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"I learnt it from the Vicomte d'Humieres."
"The Vicomte d'Humieres! My husband! Are you acquainted with him, then?"
"I can scarcely claim to be acquainted with the Vicomte. It seems, Madame, that this has been a morning of coincidences. It would appear that just before Madame perceived my little picture at the Academy, the Vicomte d'Humieres perceived it too."
"Truly! But how magnificent!"
The lady clasped her hands in a little ecstacy.
"The Vicomte d'Humieres did not seem to consider it magnificent. He took a distinctly contrary view."
"But that is certain!"
"He requested me to furnish him with your address. When I informed him that I was not acquainted with Madame, he desired to know who had authorized me to send your portrait to a public exhibition. I observed that I was not aware that it was the portrait of Madame, since the face in the picture was but the study of a face which I had seen in a dream."
"In a dream! You did not tell him--the little history?"
"I entered into no particulars."
"I entreat you, Monsieur, not to tell him the little history. There will be a scandal; he is so quick to misconceive."
"I will endeavour to observe Madame's wishes."
"It is like a little romance, is it not, Monsieur? Perhaps I should explain myself a little further. _That_ night"--she emphasized the _that_--"I left my husband. In effect, he had become unbearable. I have seen and heard nothing of him since. But I am beginning to become conscious of a desire to meet with him again. I know not why! I suppose, when one loves one's husband truly, one wishes to meet him--once a year. I do not wish our reconciliation to be inaugurated by a quarrel--no, I entreat you, Monsieur, not recount to him that little history."
"I should inform Madame that I expect the Vicomte d'Humieres to return."
"Return? Where? Here? When?"
"Very shortly--with a friend. In fact, unless I am mistaken, he comes already."
The lady listened.
"It is Philippe's voice! _Mon Dieu!_ He must not find me here."
"But, Madame----"
"Ah, the screen! It is like a farce at the Palais Royal--is it not a fact? I will be your model, Monsieur, behind the screen!"
"Madame!"
Before he could interpose to prevent her, the lady vanished behind the screen. The door of the studio opened, and the Vicomte d'Humieres entered, accompanied by his friend.
CHAPTER II.
AND AWAKE.
The Vicomte's friend was a gentleman of a figure which is not uncommon in France, even to-day. His att.i.tude suggested a ramrod, he breathed powder and shot; and he bristled--what shall we say?--with bayonets.
The last person in the world with whom a modern Briton should have a serious difference of opinion. The ideas of that sort of person upon matters which involve a difference of opinion are in such contrast to ours. The Vicomte performed the ceremony of introduction.
"Mr. Gerald Lovell, permit me to introduce to your courteous consideration my friend, M. Victor Berigny!"
M. Berigny bowed, ceremoniously. Mr. Lovell only nodded--his thoughts were behind the screen. The Vicomte turned to his friend.
"Victor, I have explained to you that I have already had the pleasure of an interview with Mr. Gerald Lovell." M. Berigny bowed. "I have also explained to you that I have desired him to inform me by whose authority he exhibits a portrait of my wife in a public exhibition. To that he has replied that his picture, 'A Vision of the Night,' is not a portrait of my wife. I request you, Victor, to state, in Mr. Gerald Lovell's presence, whether that picture, in your opinion, is or is not a portrait of my wife."
"Certainly, it is a portrait."
M. Berigny's accent was more marked than the Vicomte's, but still he did speak English.
"I thank you, Victor. It remains for me to once more request, in your presence, Mr. Gerald Lovell to explain how it was that he happened to dream of the face of my wife last August, in the Hotel de Flandre, at Spa. Mr. Gerald Lovell, I have the honour to await your explanation."
The Vicomte, his arms crossed upon his chest, his left foot a little protruding, his head thrown back, awaited the explanation.
Mr. Lovell's thoughts ran screenwards.
"What the deuce shall I do if he discovers her behind the screen?"
"Monsieur, I am waiting."
"If he does discover her--there'll be a row."
"I still am waiting, Mr. Gerald Lovell."
With each repet.i.tion of the statement the Vicomte's tone became more acidulated. The artist arrived at a sudden resolution.
"Then I am afraid, Vicomte, that you will have to wait."
The Vicomte looked at the artist with an evident inclination to add a cubit to his own stature.
"Is it possible that I understand your meaning, Mr. Gerald Lovell?"
"My language is sufficiently simple."
"In France, Mr. Gerald Lovell, an artist is supposed to be a gentleman."
"And so in England, Vicomte. And therefore, when an artist is interrupted at his work by another gentleman, he feels himself at liberty to beg that other gentleman--to excuse him."
Mr. Lovell waved his hand, affably, in the direction of the door. The Vicomte's countenance a.s.sumed a peculiar pallor.
"You are a curious person, Mr. Gerald Lovell."
His friend interposed.
"Philippe, you had better leave the matter to me."
M. Berigny approached the painter--with a ramrod down his back.