A Strange Story Part 14

"Ay, indeed,--when?"

"I came of age!"

"h.o.a.ry cynic! and you despise love! So did I once. Your time may come."

"I think not. Does any animal, except man, love its fellow she-animal as man loves woman?"

"As man loves woman? No, I suppose not."

"And why should the subject animals be wiser than their king? But to return: you would like to have my youth and my careless enjoyment of youth?"

"Can you ask,--who would not?" Margrave looked at me for a moment with unusual seriousness, and then, in the abrupt changes common to his capricious temperament, began to sing softly one of his barbaric chants,--a chant different from any I had heard him sing before, made, either by the modulation of his voice or the nature of the tune, so sweet that, little as music generally affected me, this thrilled to my very heart's core. I drew closer and closer to him, and murmured when he paused,--

"Is not that a love-song?"

"No;" said he, "it is the song by which the serpent-charmer charms the serpent."

CHAPTER XXVI.

Increased intimacy with my new acquaintance did not diminish the charm of his society, though it brought to light some startling defects, both in his mental and moral organization. I have before said that his knowledge, though it had swept over a wide circuit and dipped into curious, unfrequented recesses, was desultory and erratic. It certainly was not that knowledge, sustained and aspiring, which the poet a.s.sures us is "the wing on which we mount to heaven." So, in his faculties themselves there were singular inequalities, or contradictions. His power of memory in some things seemed prodigious, but when examined it was seldom accurate; it could apprehend, but did not hold together with a binding grasp what metaphysicians call "complex ideas." He thus seemed unable to put it to any steadfast purpose in the sciences of which it retained, vaguely and loosely, many recondite principles. For the sublime and beautiful in literature lie had no taste whatever. A pa.s.sionate lover of nature, his imagination had no response to the arts by which nature is expressed or idealized; wholly unaffected by poetry or painting. Of the fine arts, music alone attracted and pleased him.

His conversation was often eminently suggestive, touching on much, whether in books or mankind, that set one thinking; but I never remember him to have uttered any of those lofty or tender sentiments which form the connecting links between youth and genius; for if poets sing to the young, and the young hail their own interpreters in poets, it is because the tendency of both is to idealize the realities of life,--finding everywhere in the real a something that is n.o.ble or fair, and making the fair yet fairer, and the n.o.ble n.o.bler still.

In Margrave's character there seemed no special vices, no special virtues; but a wonderful vivacity, joyousness, animal good-humour. He was singularly temperate, having a dislike to wine, perhaps from that purity of taste which belongs to health absolutely perfect. No healthful child likes alcohol; no animal, except man, prefers wine to water.

But his main moral defect seemed to me in a want of sympathy, even where he professed attachment. He who could feel so acutely for himself, be unmanned by the bite of a squirrel, and sob at the thought that he should one day die, was as callous to the sufferings of another as a deer who deserts and b.u.t.ts from him a wounded comrade.

I give an instance of this hardness of heart where I should have least expected to find it in him.

He had met and joined me as I was walking to visit a patient on the outskirts of the town, when we fell in with a group of children, just let loose for an hour or two from their day-school. Some of these children joyously recognized him as having played with them at their homes; they ran up to him, and he seemed as glad as themselves at the meeting.

He suffered them to drag him along with them, and became as merry and sportive as the youngest of the troop.

"Well," said I, laughing, "if you are going to play at leap-frog, pray don't let it be on the high road, or you will be run over by carts and draymen; see that meadow just in front to the left,--off with you there!"

"With all my heart," cried Margrave, "while you pay your visit. Come along, boys."

A little urchin, not above six years old, but who was lame, began to cry; he could not run,--he should be left behind.

Margrave stooped. "Climb on my shoulder, little one, and I'll be your horse."

The child dried its tears, and delightedly obeyed. "Certainly," said I to myself, "Margrave, after all, must have a nature as gentle as it is simple. What other young man, so courted by all the allurements that steal innocence from pleasure, would stop in the thoroughfares to play with children?"

The thought had scarcely pa.s.sed through my mind when I heard a scream of agony. Margrave had leaped the railing that divided the meadow from the road, and, in so doing, the poor child, perched on his shoulder, had, perhaps from surprise or fright, loosened its hold and fallen heavily; its cries were piteous. Margrave clapped his hands to his ears, uttered an exclamation of anger, and not even stopping to lift up the boy, or examine what the hurt was, called to the other children to come on, and was soon rolling with them on the gra.s.s, and pelting them with daisies.

When I came up, only one child remained by the sufferer,-his little brother, a year older than himself. The child had fallen on his arm, which was not broken, but violently contused. The pain must have been intense. I carried the child to his home, and had to remain there some time. I did not see Margrave till the next morning. When he then called, I felt so indignant that I could scarcely speak to him. When at last I rebuked him for his inhumanity, he seemed surprised; with difficulty remembered the circ.u.mstance, and then merely said, as if it were the most natural confession in the world,

"Oh, nothing so discordant as a child's wail. I hate discords. I am pleased with the company of children; but they must be children who laugh and play. Well, why do you look at me so sternly? What have I said to shock you?"

"Shock me! you shock manhood itself! Go; I cannot talk to you now. I am busy."

But he did not go; and his voice was so sweet, and his ways so winning, that disgust insensibly melted into that sort of forgiveness one accords (let me repeat the ill.u.s.tration) to the deer that forsakes its comrade.

The poor thing knows no better. And what a graceful beautiful thing this was!

The fascination--I can give it no other name--which Margrave exercised, was not confined to me; it was universal,--old, young, high, low, man, woman, child, all felt it. Never in Low Town had stranger, even the most distinguished by fame, met with a reception so cordial, so flattering.

His frank confession that he was a natural son, far from being to his injury, served to interest people more in him, and to prevent all those inquiries in regard to his connections and antecedents which would otherwise have been afloat. To be sure, he was evidently rich,--at least he had plenty of money. He lived in the best rooms in the princ.i.p.al hotel; was very hospitable; entertained the families with whom he had grown intimate; made them bring their children,--music and dancing after dinner. Among the houses in which he had established familiar acquaintance was that of the mayor of the town, who had bought Dr.

Lloyd's collection of subjects in natural history. To that collection the mayor had added largely by a very recent purchase. He had arranged these various specimens, which his last acquisitions had enriched by the interesting carca.s.ses of an elephant and a hippopotamus, in a large wooden building contiguous to his dwelling, which had been constructed by a former proprietor (a retired fox-hunter) as a riding-house; and being a man who much affected the diffusion of knowledge, he proposed to open this museum to the admiration of the general public, and, at his death, to bequeath it to the Athenaeum or Literary Inst.i.tute of his native town. Margrave, seconded by the influence of the mayor's daughters, had scarcely been three days at L---- before he had persuaded this excellent and public-spirited functionary to inaugurate the opening of his museum by the popular ceremony of a ball. A temporary corridor should unite the drawing-rooms, which were on the ground floor, with the building that contained the collection; and thus the fete would be elevated above the frivolous character of a fashionable amus.e.m.e.nt, and consecrated to the solemnization of an intellectual inst.i.tute. Dazzled by the brilliancy of this idea, the mayor announced his intention to give a ball that should include the surrounding neighbourhood, and be worthy, in all expensive respects, of the dignity of himself and the occasion. A night had been fixed for the ball,--a night that became memorable indeed to me! The entertainment was antic.i.p.ated with a lively interest, in which even the Hill condescended to share. The Hill did not much patronize mayors in general; but when a Mayor gave a ball for a purpose so patriotic, and on a scale so splendid, the Hill liberally acknowledged that Commerce was, on the whole, a thing which the Eminence might, now and then, condescend to acknowledge without absolutely derogating from the rank which Providence had a.s.signed to it amongst the High Places of earth. Accordingly, the Hill was permitted by its Queen to honour the first magistrate of Low Town by a promise to attend his ball. Now, as this festivity had originated in the suggestion of Margrave, so, by a natural a.s.sociation of ideas, every one, in talking of the ball, talked also of Margrave.

The Hill had at first affected to ignore a stranger whose debut had been made in the mercantile circle of Low Town. But the Queen of the Hill now said, sententiously, "This new man in a few days has become a Celebrity.

It is the policy of the Hill to adopt Celebrities, if the Celebrities pay respect to the Proprieties. Dr. Fenwick is requested to procure Mr.

Margrave the advantage of being known to the Hill."

I found it somewhat difficult to persuade Margrave to accept the Hill's condescending overture. He seemed to have a dislike to all societies pretending to aristocratic distinction,--a dislike expressed with a fierceness so unwonted, that it made one suppose he had, at some time or other, been subjected to mortification by the supercilious airs that blow upon heights so elevated. However, he yielded to my instances, and accompanied me one evening to Mrs. Poyntz's house. The Hill was encamped there for the occasion. Mrs. Poyntz was exceedingly civil to him, and after a few commonplace speeches, hearing that he was fond of music, consigned him to the caressing care of Miss Brabazon, who was at the head of the musical department in the Queen of the Hill's administration.

Mrs. Poyntz retired to her favourite seat near the window, inviting me to sit beside her; and while she knitted in silence, in silence my eye glanced towards Margrave, in the midst of the group a.s.sembled round the piano.

Whether he was in more than usually high spirits, or whether he was actuated by a malign and impish desire to upset the established laws of decorum by which the gayeties of the Hill were habitually subdued into a serene and somewhat pensive pleasantness, I know not; but it was not many minutes before the orderly aspect of the place was grotesquely changed.

Miss Brabazon having come to the close of a complicated and dreary sonata, I heard Margrave abruptly ask her if she could play the Tarantella, that famous Neapolitan air which is founded on the legendary belief that the bite of the tarantula excites an irresistible desire to dance. On that highbred spinster's confession that she was ignorant of the air, and had not even heard of the legend, Margrave said, "Let me play it to you, with variations of my own." Miss Brabazon graciously yielded her place at the instrument. Margrave seated himself,--there was great curiosity to hear his performance. Margrave's fingers rushed over the keys, and there was a general start, the prelude was so unlike any known combination of harmonious sounds. Then he began a chant--song I can scarcely call it--words certainly not in Italian, perhaps in some uncivilized tongue, perhaps in impromptu gibberish. And the torture of the instrument now commenced in good earnest: it shrieked, it groaned, wilder and noisier. Beethoven's Storm, roused by the fell touch of a German pianist, were mild in comparison; and the mighty voice, dominating the anguish of the cracking keys, had the full diapason of a chorus. Certainly I am no judge of music, but to my ear the discord was terrific,--to the ears of better informed amateurs it seemed ravishing.

All were spellbound; even Mrs. Poyntz paused from her knitting, as the Fates paused from their web at the lyre of Orpheus. To this breathless delight, however, soon succeeded a general desire for movement. To my amazement, I beheld these formal matrons and sober fathers of families forming themselves into a dance, turbulent as a children's ball at Christmas; and when, suddenly desisting from his music, Margrave started up, caught the skeleton hand of lean Miss Brabazon, and whirled her into the centre of the dance, I could have fancied myself at a witch's sabbat. My eye turned in scandalized alarm towards Mrs. Poyntz. That great creature seemed as much astounded as myself. Her eyes were fixed on the scene in a stare of positive stupor. For the first time, no doubt, in her life, she was overcome, deposed, dethroned. The awe of her presence was literally whirled away. The dance ceased as suddenly as it had begun. Darting from the galvanized mummy whom he had selected as his partner, Margrave shot to Mrs. Poyntz's side, and said, "Ten thousand pardons for quitting you so soon, but the clock warns me that I have an engagement elsewhere." In another moment he was gone.

The dance halted, people seemed slowly returning to their senses, looking at each other bashfully and ashamed.

"I could not help it, dear," sighed Miss Brabazon at last, sinking into a chair, and casting her deprecating, fainting eyes upon the hostess.

"It is witchcraft," said fat Mrs. Bruce, wiping her forehead.

"Witchcraft!" echoed Mrs. Poyntz; "it does indeed look like it. An amazing and portentous exhibition of animal spirits, and not to be endured by the Proprieties. Where on earth can that young savage have come from?"

"From savage lands," said I,--"so he says."

"Do not bring him here again," said Mrs. Poyntz. "He would soon turn the Hill topsy-turvy. But how charming! I should like to see more of him,"

she added, in an under voice, "if he would call on me some morning, and not in the presence of those for whose Proprieties I am responsible.

Jane must be out in her ride with the colonel."

Margrave never again attended the patrician festivities of the Hill.

Invitations were poured upon him, especially by Miss Brabazon and the other old maids, but in vain.

"Those people," said he, "are too tamed and civilized for me; and so few young persons among them. Even that girl Jane is only young on the surface; inside, as old as the World or her mother. I like youth, real youth,--I am young, I am young!"

And, indeed, I observed he would attach himself to some young person, often to some child, as if with cordial and special favour, yet for not more than an hour or so, never distinguishing them by the same preference when he next met them. I made that remark to him, in rebuke of his fickleness, one evening when he had found me at work on my Ambitious Book, reducing to rule and measure the Laws of Nature.

"It is not fickleness," said he,--"it is necessity."

"Necessity! Explain yourself."

"I seek to find what I have not found," said he; "it is my necessity to seek it, and among the young; and disappointed in one, I turn to the other. Necessity again. But find it at last I must."