A Romance of Two Worlds Part 8

I raised my eyes to the grand picture, unveiled that day in all its beauty.

"The face of the Life-Angel there," went on Cellini quietly, "is a poor and feeble resemblance of the One I love. You knew I was betrothed, mademoiselle?"

I felt confused, and was endeavouring to find an answer to this when he continued:

"Do not trouble to explain, for _I_ know how YOU knew. But no more of this. Will you leave Cannes to-morrow?"

"Yes. In the morning."

"Then good-bye, mademoiselle. Should I never see you again---"

"Never see me again!" I interrupted. "Why, what do you mean?"

"I do not allude to your destinies, but to mine," he said, with a kindly look. "My business may call me away from here before you come back--our paths may lie apart--many circ.u.mstances may occur to prevent our meeting--so that, I repeat, should I never see you again, you will, I hope, bear me in your friendly remembrance as one who was sorry to see you suffer, and who was the humble means of guiding you to renewed health and happiness."

I held out my hand, and my eyes filled with tears. There was something so gentle and chivalrous about him, and withal so warm and sympathetic, that I felt indeed as if I were bidding adieu to one of the truest friends I should ever have in my life.

"I hope nothing will cause you to leave Cannes till I return to it," I said with real earnestness. "I should like you to judge of my restoration to health."

"There will be no need for that," he replied; "I shall know when you are quite recovered through Heliobas."

He pressed my hand warmly.

"I brought back the book you lent me," I went on; "but I should like a copy of it for myself. Can I get it anywhere?"

"Heliobas will give you one with pleasure," replied Cellini; "you have only to make the request. The book is not on sale. It was printed for private circulation only. And now, mademoiselle, we part. I congratulate you on the comfort and joy awaiting you in Paris. Do not forget the address--Hotel Mars, Champs Elysees. Farewell!"

And again shaking my hand cordially, he stood at his door watching me as I pa.s.sed out and began to ascend the stairs leading to my room. On the landing I paused, and, looking round, saw him still there. I smiled and waved my hand. He did the same in response, once--twice; then turning abruptly, disappeared.

That afternoon I explained to Colonel and Mrs. Everard that I had resolved to consult a celebrated physician in Paris (whose name, however, I did not mention), and should go there alone for a few days.

On hearing that I knew of a well-recommended ladies' Pension, they made no objection to my arrangements, and they agreed to remain at the Hotel de L---till I returned. I gave them no details of my plans, and of course never mentioned Raffaello Cellini in connection with the matter.

A nervous and wretchedly agitated night made me more than ever determined to try the means of cure proposed to me. At ten o'clock the following morning I left Cannes by express train for Paris. Just before starting I noticed that the lilies of the valley Cellini had given me for the dance had, in spite of my care, entirely withered, and were already black with decay--so black that they looked as though they had been scorched by a flash of lightning.

CHAPTER VI.

THE HOTEL MARS AND ITS OWNER.

It was between three and four o'clock in the afternoon of the day succeeding the night of my arrival in Paris, when I found myself standing at the door of the Hotel Mars, Champs Elysees. I had proved the Pension kept by Madame Denise to be everything that could be desired; and on my presentation of Raffaello Cellini's card of introduction, I had been welcomed by the maitresse de la maison with a cordial effusiveness that amounted almost to enthusiasm.

"Ce cher Cellini!" the cheery and pleasant little woman had exclaimed, as she set before me a deliciously prepared breakfast. "Je l'aime tant!

Il a si bon coeur! et ses beaux yeux! Mon Dieu, comme un ange!"

As soon as I had settled the various little details respecting my room and attendance, and had changed my travelling-dress for a quiet visiting toilette, I started for the abode of Heliobas.

The weather was very cold; I had left the summer behind me at Cannes, to find winter reigning supreme in Paris. A bitter east wind blew, and a few flakes of snow fell now and then from the frowning sky. The house to which I betook myself was situated at a commanding corner of a road facing the Champs Elysees. It was a n.o.ble-looking building. The broad steps leading to the entrance were guarded on either side by a sculptured Sphinx, each of whom held, in its ma.s.sive stone paws, a plain shield, inscribed with the old Roman greeting to strangers, "Salve!" Over the portico was designed a scroll which bore the name "Hotel Mars" in clearly cut capitals, and the monogram "C. H."

I ascended the steps with some hesitation, and twice I extended my hand towards the bell, desiring yet fearing to awaken its summons. I noticed it was an electric bell, not needing to be pulled but pressed; and at last, after many doubts and anxious suppositions, I very gently laid my fingers on the little b.u.t.ton which formed its handle. Scarcely had I done this than the great door slid open rapidly without the least noise. I looked for the servant in attendance--there was none. I paused an instant; the door remained invitingly open, and through it I caught a glimpse of flowers. Resolving to be bold, and to hesitate no longer, I entered. As I crossed the threshold, the door closed behind me instantly with its previous swiftness and silence.

I found myself in a s.p.a.cious hall, light and lofty, surrounded with fluted pillars of white marble. In the centre a fountain bubbled melodiously, and tossed up every now and then a high jet of sparkling spray, while round its basin grew the rarest ferns and exotics, which emitted a subtle and delicate perfume. No cold air penetrated here; it was as warm and balmy as a spring day in Southern Italy. Light Indian bamboo chairs provided with luxurious velvet cushions were placed in various corners between the marble columns, and on one of these I seated myself to rest a minute, wondering what I should do next, and whether anyone would come to ask me the cause of my intrusion. My meditations were soon put to flight by the appearance of a young lad, who crossed the hall from the left-hand side and approached me. He was a handsome boy of twelve or thirteen years of age, and he was attired in a simple Greek costume of white linen, relieved with a broad crimson silk sash. A small flat crimson cap rested on his thick black curls; this he lifted with deferential grace, and, saluting me, said respectfully:

"My master is ready to receive you, mademoiselle."

I rose without a word and followed him, scarcely permitting myself to speculate as to how his master knew I was there at all.

The hall was soon traversed, and the lad paused before a magnificent curtain of deep crimson velvet, heavily bordered with gold. Pulling a twisted cord that hung beside it, the heavy, regal folds parted in twain with noiseless regularity, and displayed an octagon room, so exquisitely designed and ornamented that I gazed upon it as upon some rare and beautiful picture. It was unoccupied, and my young escort placed a chair for me near the central window, informing me as he did so that "Monsieur le Comte" would be with me instantly; whereupon he departed.

Left alone, I gazed in bewilderment at the loveliness round me. The walls and ceiling were painted in fresco. I could not make out the subjects, but I could see faces of surpa.s.sing beauty smiling from clouds, and peering between stars and crescents. The furniture appeared to be of very ancient Arabian design; each chair was a perfect masterpiece of wood-carving, picked out and inlaid with gold. The sight of a semi-grand piano, which stood open, brought me back to the realization that I was living in modern times, and not in a dream of the Arabian Nights; while the Paris Figaro and the London Times--both of that day's issue--lying on a side-table, demonstrated the nineteenth century to me with every possible clearness. There were flowers everywhere in this apartment--in graceful vases and in gilded osier baskets--and a queer lop-sided Oriental jar stood quite near me, filled almost to overflowing with Neapolitan violets. Yet it was winter in Paris, and flowers were rare and costly.

Looking about me, I perceived an excellent cabinet photograph of Raffaello Cellini, framed in antique silver; and I rose to examine it more closely, as being the face of a friend. While I looked at it, I heard the sound of an organ in the distance playing softly an old familiar church chant. I listened. Suddenly I bethought myself of the three dreams that had visited me, and a kind of nervous dread came upon me. This Heliobas,--was I right after all in coming to consult him? Was he not perhaps a mere charlatan? and might not his experiments upon me prove fruitless, and possibly fatal? An idea seized me that I would escape while there was yet time. Yes! ... I would not see him to-day, at any rate; I would write and explain. These and other disjointed thoughts crossed my mind; and yielding to the unreasoning impulse of fear that possessed me, I actually turned to leave the room, when I saw the crimson velvet portiere dividing again in its regular and graceful folds, and Heliobas himself entered.

I stood mute and motionless. I knew him well; he was the very man I had seen in my third and last dream; the same n.o.ble, calm features; the same commanding presence; the same keen, clear eyes; the same compelling smile. There was nothing extraordinary about his appearance except his stately bearing and handsome countenance; his dress was that of any well-to-do gentleman of the present day, and there was no affectation of mystery in his manner. He advanced and bowed courteously; then, with a friendly look, held out his hand. I gave him mine at once.

"So you are the young musician?" he said, in those warm mellifluous accents that I had heard before and that I so well remembered. "My friend Raffaello Cellini has written to me about you. I hear you have been suffering from physical depression?"

He spoke as any physician might do who inquired after a patient's health. I was surprised and relieved. I had prepared myself for something darkly mystical, almost cabalistic; but there was nothing unusual in the demeanour of this pleasant and good-looking gentleman who, bidding me be seated, took a chair himself opposite to me, and observed me with that sympathetic and kindly interest which any well-bred doctor would esteem it his duty to exhibit. I became quite at ease, and answered all his questions fully and frankly. He felt my pulse in the customary way, and studied my face attentively. I described all my symptoms, and he listened with the utmost patience.

When I had concluded, he leaned back in his chair and appeared to ponder deeply for some moments. Then he spoke.

"You know, of course, that I am not a doctor?"

"I know," I said; "Signer Cellini explained to me."

"Ah!" and Heliobas smiled. "Raffaello explained as much as he might; but not everything. I must tell you I have a simple pharmacopoeia of my own--it contains twelve remedies, and only twelve. In fact there me no more that are of any use to the human mechanism. All are made of the juice of plants, and six of them are electric. Raffaello tried you with one of them, did he not?"

As he put this question, I was aware of a keenly inquiring look sent from the eyes of my interrogator into mine.

"Yes," I answered frankly, "and it made me dream, and I dreamt of YOU."

Heliobas laughed lightly.

"So!--that is well. Now I am going in the first place to give you what I am sure will be satisfactory information. If you agree to trust yourself to my care, you will be in perfect health in a little less than a fortnight--but you must follow my rules exactly."

I started up from my seat.

"Of course!" I exclaimed eagerly, forgetting all my previous fear of him; "I will do all you advise, even if you wish to magnetize me as you magnetized Signor Cellini!"

"I never MAGNETIZED Raffaello," he said gravely; "he was on the verge of madness, and he had no faith whereby to save himself. I simply set him free for a time, knowing that his was a genius which would find out things for itself or perish in the effort. I let him go on a voyage of discovery, and he came back perfectly satisfied. That is all. You do not need his experience."

"How do you know?" I asked.

"You are a woman--your desire is to be well and strong, health being beauty--to love and to be beloved--to wear pretty toilettes and to be admired; and you have a creed which satisfies you, and which you believe in without proofs."

There was the slightest possible tinge of mockery in his voice as he said these words. A tumultuous rush of feelings overcame me. My high dreams of ambition, my innate scorn of the trite and commonplace, my deep love of art, my desires of fame--all these things bore down upon my heart and overcame it, and a pride too deep for tears arose in me and found utterance.

"You think I am so slight and weak a thing!" I exclaimed. "YOU, who profess to understand the secrets of electricity--you have no better instinctive knowledge of me than that! Do you deem women all alike--all on one common level, fit for nothing but to be the toys or drudges of men? Can you not realize that there are some among them who despise the inanities of everyday life--who care nothing for the routine of society, and whose hearts are filled with cravings that no mere human love or life can satisfy? Yes--even weak women are capable of greatness; and if we do sometimes dream of what we cannot accomplish through lack of the physical force necessary for large achievements, that is not our fault but our misfortune. We did not create ourselves.