An Australian Lassie Part 10

"Well done, Bruce!" said Brown coming forward and speaking in a hearty tone; "I didn't believe you'd come--I didn't think you had a fight in you."

"We Bruces fight till we die!" piped Betty, and bit her lip to still its quivering.

Brown laughed. He detected the nervousness in his opponent's voice, and had fully expected it. If he had found "Bruce" over-bold, he would have been surprised indeed. As it was, the reply in some way pleased him.

"Well," he said, "you're not going to fight me. _I'm_ not in a fighting mood; I'm going to _thrash_ you."

Betty caught her breath. It certainly entered into her mind to cry out and run away, but she did nothing of the sort, she only clenched her hands, and stood her ground--having as usual a sufficiency of courage for the occasion.

The next minute Brown's great hand had grasped her coat collar, and she felt herself swung round, stood down and swung round again. Then a sharp swish lashed her once, twice, thrice.

Whereupon Betty began to fight on her own account, forgetting all the advice Fred Jones had given her about "hitting out from the shoulder,"

etc. etc. She kicked Brown's legs with all the strength she could put into her own. She pinched his wrists and his cheek, and lastly and to his disgust she set her sharp little teeth into his hand.

He dropped her quickly, her hat rolled off, and down tumbled her short curly hair. And the moon chose that moment to sail from under the cloud and put Betty's face in a soft silver light.

Brown whistled. "By Jove!" he said, the "sister."

Betty crammed her hat down upon her head again.

"I'm not," she said. "It's not! It's me, Cyril. Come on, _coward_, _bully_!"

She made a little rush at him, but Brown threw down his switch.

"Thanks," he said. "I'm not taking any this trip."

"Come on," urged Betty.

"I don't fight girls, thanks."

Betty began to cry in a heart-broken desperate way.

"It's not me," she said. "It's Cyril. It's Cyril. Oh, it's Cyril!"

But Brown, smiling darkly, turned from her, jumped over the fence, and took his way through the banana grove to his home.

And what pen could tell of his heaviness of heart, and great shame in that he had _thrashed_ a girl. He could feel her light weight yet as he swung her round, hear her girlish voice crying, "We Bruces fight till we die!" see her thin white face in the moonlight as her hat fell off, and she looked at him and said--

"Come on, coward, bully!"

How he tingled with shame. Coward, bully! Yes, he had hit a girl.

Betty started for home at a brisk run, for during her adventure the night had advanced, and her imagination peopled the surrounding bush with bogeys, and imps and elves.

And as she ran, sobs broke from her, solely on account of her physical woes.

Within the wicket gate she walked slowly. How could fear of outer darkness remain, when the dinning-room window sent such a bar of light beyond.

She crept softly along the verandah to the window and peeped in. Her father was lying on the old cane lounge, his eyes upon her mother who sat at the piano, in a pretty fresh dress, flower-like as ever. For a s.p.a.ce, while little boy-Betty looked, she just touched the keys tenderly as if she loved them like her flowers, then she struck a few chords, and began to sing "Home, Sweet Home," in her sweet girlish voice.

And Betty turned away, the tears running down her cheeks, and her small heart aching.

"I've been bad again," she said, "and I meant to be good always. I don't believe you _can_ be good till you are grown up." She ran along the pa.s.sage into the little bedroom which she and Dot and Nancy shared, and she fell down by Dot's quiet white bed and buried her face in the quilt.

"Bad again," she sobbed. "I've been bad again. Oh, I'm _glad_ I got thrashed, it ought to do me good." But it is to be feared her gladness was not very deep, because a sense of great satisfaction swept over her as she remembered, she had kicked, really kicked, big John Brown.

CHAPTER IX

DOROTHEA'S FRIENDS

Alma Montague, a wealthy doctor's daughter; Elsie and Minnie Stevenson, daughters of a Queensland squatter; and Nellie Harden, only child of a Supreme Court Judge, were Dorothea Bruce's "intimate" friends. Mona Parbury was her only "bosom" friend. Thus she defined them herself when speaking of them to members of her family and to the girls themselves, who were one and all eager to stand a "bosom" friend to pretty Thea Bruce as they called her.

The difference between an "intimate" friend and a "bosom" friend is too subtle to be described, but school-girls all the world over, and those who have left school days just behind them, will know and understand.

Mona Parbury was one week older than Dorothea and one inch (they measured upon the verandah wall) taller. Her waist was two sizes larger; her boots and gloves were three. In every way she was cast in a different mould from Dorothea. She was a heavily built girl, who looked at sixteen as though her teens were a year or two behind her. Her features were p.r.o.nounced--high cheek-bones, square chin, high forehead; her hair was black and straight and plentiful, and she wore it in a heavy plait down her back. Her eyes were brown, clear, faithful, good eyes, and her mouth was distinctly large and ill-shaped.

Such was Mona in the days when Dorothea loved her--in the days when Dorothea told her all her hopes, and dreams, and often very foolish thoughts; when she made her the heroine of her stories; and wrote little poems to her as--"her love"--and little loving letters if the cruel fate which sometimes hovers over such friendships separated them for half a day.

We have seen Dorothea before. She was small and fairy-like; slender-waisted and light in movement. Her hair was golden and curly, and was usually worn quite loose about her shoulders; her eyes were blue and sunshiny and lashed by dark curling lashes; her mouth was small and red, and her complexion delicate pink and white. All of her "intimate"

friends gave her the frankest admiration--they all loved her, and they were all eager to stand first with her.

But it was Mona who loved her the most. Mona who kept and treasured every one of the little "private" notes sent to her by Dot. She worked out all her most troublesome sums, brushed and curled her hair; bore many of her punishments; brought her numberless fal-lals (keepsakes she called them); wore a lock of her golden hair in a locket around her neck, and told her all of her secrets--she had as many as ten a week sometimes.

Miss Weir, the "princ.i.p.al" of the school, had, many years ago, given to Dorothea's mother much the same sort of love as Mona Parbury now gave to Dorothea. And it was owing to this old love that Dorothea was now admitted on very low terms to the most fashionable school in Sydney.

No one among all the pupils (there were fifteen) knew anything about poverty--no one but Dorothea. As she once said in a burst of anguish to her mother--

"They are all rich, every _one_ of them. They live in beautiful houses and have parlourmaids and housemaids and nursemaids, and kitchenmaids and cooks and carriages, and as much money to spend as we have to live on, I believe."

It was very rarely, though, that any of her troubles ruffled her calm serenity. Dorothea was usually as placid as the placidest baby. She longed to be rich, and to have pretty things to wear and a handsome house to live in, but she never talked of her poverty. Instead she draped its cloven foot gracefully, and turned her back on it--and _imagined_ she was rich--from Monday till Friday.

She discussed "fashion" and "society" with Alma Montague and Nellie Harden, and grew quite familiar with the names and doings of the great society dames. She even learned--at considerable pains--a "society"

tone of voice with a drawl in it and a little lisp.

School life was a great happiness to her--the regular hours, the beautifully ordered house, the neat table, the daily const.i.tutional, the morning and evening prayer-time, and the hour in the drawing-room at night, everything that made life from Monday till Friday.

It was Friday till Monday that was the cross, Friday till Monday, the days when the cloven foot would not be draped, when the elegancies of life were left behind in the city, when the twins and the babies were everywhere, when the meals were often but suddenly thought of s.n.a.t.c.hes of food.

Sometimes the thought of the looming future--the time when all the days would be as Friday till Monday, when there would no longer be any school days to be lived by her--would quite break down her placidity, and make her feel she could put down her head anywhere and cry.

Yet away they were marching, one by one, all the beautiful school-days, all the days of discipline and pleasant duty, and the ugly slack days, when there would be nothing but home with house-work to do, were drawing near.

And at last she could bear the thought of it by herself no longer.