A Roman Singer Part 10

CHAPTER VII

On the day following Nino's _debut_, Maestro Ercole de Pretis found himself in hot water, and the choristers at St. Peter's noticed that his skull-cap was awry, and that he sang out of tune; and once he tried to take a pinch of snuff when there was only three bars' rest in the music, so that instead of singing C sharp he sneezed very loud.

Then all the other singers giggled, and said, "Salute!"--which we always say to a person who sneezes--quite audibly.

It was not that Ercole had heard anything from the Graf von Lira as yet; but he expected to hear, and did not relish the prospect. Indeed, how could the Prussian gentleman fail to resent what the maestro had done in introducing to him a singer disguised as a teacher? It chanced, also, that the contessina took a singing lesson that very day in the afternoon, and it was clear that the reaping of his evil deeds was not far off. His conscience did not trouble him at all, it is true, for I have told you that he has liberal ideas about the right of marriage; but his vanity was sorely afflicted at the idea of abandoning such a very n.o.ble and creditable pupil as the Contessina di Lira. He applauded himself for furthering Nino's wild schemes, and he blamed himself for being so reckless about his own interests. Every moment he expected a formal notice from the count to discontinue the lessons. But still it did not come, and at the appointed hour Ercole's wife helped him to put on his thick winter coat, and wrapped his comforter about his neck, and pulled his big hat over his eyes--for the weather was threatening, and sent him trudging off to the Palazzo Carmandola.

Though Ercole is stout of heart, and has broad shoulders to bear such burdens as fall to his lot, he lingered long on the way, for his presentiments were gloomy; and at the great door of the Palazzo he even stopped to inquire of the porter whether the contessina had been seen to go out yet, half hoping that she would thus save him the mortification of an interview. But it turned out otherwise: the contessina was at home, and De Pretis was expected, as usual, to give the lesson. Slowly he climbed the great staircase, and was admitted.

"Good-day, Sor Maestro," said the liveried footman, who knew him well.

"The Signor Conte desires to speak with you to-day before you go to the signorina."

The maestro's heart sank, and he gripped hard the roll of music in his hand as he followed the servant to the count's cabinet. There was to be a scene of explanation after all.

The count was seated in his great arm-chair, in a cloud of tobacco smoke, reading a Prussian military journal. His stick leaned against the table by his side, in painful contrast with the glittering cavalry sabres crossed upon the dark red wall opposite. The tall windows looked out on the piazza, and it was raining, or just beginning to rain. The great inkstand on the table was made to represent a howitzer, and the count looked as though he were ready to fire it point blank at any intruder. There was an air of disciplined luxury in the room that spoke of a rich old soldier who fed his fancy with t.i.t-bits from a stirring past. De Pretis felt very uncomfortable, but the n.o.bleman rose to greet him, as he rose to greet everything above the rank of a servant, making himself steady with his stick. When De Pretis was seated he sat down also. The rain pattered against the window.

"Signor De Pretis," began the count, in tones as hard as chilled steel, "you are an honourable man." There was something interrogative in his voice.

"I hope so," answered the maestro modestly; "like other Christians, I have a soul--"

"You will your soul take care of in your leisure moments," interrupted the count. "At present you have no leisure."

"As you command, Signor Conte."

"I was yesterday evening at the theatre. The professor you recommended for my daughter is with the new tenor one person." De Pretis spread out his hands and bowed, as if to deprecate any share in the transaction. The count continued, "You are of the profession, Signor De Pretis. Evidently, you of this were aware."

"It is true," a.s.sented Ercole, not knowing what to say.

"Of course it is true. I am therefore to hear your explanation disposed." His grey eyes fastened sternly on the maestro. But the latter was prepared, for he had long foreseen that the count would one day be disposed to hear an explanation, as he expressed it.

"It is quite true," repeated De Pretis. "The young man was very poor, and desired to support himself while he was studying music. He was well fitted to teach our literature, and I recommended him. I hope that, in consideration of his poverty, and because he turned out a very good teacher, you will forgive me, Signor Conte."

"This talented singer I greatly applaud," answered the count stiffly.

"As a with-the-capacity-and-learning-requisite-for-teaching-endowed young man deserves he also some commendation. Also will I remember his laudable-and-not-lacking independence character. Nevertheless, unfitting would it be should I pay the first tenor of the opera five francs an hour to teach my daughter Italian literature." De Pretis breathed more freely.

"Then you will forgive me, Signor Conte, for endeavouring to promote the efforts of this worthy young man in supporting himself?"

"Signor De Pretis," said the count, with a certain quaint geniality, "I have my precautions observed. I examined Signor Cardegna in Italian literature in my own person, and him proficient found. Had I found him to be ignorant, and had I his talents as an operatic singer later discovered, I would you out of that window have projected." De Pretis was alarmed, for the old count looked as though he would have carried out the threat. "As it is," he concluded, "you are an honourable man, and I wish you good-morning. Lady Hedwig awaits you as usual." He rose courteously, leaning on his stick, and De Pretis bowed himself out.

He expected that the contessina would immediately begin talking of Nino, but he was mistaken; she never once referred to the opera or the singer, and except that she looked pale and transparent, and sang with a trifle less interest in her music than usual, there was nothing noticeable in her manner. Indeed, she had every reason to be silent.

Early that morning Nino received by messenger a pretty little note, written in execrable Italian, begging him to come and breakfast with the baroness at twelve, as she much desired to speak with him after his stupendous triumph of the previous night.

Nino is a very good boy, but he is mortal, and after the excitement of the evening he thought nothing could be pleasanter than to spend a few hours in that scented boudoir, among the palms and the beautiful objects and the perfumes, talking with a woman who professed herself ready to help him in his love affair. We have no perfumes or cushions or pretty things at number twenty-seven Santa Catarina dei Funari, though everything is very bright and neat and most proper, and the cat is kept in the kitchen, for the most part. So it is no wonder that he should have preferred to spend the morning with the baroness.

She was half lying, half sitting, in a deep arm-chair, when Nino entered; and she was reading a book. When she saw him she dropped the volume on her knee, and looked up at him from under her lids, without speaking. She must have been a bewitching figure. Nino advanced toward her, bowing low, so that his dark curling hair shaded his face.

"Good-day, signora," said he softly, as though fearing to hurt the quiet air. "I trust I do not interrupt you?"

"You never interrupt me, Nino," she said, "except--except when you go away."

"You are very good, signora."

"For heaven's sake, no pretty speeches," said she, with a little laugh.

"It seems to me," said Nino, seating himself, "that it was you who made the pretty speech, and I who thanked you for it." There was a pause.

"How do you feel!" asked the baroness at last, turning her head to him.

"Grazie--I am well," he answered, smiling.

"Oh, I do not mean that,--you are always well. But how do you enjoy your first triumph?"

"I think," said Nino, "that a real artist ought to have the capacity to enjoy a success at the moment, and the good sense to blame his vanity for enjoying it after it is pa.s.sed."

"How old are you, Nino?"

"Did I never tell you?" he asked innocently. "I shall be twenty-one soon."

"You talk as though you were forty, at least."

"Heaven save us!" quoth Nino.

"But really, are you not immensely flattered at the reception you had?"

"Yes."

"You did not look at all interested in the public at the time," said she, "and that Roman nose of yours very nearly turned up in disdain of the applause, I thought. I wonder what you were thinking of all the while."

"Can you wonder, baronessa?" She knew what he meant, and there was a little look of annoyance in her face when she answered.

"Ah, well, of course not, since _she_ was there." Her ladyship rose, and taking a stick of Eastern pastil from a majolica dish in a corner made Nino light it from a wax taper.

"I want the smell of the sandal-wood this morning," said she; "I have a headache." She was enchanting to look at as she bent her softly-shaded face over the flame to watch the burning perfume. She looked like a beautiful lithe sorceress making a love spell,--perhaps for her own use. Nino turned from her. He did not like to allow the one image he loved to be even for a moment disturbed by the one he loved not, however beautiful. She moved away, leaving the pastil on the dish. Suddenly she paused, and turned back to look at him.

"Why did you come to-day?" she asked.

"Because you desired it," answered Nino, in some astonishment.

"You need not have come," she said, bending down to lean on the back of a silken chair. She folded her hands and looked at him as he stood not three paces away. "Do you not know what has happened?" she asked, with a smile that was a little sad.

"I do not understand," said Nino simply. He was facing the entrance to the room, and saw the curtains parted by the servant. The baroness had her back to the door, and did not hear.

"Do you not know," she continued, "that you are free now? Your appearance in public has put an end to it all. You are not tied to me any longer,--unless you wish it."

As she spoke these words Nino turned white, for under the heavy curtain, lifted to admit her, stood Hedwig von Lira, like a statue, transfixed and immovable from what she had heard. The baroness noticed Nino's look, and springing back to her height from the chair on which she had been leaning, faced the door.

"My dearest Hedwig!" she cried, with a magnificent readiness. "I am so very glad you have come. I did not expect you in the least. Do take off your hat, and stay to breakfast. Ah, forgive me; this is Professor Cardegna. But you know him? Yes; now that I think, we all went to the Pantheon together." Nino bowed low, and Hedwig bent her head.