A Speckled Bird Part 7

"My little man, how do you know it is poetry? The words do not rhyme."

"Rhyme? I do not understand that word--but I feel poetry. I always know it by the way my blood beats, and the little shiver that runs down my back, and the joy that makes me cry sometimes."

"I will send you a printed copy, in care of the rector. Dear child, G.o.d has given you a wonderfully sweet voice, and I am glad you use it in His service."

He laid his thin hand on the boy's golden head, and smiled down into the wistful blue eyes, where tears glistened.

The childish fingers, holding two snowy spikes of Roman hyacinth, were lifted and placed on the priest's hand, pressing it timidly against his curls.

"Thank you, sir. Please take these. They smell like the heavenly gardens, and I have nothing else to give."

"Were they not on the altar?"

"Yes, I slipped out two from the cl.u.s.ter there."

"Then they belong to G.o.d. By what right do you touch sacred gifts brought to Him?"

"They were mine. I bought them last night and laid them yonder when I came to-day--and G.o.d can spare just two, when I have nothing else to pay you with. Did you--oh! did you think I--stole--them?" A sob shook him, and tears followed.

Father Temple stooped and drew the little white-robed form to him, pressing the head against his breast.

"Forgive me, I did not quite understand; and I am sure the dear Father knows what is in your grateful heart. G.o.d bless you and keep you. I shall put the hyacinths between the leaves of my Bible."

Eglah stretched an arm across Mrs. St. Clair's shoulder and dropped the curtain.

"Come away. Some other time I may talk to him, not now."

The following day Eglah returned to Washington, and two hours before the departure of the train she drove to Twenty-third Street, where she and Mrs. Mitch.e.l.l usually made their purchases of damask, ribbon, and lace.

While the latter bent over boxes of wools and crochet cottons, Eglah seated herself at the handkerchief counter. When she had selected the desired number, the saleswoman filled out her index sheet and rapped sharply with her pencil.

"Cash! Here, cash!"

Several minutes elapsed.

"These cash boys are so tiresome. Cash, cash! I had to report one last week. Cash--here he comes at last. Now, do hurry up; you are a regular snail."

In the boy who hastened away Eglah recognized the soloist of St.

Hyacinth's, and noticed a bandage around his throat. When he came back with the parcel and counted the change into the palm of the saleswoman, Eglah touched his arm.

"I heard you sing yesterday, and want to tell you how much I liked your voice."

"Thank you, ma'am, I----"

A spell of coughing interrupted, and she noticed how wan and weary he looked, and how heavy were the greyish shadows under his lovely eyes.

"I am afraid you are not well to-day. Are you an orphan?"

"Oh, no. Mother is living, and she says a mother is worth forty fathers."

"Will you tell me her name, and where she lives?"

"Mrs. Nona Dane, and she has the glove counter at ----, Fourteenth Street."

At this instant the floor-walker strode forward, and a frightened expression crossed the boy's white face as he turned quickly, but Eglah laid a detaining hand on his head as, rising, she confronted the floor-walker.

"If he loitered it is not his fault; I kept him. If he missed a call I am to blame. Good-bye, Leighton; shake hands. When I come back to New York I hope to hear you sing again at St. Hyacinth's; and if I miss you here, I shall buy elsewhere."

His hot fingers quivered in her clasp, and, pressing a folded bill into his hand, she joined her foster-mother and left the store.

"What a frail, beautiful boy, and what genuine golden hair! Looks as if it had been dipped in a pot of gilt. Dearie, don't you think it a shame these young children are chained up in stores when they ought to be romping and playing ball?"

As their carriage turned from Twenty-third Street toward Broadway, that always crowded angle was even more than usually thronged, and during the brief pause Mr. Herriott came out of Maillard's with a box of bon-bons.

"I am just going to the ferry to wait for you. Are you not too early, or has my watch gone astray?"

"Come with us, Mr. Noel, we have ample room. Yes, it is early; but of course at the last minute I must needs shop on the way."

As he seated himself in the carriage he handed a package to Eglah.

"The latest Paris 'Revue,' and your favorite _marron glace_ and chocolate."

"Thank you heartily, for both. I wonder if I ever shall cease to be a spoiled child--in your eyes?"

"Whatever you may be in my eyes, you certainly will always remain."

"How discouraging, that you should feel quite hopeless of any improvement in me. Driver, I wish to stop in West Fourteenth Street, at ----. Gloves, Mr. Noel, always gloves."

"Will you bet a pair of best driving gauntlets that I cannot tell you exactly why you go there to-day?"

"Certainly; silk-lined, fur-tipped gauntlets. I told you my errand was gloves; pray what other reason?"

"You are going to get a glimpse of 'Juno.'"

"Juno? Nearly everything comes to New York sooner or later, but really I never imagined she could step out from the books of mythology. I hunt no G.o.ddess. When you pay your wager, be sure to select delicate fawn color, that will match my spring jacket."

"The debt is yours. Confess, Eglah--honor bright--you are curious about the woman who sells gloves in Fourteenth Street."

"I will present to you a witch's skirt, cap, and broomstick. But why 'Juno'?"

"The matter was thrashed out at the club last week, where Vandiver told us some artist had compared her to a print of the Ludovisi Juno hanging in Goupil's window. Hence her elevation to Olympus."

"Then you know all about her?"

"On the contrary, I never saw her; but she seems to be the magnet drawing people to----just now."

The carriage stopped, and Eglah walked into the department store.

"Come in, Mr. Noel, and pick out your gauntlets."