American Sketches Part 1

American Sketches.

by Charles Whibley.

NEW YORK.

To land at Hoboken in a quiet drizzle is to sound the depths of desolation. A raw, half-finished, unkempt street confronts you.

Along the roadway, roughly broken into ruts, crawls a sad tram. The dishevelled shops bear odd foreign-looking names upon their fronts, and the dark men who lounge at their doors suggest neither the spirit of hustling nor the grandeur of democracy. It is, in truth, not a street, but the awkward sketch of a street, in which all the colours are blurred and the lines drawn awry. And the sense of desolation is heightened by the memory of the immediate past. You have not yet forgotten the pomp of a great steamship. The gracious harbour of New York is still shining in your mind's eye. If the sentiment of freedom be dear to you, you are fresh from apostrophising the statue of Liberty, and you may have just whispered to yourself that you are breathing a clearer, larger air.

Even the exquisite courtesy of the officer who has invited you in the blandest terms to declare that you have no contraband, has belied the voice of rumour and imparted a glow of satisfaction. And then you are thrown miserably into the leaden despair of Hoboken, and the vision of Liberty herself is effaced.

But Hoboken is an easy place where-from to escape, and the traveller may pa.s.s through it the more cheerfully, because it prepares him for the manifold and bewildering contrasts of New York. The towns of the old world have alternations of penury and affluence. In them also picturesque squalor obtrudes itself upon an ugly splendour. But New York, above all other cities, is the city of contrasts. As America is less a country than a collection of countries, so New York is not a city--it is a collection of cities. Here, on the narrow rock which sustains the real metropolis of the United States, is room or men and women of every faith and every race. The advertis.e.m.e.nts which glitter in the windows or are plastered upon the h.o.a.rdings suggest that all nationalities meet with an equal and a flattering acceptance. The German regrets his fatherland the less when he finds a brilliant Bier-Halle waiting for his delight. The Scot no doubt finds the "domestic" cigar sweeter to his taste if a portrait of Robert Burns adorns the box from which he takes it. The Jew may be supposed to lose the sense of homesickness when he can read the news of every day in his familiar Yiddish. And it is not only in the contrast of nationalities that New York proves its variety. Though Germans, Italians, and Irish inhabit their own separate quarters and frequent their own separate haunts, there are many other lines of division. Nowhere in the world are there sharper, crueller distinctions of riches and poverty, of intelligence and boorish-ness, of beauty and ugliness. How, indeed, shall you find a formula for a city which contains within its larger boundaries Fifth Avenue and the Bowery, the Riverside Drive and Brooklyn, Central Park and Coney Island?

And this contrast of race and character is matched by the diversity of the city's aspect. Its architecture is as various as its inhabitants.

In spite of demolition and utility, the history of New York is written brokenly upon its walls. Here and there you may detect an ancient frame-house which has escaped the shocks of time and chance, and still holds its own against its st.u.r.dier neighbours. Nor is the memory of England wholly obliterated. Is there not a homely sound in Maiden Lane, a modest thoroughfare not far from Wall Street? What Englishman can feel wholly abroad if he walk out to the Battery, or gaze upon the austere houses of Washington Square? And do not the two churches of Broadway recall the city of London, where the masterpieces of Wren are still hedged about by overshadowing office and frowning warehouse? St Paul's Chapel, indeed, is English both in style and origin. It might have been built in accord with Sir Christopher's own design; and, flanked by the thirty-two storeys of the Park Row Building, it has the look of a small and dainty toy. Though Trinity Church, dedicated to the glory of G.o.d and the Astors, stands in an equally strange environment, it is less incongruous, as it is less elegant, than St Paul's. Its spire falls not more than a hundred feet below the surrounding sky-sc.r.a.pers, and were it not for its graveyard it might escape notice. Now its graveyard is one of the wonders of America. Rich in memories of colonial days, it is as lucid a piece of history as survives within the boundaries of New York.

The busy mob of cosmopolitans, intent upon trusts and monopolies, which pa.s.ses its time-worn stones day after day, may find no meaning in its tranquillity. The wayfarer who is careless of the hours will obey the ancient counsel and stay a while. The inscriptions carry him back to the days before the Revolution, or even into the seventeenth century. Here lies one Richard Churcher, who died in 1681, at the tender age of five.

And there is buried William Bradford, who printed the first newspaper that ever New York saw, the forefather in a long line of the Yellowest Press on earth. And there is inscribed the name of John Watts, the last Royal Recorder of New York. Thus the wayfarer may step from Broadway into the graveyard of a British colony, and forget, in contemplating the familiar examples of a lapidary style, that there was a tea-party at Boston.

These contrasts are wayward and accidental. The hand of chance has been merciful, that is all; and if you would fully understand New York's self-conscious love of incongruity it is elsewhere that you must look. Walk along the Riverside Drive, framed by nature to be, what an enthusiast has called it, "the finest residential avenue in the world."

Turn your back to the houses, and contemplate the n.o.ble beauty of the Hudson River. Look from the terrace of Claremont upon the sunlit scene, and ask yourself whether Paris herself offers a gayer prospect. And then face the "high-cla.s.s residences," and humble your heart. Nowhere else will you get a clearer vision of the inappropriateness which is the most devoutly worshipped of New York's idols. The human mind cannot imagine anything less like "residences" than these vast blocks of vulgarity. The styles of all ages and all countries have been recklessly imitated.

The homes of the millionaires are disguised as churches, as mosques, as medieval castles. Here you may find a stronghold of feudalism cheek by jowl with the quiet mansion of a colonial gentleman. There Touraine jostles Constantinople; and the climax is reached by Mr Schwab, who has decreed for himself a lofty pleasure-dome, which is said to resemble Chambord, and which takes its place in a long line of villas, without so much as a turnip-field to give it an air of seclusion or security.

In this vainglorious craving for discomfort there is a kind of navete which is not without its pathos. One proud lady, whose husband, in the words of a dithyrambic guide-book, "made a fortune from a patent glove-hook," boasts that her mansion has a gla.s.s-room on the second floor. Another vain householder deems it sufficient to proclaim that he spent two million dollars upon the villa which shelters him from the storm. In brief, there is scarcely a single palace on the Riverside which may not be described as an antic of wealth, and one wonders what sort of a life is lived within these gloomy walls. Do the inhabitants dress their parts with conscientious gravity, and sit down to dine with the trappings of costume and furniture which belong to their houses? Suppose they did, and, suppose in obedience to a signal they precipitated themselves upon the highway, there would be such a masquerade of fancy dress as the world has never seen. The Riverside Drive, then, is a sermon in stones, whose text is the uselessness of uncultured dollars. If we judged New York by this orgie of tasteless extravagance, we might condemn it for a parvenu among cities, careless of millions and sparing of discretion. We may not thus judge it New York, if it be a parvenu, is often a parvenu of taste, and has given many a proof of intelligence and refinement. The home of great luxury, it does not always, as on the Riverside, mistake display for beauty.

There are houses in the neighbourhood of Fifth Avenue which are perfect in reticence and suitability. The clubs of New York are a splendid example even to London, the first home of clubs. In Central Park the people of New York possesses a place of amenity and recreation which Europe cannot surpa.s.s; and when you are tired of watching the antics of the leisurely chipmunk, who gambols without haste and without fear, you may delight in a collection of pictures which wealth and good management will make the despair and admiration of the world. Much, of course, remains to do, and therein New York is fortunate. Her growing interest in sculpture and architecture is matched by a magnificent opportunity.

In the Old World all has been accomplished. Our buildings are set up, our memorials dedicated, our pictures gathered into galleries. America starts, so to say, from scratch; there is no limit to her ambition; and she has infinite money. If the past is ours, the future is hers, and we may look forward to it with curiosity and with hope.

The architects of America have not only composed works in accordance with the old traditions and in obedience to ancient models; they have devised a new style and a new method of their own. To pack a vast metropolis within a narrow s.p.a.ce, they have made mountains of houses.

When the rock upon which their city stands proved insufficient for their ambition, they conquered another kingdom in the air. The skysc.r.a.pers which lift their lofty turrets to the heaven are the pride of New York.

It is upon them that the returning traveller gazes most eagerly, as he nears the sh.o.r.e. They hold a firmer place in his heart than even the Statue of Liberty, and the vague sentiment which it inspires. With a proper vanity he points out to the poor Briton, who shudders at five storeys, the size and grandeur of his imposing palaces. And his arrogance is just. The sky-sc.r.a.per presents a new view of architecture.

It is original, characteristic, and beautiful. Suggested and enforced, as I have said, by the narrowness of the rock, it is suitable to its atmosphere and environment. New York is a southern, sunlit city, which needs protection from the heat and need not fear obscurity. Even where the buildings are highest, the wayfarer does not feel that he is walking at the bottom of a well. But, let it be said at once, the sky-sc.r.a.per would be intolerable in our grey and murky land. London demands a broad thoroughfare and low houses. These are its only defence against a covered sky and an enveloping fog, and the patriotic Americans who would transplant their sky-sc.r.a.pers to England merely prove that they do not appreciate the logic and beauty of their own design.

What, then, is a sky-sc.r.a.per? It is a giant bird-cage, whose interstices are filled with stone or concrete. Though its structure is concealed from the eye, it is impossible not to wonder at its superb effrontery.

It depends for its effect, not upon ornament, which perforce appears trivial and inapposite, but upon its ma.s.s. Whatever approaches it of another scale and kind is dwarfed to insignificance. The Sub-Treasury of the United States, for instance, looks like a foolish plaything beside its august neighbours. Where sky-sc.r.a.pers are there must be no commemorative statues, no monuments raised to merely human heroes.

The effigy of Washington in Wall Street has no more dignity than a tin soldier. And as the skysc.r.a.per makes houses of a common size ridiculous, so it loses its splendour when it stands alone. Nothing can surpa.s.s in ugliness the twenty storeys of thin horror that is called the Flat-iron; and it is ugly because it is isolated in Madison Square, a place of reasonable dimensions. It is continuity which imparts a dignity to these mammoths. The vast ma.s.ses which frown upon Wall Street and Broadway are austere, like the Pyramids. They seem the works of giants, not of men.

They might be a vast phenomenon of nature, which was before the flood, and which has survived the shocks of earthquake and the pa.s.sage of the years. And when their summits are lit by the declining sun, when their white walls look like marble in the glow of the reddening sky, they present such a spectacle as many a strenuous American crosses the ocean to see in Switzerland, and crosses it in vain.

New York, in truth, is a city of many beauties, and with a reckless prodigality she has done her best to obscure them all. Driven by a vain love of swift traffic, she a.s.sails your ear with an incessant din and your eye with the unsightliest railroad that human ingenuity has ever contrived. She has sacrificed the amenity of her streets and the dignity of her buildings to the false G.o.d of Speed. Why men worship Speed, a demon who lies in wait to destroy them, it is impossible to understand.

It would be as wise and as profitable to worship Sloth. However, the men of New York, as they tell you with an insistent and ingenuous pride, are "hustlers." They must ever be moving, and moving fast. The "hustling,"

probably, leads to little enough. Haste and industry are not synonymous.

To run up and down is but a form of busy idleness. The captains of industry who do the work of the world sit still, surrounded by bells and telephones. Such heroes as J. Pierpont Morgan and John D. Rockefeller are never surprised on train or trolley. They show themselves furtively behind vast expanses of plate-gla.s.s, and move only to eat or sleep.

It is the common citizen of New York who is never quiet. He finds it irksome to stay long in the same place. Though his house may be comfortable, even luxurious, he is in a fever to leave it. And so it comes about that what he is wont to call "transportation" seems the most important thing in his life. We give the word another signification.

To New York it means the many methods of conveying pa.s.sengers from one point to another. And the methods, various as they are, keep pace with the desires of the restless citizen, who may travel at what pace and alt.i.tude he desires. He may burrow, like a rabbit, beneath the ground.

If he be more happily normal in his tastes he may ride in a surface car.

Or he may fly, like a bird through the air, on an overhead railway.

The constant rattle of cars and railways is indescribable. The overhead lines pa.s.s close to the first-floor windows, bringing darkness and noise wherever they are laid. There are offices in which a stranger can neither hear nor be heard, and yet you are told that to the accustomed ear of the native all is silent and reposeful. And I can easily believe that a sudden cessation of din would bring an instant madness. Nor must another and an indirect result of the trains and trams which encircle New York be forgotten. The roads are so seldom used that they are permitted to fall into a ruinous decay. Their surface is broken into ruts and yawns in chasms. To drive "down-town" in a carriage is to suffer a sensation akin to sea-sickness; and having once suffered, you can understand that it is something else than the democratic love of travelling in common that persuades the people of New York to clamber on the overhead railway, or to take its chance in a tram-car.

Movement, then, noisy and incessant, is the pa.s.sion of New York. Perhaps it is the brisk air which drives men to this useless activity. Perhaps it is no better than an ingrained and superst.i.tious habit. But the drowsiest foreigner is soon caught up in the whirl. He needs neither rest nor sleep. He, too, must be chasing something which always eludes him. He, too, finds himself leaving a quiet corner where he would like to stay, that he may reach some place which he has no desire to see.

Even though he mount to the tenth or the twentieth story, the throb of the restless city reaches him. Wall Street is "hustling" made concrete.

The Bowery is crowded with a cosmopolitan horde which is never still.

Brooklyn Bridge and Brooklyn Ferry might be the cross-roads of the world. There a vast mob is pa.s.sing hither and thither, on foot, on boats, on railroads. What are they doing, whither are they going, these scurrying men and women? Have they no business to pursue, no office-stool to sit upon, no typewriting machines to jostle? And when you are weary of transportation, go into the hall of a big hotel and you will find the same ceaseless motion. On all sides you will hear the click, click of telephone and telegram. On all sides you will see eager citizens scanning the tape, which brings them messages of ruin or success. Nowhere, save in a secluded bar or a stately club, will you find a single man content to be alive and to squander the leisure that G.o.d has given him.

And with all her undying haste New York is not content. She must still find other means of saving time. And to save time she has strained all the resources of civilisation. In that rather dismal thing called "material progress" she is easily ahead of the world. Never was the apparatus of life so skilfully turned and handled as in New York.

There are no two fixed points which are not easily connected by iron lines. There seems no reason why a citizen of New York should ever walk.

If stairs exist, he need not use them, for an express lift, warranted not to stop before the fifteenth floor, will carry him in a few seconds to the top of the highest building. If he open a cupboard door, the mere opening of it lights an electric lamp, and he need not grope after a coat by the dim light of a guttering candle. At his bed-head stands a telephone, and, if he will, he may speak to a friend a thousand miles away without moving from his pillow. But time is saved--of that there is no doubt. The only doubt is, whether it be worth saving. When New York has saved her time, what does she do with it? She merely squanders it in riotous movement and reckless "transportation." Thus she lives in a vicious circle--saving time that she may spend it, and spending it that again she may save it. Nor can this material progress be achieved without a loss of what the Old World prizes most highly. To win all the benefits which civilisation affords, you must lose peace and you must sacrifice privacy. The many appliances which save our useless time may be enjoyed only by crowds. The citizens of New York travel, live, and talk in public. They have made their choice, and are proud of it Englishmen are still reckless enough to waste their time in pursuit of individualism, and I think they are wise. For my part, I would rather lose my time than save it, and the one open conveyance of New York which in pace and conduct suits my inclination is the Fifth Avenue Stage.

But New York is unique. It baffles the understanding and defies observation. In vain you search for a standard of comparison. France and England set out many centuries ago from the same point and with the same intention. America has nothing in common, either of purpose or method, with either of these countries. To a European it is the most foreign city on earth. Untidy but flamboyant, it is reckless of the laws by which life is lived elsewhere. It builds beautiful houses, it delights in white marble palaces, and it thinks it superfluous to level its roads. Eager for success, worshipping astuteness as devoutly as it worships speed, it is yet indifferent to the failure of others, and seems to hold human life in light esteem. In brief, it is a braggart city of medieval courage and medieval cruelty, combining the fierceness of an Italian republic with a perfect faith in mechanical contrivance and an ardent love of material progress.

Here, then, are all the elements of interest and curiosity. Happy are the citizens who watch from day to day the fight that never before has been fought on the same terms. And yet more strangely baffling than the city are the citizens. Who are they, and of what blood and character?

What, indeed, is a New Yorker? Is he Jew or Irish? Is he English or German? Is he Russian or Polish? He may be something of all these, and yet he is wholly none of them. Something has been added to him which he had not before. He is endowed with a briskness and an invention often alien to his blood. He is quicker in his movement, less trammelled in his judgment Though he may lose wisdom in sharpening his wit, the change he undergoes is unmistakable. New York, indeed, resembles a magic cauldron. Those who are cast into it are born again. For a generation some vague trace of accent or habit may remain. The old characteristics must needs hang about the newly-arrived immigrant. But in a generation these characteristics are softened or disappear, and there is produced a type which seems remote from all its origins. As yet the process of amalgamation is incomplete, and it is impossible to say in what this hubble-shubble of mixed races will result. Nor have we any clue of historical experience which we may follow. The Roman Empire included within its borders many lands and unnumbered nationalities, but the dominant race kept its blood pure. In New York and the other great cities of America the soil is the sole common factor. Though all the citizens of the great republic live upon that soil, they differ in blood and origin as much as the East of Europe differs from the West.

And it is a mystery yet un-pierced that, as the generations pa.s.s, they approach nearer and nearer to uniformity, both in type and character.

And by what traits do we recognise the citizen of New York? Of course there is no question here of the cultivated gentleman, who is familiar in Paris and London, and whose hospitality in his own land is an amiable reproach to our own too frequent thoughtlessness, but of the simpler cla.s.s which confronts the traveller in street and train, in hotel and restaurant. The railway guard, the waiter, the cab-driver--these are the men upon whose care the comfort of the stranger depends in every land, and whose tact and temper are no bad index of the national character. In New York, then, you are met everywhere by a sort of urbane familiarity.

The man who does you a service, for which you pay him, is neither civil nor uncivil. He contrives, in a way which is by no means unpleasant, to put himself on an equality with you. With a mild surprise you find yourself taking for granted what in your own land you would resent bitterly. Not even the curiosity of the n.i.g.g.e.r, who brushes your coat with a whisk, appears irksome. For the habit of years has enabled white man and black to a.s.sume a light and easy manner, which in an Englishman, born and trained to another tradition, would appear impertinence.

And familiarity is not the only trait which separates the plain man of New York from the plain man of London. The New Yorker looks upon the foreigner with the eye of patronage. To his superior intelligence the wandering stranger is a kind of natural, who should not be allowed to roam alone and at large. Before you have been long in the land you find yourself shepherded, and driven with an affability, not unmixed with contempt, into the right path. Again, you do not resent it, and yet are surprised at your own forbearance. A little thought, however, explains the a.s.sumed superiority. The citizen of New York has an ingenuous pride and pleasure in his own city and in his own prowess, which nothing can daunt. He is convinced, especially if he has never travelled beyond his own borders, that he engrosses the virtue and intelligence of the world The driver of a motor-car a.s.sured me, with a quiet cert.i.tude which brooked no contradiction, that England was cut up into sporting estates for the "lords," and that there the working man was doomed to an idle servility. "But," said he, "there is no room for b.u.ms here." This absolute disbelief in other countries, combined with a perfect confidence in their own, has persuaded the citizens of New York to look down with a cold and pitiful eye upon those who are so unfortunate as to be born under an effete monarchy. There is no bl.u.s.ter in their att.i.tude, no insistence. The conviction of superiority is far too great for that.

They belong to the greatest country upon earth; they alone enjoy the true blessings of freedom; they alone understand the dignity of labour and the spirit of in-dependence; and they have made up their minds kindly but firmly that you shall not forget it.

Thus you carry away from New York a memory of a lively air, gigantic buildings, incessant movement, sporadic elegance, and ingenuous patronage. And when you have separated your impressions, the most vivid and constant impression that remains is of a city where the means of life conquer life itself, whose citizens die hourly of the rage to live.

BOSTON.

America, the country of contrasts, can show none more sudden or striking than that between New York and Boston. In New York progress and convenience reach their zenith. A short journey carries you back into the England of the eighteenth century. The traveller, lately puzzled by overhead railways and awed by the immensity of sky-sc.r.a.pers, no sooner reaches Boston than he finds himself once more in a familiar environment. The wayward simplicity of the city has little in common with the New World. Its streets are not mere hollow tubes, through which financiers may be hastily precipitated to their quest for gold. They wind and twist like the streets in the country towns of England and France. To the old architects of Boston, indeed, a street was something more than a thoroughfare. The houses which flanked it took their places by whim or hazard, and were not compelled to follow a hard immovable line. And so they possess all the beauty which is born of accident and surprise. You turn a corner, and know not what will confront you; you dive down a side street, and are uncertain into what century you will be thrust. Here is the old wooden house, which recalls the first settlers; there the fair red-brick of a later period. And everywhere is the diversity which comes of growth, and which proves that time is a better contriver of effects than the most skilful architect.

The constant mark of Boston is a demure gaiety. An air of quiet festivity encompa.s.ses the streets. The houses are elegant, but sternly ordered. If they belong to the colonial style, they are exquisitely symmetrical. There is no pilaster without its fellow; no window that is not nicely balanced by another of self-same shape and size. The architects, who learned their craft from the designs of Inigo Jones and Christopher Wren, had no ambition to express their own fancy. They were loyally obedient to the tradition of the masters, and the houses which they planned, plain in their neatness, are neither pretentious nor inappropriate. Nowhere in Boston will you find the extravagant ingenuity which makes New York ridiculous; nowhere will you be disturbed by an absurd mimicry of exotic styles; nowhere are you asked to wonder at mountainous blocks of stone. Boston is not a city of giants, but of men who love their comfort, and who, in spite of Puritan ancestry, do not disdain to live in beautiful surroundings. In other words, the millionaire has not laid his iron hand upon New England, and, until he come, Boston may still boast of its elegance.

The pride of Boston is Beacon Street, surely one among the most majestic streets in the world. It recalls Piccadilly and the frontage of the Green Park. Its broad s.p.a.ces and the shade of its dividing trees are of the natural beauty which time alone can confer, and its houses are worthy its setting. I lunched at the Somerset Club, in a white-panelled room, and it needed clams and soft-sh.e.l.l crabs to convince me that I was in a new land, and not in an English country-house. All was of another time and of a familiar place--the service, the furniture, the aspect.

And was it possible to regard our sympathetic hosts as strange in blood or speech?

The Mall, in Beacon Street, if it is the pride, is also the distinguishing mark of Boston. For Boston is a city of parks and trees.

The famous Common, as those might remember who believe that America sprang into being in a night, has been sacred for nearly three hundred years. Since 1640 it has been the centre of Boston. It has witnessed the tragedies and comedies of an eventful history. "There," wrote an English traveller as early as 1675, "the gallants walk with their marmalet-madams, as we do in Moorfields."

There malefactors were hanged; there the witches suffered in the time of their persecution; and it is impossible to forget, as you walk its ample s.p.a.ces, the many old a.s.sociations which it brings with it from the past.

For it is to the past that Boston belongs. No city is more keenly conscious of its origin. The flood of foreign immigration has not engulfed it. Its memories, like its names, are still of England, New and Old. The spirit of America, eagerly looking forward, cruelly acquisitive, does not seem to fulfil it The sentiment of its beginning has outlasted even the sentiment of a poignant agitation. It resembles an old man thinking of what was, and turning over with careful hand the relics of days gone by. If in one aspect Boston is a centre of commerce and enterprise, in another it is a patient worshipper of tradition, It regards the few old buildings which have survived the shocks of time with a respect which an Englishman can easily understand, but which may appear extravagant to the modern American. The Old South Meeting-House, to give a single instance, is an object of simple-hearted veneration to the people of Boston, and the veneration is easily intelligible. For there is scarcely an episode in Boston's history that is not connected, in the popular imagination, with the Old South Meeting-House. It stands on the site of John Winthrop's garden; it is rich in memories of Cotton and Increase Mather. Within its ancient walls was Benjamin Franklin christened, and the building which stands to-day comes down to us from 1730, and was designed in obedient imitation of English masters. There, too, were enacted many scenes in the drama of revolution; there it was that the famous tea-party was proposed; and thence it was that the Mohawks, drunk with the rhetoric of liberty, found their way to the harbour, that they might see how tea mixed with salt-water. If the sentiment be sometimes exaggerated, the purpose is admirable, and it is a pleasant reflection that, in a country of quick changes and historical indifference, at least one building will be preserved for the admiration of coming generations.

It is for such reasons as these that an Englishman feels at home in Boston. He is secure in the same past; he shares the same memories, even though he give them a different interpretation. Between the New and Old England there are more points of similarity than of difference. In each are the same green meadows, the same ample streams, the same wide vistas. The names of the towns and villages in the new country were borrowed from the old some centuries ago; everywhere friendly a.s.sociations are evoked; everywhere are signs of a familiar and kindly origin. When Winthrop, the earliest of the settlers, wrote to his wife, "We are here in a paradise," he spoke with an enthusiasm which is easily intelligible. And as the little colony grew, it lived its life in accord with the habit and sentiment of the mother-country. In architecture and costume it followed the example set in Bristol or in London. Between these ports and Boston was a frequent interchange of news and commodities. An American in England was no stranger. He was visiting, with sympathy and understanding, the home of his fathers. The most distinguished Bostonians of the late eighteenth century live upon the canvases of Copley, who, in his son, gave to England a distinguished Chancellor, and whose career is the best proof of the good relations which bound England to her colony. Now Copley arrived in England in 1774, when his native Boston was aroused to the height of her sentimental fury, and he was received with acclamation. He painted the portraits of Lord North and his wife, who, one imagines, were not regarded in Boston with especial favour. The King and Queen gave him sittings, and neither political animosity nor professional rivalry stood in the way of his advancement. His temper and character were well adapted to his career. Before he left New England he had shown himself a Court painter in a democratic city. He loved the trappings of life, and he loved to put his sitters in a splendid environment. His own magnificence had already astonished the grave Boston-ians; he is described, while still a youth, as "dressed in a fine maroon cloth, with gilt b.u.t.tons"; and he set the seal of his own taste upon the portraiture of his friends.

I have said that Boston loves relics. The relics which it loves best are the relics of England's discomfiture. The stately portraits of Copley are of small account compared to the memorials of what was nothing else than a civil war. Faneuil Hall, the Covent Garden of Boston, presented to the city by Peter Faneuil some thirty years before the birth of "Liberty," is now but an emblem of revolt. The Old South Meeting-Place is endeared to the citizens of Boston as "the sanctuary of freedom." A vast monument, erected a mere quarter of a century ago, commemorates the "Boston Ma.s.sacre." And wherever you turn you are reminded of an episode which might easily be forgotten. To an Englishman these historical landmarks are inoffensive. The dispute which they recall aroused far less emotion on our side the ocean than on the other, and long ago we saw the events of the Revolution in a fair perspective. In truth, this insistence on the past is not wholly creditable to Boston's sense of humour. The pa.s.sionate paeans which Otis and his friends sang to Liberty were irrelevant. Liberty was never for a moment in danger, if Liberty, indeed, be a thing of fact and not of watchwords. The leaders of the Revolution wrote and spoke as though it was their duty to throw off the yoke of the foreigner,--a yoke as heavy as that which Catholic Spain cast upon Protestant Holland.

But there was no yoke to be thrown off, because no yoke was ever imposed, and Boston might have celebrated greater events in her history than that which an American statesman has wisely called "the glittering and sounding generalities of natural right."

However, if you would forget the follies of politicians, you have but to cross the bridge and drive to Cambridge, which, like the other Cambridge of England, is the seat of a distinguished university. You are doubly rewarded, for not merely is Cambridge a perfect specimen of a colonial village, but in Harvard there breathes the true spirit of humane letters. Nor is the college a creation of yesterday. It is not far short of three centuries ago that John Harvard, once of Emmanuel College in England, endowed the university which bears his honoured name. The bequest was a poor 780, with 260 books, but it was sufficient to ensure an amiable immortality, and to bestow a just cause of pride upon the mother-college. The daughter is worthy her august parentage. She has preserved the sentiment of her birth; she still worships the cla.s.sics with a constant heart; the fame of her scholars has travelled in the mouths of men from end to end of Europe. And Harvard has preserved all the outward tokens of a university. Her wide s.p.a.ces and lofty avenues are the fit abode of learning. Her college chapel and her college halls could serve no other purpose than that for which they are designed. The West, I believe, has built universities on another plan and to another purpose. But Harvard, like her great neighbour Boston, has been obedient to the voice of tradition, and her college, the oldest, remains also the greatest in America.

Culture has always been at once the boast and the reproach of Boston.

A serious ancestry and the neighbourhood of a university are enough to ensure a grave devotion to the things of the spirit, and Boston has never found the quest of gold sufficient for its needs. The Pilgrim Fathers, who first sought a refuge in New England, left their country in the cause of what they thought intellectual freedom, and their descendants have ever stood in need of the excitement which nothing save pietism or culture can impart. For many years pietism held sway in Boston. The persecution of the witches, conducted with a lofty eloquence by Cotton Mather, was but the expression of an imperious demand, and the conflict of warring sects, which for many years disturbed the peace of the city, satisfied a craving not yet allayed. Then, after a long interval, came Transcendentalism, a pleasant mixture of literature and moral guidance, and to-day Boston is as earnest as ever in pursuit of vague ideals and soothing doctrines.

But pietism has gradually yielded to the claim of culture. Though one of the largest buildings which frown upon the wayfarer in Boston is a temple raised to the honour of Christian Science and Mrs Eddy, literature is clearly the most fashionable anodyne. It is at once easier and less poignant than theology: while it imparts the same sense of superiority, it suggests the same emanc.i.p.ation from mere world-liness.

It is by lectures that Boston attempts to slake its intellectual thirst--lectures on everything and nothing. Science, literature, theology--all is put to the purpose. The enterprise of the Lowell Inst.i.tute is seconded by a thousand private ventures. The patient citizens are always ready to discuss Shakespeare, except when Tennyson is the subject of the last discourse, and zoology remains attractive until it be obscured by the newest sensation in chemistry. And the appet.i.te of Boston is unglutted and insatiable. Its folly is frankly recognised by the wise among its own citizens. Here, for instance, is the testimony of one whose sympathy with real learning is evident. "The lecture system," says he, "in its best estate an admirable educational instrument, has been subject to dreadful abuse. The unbounded appet.i.te of the New England communities for this form of intellectual nourishment has tempted vast hordes of charlatans and pretenders to try their fortune in this profitable field. 'The hungry sheep look up, and are not fed.' The pay of the lecturer has grown more exorbitant in proportion to the dilution of his mixture, until professional jokers have usurped the places once graced by philosophers and poets; and to-day the lyceums are served by a new species of broker, who ekes out the failing literary material with the better entertainment of music and play-acting."