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A Practical Novelist Part 2

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'Ah!'

Dempster leant against an arm of the tree and regarded Miss Jane blankly. He had arrived from Edinburgh that day at her summons, to meet Mr. Chartres, who was expected in the afternoon, and to prosecute his suit for the hand of Muriel. This was a dash of cold water right in his face. He hadn't a word to say, and scarcely any breath to say one.

'You know Mr. Hay,' Miss Jane said. 'You remember, William used to patronise him.'

'The foundling! Why, the fellow hasn't a penny!' exclaimed Dempster.

'Ah, Mr. Dempster,' said Miss Jane more sweetly than her wont, 'presumption is poverty's next door neighbour, wealth and modesty often go hand in hand.'

Dempster at once applied this aphoristic compliment to himself, as he was intended to do; but he horrified Miss Jane by bowing emphatically in acknowledgment, and he outraged her further by endeavouring to pay her back in kind:

'A thorough acquaintance with the world generally accompanies the single life.'

That was his period, and he imagined he had acquitted himself fairly well. But dissatisfaction lowered in Miss Jane's brow. He proceeded with stammering haste to mend matters:

'Especially the single female--eh--ah----'

An angry flush drew him up. Still, he went at it again headlong, smiling too, and in as suave a tone as he could command:

'Wisdom is an old maid--I mean--Minerva was unmarried.'

Everybody knows people like Mr. Dempster. We are accustomed to their shifting similitudes, their inability to express themselves, their pretensions, and their good nature. In fact, we do not regard them--we do not recognise that they are peculiar; and when we see one of them singled out and reproduced--on the stage, for example--however faithfully, we call it caricature. Miss Jane had a very narrow circle of acquaintances. The Chartreses, indeed, were all proud originals. For several generations they had mingled little in society, preferring to retain their angularities of character in all the ruggedness of nature, rather than submit to the painful process of grinding on the social wheel, by which jagged, dull-veined flints are smoothed and polished. Miss Jane could not tolerate ordinary people. Dempster was the only commonplace character in whom she had any interest. His visits to Snell House had been hitherto few and short, and she had never got accustomed to his genial stupidity. Inept.i.tude with Miss Jane was an almost unpardonable offence. She remembered, however, in the confusion to which he had reduced her, much necessity in the past for self-denial and longsuffering on his account, and, having a real regard for him, she calmed her troubled soul, saying to herself, 'He means well.' And then aloud:

'Now, Mr. Dempster, this is the low wall Muriel speaks of. This letter I found here.'

She pushed aside some large ivy leaves in one of the forks of the elm, and deposited the letter in a deep, natural crevice--the bottom of which was quite invisible, although easily reached by the hand.

'How did you know to search there?' asked Dempster.

'Because I knew Muriel was in love.'

'Did she tell you?'

'No, no; this was the way of it.'

Miss Jane was in her element. She leant against the bole of the tree and folded her arms across her belt.

'I observed that she had acquired a habit of going about with her eyebrows absurdly elevated, with a languishing look in her eyes, and with her lips just touching each other; but evidently ready at a moment's notice to open and sigh, or to compress and kiss. I knew very well what these signs meant in a girl of her age. Just raise your eyebrows, Mr. Dempster.'

Mr. Dempster raised his eyebrows.

'No, no! not to the extent of expressing astonishment, but in this way. See.'

Miss Jane suited the action to the word.

'When you raise your eyebrows that way your eyes can't help a languishing expression. Then this is the way her mouth was.'

Miss Jane made a _moue_.

'If you don't care to do it before me, do it when you are alone, and you will find that raising your eyebrows and looking at nothing, and preparing the lips to open, will produce in you a relaxed, sentimental, self-pitying kind of feeling, which is pretty like what romantic girls feel when they are in love. Of course, in Muriel's case it was the feeling which produced the expression, and not the expression the feeling; but I know very well that an a.s.sumption of the expression can produce the feeling, and that it always conveys the idea of that feeling to those who see it. It's the same with all feelings.'

The whole man Dempster had listened to this exposition, and burst out earnestly, 'Miss Chartres, your experience amazes me! Your observation is that of a keen--eh--ah--observer; and your discernment is truly marvellous!'

He always tried to talk in newspaper paragraphs, but his efforts were seldom attended with the success they merited.

Miss Jane shrugged her shoulders and continued: 'My suspicions were confirmed yesterday. I followed her here and secured this letter. I thought it right that you, as a suitor for Muriel's hand, favoured by me, and doubtless to be favoured by her father, should be informed of the matter.'

'You overpower me with kindness,' blurted Dempster. 'And you'll stand by me, Miss Chartres? You'll be my go-between--I mean my bulwark, my bottle-holder?' He was full of imagery, but he qualified it, saying plaintively: 'I can't express myself lucidly and vividly, like you; but everybody knows I mean well.'

'I think we understand each other, Mr. Dempster,' said Miss Jane, looking at her watch. 'A quarter to five. We'd better go. Muriel will be here immediately. Of course I haven't told her that I have discovered this clandestine correspondence. I shall put the matter into her father's hands this very day, and leave him to deal with her.'

Dempster a.s.sented to this as a wise proceeding. 'It would hardly do to watch the meeting here, I suppose--that is, if there is a meeting,' he said, as they left the wall.

'To play the spy, Mr. Dempster! No, not that.'

The ivy-clad elm in which Miss Jane had found Muriel's letter, and in which she now left it forgetfully, was believed by the school-boys to mark the burial-place of a Roman general. It certainly looked as if it might be fourteen hundred years old, or even as old as the Christian era. It was a worthy peer of the Mongewell, Chipstead, and Spratborough elms, by the h.o.a.ry roughness of its bark, where that could be seen, by its portly waist, and wide-spread arms, drooping gracefully to the ground, by its magnificent cone of foliage, and its fathomless depth of green. How pleasant Muriel found it to stand under, to lean against, to delight her eyes with its shapeliness, and bathe her sight in its ocean of colour! And then, with all its old-world dignity, how tender it was! How safe in its arms she felt! She could think and dream there like Nature herself, conscious and glad that the elm knew all about it. When she forced her way among the drooping boughs up to the mighty bole, she was sure that the tree thrilled with happiness, and she heard it murmuring--murmuring under its spicy breath. No wonder she made it her trysting-tree!

As soon as Miss Jane and Dempster returned to the house, Muriel, who had been lying on the lawn pretending to read a newspaper, arose, and, still apparently engrossed by the news, took a circuitous route to the elm. When she got beyond the range of prying eyes, the deceptive newspaper was folded, and, carrying it in one hand behind her, and in the other swinging by the strings her garden-hat, she sped along, fearful lest Frank should have to wait. Half over the wall she stretched herself, and looked up and down the road. She was first. She leant against the tree and gazed before her. She felt perfectly happy. He was sure to come; and that was the horizon--the end of the world. There was nothing beyond the little quarter of an hour that was dawning like a new era. She would hardly be so happy when he, the sun of it, came to kiss her.

Now she looked out through the screen of leaves, softening the light upon their scabrous cheeks, and showering it like dew from their downy b.r.e.a.s.t.s, and saw, latticed by the wiry, corky branches and bright brown callow twigs, the violet Firth, smooth, velvety, the pasture of white gulls, whose cries come faintly up; glimpses of the opposite sh.o.r.e, with the sparkling houses of the summer towns; the lordly sweep of the entrance to Loch Long; the purple misty crowns of the Cobbler and Ben Donich; and the sky; and a shadow--

'Frank!'

'How glad I am to find you here!' he said. 'I was foolish enough to fear you mightn't come.'

'Why did you doubt? I never missed meeting you yet.'

'Then you expected me! I was sure at the bottom of my heart that you would be here.'

'Did I expect you! What are you thinking of? There's something the matter. How could you possibly be afraid that I mightn't come after I had asked you to meet me?'

'But you didn't ask me.'

'Oh! Did you not get my message?'

'No; and I visited our letter-box last night and this morning.'

She tore her arm from his, and plunged her hand into the fork of the tree. A shock pa.s.sed through her as she felt her letter. She knew in a moment it had been violated. The thought that another than he for whom it was intended had read it thrilled her with an exquisite pang. Her whole face and neck flushed crimson. She drew out the paper, crushed it small, and thrust it into her pocket.

'The mean, shameful spy!' she hissed.

Youth has no mercy in a case of this kind.

'See,' she continued, panting, 'I put it here this morning at eight. It was gone at ten. Now it is here again. The traitor!'

'Is it a man?' asked Frank.

'No! It's----'

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A Practical Novelist Part 2 summary

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