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A Practical Novelist Part 14

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And yet that's too common, especially with lady novelists. I believe you'll hit on some bright course of your own, for you're a capital collaborateur. I must thank you and Muriel for this scene.

I've witnessed it all. Oh, you needn't be ashamed!' for Frank shut his eyes tightly, and Muriel hid her face in her hands. 'You're most delightful young people. The way you answered at once to that soft, warm gust charmed me, charmed me. I understand it all perfectly. I also am at one with nature. Well, good night. Come, Muriel.'

Taking her hand he moved toward the wall. She looked over her shoulder to catch a glance from Frank, but his eyes were still fixed on the ground, and he stood motionless. Quick as a fawn she leapt from Lee's side, and throwing her arms round Frank's neck, cried out loud in a tone mingled of anguish and pity and pa.s.sion, 'I love you!' and he, reanimated by that shout, whispered as Lee s.n.a.t.c.hed her away, 'I'll watch here all night.' That gave her new hope too. She would come to him by some means or other; and she felt so contented as Lee helped her over the wall, and led her in silence to the house, that she wondered at herself.

CHAPTER XI

CONCLUSION

It was nearly eleven o'clock. Lee, Briscoe, Miss Jane, Dempster and Muriel were all in the dining-room, and Dempster was making a speech. It will possibly never be known whether Miss Jane put him up to it or not; if she did she regretted it before he was half done.

'Ladies and gentlemen,' he began, with turgid tongue and desiccated throat, 'you are surprised that I should wish at this late hour to detain you with anything in the shape of a formal speech, however informal it may be.' The introductory sentence had been prepared. 'But,' he continued, staunching a wriggle, 'I--I have something to say. Mr. Chartres, I am neither a Communist nor a Nihilist'--this was to have been a side flourish, but out it came first--'still I would like to remark, in reference to a talk we had this afternoon, that I am of opinion that, if fortunes were things to be inherited by everybody, it might on the whole be better--eh--ah--or worse for society, taking into consideration the fact that wealth produces idleness, and idleness folly, and--eh--ah--sin, it might be better that most people should have to make their fortunes. Eh--ah--I am overwhelmed with a feeling such as one experiences when one gets something one didn't expect.

Comfort, Mr. Chartres, is the greatest necessity of existence--I mean that to be comfortable is always of the greatest consequence, indeed, I may say, the very backbone--eh--ah--of comfort.'

Now there is never the remotest necessity for speech-making, at least in private, although it is daily perpetrated, and unfailingly by wholly incompetent parties. It is like singing in this respect; only those who cannot care to perform. Human nature will never get past it; for there is a law which ordains that whatever one is unfit for must be attempted, especially out of season. What one can't do is the all-important thing. So Dempster reeled on, undeterred by the blank looks of his auditors, and an ominous sparkle in Miss Jane's eye--his body a mere thoroughfare of uninterrupted transmigration for the spirits of all things that crawl and squirm and twist and wriggle.

'And I am now, I am happy to say, exceedingly comfortable. After Muriel refused me I was like a ship in a storm, and so I put into the first port--eh--ah--I mean that I have found a comfortable haven, and I am sure Jane will make a very good wife.'

Amazement stared from every eye, including Miss Jane's. She tried to simper in a dignified manner--but what was the man saying?

'She is like old wine--eh--ah'--he felt Miss Jane's eyes scorching him like burning-gla.s.ses. 'The difference between our ages--eh--ah----' He was now perspiring freely. 'The disadvantage of marrying a girl like Muriel is, that when she grows old'--he made a little halt here, but he was too far gone to draw back; over he went, head first--'when she grows old one would miss her beauty. The great advantage is that one can never miss what has never been there, and--I'll not be interrupted!' mopping his head, and gyrating fiercely; but not daring to meet again Miss Jane's eye, one full glance of which had been more than enough.

'There's n.o.body interrupting you, my dear Mr. Dempster,' said Lee.

'But is it true that you are going to marry my sister?'

'It is--I am!' defiantly, as if he were challenging himself to take so much as one step in an opposite direction.

'I'm very glad. An episode of this kind is refreshing. So unlikely too! One daren't have introduced it into written fiction; but here it has cropped up most beautifully in our little creation. Really, I am much obliged to you both. Now you must allow me to go upstairs and attend to the matters there.'

As soon as Lee had reached the house with Muriel he had gone straight to the room in which Henry Chartres lay; but when he was about to enter, a swift descending step on the stair caught his ear, and drew him away just in time to intercept Briscoe, who had finally determined that, wherever he might go, he must leave Snell House that night. Lee peremptorily bade him stay, or he would accuse him of robbery, and send in pursuit; and Briscoe was forced to submit. Lee had been about to ascend the stair again, when Dempster importunately demanded his presence in the dining-room.

The latter having made his remarkable communication, Lee intended to arrange with Briscoe some definite plan of action; but another delay took place.

On opening the door of the dining-room, Lee was met by Clacher, whom everybody had forgotten.

'Good evening,' said Clacher, doing it 'Englified,' and walking into the room. His face was streaming with perspiration; his eyes were wild with drink and insanity; his hair hung in wisps about his face.

'Ladies and gentlemen, I am Robert Chartres,' he said. He had remembered what he wanted to do 'Englified.'

'I am bonnie Prince Charlie too,' he added, after a pause. 'I don't understand it. I'm afraid I'm mad but I'm not a fool. I am Robert Chartres.'

Everybody looked at Lee.

He said, 'I don't remember being so intensely interested in my life. How can you possibly hope to succeed in this imposture, Clacher?'

'You're an imposture,' cried Clacher fiercely, staggering a little. 'I'm mad, but I'm no jist a fule, an' naebody daur harm me. Ach!' he hissed, grinding his teeth and shaking his wild hair, enraged at himself for failing to do it 'Englified.' 'I am Robert Chartres,' he shouted, throwing back his head. 'The estate's entailed, and it's mine. I'm bonnie Prince Charlie, too,' he added, more quietly.

'Take a seat,' said Lee. 'Let us all sit down again.'

Clacher stumbled into a chair. Miss Jane forgave Dempster with her eyes, and they sat on a couch together. Muriel stood beside a window with one hand wrapped in the curtain. Briscoe sat opposite Lee, who threw himself back on a large chair on one side of the fireplace. Clacher's chair was against the wall, not far from the door.

'Jane,' said Lee, 'I find no resemblance between this gentleman and Robert. Do you?'

'Not the slightest,' said Miss Jane.

'Do yon, Muriel?'

'None.'

'Well, friend,' said Lee, turning to Clacher. 'What have you to say, now?'

'I am Robert Chartres.'

'But none of us recognise you. Recall yourself to our memories in some way.'

'Oh, I'm bonnie Prince Charlie too.'

'That only indicates that you are mad; and a very ordinary madness it is. I am sure there are two or three bonnie Prince Charlies in every lunatic asylum in Scotland.'

'I'm mad, an' naebody daur harm me,' growled Clacher.

'You remember Robert's escapade when he was a boy, Henry?' said Miss Jane.

'To which do you refer? There were so many,' said Lee.

'Oh, not so very many,' said Miss Jane. 'I mean the Inverkip Glen affair.'

'I can't say I do remember it.'

'Oh, you must. You weren't here at the time; but you knew all about it.'

Lee sat up, and swiftly changed his look of anxiety into a far-reaching glance at the past.

'Ah, yes!' he said, dropping back in his chair again.

'Clacher must have heard about it,' said Miss Jane.

'I shouldn't wonder,' said Lee. 'Clacher, do you know about the Inverkip Glen affair?'

'Of course. I'm Robert Chartres. I'm Clacher too, and Bonnie Prince Charlie. I don't know how.'

'Then,' said Lee, 'just tell us about it. Your acquaintance with it may be evidence of your ident.i.ty.'

'The Inverkip Glen business?' said Clacher. 'A'body kens that.

d.a.m.n!' he growled at the Scotch.

'Let us see, now,' said Lee. 'Have you any details that could only be known to Robert and his family?'

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A Practical Novelist Part 14 summary

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