A Romany of the Snows Part 16

Father Halen caught his sister as she swayed, and helped her to a chair, then turned a sad face on Pierre. "Were you--were you one of that ten?"

he asked, overcome; and he held out his hand.

The two river-driving camps joined at Mud Cat Point, where was the crush of great timber. The two men did not at first come face to face, but it was noticed by Pierre, who smoked on the bank while the others worked, that the old man watched his enemy closely. The work of undoing the great twist of logs was exciting, and they fell on each other with a great sound as they were pried off, and went sliding, grinding, into the water. At one spot they were piled together, ma.s.sive and high. These were left to the last.

It was here that the two met. Old Magor's face was quiet, if a little haggard; and his eyes looked out from under his s.h.a.ggy brows piercingly.

Dugard's manner was swaggering, and he swore horribly at his gang.

Presently he stood at a point alone, working at an obstinate log. He was at the foot of an incline of timber, and he was not aware that Magor had suddenly appeared at the top of that incline. He heard his name called out sharply. Swinging round, he saw Magor thrusting a handspike under a huge timber, hanging at the top of the incline. He was standing in a hollow, a kind of trench. He was shaken with fear, for he saw the old man's design. He gave a cry and made as if to jump out of the way, but with a laugh Magor threw his whole weight on the handspike, the great timber slid swiftly down and crushed Dugard from his thighs to his feet, breaking his legs terribly. The old man called down at him: "A slip--a little accident, mon ami!" Then, shouldering his handspike, he made his way through the silent gangs to the sh.o.r.e, and so on homewards.

Magor had done what he wished. Dugard would be a cripple for life; his beauty was all spoiled and broken: there was much to do to save his life. II

Nora also about this time took to her bed with fever. Again and again Pierre rode thirty miles and back to get ice for her head. All were kind to her now. The vengeance upon Dugard seemed to have wiped out much of her shame in the eyes of Bamber's Boom. Such is the way of the world.

He that has the last blow is in the eye of advantage. When Nora began to recover, the child fell ill also. In the sickness of the child the old man had a great temptation--far greater than that concerning Dugard. As the mother grew better the child became much worse. One night the doctor came, driving over from another settlement, and said that if the child got sleep till morning it would probably live, for the crisis had come.

He left an opiate to procure the sleep, the same that had been given to the mother. If it did not sleep, it would die. Pierre was present at this time.

All through the child's illness the old man's mind had been tossed to and fro. If the child died, the living stigma would be gone; there would be no reminder of his daughter's shame in the eyes of the world. They could go away from Bamber's Boom, and begin life again somewhere. But, then, there was the child itself which had crept into his heart,--he knew not how, and would not be driven out. He had never, till it was taken ill, even touched it, nor spoken to it. To destroy its life!--Well, would it not be better for the child to go out of all possible shame, into peace, the peace of the grave?

This night he sat down beside the cradle, holding the bottle of medicine and a spoon in his hand. The hot, painful face of the child fascinated him. He looked from it to the bottle, and back, then again to the bottle. He started, and the sweat stood out on his forehead. For though the doctor had told him in words the proper dose, he had by mistake written on the label the same dose as for the mother! Here was the responsibility shifted in any case. More than once the old man uncorked the bottle, and once he dropped out the opiate in the spoon steadily; but the child opened its suffering eyes at him, its little wasted hand wandered over the coverlet, and he could not do it just then. But again the pa.s.sion for its destruction came on him, because he heard his daughter moaning in the other room. He said to himself that she would be happier when it was gone. But as he stooped over the cradle, no longer hesitating, the door softly opened, and Pierre entered. The old man shuddered, and drew back from the cradle. Pierre saw the look of guilt in the old man's face, and his instinct told him what was happening. He took the bottle from the trembling hand, and looked at the label.

"What is the proper dose?" he asked, seeing that a mistake had been made by the doctor.

In a hoa.r.s.e whisper Magor told him. "It may be too late," Pierre added.

He knelt down, with light fingers opened the child's mouth, and poured the medicine in slowly. The old man stood for a time rigid, looking at them both. Then he came round to the other side of the cradle, and seated himself beside it, his eyes fixed on the child's face. For a long time they sat there. At last the old man said: "Will he die, Pierre?"

"I am afraid so," answered Pierre painfully. "But we shall see." Then early teaching came to him, never to be entirely obliterated, and he added: "Has the child been baptised?"

The old man shook his head. "'Will you do it?" asked Pierre hesitatingly.

"I can't--I can't," was the reply.

Pierre smiled a little ironically, as if at himself, got some water in a cup, came over, and said: "Remember, I'm a Papist!"

A motion of the hand answered him.

He dipped his fingers in the water, and dropped it ever so lightly on the child's forehead.

"George Magor,"--it was the old man's name,--"I baptise thee in the name of the Father, and of the Son, and of the Holy Ghost. Amen." Then he drew the sign of the cross on the infant's forehead.

Sitting down, he watched beside the child. After a little he heard a long choking sigh. Looking up, he saw tears slowly dropping from Magor's eyes.

And to this day the child and the mother of the child are dear to the old man's heart.

THE BRIDGE HOUSE

It stood on a wide wall between two small bridges. These were approaches to the big covered bridge spanning the main channel of the Madawaska River, and when swelled by the spring thaws and rains, the two flanking channels divided at the foundations of the house, and rustled away through the narrow paths of the small bridges to the rapids. You could stand at any window in the House and watch the ugly, rushing current, gorged with logs, come battering at the wall, jostle between the piers, and race on to the rocks and the dam and the slide beyond. You stepped from the front door upon the wall, which was a road between the bridges, and from the back door into the river itself.

The House had once been a tavern. It looked a wayfarer, like its patrons the river-drivers, with whom it was most popular. You felt that it had no part in the career of the village on either side, but was like a rock in a channel, at which a swimmer caught or a vagrant fish loitered.

Pierre knew the place, when, of a night in the springtime or early summer, throngs of river-drivers and their bosses sauntered at its doors, or hung over the railing of the wall, as they talked and smoked.

The glory of the Bridge House suddenly declined. That was because Finley, the owner, a rich man, came to hate the place--his brother's blood stained the barroom floor. He would have destroyed the house but that John Rupert, the beggared gentleman came to him, and wished to rent it for a dwelling.

Mr. Rupert was old, and had been miserably poor for many years, but he had a breeding and a manner superior to anyone at Bamber's Boom. He was too old for a labourer, he had no art or craftsmanship; his little money was gone in foolish speculations, and he was dependent on his granddaughter's slight earnings from music teaching and needlework.

But he rented an acre of ground from Finley, and grew vegetables; he gathered driftwood from the river for his winter fire, and made up the accounts of the storekeeper occasionally. Yet it was merely keeping off starvation. He was not popular. He had no tongue for the meaningless village talk. People held him in a kind of awe, and yet they felt a mean satisfaction when they saw him shouldering driftwood, and piling it on the sh.o.r.e to be dragged away--the last resort of the poor, for which they blush.

When Mr. Rupert asked for the House, Finley knew the chances were he would not get the rental; yet, because he was sorry for the old man, he gave it to him at a low rate. He closed up the bar-room, however, and it was never opened afterwards.

So it was that Mr. Rupert and Judith, his granddaughter, came to live there. Judith was a blithe, lissome creature, who had never known comfort or riches: they were taken from her grandfather before she was born, and her father and mother both died when she was a little child.

But she had been taught by her grandmother, when she lived, and by her grandfather, and she had felt the graces of refined life. Withal, she had a singular sympathy for the rude, strong life of the river. She was glad when they came to live at the Bridge House, and shamed too: glad because they could live apart from the other villagers; shamed because it exposed her to the curiosity of those who visited the House, thinking it was still a tavern. But that was only for a time.

One night Jules Brydon, the young river-boss, camped with his men at Bamber's Boom. He was of parents Scotch and French, and the amalgamation of races in him made a striking product. He was cool and indomitable, yet hearty and joyous. It was exciting to watch him at the head of his men, breaking up a jam of logs, and it was a delight to hear him of an evening as he sang:

"Have you heard the cry of the Long Lachine, When happy is the sun in the morning?

The rapids long and the banks of green, As we ride away in the morning, On the froth of the Long Lachine?"

One day, soon after they came, the dams and booms were opened above, and forests of logs came riding down to Bamber's Boom. The current was strong, and the logs came on swiftly. As Brydon's gang worked, they saw a man out upon a small raft of driftwood, which had been suddenly caught in the drive of logs, and was carried out towards the middle channel.

The river-drivers laughed, for they failed to see that the man was old, and that he could not run across the rolling logs to the sh.o.r.e. The old man, evidently hopeless, laid down his pike-pole, folded his hands, and drifted with the logs. The river-drivers stopped laughing. They began to understand.

Brydon saw a woman standing at a window of the House waving her arms, and there floated up the river the words, "Father! father!" He caught up a pikepole, and ran over that spinning floor of logs to the raft. The old man's face was white, but there was no fear in his eyes.

"I cannot run the logs," he said at once; "I never did; I am too old, and I slip. It's no use. It is my granddaughter at that window. Tell her that I'll think of her to the last.... Good-bye!"

Brydon was eyeing the logs. The old man's voice was husky; he could not cry out, but he waved his hand to the girl.

"Oh, save him!" came from her faintly.

Brydon's eyes were now on the covered bridge. Their raft was in the channel, coming straight between two piers. He measured his chances. He knew if he slipped, doing what he intended, that both might be drowned, and certainly Mr. Rupert; for the logs were close, and to drop among them was a bad business. If they once closed over there was an end of everything.

"Keep quite still," he said, "and when I throw you catch."

He took the slight figure in his arms, sprang out upon the slippery logs, and ran. A cheer went up from the men on the sh.o.r.e, and the people who were gathering on the bridges, too late to be of service. Besides, the bridge was closed, and there was only a small opening at the piers.

For one of these piers Brydon was making. He ran hard. Once he slipped and nearly fell, but recovered. Then a floating tree suddenly lunged up and struck him, so that he dropped upon a knee; but again he was up, and strained for the pier. He was within a few feet of it as they came to the bridge. The people gave a cry of fear, for they saw that there was no chance of both making it; because, too, at the critical moment a s.p.a.ce of clear water showed near the pier. But Brydon raised John Rupert up, balanced himself, and tossed him at the pier, where two river-drivers stood stretching out their arms. An instant afterwards the old man was with his granddaughter. But Brydon slipped and fell; the roots of a tree bore him down, and he was gone beneath the logs!

There was a cry of horror from the watchers, then all was still. But below the bridge they saw an arm thrust up between the logs, and then another arm crowding them apart. Now a head and shoulders appeared.

Luckily the piece of timber which Brydon grasped was square, and did not roll. In a moment he was standing on it. There was a wild shout of encouragement. He turned his battered, blood-stained face to the bridge for an instant, and, with a wave of the hand and a sharp look towards the rapids below, once more sprang out. It was a brave sight, for the logs were in a narrower channel and more riotous. He rubbed the blood out of his eyes that he might see his way. The rolling forest gave him no quarter, but he came on, rocking with weakness, to within a few rods of the sh.o.r.e. Then a half-dozen of his men ran out on the logs,--they were packed closely here,--caught him up, and brought him to dry ground.

They took him to the Bridge House. He was hurt more than he or they thought. The old man and the girl met them at the door. Judith gave a little cry when she saw the blood and Brydon's bruised face. He lifted his head as though her eyes had drawn his, and, their looks meeting, he took his hat off. Her face flushed; she dropped her eyes. Her grandfather seized Brydon's big hand, and said some trembling words of thanks. The girl stepped inside, made a bed for him upon the sofa, and got him something to drink. She was very cool; she immediately asked Pierre to go for the young doctor who had lately come to the place, and made ready warm water with which she wiped Brydon's blood-stained face and hands, and then gave him some brandy. His comrades standing round watched her admiringly, she was so deft and delicate. Brydon, as if to be nursed and cared for was not manly, felt ashamed, and came up quickly to a sitting posture, saying, "Pshaw! I'm all right!" But he turned sick immediately, and Judith's arms caught his head and shoulders as he fell back. His face turned, and was pillowed on her bosom. At this she blushed, but a look of singular dignity came into her face. Those standing by were struck with a kind of awe; they were used mostly to the daughters of habitants and fifty-acre farmers. Her sensitive face spoke a wonderful language: a divine grat.i.tude and thankfulness; and her eyes had a clear moisture which did not dim them. The situation was trying to the river-drivers--it was too refined; and they breathed more freely when they got outside and left the girl, her grandfather, Pierre, and the young doctor alone with the injured man.

That was how the thing began. Pierre saw the conclusion of events from the start. The young doctor did not. From the hour when he bound up Brydon's head, Judith's fingers aiding him, he felt a spring in his blood new to him. When he came to know exactly what it meant, and acted, it was too late. He was much surprised that his advances were gently repulsed. He pressed them hard: that was a mistake. He had an idea, not uncommon in such cases, that he was conferring an honour. But he was very young. A gold medal in anatomy is likely to turn a lad's head at the start. He falls into the error that the ability to demonstrate the medulla oblongata should likewise suffice to convince the heart of a maid. Pierre enjoyed the situation; he knew life all round; he had boxed the compa.s.s of experience.

He believed in Judith. The old man interested him: he was a wreck out of an unfamiliar life.

"Well, you see," Pierre said to Brydon one day, as they sat on the high cross-beams of the little bridge, "you can't kill it in a man--what he was born. Look, as he piles up the driftwood over there. Broken down, eh? Yes, but then there is something--a manner, an eye. He piles the wood like champagne bottles. On the raft, you remember, he took off his hat to death. That's different altogether from us."

He gave a sidelong glance at Brydon, and saw a troubled look.