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Alton Locke, Tailor and Poet Part 15

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The rich sombre light of the rooms, the rich heavy warmth of the stove-heated air, the brilliant and varied colouring and gilded frames which embroidered the walls, the hushed earnestness of a few artists, who were copying, and the few visitors who were lounging from picture to picture, struck me at once with mysterious awe. But my attention was in a moment concentrated on one figure opposite to me at the furthest end. I hurried straight towards it. When I had got half-way up the gallery I looked round for my cousin. He had turned aside to some picture of a Venus which caught my eye also, but which, I remember now, only raised in me then a shudder and a blush, and a fancy that the clergymen must be really as bad as my mother had taught me to believe, if they could allow in their galleries pictures of undressed women. I have learnt to view such things differently now, thank G.o.d. I have learnt that to the pure all things are pure. I have learnt the meaning of that great saying--the foundation of all art, as well as all modesty, all love, which tells us how "the man and his wife were both naked, and not ashamed." But this book is the history of my mental growth; and my mistakes as well as my discoveries are steps in that development, and may bear a lesson in them.

How I have rambled! But as that day was the turning-point of my whole short life, I may be excused for lingering upon every feature of it.

Timidly, but eagerly, I went up to the picture, and stood entranced before it. It was Guido's St. Sebastian. All the world knows the picture, and all the world knows, too, the defects of the master, though in this instance he seems to have risen above himself, by a sudden inspiration, into that true naturalness, which is the highest expression of the Spiritual. But the very defects of the picture, its exaggeration, its theatricality, were especially calculated to catch the eye of a boy awaking out of the narrow dulness of Puritanism. The breadth and vastness of light and shade upon those manly limbs, so grand and yet so delicate, standing out against the background of lurid night, the helplessness of the bound arms, the arrow quivering in the shrinking side, the upturned brow, the eyes in whose dark depths enthusiastic faith seemed conquering agony and shame, the parted lips, which seemed to ask, like those martyrs in the Revelations, reproachful, half-resigned, "O Lord, how long?"--Gazing at that picture since, I have understood how the idolatry of painted saints could arise in the minds even of the most educated, who were not disciplined by that stern regard for fact which is--or ought to be--the strength of Englishmen. I have understood the heart of that Italian girl, whom some such picture of St. Sebastian, perhaps this very one, excited, as the Venus of Praxiteles the Grecian boy, to hopeless love, madness, and death. Then I had never heard of St. Sebastian. I did not dream of any connexion between that, or indeed any picture, and Christianity; and yet, as I stood before it, I seemed to be face to face with the ghosts of my old Puritan forefathers, to see the spirit which supported them on pillories and scaffolds--the spirit of that true St. Margaret, the Scottish maiden whom Claverhouse and his soldiers chained to a post on the sea-sands to die by inches in the rising tide, till the sound of her hymns was slowly drowned in the dash of the hungry leaping waves. My heart swelled within me, my eyes seemed bursting from my head with the intensity of my gaze, and great tears, I knew not why, rolled slowly down my face.

A woman's voice close to me, gentle yet of deeper tone than most, woke me from my trance.

"You seem to be deeply interested in that picture?"

I looked round, yet not at the speaker. My eyes before they could meet hers, were caught by an apparition the most beautiful I had ever yet beheld. And what--what--have I seen equal to her since? Strange, that I should love to talk of her. Strange, that I fret at myself now because I cannot set down on paper line by line, and hue by hue, that wonderful loveliness of which--. But no matter. Had I but such an imagination as Petrarch, or rather, perhaps, had I his deliberate cold self-consciousness, what volumes of similes and conceits I might pour out, connecting that peerless face and figure with all lovely things which heaven and earth contain. As it is, because I cannot say all, I will say nothing, but repeat to the end again and again, Beautiful, beautiful, beautiful, beyond all statue, picture, or poet's dream. Seventeen--slight but rounded, a masque and features delicate and regular, as if fresh from the chisel of Praxiteles--I must try to describe after all, you see--a skin of alabaster (privet-flowers, Horace and Ariosto would have said, more true to Nature), stained with the faintest flush; auburn hair, with that peculiar crisped wave seen in the old Italian pictures, and the warm, dark hazel eyes which so often accompany it; lips like a thread of vermillion, somewhat too thin, perhaps--but I thought little of that then; with such perfect finish and grace in every line and hue of her features and her dress, down to the little fingers and nails, which showed through her thin gloves, that she seemed to my fancy fresh from the innermost chamber of some enchanted palace, "where no air of heaven could visit her cheek too roughly." I dropped my eyes quite dazzled. The question was repeated by a lady who stood with her, whose face I remarked then--as I did to the last, alas!--too little; dazzled at the first by outward beauty, perhaps because so utterly unaccustomed to it.

"It is indeed a wonderful picture," I said, timidly. "May I ask what is the subject of it?"

"Oh! don't you know?" said the young beauty, with a smile that thrilled through me. "It is St. Sebastian."

"I--I am very much ashamed," I answered, colouring up, "but I do not know who St. Sebastian was. Was he a Popish saint?"

A tall, stately old man, who stood with the two ladies, laughed kindly.

"No, not till they made him one against his will; and at the same time, by putting him into the mill which grinds old folks young again, converted him from a grizzled old Roman tribune into the young Apollo of Popery."

"You will puzzle your hearer, my dear uncle," said the same deep-toned woman's voice which had first spoken to me. "As you volunteered the saint's name, Lillian, you shall also tell his history."

Simply and shortly, with just feeling enough to send through me a fresh thrill of delighted interest, without trenching the least on the most stately reserve, she told me the well known history of the saint's martyrdom.

If I seem minute in my description, let those who read my story remember that such courteous dignity, however natural, I am bound to believe, it is to them, was to me an utterly new excellence in human nature. All my mother's Spartan n.o.bleness of manner seemed unexpectedly combined with all my little sister's careless ease.

"What a beautiful poem the story would make!" said I, as soon as I recovered my thoughts.

"Well spoken, young man," answered the old gentleman. "Let us hope that your seeing a subject for a good poem will be the first step towards your writing one."

As he spoke, he bent on me two clear grey eyes, full of kindliness, mingled with practised discernment. I saw that he was evidently a clergyman; but what his tight silk stockings and peculiar hat denoted I did not know.

There was about him the air of a man accustomed equally to thought, to men, and to power. And I remarked somewhat maliciously, that my cousin, who had strutted up towards us on seeing me talking to two ladies, the instant he caught sight of those black silk stockings and that strange hat, fell suddenly in countenance, and sidling off somewhat meekly into the background, became absorbed in the examination of a Holy Family.

I answered something humbly, I forget what, which led to a conversation.

They questioned me as to my name, my mother, my business, my studies; while I revelled in the delight of stolen glances at my new-found Venus Victrix, who was as forward as any of them in her questions and her interest.

Perhaps she enjoyed, at least she could not help seeing, the admiration for herself which I took no pains to conceal. At last the old man cut the conversation short by a quiet "Good morning, sir," which astonished me. I had never heard words whose tone was so courteous and yet so chillingly peremptory. As they turned away, he repeated to himself once or twice, as if to fix them in his mind, my name and my master's, and awoke in me, perhaps too thoughtlessly, a tumult of vain hopes. Once and again the beauty and her companion looked back towards me, and seemed talking of me, and my face was burning scarlet, when my cousin swung up in his hard, off-hand way.

"By Jove, Alton, my boy! you're a knowing fellow. I congratulate you! At your years, indeed! to rise a dean and two beauties at the first throw, and hook them fast!"

"A dean!" I said, in some trepidation.

"Ay, a live dean--didn't you see the cloven foot sticking out from under his shoe-buckle? What news for your mother! What will the ghosts of your grandfathers to the seventh generation say to this, Alton? Colloquing in Pagan picture galleries with shovel-hatted Philistines! And that's not the worst, Alton," he ran on. "Those daughters of Moab--those daughters of Moab--."

"Hold your tongue," I said, almost crying with vexation.

"Look there, if you want to save your good temper. There, she is looking back again--not at poor me, though. What a lovely girl she is!--and a real lady--_l'air n.o.ble_--the real genuine grit, as Sam Slick says, and no mistake. By Jove, what a face! what hands! what feet! what a figure--in spite of crinolines and all abominations! And didn't she know it? And didn't she know that you knew it too?" And he ran on descanting coa.r.s.ely on beauties which I dared not even have profaned by naming, in a way that made me, I knew not why, mad with jealousy and indignation. She seemed mine alone in all the world. What right had any other human being, above all, he, to dare to mention her? I turned again to my St. Sebastian. That movement only brought on me a fresh volley of banter.

"Oh, that's the dodge, is it, to catch intellectual fine ladies?--to fall into an ecstatic att.i.tude before a picture--But then we must have Alton's genius, you know, to find out which the fine pictures are. I must read up that subject, by-the-by. It might be a paying one among the dons. For the present, here goes in for an att.i.tude. Will this do, Alton?" And he arranged himself admiringly before the picture in an att.i.tude so absurd and yet so graceful, that I did not know whether to laugh at him or hate him.

"At all events," he added, dryly, "it will be as good as playing the Evangelical at Carus's tea-parties, or taking the sacrament regularly for fear one's testimonials should be refused." And then he looked at me, and through me, in his intense, confident way, to see that his hasty words had not injured him with me. He used to meet one's eye as boldly as any man I ever saw; but it was not the simple gaze of honesty and innocence, but an imperious, searching look, as if defying scrutiny. His was a true mesmeric eye, if ever there was one. No wonder it worked the miracles it did.

"Come along," he said, suddenly seizing my arm. "Don't you see they're leaving? Out of the gallery after them, and get a good look at the carriage and the arms upon it. I saw one standing there as we came in. It may pay us--you, that is--to know it again."

We went out, I holding him back, I knew not why, and arrived at the outer gate just in time to see them enter the carriage and drive off. I gazed to the last, but did not stir.

"Good boy," he said, "knowing still. If you had bowed, or showed the least sign of recognition, you would have broken the spell."

But I hardly heard what he said, and stood gazing stupidly after the carriage as it disappeared. I did not know then what had happened to me. I know now, alas! too well.

CHAPTER VII.

FIRST LOVE.

Truly I said, I did not know what had happened to me. I did not attempt to a.n.a.lyse the intense, overpowering instinct which from that moment made the lovely vision I had seen the lodestar of all my thoughts. Even now, I can see nothing in those feelings of mine but simple admiration--idolatry, if you will--of physical beauty. Doubtless there was more--doubtless--I had seen pretty faces before, and knew that they were pretty, but they had pa.s.sed from my retina, like the prints of beauties which I saw in the shop windows, without exciting a thought--even a conscious emotion of complacency. But this face did not pa.s.s away. Day and night I saw it, just as I had seen it in the gallery. The same playful smile--the same glance alternately turned to me, and the glowing picture above her head--and that was all I saw or felt. No child ever nestled upon its mother's shoulder with feelings more celestially pure, than those with which I counted over day and night each separate lineament of that exceeding loveliness.

Romantic? extravagant? Yes; if the world be right in calling a pa.s.sion romantic just in proportion as it is not merely hopeless, but pure and unselfish, drawing its delicious power from no hope or faintest desire of enjoyment, but merely from simple delight in its object--then my pa.s.sion was most romantic. I never thought of disparity in rank. Why should I? That could not blind the eyes of my imagination. She was beautiful, and that was all, and all in all to me; and had our stations been exchanged, and more than exchanged; had I been King Cophetua, or she the beggar-maid, I should have gloried in her just as much.

Beloved sleepless hours, which I spent in picturing that scene to myself, with all the brilliance of fresh recollection! Beloved hours! how soon you pa.s.s away! Soon--soon my imagination began to fade; the traces of her features on my mind's eye became confused and dim; and then came over me the fierce desire to see her again, that I might renew the freshness of that charming image. Thereon grew up an agony of longing--an agony of weeks, and months, and years. Where could I find that face again? was my ruling thought from morning till eve. I knew that it was hopeless to look for her at the gallery where I had first seen her. My only hope was, that at some place of public resort at the West End I might catch, if but for a moment, an inspiring glance of that radiant countenance. I lingered round the Burton Arch and Hyde Park Gate--but in vain. I peered into every carriage, every bonnet that pa.s.sed me in the thoroughfares--in vain. I stood patiently at the doors of exhibitions and concerts, and playhouses, to be shoved back by policemen, and insulted by footmen--but in vain. Then I tried the fashionable churches, one by one; and sat in the free seats, to listen to prayers and sermons, not a word of which, alas! I cared to understand, with my eyes searching carefully every pew and gallery, face by face; always fancying, in self-torturing waywardness, that she might be just in the part of the gallery which I could not see. Oh! miserable days of hope deferred, making the heart sick! Miserable gnawing of disappointment with which I returned at nightfall, to force myself down to my books! Equally miserable rack of hope on which my nerves were stretched every morning when I rose, counting the hours till my day's work should be over, and my mad search begin again! At last "my torment did by length of time become my element." I returned steadily as ever to the studies which I had at first neglected, much to Mackaye's wonder and disgust; and a vain hunt after that face became a part of my daily task, to be got through with the same dull, sullen effort, with which all I did was now transacted.

Mackaye, I suppose, at first, attributed my absences and idleness to my having got into bad company. But it was some weeks before he gently enough told me his suspicions, and they were answered by a burst of tears, and a pa.s.sionate denial, which set them at rest forever. But I had not courage to tell him what was the matter with me. A sacred modesty, as well as a sense of the impossibility of explaining my emotions, held me back. I had a half-dread, too, to confess the whole truth, of his ridiculing a fancy, to say the least, so utterly impracticable; and my only confidant was a picture in the National Gallery, in one of the faces of which I had discovered some likeness to my Venus; and there I used to go and stand at spare half hours, and feel the happier for staring and staring, and whispering to the dead canvas the extravagances of my idolatry.

But soon the bitter draught of disappointment began to breed harsher thoughts in me. Those fine gentlemen who rode past me in the park, who rolled by in carriages, sitting face to face with ladies, as richly dressed, if not as beautiful, as she was--they could see her when they liked--why not I? What right had their eyes to a feast denied to mine?

They, too, who did not appreciate, adore that beauty as I did--for who could worship her like me? At least they had not suffered for her as I had done; they had not stood in rain and frost, fatigue, and blank despair--watching--watching--month after month; and I was making coats for them! The very garment I was st.i.tching at, might, in a day's time, be in her presence--touching her dress; and its wearer bowing, and smiling, and whispering--he had not bought that bliss by watching in the ram. It made me mad to think of it.

I will say no more about it. That is a period of my life on which I cannot even now look back without a shudder.

At last, after perhaps a year or more, I summoned up courage to tell my story to Sandy Mackaye, and burst out with complaints more pardonable, perhaps, than reasonable.

"Why have I not as good a right to speak to her, to move in the same society in which she moves, as any of the fops of the day? Is it because these aristocrats are more intellectual than I? I should not fear to measure brains against most of them now; and give me the opportunities which they have, and I would die if I did not outstrip them. Why have I not those opportunities? Is that fault of others to be visited on me? Is it because they are more refined than I? What right have they, if this said refinement be so necessary a qualification, a difference so deep--that, without it, there is to be an everlasting gulf between man and man--what right have they to refuse to let me share in it, to give me the opportunity of acquiring it?"

"Wad ye ha' them set up a dancing academy for working men, wi' 'manners tocht here to the lower cla.s.ses'? They'll no break up their ain monopoly; trust them for it! Na: if ye want to get amang them, I'll tell ye the way o't. Write a book o' poems, and ca' it 'A Voice fra' the Goose, by a working Tailor'--and then--why, after a dizen years or so of starving and scribbling for your bread, ye'll ha' a chance o' finding yoursel' a lion, and a flunkey, and a licker o' trenchers--ane that jokes for his dinner, and sells his soul for a fine leddy's smile--till ye presume to think they're in earnest, and fancy yoursel' a man o' the same blude as they, and fa' in love wi' one o' them--and then they'll teach you your level, and send ye off to gauge whusky like Burns, or leave ye' to die in a ditch as they did wi' puir Thom."

"Let me die, anywhere or anyhow, if I can but be near her--see her--"

"Married to anither body?--and nursing anither body's bairns. Ah boy, boy--do ye think that was what ye were made for; to please yersel wi' a woman's smiles, or e'en a woman's kisses--or to please yersel at all? How do ye expect ever to be happy, or strong, or a man at a', as long as ye go on looking to enjoy yersel--yersel? I ha' tried it. Mony was the year I looked for nought but my ain pleasure, and got it too, when it was a'

"Sandy Mackaye, bonny Sandy Mackaye, There he sits singing the lang simmer's day; La.s.sies gae to him, And kiss him, and woo him-- Na bird is sa merry as Sandy Mackaye.

"An' muckle good cam' o't. Ye may fancy I'm talking like a sour, disappointed auld carle. But I tell ye nay. I've got that's worth living for, though I am downhearted at times, and fancy a's wrong, and there's na hope for us on earth, we be a' sic liars--a' liars, I think: 'a universal liars--rock substrawtum,' as Mr. Carlyle says. I'm a great liar often mysel, especially when I'm praying. Do ye think I'd live on here in this meeserable crankit auld bane-barrel o' a body, if it was not for The Cause, and for the puir young fellows that come in to me whiles to get some book-learning about the gran' auld Roman times, when folks didna care for themselves, but for the nation, and a man counted wife and bairns and money as dross and dung, in comparison wi' the great Roman city, that was the mither o' them a', and wad last on, free and glorious, after they and their bairns were a' dead thegither? Hoot, man! If I had na The Cause to care for and to work for, whether I ever see it triumphant on earth or no--I'd just tak' the cauld-water-cure off Waterloo-bridge, and mak' mysel a case for the Humane Society."

"And what is The Cause?" I asked.

"Wud I tell ye? We want no ready-made freens o' The Cause. I dinna hauld wi' thae French indoctrinating pedants, that took to stick free opinions into a man as ye'd stick pins into a pincushion, to fa' out again the first shake. Na--The Cause must find a man, and tak' hauld o' him, w.i.l.l.y-nilly, and grow up in him like an inspiration, till he can see nocht but in the light o't. Puir bairn!" he went on, looking with a half-sad, half-comic face at me--"puir bairn--like a young bear, wi' a' your sorrows before ye!

This time seven years ye'll ha' no need to come speering and questioning what The Cause is, and the Gran' Cause, and the Only Cause worth working for on the earth o' G.o.d. And noo gang your gate, and mak' fine feathers for foul birds. I'm gaun whar ye'll be ganging too, before lang."

As I went sadly out of the shop, he called me back.

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Alton Locke, Tailor and Poet Part 15 summary

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