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"Why, you don't tell me so!" blithely exclaimed Mrs. Diggs. "I dote on Beverley. I suppose he thinks me dreadful, but I dote on him, just the same. He is so broad, don't you know? He's seen so much, and read so much, and lived so much, generally. And with it all he's so conventional. That is the way I like conventionality--when you find it in some one who makes it a sort of fatigue-dress for liberal views, and not the uniform of narrow ones."

"I approve your description of Mr. Thurston," said Claire, slowly. "It tells me how well you know him."

Mrs. Diggs creased her forehead in puzzled style, and bent her face closer toward Claire's. "What on earth do you suppose it was that made him dart off so suddenly to Europe?" she asked.

Claire stooped, as though to discover some kind of objectionable speck in the cup of chocolate that she was stirring, and then removed what she had found, with much apparent care. "He did go quite unexpectedly, did he not?" she said, lowering her head still more as she put the speck on her saucer and examined it with an excellent counterfeit of the way we regard such things when uncertain if their origin be animal or vegetable. She wondered to herself, at the same time, whether Mrs. Diggs would notice her increased color, or whether she herself had merely imagined that her color had undergone any sort of change. "At some other time," she went on, letting the words loiter in utterance, with a very neat simulation of preoccupied attention ... "at some other time, Mrs.

Diggs, I should like to talk more with you about Mrs. Van Horn's brother. But just now I want to ask you about Mrs. Van Horn herself."

Here Claire briskly raised her head. The problem of the aggressive speck had seemingly been solved. "I have heard Mr. Thurston mention that he had a sister of that name," she continued, now speaking with speed, "but he told me almost nothing regarding her. She appears to be a very important person."

Mrs. Diggs glanced toward a distant table at which she had already seen her cousin seat herself. Then she turned to Claire again, as though confident of how safely remote was the lady whom she at once proceeded to discuss.

"Cornelia _is_ a very important person, Mrs. Hollister. As I told you, she's my second cousin. I used to see a good deal of her before I was married. She's at least ten years older than I am. She brought me out into society. I was an orphan, don't you know, and there was n.o.body else to bring me out. I _had_ to be brought out, for I was eighteen, and all the rest of the family were either in mourning, or were too old, or else had gone to Europe, or ... well, something of that sort. So Cornelia gave me a great ball. It was splendidly civil of her. But I don't think she did it from the least benevolence. No, not at all. She had ended her term of widowhood, and wanted to _appear_ again, don't you know? The ball was magnificent, and it gathered all her old _clientele_ about her.

I remember it so well; it is only eight years ago. I stood at her side, behind a towering burden of bouquets which it made my wrist ache to hold. Cornelia was in white satin, with knots of violets all over her dress. I shall never forget that dress. She wore amethysts round her throat, and in her hair, and on her arms. It was a kind of jubilant second-mourning, don't you know? She looked superb; she was eight years younger than she is now. People gathered about her and paid their court.

She resumed old acquaintances; she received open or whispered compliments; she was the event of the evening. _I_ was nearly ignored.

And yet it was _my_ ball; it had been given for me, to celebrate my _debut_ in society. But as the evening progressed I began to discover that I had been made a mere pretext. Cornelia herself was the real reason of the ball. She had simply used me as an excuse for reemerging.

She reemerged, by the way, with seventy thousand a year, and a reputation for having been one of the reigning belles of New York before she married Winthrop Van Horn. She was poor when she married Winthrop, and he lived only a few years afterward. He left her every penny of his money; there were no children. Cornelia was a devoted wife; at least, I never heard it contradicted, and I've somehow always accepted it. I think everybody has always accepted it, too. He died of consumption in Bermuda, and it is usually taken for granted, don't you know, that he died in Cornelia's arms. For my part, I can't imagine anybody dying in Cornelia's arms.... But that's neither here nor there. She kept herself as quiet as a mouse for five years. But mice are nomadic, and they gnaw everything. And Cornelia, during those five years of bereaved woe, to my certain knowledge, took a peep at every capital in Europe. After the ball--the ball that she gave _me_, please understand--she became a great leader. She's a great leader still. Didn't Beverley tell you _that_, Mrs. Hollister?"

"No," stated Claire, keenly interested by this nimble monologue. "As I said, Mr. Thurston scarcely did more than mention his sister's name."

Mrs. Diggs applied herself actively to a fragment of cold chicken, which she had left neglected through all these elucidating items. Claire watched her, thinking how clever she was and yet how uncirc.u.mspect. With what slight incentive had been roused this actual whirlwind of family confidences!

"She perfectly adores Beverley," Mrs. Diggs presently continued. "I have an idea that she does so because he's a Thurston--or rather because _she's_ one. She has contrived to make it appear very exceptional to be a Thurston. The Thurstons have never been anything whatever. Her mother married into the family, and cast a spell of aristocracy over them. But Cornelia never alludes to the Van Kortlandt connection. She knows that can take care of itself. I believe her grandfather, on the other side, was a saddler. But she has managed to have it seriously disputed whether he was a saddler or a landed Knickerbocker grandee. The panels of her carriage bear a Thurston crest. It is a very pretty one; I am quite sure she invented it. I once told Beverley so, and he laughed. _He_ has never used it, though he has never denounced it as spurious. The joke is that she ignores the Van Horn crest entirely, which is the only one she has any right to air. Cornelia is a great leader, as I said. She has Thursday evenings in the big old house on Washington Square which her late husband left her. Lots of people have struggled to go to Cornelia's Thursdays, and not gone, after all. It's absolutely funny to observe what a vogue she has got. She could make anybody whom she chose to take up a social somebody by merely lifting her finger. But she never lifts her finger. That is why she is so run after. You can't get her to use the power she possesses. It yearly grows more of a power, don't you know, on this very account. It's like a big deposit in a bank, that gets bigger through lying there untouched. She won't spend a penny; she lets it grow. The women of New York are becoming a good deal less flippant, some of them, than they used to be. Clubs and receptions have come into fashion, where intellectual matters are seriously, even capably discussed. Somebody will read a paper on something sensible and literary, and a little debate will follow. At one of these clubs--composed strictly of women--it is forbidden to mention the last ball, though this may have occurred on the preceding night and everybody may have seen everybody else there, talking the usual gay nonsense. The whole thing is a kind of 'movement,' don't you know? It's very picturesque and it's extremely in earnest. It makes one think a little of the old historical French _salons_. It has laid bare some charming and surprising discoveries. It has shown how many women have been reading and thinking in secret, during those long intervals of leisure that have occurred between their opportunities for being publicly silly, inane, flirtatious, and hence of correct form. On the other hand it has led certain women to cultivate their minds as they would a new style of dressing their hair. All that we used to satirize in former entertainments of this kind fails to exist in those I am describing.

Pipe-stem curls and blue spectacles are replaced by the most Parisian felicities of costume. A delightful-looking creature in a Worth dress that fits her like a glove will give us her 'views' on the Irish land-question or the persecution of the Jews in Russia.... And now I come to the real object of my digression, as the long-winded orators say. Cornelia Van Horn frowns upon all this. She has gathered about her a little faction, too, which frowns obediently in her defense. You must not fancy for a moment that Cornelia could not shine in these a.s.semblies if she chose to favor them. She has brains enough to _out_shine nearly all their supporters. But she condemns the intellectual tendency in women when thus openly exhibited. If they want to read and think, they should do it in the quiet of their closets, and in the same way that they write their letters, or glance over their accounts, or distribute their household orders. There is no objection to philosophy, science, belles-lettres, so long as these are not made to interfere with the general dignified commonplace of the higher social life. To be individual, argumentative, reformatory, is to be professional. To be professional is not to be 'good form.' The moment that a drawing-room is made to resemble a lecture-room or a seminary it becomes odious from a patrician stand-point. Only queens and d.u.c.h.esses can afford to paint pictures or to write books, without loss of caste. A consistent aristocracy never discovers new ideas; it accepts old ones. Agitators are the enemies of repose, and repose is the soul of refinement."

Here Mrs. Diggs gave a gleeful trill of laughter that made Claire compare it to her mind as well as her person; it was so clear and sharp.

"Oh, you can't imagine," she went on, "how radical Cornelia is in her positively feudal conservatisms. I'm so liberal, don't you know, that I can appreciate her narrowness. I relish it as one does a delicious joke.

But it's a very curious sort of bigotry. There's nothing in the least spontaneous about it. I've a conviction that she sweeps her eye more widely over this fine Nineteenth Century than any of the ladies I've been telling you about. She has seen that she can only reign on one kind of a throne, and she sticks there. And I a.s.sure you, there isn't the least doubt that she reigns in good earnest.... I'm surprised that Beverley Thurston didn't tell you about her. Beverley has got her measure so exactly. He thinks me dreadful, as I said, but he's fond of me. I'm sure we always amuse each other."

"No," said Claire, shaking her head slowly, "he was very reticent on that subject. Perhaps he thought I might want to know her if he painted her portrait as you have done. That would have been awkward for him, provided his sister had declined my acquaintance. And I dare say she would have declined it, as I was not in her exclusive circle."

Mrs. Diggs put her head a little on one side. She was looking at Claire intently. A smile played like a faint flicker of light on her thin lips, whose two bluish lines always kept the same tinge.

"Why are you so candid with me?" she asked.

"Candid?" repeated Claire.

"Yes. Why do you show me that you would like to know Cornelia Van Horn?"

"Why?" still repeated Claire. "Did I show you that?"

"Not openly--not in so many words, don't you know? But I imagine it."

"You are very quick at imagining," said Claire, with a little playful toss of the head. "Well, if you choose, I _should_ like to know her. I should like to know any one who ranks herself high, like that, and has a recognized claim. I have a fellow-feeling for ambitious people. I'm ambitious myself."

Mrs. Diggs seemed deeply amused. She lifted a forefinger, and shook it at Claire.

"I'm afraid you're _very_ ambitious," she said.

"Well, I am," admitted Claire, not knowing how much rosy and dimpled charm her face had got while she spoke the words. "I am quite willing to concede that I have aims, projects, intentions."

Mrs. Diggs threw back her head, and laughed noisily. But she lowered her voice to a key much graver than her laugh, as she said:--

"You're as clever as Cornelia, in your way. Yes, you are. I shouldn't be surprised if you were a good deal cleverer, too. I suspect there's a nice stock of discreet reserve under your candor."

Claire creased her brows in a slightly piqued manner. "That is not very pleasant to hear," she said.

Mrs. Diggs stretched out her hand across the table so pointedly and cordially that Claire felt forced to take it.

"I like you. You interest me. Forgive me if I've annoyed you."

"You haven't annoyed me," was Claire's reply.

"I want to see those aims, projects, intentions," Mrs. Diggs continued, still holding her hand, and warmly pressing it besides. "Yes, I want to see you _exploiter_ them--carry them out. You shall do it, if I can help you. And you will _let_ me help you, I hope? You won't think me disagreeably patronizing, will you? I only speak in this way because I've taken a desperate fancy to you."

"Thanks," said Claire. Her eyes were sparkling; her heart was beating quickly.

XIV.

When Hollister returned that evening, almost the first words that Claire spoke to him were: "Congratulate me, Herbert. I have taken a fine forward step at last."

"What do you mean, my dear?"

"I have got to know somebody of importance. I have launched my ship."

"Oho," laughed Hollister, understanding. "I hope the ship will prove seaworthy, little captain. You must steer with a prudent eye, remember.

All sorts of squalls will lie in wait for your canvas, no matter how well you trim it."

"That is just the kind of sailing I like," said Claire. "I've been becalmed long enough."

He laughed at this, in his hearty way, as though it were quite a marvel of wit. "Come and tell me," he proposed, "about the important somebody who has been sensible enough to discover you."

They were alone together, in their wide, cheerful apartment, overlooking the ocean. They were about to go down and dine, and Hollister had just finished a few preparatory details of toilet. Lights had been lit, for the rapid autumn dusk had already thickened into nightfall; but though they could not see the starlit level of waters just beyond their windows, they had a sense of its nearness in the moist, salty breeze, whose tender rush made the drawn shades bulge, and set the loose lawn curtains fluttering buoyantly.

Hollister sank into a chair as he spoke the last sentence, and at the same time put an arm about his wife's waist, drawing her downward until she rested upon his knee. The roses at her bosom brushed his face, and he thrust his head forward with a sigh of comic infatuation, as though rapturously inhaling their perfume. But his free hand soon wandered up along the chestnut ripples of her hair, and he began to smooth them, with a touch creditably dainty for his heavy masculine fingers.

Claire permitted his caresses. She always permitted, and never returned them. He had slight sense that this was a coldly unreciprocal course; it appeared to fit in neatly enough with the general plan of creation that she should receive homage of any sort without further response than its mute recognition. That was the way he had constantly known her to act, or rather not to act; a change would have surprised, perhaps even shocked him; she would have ceased to be his peculiar, accustomed Claire; his revered statue would have lost her pedestal, and he had grown to like the pedestal for no wiser reason than that he had always seen it enthrone her.

"I will tell you all about my discoverer," Claire said, with matter-of-fact directness; and she at once began a swift and succinct little narration.

"Diggs," Hollister suddenly broke in, with one of his fresh laughs. "Oh, look here, now; you've made some big mistake. She can't be one of your adored swells, with such a name. It's--it's ... cacophonous, positively!"

"Wait, if you please," said Claire, with demure toleration, as though a bulwark of proof made this skeptic a.s.sault endurable. "Her husband's name, in the first place, is not _simply_ Diggs; it's _Manhattan_ Diggs." She made this announcement with an air of tranquil triumph; but Hollister at once gave another irreverent laugh.

"Oh, of course!" he cried. "I remember, now. I know him. That is, I nod to him on the street, now and then. Is _he_ here? Why, he's nearly always tipsy, you know."

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An Ambitious Woman Part 19 summary

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