An Autobiography Part 9

Like a dream, and yet such a precious reality, to be gratefully kept in memory to the end."

Back at Castagnolo on October 1st. "Went for my _solita pa.s.seggiata_ up to the hill of lavender and dwarf oak and other mountain shrubs, where I made a study of an oak bush on the only wet day we have had, for my 'Inkermann' foreground. Mrs. Ross, a fearless rider, went on with the breaking in of the Arab colt 'Pascia' to-day. Old Maso, one of the _habitues_ of the villa, whooped and screamed every time the colt bucked or reared, and he waddled away as fast as he could, groaning in terror, only to creep back again to venture another look. And he had been an officer in the army! I have secured some water-colour sketches of the vintage for the 'Inst.i.tute' and knocked off another panel or two, and sketched Mrs. Ross in her Turkish dress, so I have not been idle." Janet Ross seemed to have a.s.similated the sunshine of Egypt and Italy into her buoyant nature, and to see the vigour with which she conducted the vintage at Castagnolo acted as a tonic on us all; so did the deep contralto voice and the guitar, and the racy talk.

We left on October 14th, on a golden day, with the thermometer at 90 degrees in the shade, to return to the icy smoke-twilight of London, where we groped, as the Diary says, in sealskins and ulsters. Castagnolo has our thanks. How could we have had the fulness of Italian delights which our kind hosts afforded us in some pension or hotel in Florence?

And what hospitality theirs was! We tried to sing some of the "_Stornelli_" in the hansom that took us home from Victoria Station. One of our favourites, "_M'affaccio alla finestra e vedo Stelle_," had to be modified, as we looked through the gla.s.s of the cab, into "_Ma non vedo Stelle_," sung in the minor, for nothing but the murk of a foggy night was there. What but the stern necessity of beginning "Inkermann" could have brought me back? My dear sister cannot have rejoiced, and may have wished to tarry, but when did she ever "put a spoke in my wheel"?

CHAPTER XIII

A SOLDIER'S WIFE

Though the London winter was gloomy, on the whole, and I was handicapped in the middle of my work by a cold which r.e.t.a.r.ded the picture so much that, to my deep disappointment, I had again to miss the Academy, the brightest spring of my life followed, for on March 3rd I was engaged to be married to the author of "The Great Lone Land." It may not be out of place to give a little sketch of our rather romantic meeting.

When the newly-promoted Major Butler was lying at Netley Hospital, just beginning to recover from the Ashanti fever that had nearly killed him at the close of that campaign, his sister Frances used to read to him the papers, and they thus learnt together how, at the Royal Academy banquet of that spring, the Prince of Wales and the Duke of Cambridge had spoken as they did of Miss Elizabeth Thompson. As paper after paper spoke of me and of my work, he said one day to his sister, in utter fun under his slowly reviving spirits, "I wonder if Miss Thompson would marry me?" Two years after that he met me for the first time, and yet another year was to go by before the Fates said "Now!"

When "Inkermann" was carted off to Bond Street on April 19th, what a relief and delight it was to tell the model "Time is up." "Mamma and I danced about the studio when the picture was gone, revelling in our freedom to make as much dust as we liked, when hitherto one had had to be so careful about dust." We always did this on such occasions.

The Fine Art Society, at whose galleries in Bond Street the picture was exhibited, bought it and the copyright together. No doubt for some the subject of this work is too sad, but my dominant feeling in painting it was that which Wellington gave expression to in those memorable words on leaving the field of battle at Waterloo: "There is nothing sadder than a victory, except a defeat." It shows the remnants of the Guards and the 20th Regiment and odds and ends of infantry returning in the grey of a November evening from the "Soldiers' Battle," most of the men very weary. The A.D.C. on horseback I painted from a fine young soldier, Rupert Carrington, who kindly gave me a sitting. His mother, Lady Carrington, sent me as a wedding present a medal taken from a dead Russian on the field of Inkermann, set in a gold bracelet, which is one of my treasures, her name and mine engraved on it.

"_April 20th_.--The first Private View of 'Inkermann.' I was there a short time, and was quite happy at the look of my picture. The other three are in the same gallery, and very popular the whole exhibition seems to be. They have even got my 1873 venture, 'Missing,' by itself upstairs, and remarkably well it looks, too. The crowd was dense and I left the good people wriggling in a cloud of dust."

June 11th of that year, 1877, was my wedding day. Cardinal Manning married us in the Church of the Servite Fathers; our guests were chiefly that gallant group of soldiers who, with my husband, had won the Ashanti War, Sir Garnet Wolseley, Redvers Buller and their comrades. My "Red Cross" fellow students of old South Kensington days gave me the very touching surprise of strewing our path down the church, as we came out, with flowers. I had not known they were there.

And now a new country opened out for my admiration and delight in days so long before the dreadful cloud had fallen on it under which I am now writing these Recollections--so long, so long before. It looks like another world to me now. One might say I had had already a sufficiently large share of the earth's beauties to enjoy, yet here opened out an utterly new and unique experience--Ireland. Our wedding tour was chiefly devoted to the Wild West, with a pause at Glencar, in Kerry. I have tried in happier political times to convey to my readers in another place[7] my impression of that Western country--its freshness, its wild beauty, its entrancing poetry, and that sadness which, like the minor key in music, is the most appealing quality in poetry. That note is utterly absent from the poetry of Italy; there all is in the major, like its national music, so that my mind received, with strange delight, a new sensation, surprising, heart-stirring, appealing. My husband had given me the choice of a _local_ for the wedding tour between Ireland and the Crimea. How could I hesitate?

My first married picture was the one I made studies for in Glencar--"'Listed for the Connaught Rangers." I had splendid models for the two Irish recruits who are being marched out of the glen by a recruiting sergeant, followed by the "decoy" private and two drummer boys of that regiment, the old 88th, with the yellow facings of that time. The men were cousins, Foley by name, and wore their national dress, the jacket with the long, white homespun sleeves and the picturesque black hat which I fear is little worn now, and is largely replaced by that quite cosmopolitan peaked cap I loathe. The deep richness of those typical Irish days of cloud and sunshine had so enchanted me that I was determined to try and represent the effect in this picture, which was a departure from my former ones, the landscape occupying an equal share with the figures, and the civilian peasant dress forming the centre of interest. Its black, white and brown colouring, the four red coats and the bright bra.s.s of the drum, gave me an enjoyable combination with the blue and red-purple of the mountains in the background, and the sunlight on the middle distance of the stony Kerry bog-land. Here was that variety as to local colour denied me in the other works. It was a joy to realise this subject. The picture was for Mr. Whitehead, the owner of "Balaclava."

The opening day of my introduction to the Wild West was on a Sunday in that June: "From Limerick Junction to Glencar. I had my first experience of an Irish Ma.s.s, and my impression is deepening every day that Ireland is as much a foreign country to England as is France or Italy. The congregation was all new to me. The peasant element had quite a _cachet_ of its own, though in a way an exact equivalent to the Tuscan--the rough-looking men in homespun coats in a crowd inside and outside of the church, the women in national dress; the constabulary, equivalent to the _gendarmes_, in full dress, mixing with the people and yet not of them.

This Limerick Junction was the nucleus of the Fenian nebula. In this terrible Tipperary the stalwart constabulary, whom I greatly admire, have a grave significance. I have never seen finer men than those, and they are of a type new to me. How I enjoy new types, new countries, new customs! The girls, looking so nice in their Bruges-like hoods, are very fresh and comely.

"We left at noon for the goal of our expedition, and I think I may say that I never had a more memorable little journey. The distant mountains I had looked at in the morning took clearer forms and colours by degrees, and the charm of the Irish bogs with their rich black and purple peat-earth, and bright, reedy gra.s.s, and teeming wild flowers, developed themselves to my delighted eyes as the train whirled us southwards. At Killarney we took a carriage and set off on my favourite mode of travel, soon entering upon tracts of that wild nature I was most anxious to experience. The evening was deepening, and in its solemn tones I saw for the first time the Wild West Land, whose aspect gradually grew wilder and more strange as we neared the mysterious mountains that rose ahead of us. I was content. I was beginning to taste the salt of the Wilds. What human habitations there are are so like the stone heaps that lie over the face of the land that they are scarcely distinguishable from them; but my 'contentment' was much dashed by the sight of the dwellers in this poor land which yields them so little.

Very strange, wild figures came to the black doors to watch us pa.s.s, with, in some cases, half-witted looks.

"The mighty 'Carran Thual,' one of the mountain group which rises out of Glencar and dominates the whole land of Kerry, was on fire with blazing heather, its peaks sending up a glorious column of smoke which spread out at the top for miles and miles, and changed its delicate smoke tints every minute as the sun sank lower. As we reached the rocky pa.s.s that took us by the remote Lough Acoose that sun had gone down behind an opposite mountain, and the blazing heather glowed brighter as the twilight deepened, and circles of fire played weirdly on the mountain side. Our glen gave the 'Saxon bride' its grandest illumination on her arrival. Wild, strange birds rose from the bracken as we pa.s.sed, and flew strongly away over lake and mountain torrent, and the little black Kerry cattle all watched us go by with ears p.r.i.c.ked and heads inquiringly raised. The last stage of the journey had a brilliant _finale_. A herd of young horses was in our way in the narrow road, and the creatures careered before us, unable or too stupid to turn aside into the ditches by the roadside to let us through. We could not head them, and for fully a mile did those s.h.a.ggy, wild things caper and jump ahead, their manes flying out wildly, with the glow from the west shining through them. Some imbecile cows soon joined them in the stampede, for no imaginable reason, unless they enjoyed the fright of being pursued, and the ungainly progress of those recruits was a sight to behold--tails in the air and horns in the dust. With this escort we entered Glencar."

Nothing that I have seen in my travels since that golden time has in the least dimmed my recollections of that Glencar existence; nor could anything jar against a thing so unique. I have fully recorded in my former book how we made different excursions, always on ponies, every day, not returning till the evening. What impressed me most during these rides was the depth and richness of the Irish landscape colouring. The moisture of the ocean air brings out all its glossy depth. Even without the help of actual sunshine, so essential to the landscape beauty of Italy, the local colour is powerful. In describing to me the same deep colouring in Scotland Millais used the simile of the wet pebble. Take a grey, dry pebble on the seash.o.r.e and dip it in the water. It will show many lovely tints. Our inn was in the centre of the glen, delightfully rough, and impregnated with that scent of turf smoke which has ever since been to me the subtlest and most touching reminder of those days.

Yet with that roughness there was in the primitive little inn a very pleasant provision of such sustenance as old campaigners and fishermen know how to establish in the haunts they visit.

The coast of Clare came next in our journey, where the Atlantic hurls itself full tilt at the iron cliffs, and the west wind, which I learnt to love, comes, without once touching land since it left the coast of Labrador, to fill one with a sense of salt and freshness and health as it rushes into one's lungs from off the foam. I was interested in making comparisons between that sea and the other "sounding deep" that washes the rocks of Porto Fino as I looked down on the thundering waves below the cliffs of Moher. Here was the simplest and severest colouring--dark green, almost amounting to black; light green, cold and pure; foam so pure that its whiteness had over it a rosy tinge, merely by contrast with the green of the waves, and that was all; whereas the sea around Porto Fino baffles both painter and word-painter with its infinite variety of blues, purples, and greens. These are contrasts that I delight in. How the west wind rushed at us, full of spray! How the ocean roared! It was a revel of wind where we stood at the very edge of those sheer cliffs. Across their black faces sea birds incessantly circled and wheeled, crying with a shrill clamour. That and the booming of the waves many fathoms below, as they leap into the immense caverns, were the only sounds that pierced the wind. The black rocks had ledges of greyer rock, and along these ledges, tier above tier, sat myriads of white-headed gulls, their white heads looking like illumination lamps on the faces of t.i.tanic buildings. The Isles of Arran and the mountains of Connemara spread out before us on the ocean, which sparkled in one place with the gold beams of the faint, spray-shrouded sun.

Then good-bye to Erin for the present on July 15th and the establishment of ourselves in London till our return to the Land that held a magnet for us on September 21st. There we paid a visit to the Knight of Kerry, at Valentia Island. What a delightful home! The size of the fuchsia trees told of the mild climate; the scenery was of the remotest and freshest, most pleasing to the senses, and the ever-welcome scent of turf smoke would not be denied in the big house where the sods glowed in the great fireplaces. My surprise, when strolling on one of the innocent little strands by the sea, was great at seeing the Atlantic cable emerging, quite simply, from the water between the pebbles, as though it was nothing in particular. Following it, we reached a very up-to-date building, so out of keeping with the primitive scene, filled with busy clerks transmitting goodness knows what cosmopolitan corruption from the New World to the Old, and _vice versa_.

[Ill.u.s.tration: In Western Ireland.

A "Jarvey" and "Biddy."]

I would not have missed the Valentia pig for anything. A taller, leaner, gaunter specimen has not his match anywhere, not even in the little black hog of Monte Ca.s.sino, whose salient hips are so unexpected. There is something particularly arresting in a pig with visible hips.[8] All the animals in the west seemed to me free-and-easy creatures that live with the peasants as members of the family, having a much better time than the humans. They frisk irresponsibly in and out of the cabins--no "by your leave" or "with your leave"--and, altogether, enjoy life to the top of their own highest level. The poorer the people, the greater appears the contrast caused by this inverted state of things.

The next time we left England was to go in the opposite direction--to the Pyrenees. Rapid travel is fast levelling down the different countries, and a carriage journey through the Pyrenean country is a bygone pleasure. We have to go to Thibet or the Great Wall of China for our trips if we want to write anything original about our travels. A flight by air to the North Pole would, at first, prove very readable and novel, if well described. This, however, does not take from the pleasure of going over the inner circle in memory. In the year 1878 we could still find much that was new and refreshing in a tour through the south of France! Some friends of mine went up to Khartoum from Cairo not long ago, with return tickets, by rail, and all they could say was that the journey was so dusty that they had to draw the blinds of their compartment and play bridge all the way. Poor dears, how arid!

This little tour of ours was well advised. The loss of our firstborn, Mary Patricia, brought our first sorrow with it, and we went to Lourdes and made a wide _detour_ from there through the Pyrenees to Switzerland.

There is nothing like travel for restoring the aching mind to usefulness. But, undoubtedly, the send-off from Lourdes gave me the initial impetus towards recovery of which, though I say little, I am very sensible. We drove to St. Sauveur after our visit to the Grotto where such striking cures have happened, and each day brought more fully back to me that zest for natural beauty which has been with me such an invigorator.

St. Sauveur was bracing and beautiful, but too full of invalids. It was rather saddening to see them around the Hontalade Sulphur Springs. At Lourdes they were cl.u.s.tering round the cascade that flows from the Grotto where the statue of Our Lady stands, exactly reproducing the figure as seen by the little Shepherdess. Poor humanity, reaching out hopeful arms in its pain, here for physical help, there for spiritual.

The Gave rushes through both Lourdes and St. Sauveur, with a very sharp noise in the rocky gorge of the latter, too harsh to be a soothing sound. I looked forward to getting yet another experience of _vetturino_ travel which I had never thought could be enjoyed again, and which proved to be still possible. The journey was a success, and, besides the beauty of that very majestic mountain scenery, the little incidents of the road were picturesque. Our driver was proud to tell us he was known as "_L'ancien chien des Pyrenees_," and a characteristic "old dog" he was, one-eyed and weatherbeaten, wearing the national blue _beret_ and very voluble in local _patois_. His horses' bells jingled in the old familiar way of my childhood; two absurd little dogs of his accompanied us all the way who, in the noonday heat, sat in the wayside streams for a moment to cool, and emerged little dripping rags. The first day's ascent was over the Pa.s.s of the Tourmalet, the second over that of the Col d'Aspin, and the third and final climb was that of the Col de Peyresourde. Then Bagneres de Luchon appeared deep down in the valley where our drive came to an end. What would we have seen of the Pyrenees if we had burrowed in tunnels under those _Cols?_ Luchon was not embellished by the invalids there, whose princ.i.p.al ailment amongst the female patients was evidently a condition of _embonpoint_ so remarkable that the suggestion of overfeeding could not possibly be ignored.

We had refreshing "_ascensions_" on horseback; a wide view of Spain from Super-Bagnere, wherein the backbone of the Pyrenees, with the savage "Maladetta," rising supreme, 11,000 feet above sea level, has its origin. Many very pleasant excursions we had besides. I tried a hurried sketch of one of these views from the saddle, the only precious chance I had, but a little Frenchman in tourist helmet and blue veil (and such boots and spurs!), who was riding in our direction with a party, threw himself off his pony into my foreground and, hoping to be included in the view which he was pretending to admire, posed there, right in my way, his comrades calling him in vain to rejoin them.

On leaving Luchon we journeyed _via_ Toulouse to Cette, following the course of the Garonne, which famous river we had seen in its little muddy infancy near Arreau and in its culminating grandeur at Bordeaux.

Toulouse looked majestic, a fair city as I remember it. There I was interested to see that famous ca.n.a.l which carries on the traffic from the great river to the Mediterranean. A noteworthy feature in the landscape as we journeyed on to Cette in the dreary, dun-coloured gloaming was the mediaeval city of Carca.s.sonne. To come suddenly upon a complete restoration to life of an old-world city, full of towers and wrapped in its unbroken walls, gives one a strange sensation. One seems to be suddenly deposited in the heart of the Middle Ages. That dark evening there was something indescribably gloomy in the aspect of that cinder-coloured ma.s.s against an ashen sky, and set on a hill high above the fields cultivated in prim rows and patches, looking like a town in the background of some hunting scene, so often shown in old tapestry.

All was darkening before an approaching storm. In writing of it at the time I was not aware that we owed this most precious old city to Viollet-le-Duc, who has restored it stone by stone.

Cette looked so bleared and blind the next morning in a sea mist that I have preserved a dejected impression of those low sh.o.r.es, grey tamarisks, and lagunes, and waste places, seen as though in a dismal dream. I was coaxed back to cheerfulness by the sunshine of Nismes, where we spent several hours, on our way to our halt for the night, strolling in the warm-tinted Roman ruins, and I finally relaxed in the delight of our arriving once more at one of my most beloved cities, splendid Avignon. Good travelling. This closed the day. Under my parents' _regime_, and chiefly on account of my mother, who hated night travel, and on account of our general easy-going ways, we gave nearly a fortnight to reach Genoa from England, with pauses here and there.

My redundant Diary carries me on now, like the rapid Rhone itself, to my native Lake Leman. I see it now as I saw it that day, August 8th, 1878--a blue opal. There is always something sacred about a place in which one came into the world. We visited "Claremont," a lovely dwelling overlooking the lake, and facing the snowy ridges of the Dents du Midi.

Looking at that house "all my mother came into my eyes" as I thought of her that November night, long ago, and of our dear, faithful nurse whom I captured there to our service till death, with a smile!

And now for the dear old Rhine once more. We got to Bale next day, and very scenic the old town looked on our arrival in the evening. On either side of the swift-flowing river the gabled houses were full of lights, which were reflected in the water, all looking red-gold by contrast with the green-gold of the moon. On August 10th from Bale to Heidelberg, the rose-coloured city of the great Tun! Other tuns are also shown, not quite so capacious; but what swilling they suggest on the part of the old electors, who gathered all that hock in t.i.thes!

I was mortified when trying to impress my husband with the charms of the Rhine as we dropped down to Cologne. My early Diary tells of my enchantment on that fondly-remembered river. But, alas! this time the weather was rainy and ugly all the way, and as we came to the best part, the romantic Gorge, he shut himself up in a deck cabin, out of which I could not entice him. I suspect the natives on board drove him in there rather than his resentment at the "come down" from the glowing descriptions one reads in travel books. These natives were a most irritating foreground to the blurred views. All day long, and into the night, meals were perpetually breaking out all over the deck and, do what one could, the feeding of those Teutons obtruded itself on one's attention _ad nauseam_. I have a sketch, taken _sub rosa_, of an obese and terrible _frau_, seated behind her rather smart officer husband at one of the little tables. She had emptied her capacious mug of beer, and was asking him for more, to which demand he was paying no attention. But "Gustav! Gustav!" she persisted, poking him in the back with her empty tankard. The "Gustav!" and the prods were getting too much to be ignored by the long-suffering back, and she got her refill. What General Gordon calls the "German visage" in contrast with the "Italian countenance"

never appeared so surprisingly ugly as it did to us that day on the crowded deck of the _Queen of Prussia_.

My Diary says: "At Mayence, Will and I, always on the look-out for soldiers, had a good opportunity of seeing German infantry, as we stopped here a long time and two line battalions crossed the bridge near us. From the deck of the steamer the men looked big enough, but when Will ran on sh.o.r.e and overhauled them to have a nearer look, I could gauge their height by his six-foot-two. He showed a clear head and shoulders above their _pickelhauben_. They were short, chiefly by reason of the stumpy legs, which carry a long back--a very unbeautiful arrangement."

The next day we had a rather dull start from Cologne along a dismal stretch of river as far as Dusseldorf. Killing time at Dusseldorf is not lively. At the cafe where we had tea two young subalterns of hussars came gaily in to have their coffee, and, just as they were sitting down with a cavalry swagger, there came in a major of some other corps, and the two immediately got up, saluted, and left the room. Here was discipline! On our returning to the steamer Will found an epauletted disciple of Bismarck in my place at supper. He told the epauletted one of his mistake, much to the latter's manifest astonishment, who didn't move. I suppose there came something into the British soldier's eye, but, anyway, the sabre-rattler eventually got up and went elsewhere: things felt electric.

August 14th found us nearly all day on board the boat. "A very interesting day, showing me a phase of Rhine scenery familiar to me in Dutch pictures by the score, but never seen by me till then in reality.

The strong wind blew from the sea and tossed the green-yellow river into tumultuous waves, over which came bounding the blunt-bowed craft from Holland, taking merchandise up stream, and differing in no way from the boats beloved of the old Dutch masters. On either side of the river were low banks waving with rushes, and beyond stretched sunken marshy meadows, and here and there quaint little towns glided by with windmills whirring, and cl.u.s.ters of ships' masts appearing above the grey willows and sedges. Dordrecht formed a perfect picture _a la_ Rembrandt, with a host of windmills on the skyline, telling dark against the brightness, at the confluence of the Maes and Rhine. Here Cuyp was born, the painter of sunlit cows. Rotterdam pleased us greatly, and we strolled about in the evening, coming upon the statue of Erasmus, which I place amongst the most admirable statues I have seen. Rotterdam possesses in rich abundance the peculiar charm of a seaport. A place of this kind has for me a very strong attraction. The varied shipping, the bustle on land and water, the colour, the noise, the mixture of human types, the bustle of men and animals; all these things have always filled me with pleasure at a great seaport." A visit to Holland ("the dustless" land, as my husband called it truly), a revel amongst the Amsterdam galleries, then Antwerp, where we embarked for Harwich, closed our trip. Invigorated and restored, I set to work on an 8-foot canvas, whereon I painted a subject which had been in my mind since childhood.

CHAPTER XIV

QUEEN VICTORIA

It must have been at Villa de' Franchi that my father related to me a tragedy which had profoundly moved England in the year 1842, and he laughingly encouraged me to paint it when I should be grown up. The Diary says: "We are now at war with poor Shere Ali, and this new Afghan War revived for me the idea of the tragedy of '42, namely, Dr. Brydon reaching Jellalabad, weary and fainting, on his dying horse, the sole survivor, as was then thought, from our disaster in the Cabul pa.s.ses....

Here I am, on 1st March, 1879, not doing badly with the picture. I think it is well painted, and I hope poetical. But I have had the darkest winter I can remember, and lost nearly all January by the succession of fogs which have accompanied this long frost. Will sailed under orders for the Cape last Friday, February 28th. Our terrible defeat at Isandula has caused the greatest commotion here, and regiments are being poured out of England to Zululand in a fleet of transports; and now staff officers are being selected for posts of great responsibility out there, and amongst these is Colonel Butler, A.A.G. to General Clifford.

"_March 16th, 1879._--I am beginning to show my picture. Scarcely anything is talked of still but the fighting in Zululand and the incapacity of that poor unfortunate Lord Chelmsford, whom Government keeps telling they will continue to trust in his supreme post of Commander-in-Chief, though he would evidently be thankful to be relieved of an anxiety which his nervous temperament and susceptible nature must make unbearable. What magnificent subjects for pictures the 'Defence of Rorke's Drift' will furnish. When we get full details I shall be much tempted to paint some episode of that courageous achievement which has shed balm on the aching wound of Isandula. But the temptation will have to be very strong to make me break my rule of not painting contemporary subjects. I like to mature my themes.

"Studio Sunday. At last, at last! After three years of disappointment another Academy Studio Show has come, and that very brightly and successfully. I have called the Afghan picture 'The Remnants of an Army.' I had the Irish picture to show also, by permission of Whitehead, "Listed for the Connaught Rangers.' From one till six to-day people poured in. My studio was got up quite charmingly with curtains and screens, and with wild beast skins disposed on the floor, and my arms and armour furbished up. The two pictures came out well, and both appeared to 'take.' However, not much value can be attached to to-day's praises to my face. But I must not let Elmore's (R.A.) tribute to the 'Remnants of an Army' go unrecorded. 'It is impossible to look at that man's face unmoved,' and his eyes were positively dimmed! I have heard it said that no one was ever known to shed tears before a picture. On reading a book, on hearing music, yes, but not on seeing a painting.

Well! that is not true, as I have proved more than once. I can't resist telling here of a pathetic man who came to me to say, 'I had a wet eye when I saw your picture!' He had one eye brown and the other blue, and I almost asked, 'Which, the brown or the blue?' It is often so difficult to know what to answer appreciatively to enthusiastic and unexpected praise!

"Varnishing Day. A long and cheery day in those rooms of happy memory at Burlington House. Both my pictures are well hung and look well, and congratulations flowed in." A few days later: "Alice and I to the Private View at that fascinating Burlington House, so fascinating when one's works are well placed! The Press is treating me very well. No subsidised puffs _here_, so I enjoy these critiques. The Academy has received me back with open arms, and the members are very nice to me, some of them expressing their hope that I am pleased with the positions of my pictures, and several of them speaking quite openly about their determination to vote for me at the next election."