCES, amounts to no more but this:--That men making abstract ideas, and settling them in their minds with names annexed to them, do thereby enable themselves to consider things, and discourse of them, as it were in bundles, for the easier and readier improvement and communication of their knowledge, which would advance but slowly were their words and thoughts confined only to particulars.

CHAPTER IV.

OF THE NAMES OF SIMPLE IDEAS.

1. Names of simple Ideas, Modes, and Substances, have each something peculiar.

Though all words, as I have shown, signify nothing immediately but the ideas in the mind of the speaker; yet, upon a nearer survey, we shall find the names of SIMPLE IDEAS, MIXED MODES (under which I comprise RELATIONS too), and NATURAL SUBSTANCES, have each of them something peculiar and different from the other. For example:--

2. First, Names of simple Ideas, and of Substances intimate real Existence.

First, the names of SIMPLE IDEAS and SUBSTANCES, with the abstract ideas in the mind which they immediately signify, intimate also some real existence, from which was derived their original pattern. But the names of MIXED MODES terminate in the idea that is in the mind, and lead not the thoughts any further; as we shall see more at large in the following chapter.

3. Secondly, Names of simple Ideas and Modes signify always both real and nominal Essences.

Secondly, The names of simple ideas and modes signify always the real as well as nominal essence of their species. But the names of natural substances signify rarely, if ever, anything but barely the nominal essences of those species; as we shall show in the chapter that treats of the names of substances in particular.

4. Thirdly, Names of simple Ideas are undefinable.

Thirdly, The names of simple ideas are not capable of any definition; the names of all complex ideas are. It has not, that I know, been yet observed by anybody what words are, and what are not, capable of being defined; the want whereof is (as I am apt to think) not seldom the occasion of great wrangling and obscurity in men's discourses, whilst some demand definitions of terms that cannot be defined; and others think they ought not to rest satisfied in an explication made by a more general word, and its restriction, (or to speak in terms of art, by a genus and difference,) when, even after such definition, made according to rule, those who hear it have often no more a clear conception of the meaning of the word than they had before. This at least I think, that the showing what words are, and what are not, capable of definitions, and wherein consists a good definition, is not wholly besides our present purpose; and perhaps will afford so much light to the nature of these signs and our ideas, as to deserve a more particular consideration.

5. If all names were definable, it would be a Process IN INFINITUM.

I will not here trouble myself to prove that all terms are not definable, from that progress IN INFINITUM, which it will visibly lead us into, if we should allow that all names could be defined. For, if the terms of one definition were still to be defined by another, where at last should we stop? But I shall, from the nature of our ideas, and the signification of our words, show WHY SOME NAMES CAN, AND OTHERS CANNOT BE DEFINED; and WHICH THEY ARE.

6. What a Definition is.

I think it is agreed, that a DEFINITION is nothing else but THE SHOWING THE MEANING OF ONE WORD BY SEVERAL OTHER NOT SYNONYMOUS TERMS. The meaning of words being only the ideas they are made to stand for by him that uses them, the meaning of any term is then showed, or the word is defined, when, by other words, the idea it is made the sign of, and annexed to, in the mind of the speaker, is as it were represented, or set before the view of another; and thus its signification ascertained.

This is the only use and end of definitions; and therefore the only measure of what is, or is not a good definition.

7. Simple Ideas, why undefinable.

This being premised, I say that the NAMES OF SIMPLE IDEAS, AND THOSE ONLY, ARE INCAPABLE OF BEING DEFINED. The reason whereof is this, That the several terms of a definition, signifying several ideas, they can all together by no means represent an idea which has no composition at all: and therefore a definition, which is properly nothing but the showing the meaning of one word by several others not signifying each the same thing, can in the names of simple ideas have no place.

8. Instances: Scholastic definitions of Motion.

The not observing this difference in our ideas, and their names, has produced that eminent trifling in the schools, which is so easy to be observed in the definitions they give us of some few of these simple ideas. For, as to the greatest part of them, even those masters of definitions were fain to leave them untouched, merely by the impossibility they found in it. What more exquisite jargon could the wit of man invent, than this definition:--'The act of a being in power, as far forth as in power;' which would puzzle any rational man, to whom it was not already known by its famous absurdity, to guess what word it could ever be supposed to be the explication of. If Tully, asking a Dutchman what BEWEEGINGE was, should have received this explication in his own language, that it was 'actus entis in potentia quatenus in potentia;' I ask whether any one can imagine he could thereby have understood what the word BEWEEGINGE signified, or have guessed what idea a Dutchman ordinarily had in his mind, and would signify to another, when he used that sound?

9. Modern definition of Motion.

Nor have the modern philosophers, who have endeavoured to throw off the jargon of the schools, and speak intelligibly, much better succeeded in defining simple ideas, whether by explaining their causes, or any otherwise. The atomists, who define motion to be 'a pa.s.sage from one place to another,' what do they more than put one synonymous word for another? For what is Pa.s.sAGE other than MOTION? And if they were asked what pa.s.sage was, how would they better define it than by motion? For is it not at least as proper and significant to say, Pa.s.sage is a motion from one place to another, as to say, Motion is a pa.s.sage, &c.? This is to translate, and not to define, when we change two words of the same signification one for another; which, when one is better understood than the other, may serve to discover what idea the unknown stands for; but is very far from a definition, unless we will say every English word in the dictionary is the definition of the Latin word it answers, and that motion is a definition of MOTUS. Nor will 'the successive application of the parts of the superficies of one body to those of another,' which the Cartesians give us, prove a much better definition of motion, when well examined.

10. Definitions of Light.

'The act of perspicuous, as far forth as perspicuous,' is another Peripatetic definition of a simple idea; which, though not more absurd than the former of motion, yet betrays its uselessness and insignificancy more plainly; because experience will easily convince any one that it cannot make the meaning of the word LIGHT (which it pretends to define) at all understood by a blind man, but the definition of motion appears not at first sight so useless, because it escapes this way of trial. For this simple idea, entering by the touch as well as sight, it is impossible to show an example of any one who has no other way to get the idea of motion, but barely by the definition of that name. Those who tell us that light is a great number of little globules, striking briskly on the bottom of the eye, speak more intelligibly than the Schools: but yet these words never so well understood would make the idea the word light stands for no more known to a man that understands it not before, than if one should tell him that light was nothing but a company of little tennis-b.a.l.l.s, which fairies all day long struck with rackets against some men's foreheads, whilst they pa.s.sed by others. For granting this explication of the thing to be true, yet the idea of the cause of light, if we had it never so exact, would no more give us the idea of light itself, as it is such a particular perception in us, than the idea of the figure and motion of a sharp piece of steel would give us the idea of that pain which it is able to cause in us. For the cause of any sensation, and the sensation itself, in all the simple ideas of one sense, are two ideas; and two ideas so different and distant one from another, that no two can be more so. And therefore, should Des Cartes's globules strike never so long on the retina of a man who was blind by a gutta serena, he would thereby never have any idea of light, or anything approaching it, though he understood never so well what little globules were, and what striking on another body was. And therefore the Cartesians very well distinguish between that light which is the cause of that sensation in us, and the idea which is produced in us by it, and is that which is properly light.

11. Simple Ideas, why undefinable, further explained.

Simple ideas, as has been shown, are only to be got by those impressions objects themselves make on our minds, by the proper inlets appointed to each sort. If they are not received this way, all the words in the world, made use of to explain or define any of their names, will never be able to produce in us the idea it stands for. For, words being sounds, can produce in us no other simple ideas than of those very sounds; nor excite any in us, but by that voluntary connexion which is known to be between them and those simple ideas which common use has made them the signs of. He that thinks otherwise, let him try if any words can give him the taste of a pine apple, and make him have the true idea of the relish of that celebrated delicious fruit. So far as he is told it has a resemblance with any tastes whereof he has the ideas already in his memory, imprinted there by sensible objects, not strangers to his palate, so far may he approach that resemblance in his mind. But this is not giving us that idea by a definition, but exciting in us other simple ideas by their known names; which will be still very different from the true taste of that fruit itself. In light and colours, and all other simple ideas, it is the same thing: for the signification of sounds is not natural, but only imposed and arbitrary.

And no DEFINITION of light or redness is more fitted or able to produce either of those ideas in us, than the SOUND light or red, by itself.

For, to hope to produce an idea of light or colour by a sound, however formed, is to expect that sounds should be visible, or colours audible; and to make the ears do the office of all the other senses. Which is all one as to say, that we might taste, smell, and see by the ears: a sort of philosophy worthy only of Sancho Panza, who had the faculty to see Dulcinea by hearsay. And therefore he that has not before received into his mind, by the proper inlet, the simple idea which any word stands for, can never come to know the signification of that word by any other words or sounds whatsoever, put together according to any rules of definition. The only way is, by applying to his senses the proper object; and so producing that idea in him, for which he has learned the name already. A studious blind man, who had mightily beat his head about visible objects, and made use of the explication of his books and friends, to understand those names of light and colours which often came in his way, bragged one day, That he now understood what SCARLET signified. Upon which, his friend demanding what scarlet was? The blind man answered, It was like the sound of a trumpet. Just such an understanding of the name of any other simple idea will he have, who hopes to get it only from a definition, or other words made use of to explain it.

12. The contrary shown in complex ideas, by instances of a Statue and Rainbow.

The case is quite otherwise in COMPLEX IDEAS; which, consisting of several simple ones, it is in the power of words, standing for the several ideas that make that composition, to imprint complex ideas in the mind which were never there before, and so make their names be understood. In such collections of ideas, pa.s.sing under one name, definition, or the teaching the signification of one word by several others, has place, and may make us understand the names of things which never came within the reach of our senses; and frame ideas suitable to those in other men's minds, when they use those names: provided that none of the terms of the definition stand for any such simple ideas, which he to whom the explication is made has never yet had in his thought. Thus the word STATUE may be explained to a blind man by other words, when PICTURE cannot; his senses having given him the idea of figure, but not of colours, which therefore words cannot excite in him.

This gained the prize to the painter against the statuary: each of which contending for the excellency of his art, and the statuary bragging that his was to be preferred, because it reached further, and even those who had lost their eyes could yet perceive the excellency of it. The painter agreed to refer himself to the judgment of a blind man; who being brought where there was a statue made by the one, and a picture drawn by the other; he was first led to the statue, in which he traced with his hands all the lineaments of the face and body, and with great admiration applauded the skill of the workman. But being led to the picture, and having his hands laid upon it, was told, that now he touched the head, and then the forehead, eyes, nose, &c., as his hand moved over the parts of the picture on the cloth, without finding any the least distinction: whereupon he cried out, that certainly that must needs be a very admirable and divine piece of workmanship, which could represent to them all those parts, where he could neither feel nor perceive anything.

13. Colours indefinable to the born-blind.

He that should use the word RAINBOW to one who knew all those colours, but yet had never seen that phenomenon, would, by enumerating the figure, largeness, position, and order of the colours, so well define that word that it might be perfectly understood. But yet that definition, how exact and perfect soever, would never make a blind man understand it; because several of the simple ideas that make that complex one, being such as he never received by sensation and experience, no words are able to excite them in his mind.

14. Complex Ideas definable only when the simple ideas of which they consist have been got from experience.