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"Don't go back . . . not to that life again. How can you? Shut up in a sort of convent. . . . You can't be a school-marm all your life; you were meant for other things. . . . I suppose you have to sleep on a hard bed, and get up in the dark when a bell rings. There aren't any carpets, and they don't give you enough to eat, as likely as not.
Margaret, why should you? It's the sort of work anyone can do-teaching kids to mangle."
"But . . . what do you think I am going to do with the remainder of my days--crochet? embroider slippers for the curate? Trevor, you wouldn't like me to come to that in my old age, would you?" She spoke with gentle banter, as if to fend off something she feared. Had Torps known it, she was fencing for the happiness of them both.
He shook his head gravely.
"I hoped--because you had written to me--that you weren't going back. . . ." His thin, strong hand closed over hers, resting on the turf between them. He bent his head as if considering their fingers.
"Margaret, dear----"
"Ah, Trevor, don't--please don't. . . . Not again. I thought all that was dead and buried years ago. And do you really think"--she smiled a little sadly--"if I--if things were different--that I should have written to ask you to meet me to-day? Have you learned so little of women in all these years?" There was something besides sadness in her eyes now: a wistful, half-maternal tenderness. He raised his head.
"I've learned nothing about women, Margaret, but what I learned from you."
She gently withdrew her hand. "Trevor, we're not children any longer.
We're older and wiser. We----"
"We're older--yes. But I don't see what that has to do with it, except that my need is greater. . . . I'm a little lonelier. There's never been anyone but you. I've never looked across the road at a woman in my life--except you. I know we're not children, and for that reason we ought to know our own minds. Do you know yours, Margaret?"
Margaret bowed her head, collecting her thoughts and setting them in order, before she answered:
"It isn't easy to say what I have to say. You must be patient--generous, as you can be, Trevor, of all the men I know." She hesitated and coloured again a little. "You say you want me. If there were no one else who I thought had a greater claim, you should--no, hush! listen, dear--I would give you--what you want . . . gladly--oh, gladly! But the children need me--my influence. . . . Miss Dacre said it is doing the highest service one could for the Empire . . . theirs is the higher claim. Can you understand? Oh, can you?"
Torps made no reply, staring out to sea with sombre eyes.
Gaining confidence with his silence, she continued the shy unfolding of her ideals. "Nothing is too good for boys; no training is high enough, because they are to be the builders and upholders of our Empire. Don't you think that little girls, who are destined some day to be the mates of these boys, should be prepared in a way that will make them worthy of their share of the inheritance? They have to be taught ideals of honour and courage and intelligent patriotism, so that they can help and encourage their men in years to come. They must learn to cook and sew, learn the laws of Nature and hygiene, so that they can make the home not 'an habitation enforced'--as it is for so many women--but a place where they may with all honour bring into the world other little girls and boys. . . ." She drew her breath quickly. "Ah, that is not a thing anyone can do, teaching all that! It must be someone who gives all--and who gives herself gladly . . . as I have."
Torps turned his head as if to speak, but checked himself.
"Don't think I am setting myself upon a pedestal. Don't think my heart is too anaemic to--to care for you, and that I am trying to shelter myself behind talk of a life's mission. Oh!" she cried, "be generous.
Don't try to make it harder."
She leaned towards him a little as he sat with lowered eyes. "This is a time of grave anxiety, isn't it?" she continued gently, as if explaining something to an impatient child. "You naval men ought to know. There is talk of war everywhere--of war with Germany. They say we are on the brink of it to-day." Torps nodded. "Supposing it came now . . . and you were recalled. How do they recall you? Sound a bugle--beat a drum?"
Torps smiled faintly. "Something of the sort--no, not a drum; a bugle, perhaps."
"Well, we'll suppose it is a drum. One somehow a.s.sociates it with war and alarms. Would you hesitate to obey?" Torps refrained from the obvious answer and plucked a gra.s.s-stem to put between his teeth. "You would obey, wouldn't you, because it is your duty--however much you'd like to sit here with me? Will you try to realise that I shall be only answering the drum, too, when--I go back."
The breeze that strayed about the floor of the Channel fanned their faces and set the bright sea-poppies nodding all along the edge of the cliffs. The sun was low in the west, and a snake-like flotilla of destroyers crept out across the quiet sea from the harbour hidden by a fold in the hills. Torps watched them with absent eyes, and there was a long silence. The wind had loosened a strand of his companion's hair, and she was busy replacing it with deft fingers.
"Margaret," he replied at last, "you said just now that I understood very little about women. I think you are right. Perhaps if I understood more I might know how to m.u.f.fle the drum so that you wouldn't hear it. I might have learned to pipe a tune that would make you not want to hear it. . . . I don't know. . . . But I accept all you say--although deep down in my heart I know you are wrong. There will come a day when you, too, will know you are wrong. I shall come back then. And till then, since I must"--he smiled in a whimsical, sad way that somehow relaxed the tension--"I lend you to the children."
She returned his smile quite naturally, with relief in her eyes. "Dear Trevor, yes . . . because they need me so. . . . Believe me, I am not wrong: and we keep our friendship still, sweet and sane----" She broke off suddenly and raised a slim forefinger, holding her head sideways to listen, the way women and birds and children seem to hear better.
"Hark! Did you hear? How odd! Listen, Trevor!"
Torps brought himself back with an effort. "Hear what?"
"Listen!"
He listened.
"I can hear the waves along the shingle."
"No, no. . . . There--now!"
"Oh! . . . Yes, I can hear. . . . It sounds like a drum."
"Trevor, it _is_ a drum, somewhere out at sea! How odd when we were just talking about drums--hush! Oh, do listen. . . ."
The sound, borne to them on the light wind, seemed to grow nearer; then it waned till they could scarcely catch the beats. Anon it swelled louder: the unmistakable "Dub! dub! rub-a-dub! dub! . . . Dub! dub!
dub!" of a far-off drum.
Margaret shook his sleeve. "Of course it's a drum. It can't be anything else, can it?"
"It's Drake's Drum!" he replied, with mock solemnity. "There's a legend in the West Country, you know----"
"I know!" She nodded, bright eyed with interest, and rose to a kneeling position to gaze beneath her palms out towards the west. The sun had set, and a thin grey haze slowly veiled the horizon. Already the warm afterglow was dying out of the sky.
"He has 'quit the Port of Heaven,'" she quoted half-seriously, playing with superst.i.tion as only women can, "and he's 'drumming up the Channel'! They say it foretells war . . . that noise. . . ." Margaret gave a little shiver and rose to her graceful height, extending both her ringless hands to him. "It's getting chilly--come!"
Torps rose to his feet, too, and for a moment faced her, with his grave, patient eyes on hers. For the first time she noticed that his hair was going grey about the temples, and, had he known it, Margaret came very near to wavering in that moment. Perhaps he did realise, and with quick, characteristic generosity helped her.
"I think I understand," he said, "something of their need--the need of the children for such as you. It--it----" He turned abruptly towards the sea. The noise that resembled a distant drum had ceased, and there was only the faint surge of the waves on the beaches far below.
It was the only sound in all the land and sea.
In the whitewashed coastguard station a mile away the bearded occupant on duty was finishing his tea. The skeleton of a herring lay on the side of his plate, the centre of which the boatman was scouring with a piece of bread (preparatory to occupying it with damson jam), when the telephone bell rang. A man of economical habits, he put the bread in his mouth, and, rising from the table, picked up the receiver.
"_. . . Portree Signal Station--Yes._"
"_. . . 'Oo? Yes._"
He stood motionless with the receiver to his ear, his jaws moving mechanically about the last of the piece of bread. Outside the little room the wind thrummed in the halliards of the signal-mast. The clock over the desk ticked out the deliberate seconds. A cat, curled up by the window, rose, stretching itself, and yawned.
"_. . . Prepare to mobilise. All officers and men are recalled from leave. Detailed orders will follow. Right. Good-bye._"
He replaced the receiver and rang off. Then, still masticating, he executed a species of solemn war-dance in the middle of the floor.
"Crikey!" he said aloud. "That means war, that do! b.l.o.o.d.y war!"
He s.n.a.t.c.hed up a telescope and ran outside, still talking aloud to himself after the manner of men who live much alone. "I see a bloke an' 'is young woman along there this afternoon. I'd ha' said he was a naval orficer if anyone was to ask me." He scanned the hills through his gla.s.s for a moment, and then set off along the track that skirted the edge of the cliffs.
Margaret saw him first, a broad, blue-clad figure, threading his way among the furze bushes. "And you won't be unhappy, will you, Trevor?"
she was saying. "You will understand, you----" She broke off to watch the coastguard hurrying towards them. "Does that sailor want to speak to us, do you think? He seems in a great hurry."
Torps stood at her side staring.