A Popular History of France from the Earliest Times Volume V Part 14

They proclaimed tragedy; it had appeared at last to Corneille; its features, roughly sketched, were nevertheless recognizable. He was already studying Spanish with an old friend of his family, and was working at the _Cid,_ when he brought out his _Illusion Comique,_ a mediocre piece, Corneille's last sacrifice to the taste of his day.

Towards the end of the year 1636, the _Cid_ was played for the first time at Paris. There was a burst of enthusiasm forthwith. "I wish you were here," wrote the celebrated comedian Mondory to Balzac, on the 18th of January, 1637, "to enjoy amongst other pleasures that of the beautiful comedies that are being played, and especially a _Cid_ who has charmed all Paris. So beautiful is he that he has smitten with love all the most virtuous ladies, whose pa.s.sion has many times blazed out in the public theatre. Seated in a body on the benches of the boxes have been seen those who are commonly seen only in gilded chamber and on the seat with the fleurs-de-lis. So great has been the throng at our doors, and our place has turned out so small, that the corners of the theatre, which served at other times as niches for the pageboys, have been given as a favor to blue ribbons, and the scene has been embellished, ordinarily, with the crosses of knights of the order." "It is difficult," says Pellisson, "to imagine with what approbation this piece was received by court and people." It was impossible to tire of seeing it, nothing else was talked of in company; everybody knew some portion by heart; it was taught to children, and in many parts of France it had pa.s.sed into a proverb to say, "Beautiful as the _Cid_." Criticism itself was silenced for a while; carried along in the general twirl, bewildered by its success, the rivals of Corneille appeared to join the throng of his admirers; but they soon recovered their breath, and their first sign of life was an effort of resistance to the torrent which threatened to carry them away; with the exception of Rotrou, who was worthy to comprehend and enjoy Corneille, the revolt was unanimous. The malcontents and the envious had found in Richelieu an eager and a powerful auxiliary.

[Ill.u.s.tration: The Representation of "the Cid."----335]

Many attempts have been made to fathom the causes of the cardinal's animosity to the _Cid_. It was a Spanish piece, and represented in a favorable light the traditional enemies of France and of Richelieu; it was all in honor of the duel which the cardinal had prosecuted with such rigorous justice; it depicted a king simple, patriarchal, genial in the exercise of his power, contrary to all the views cherished by the minister touching royal majesty; all these reasons might have contributed to his wrath, but there was something more personal and petty in its bitterness. In tacit disdain for the work that had been entrusted to him, Corneille had abandoned Richelieu's pieces; he had retired to Rouen; far away from the court, he had only his successes to set against the perfidious insinuations of his rivals. The triumph of the _Cid_ seemed to the resentful spirit of a neglected and irritated patron a sort of insult. Therewith was mingled a certain shade of author's jealousy.

Richelieu saw in the fame of Corneille the success of a rebel. Egged on by base and malicious influences, he attempted to crush him as he had crushed the house of Austria and the Huguenots.

The cabal of bad taste enlisted to a man in this new war. Scudery was standard-bearer; astounded that such fantastic beauties should have seduced knowledge as well as ignorance, and the court as well as the cit, and conjuring decent folks to suspend judgment for a while, and not condemn without a hearing _Sophonisbe, Cesar, Cleopdtre, Hercule, Marianne, Cleomedon,_ and so many other ill.u.s.trious heroes who had charmed them on the stage." Corneille might have been satisfied; his adversaries themselves recognized his great popularity and success.

A singular mixture of haughtiness and timidity, of vigorous imagination and simplicity of judgment! It was by his triumphs that Corneille had become informed of his talents; but, when once aware, he had accepted the conviction thereof as that of those truths which one does not arrive at by one's self absolutely, without explanation, without modification.

"I know my worth, and well believe men's rede of it; I have no need of leagues, to make myself admired; Few voices may be raised for me, but none is hired; To swell th' applause my just ambition seeks no claque, Nor out of holes and corners hunts the hireling pack: Upon the boards, quite self-supported, mount my plays, And every one is free to censure or to praise; There, though no friends expound their views or preach my cause, It hath been many a time my lot to win applause; There, pleased with the success my modest merit won, With brilliant critics' laws I seek to dazzle none; To court and people both I give the same delight, Mine only partisans the verses that I write; To them alone I owe the credit of my pen, To my own self alone the fame I win of men; And if, when rivals meet, I claim equality, Methinks I do no wrong to whosoe'er it be."

"Let him rise on the wings of composition," said La Bruyere, "and he is not below Augustus, Pompey, Nicodemus, Sertorius; he is a king and a great king; he is a politician, he is a philosopher." Modest and bashfnl in what concerns himself, when it has nothing to do with his works and his talents, Corneille, who does not disdain to receive a pension from Cardinal Richelieu, or, in writing to Scudery, to call him "your master and and mine," becomes quite another creature when he defends his genius:

"Leaving full oft the earth, soon as he leaves the goal, With lofty flight he soars into the upper air, Looks down on envious men, and smiles at their despair."

The contest was becoming fierce and bitter; much was written for and against the _Cid;_ the public remained faithful to it; the cardinal determined to submit it to the judgment of the Academy, thus exacting from that body an act of complaisance towards himself as well as an act of independence and authority in the teeth of predominant opinion. At his instigation, Scudery wrote to the Academy to make them the judges in the dispute. "The cardinal's desire was plain to see," says Pellisson; "but the most judicious amongst that body testified a great deal of repugnance to this design. They said that the Academy, which was only in its cradle, ought not to incur odium by a judgment which might perhaps displease both parties, and which could not fail to cause umbrage to one at least, that is to say, to a great part of France; that they were scarcely tolerated, from the mere fancy which prevailed that they pretended to some authority over the French tongue; what would be the case if they proved to have exercised it in respect of a work which had pleased the majority and won the approbation of the people? M. Corneille did not ask for this judgment, and, by the statutes of the Academy, they could only sit in judgment upon a work with the consent and at the entreaty of the author." Corneille did not facilitate the task of the Academicians: he excused himself modestly, protesting that such occupation was not worthy of such a body, that a mere piece (_un libelle_) did not deserve their judgment. . . . "At length, under pressure from M. de Bois-Robert, who gave him pretty plainly to understand what was his master's desire, this answer slipped from him: 'The gentlemen of the Academy can do as they please; since you write me word that my Lord would like to see their judgment, and it would divert his Eminence, I have nothing further to say.'"

These expressions were taken as a formal consent, and as the Academy still excused themselves, " Let those gentlemen know," said the cardinal at last, "that I desire it, and that I shall love them as they love me."

There was nothing for it but to obey. Whilst Bois-Robert was amusing his master by representing before him a parody of the _Cid,_ played by his lackeys and scullions, the Academy was at work drawing up their Sentiments respecting the _Cid_.

Thrice submitted to the cardinal, who thrice sent it back with some strong remarks appended, the judgment of the Academicians did not succeed in satisfying the minister. "What was wanted was the complaisance of submission, what was obtained was only that of grat.i.tude." "I know quite well," says Pellisson, "that his Eminence would have wished to have the _Cid_ more roughly handled, if he had not been adroitly made to understand that a judge must not speak like a party to a suit, and that in proportion as he showed pa.s.sion, he would lose authority."

Balzac, still in retirement at his country-place, made no mistake as to the state of mind either in the Academy or in the world when he wrote to Scudery, who had sent him his _Observations sur le Cid,_ "Reflect, sir, that all France takes sides with M. Corneille, and that there is not one, perhaps, of the judges with whom it is rumored that you have come to an agreement, who has not praised that which you desire him to condemn; so that, though your arguments were incontrovertible and your adversary should acquiesce therein, he would still have the wherewith to give himself glorious consolation for the loss of his case, and be able to tell you that it is something more to have delighted a whole kingdom than to have written a piece according to regulation. This being so, I doubt not that the gentlemen of the Academy will find themselves much hampered in delivering a judgment on your case, and that, on the one hand, your arguments will stagger them, whilst, on the other, the public approbation will keep them in check. You have the best of it in the closet; he has the advantage on the stage. If the _Cid_ be guilty, it is of a crime which has met with reward; if he be punished, it will be after having triumphed; if Plato must banish him from his republic, he must crown him with flowers whilst banishing him, and not treat him worse than he formerly treated Homer."

The Sentiments de l'Academie at last saw the light in the month of December, 1637, and as Chapelain had foreseen, they did not completely satisfy either the cardinal or Scudery, in spite of the thanks which the latter considered himself bound to express to that body, or Corneille, who testified bitter displeasure. "The Academy proceeds against me with so much violence, and employs so supreme an authority to close my mouth, that all the satisfaction I have is to think that this famous production, at which so many fine intellects have been working for six months, may no doubt be esteemed the opinion of the French Academy, but will probably not be the opinion of the rest of Paris. I wrote the _Cid_ for my diversion and that of decent folks who like Comedy. All the favor that the opinion of the Academy can hope for is to make as much way; at any rate, I have had my account settled before them, and I am not at all sure that they can wait for theirs."

Corneille did not care to carry his resentment higher than the Academy.

At the end of December, 1637, when writing to Bois-Robert a letter of thanks for getting him his pension, which he calls "the liberalities of my Lord," he adds, "As you advise me not to reply to the _Sentiments de l'Academie,_ seeing what personages are concerned therein, there is no need of interpreters to understand that; I am somewhat more of this world than Heliodorus was, who preferred to lose his bishopric rather than his book; and I prefer my master's good graces to all the reputations on earth. I shall be mum, then, not from disdain, but from respect."

The great Corneille made no further defence he had become a servitor again; but the public, less docile, persisted in their opinion.

"In vain against the Cid a minister makes league; All Paris, gazing on Chimene, thinks with Rodrigue; In vain to censure her th' Academy aspires; The stubborn populace revolts and still admires; "

said Boileau subsequently.

The dispute was ended, and, in spite of the judgment of the Academy, the cardinal did not come out of it victorious; his anger, however, had ceased: the d.u.c.h.ess of Aiguillon, his niece, accepted the dedication of the _Cid;_ when _Horace_ appeared, in 1639, the dedicatory epistle, addressed to the cardinal, proved that Corneille read his works to him beforehand; the cabal appeared for a while on the point of making head again. "_Horace,_ condemned by the decemvirs, was acquitted by the people," said Corneille. The same year _Cinna_ came to give the finishing touch to the reputation of the great poet:--

"To the persecuted Cid the Cinna owed its birth."

Corneille had withdrawn to the obscurity which suited the simplicity of his habits; the cardinal, it was said, had helped him to get married; he had no longer to defend his works, their fame was amply sufficient.

"Henceforth Corneille walks freely by himself and in the strength of his own powers; the circle of his ideas grows larger, his style grows loftier and stronger, together with his thoughts, and purer, perhaps, without his dreaming of it; a more correct, a more precise expression comes to him, evoked by greater clearness in idea, greater fixity of sentiment; genius, with the mastery of means, seeks new outlets. Corneille writes _Polyeucte_." [_Corneille et son Temps,_ by M. Guizot.]

It was a second revolution accomplished for the upsetting of received ideas, at a time when paganism was to such an extent master of the theatre that, in the midst of an allegory of the seventeenth century, alluding to Gustavus Adolphus and the wars of religion, Richelieu and Desmarets, in the heroic comedy of _Europe,_ dared not mention the name of G.o.d save in the plural. Corneille read his piece at the Hotel Rambouillet. "It was applauded to the extent demanded by propriety and the reputation already achieved by the author," says Fontenelle; "but some days afterwards, M. de Voiture went to call upon M. Corneille, and took a very delicate way of telling him that _Polyeucte_ had not been so successful as he supposed, that the Christianism had been extremely displeasing." "The story is," adds Voltaire, "that all the Hotel Rambouillet, and especially the Bishop of Vence, G.o.deau, condemned the attempt of _Polyeucte_ to overthrow idols." Corneille, in alarm, would have withdrawn the piece from the hands of the comedians who were learning it, and he only left it on the a.s.surance of one of the comedians, who did not play in it because he was too bad an actor.

Posterity has justified the poor comedian against the Hotel Rambouillet; amongst so many of Corneille's masterpieces it has ever given a place apart to _Polyeucte;_ neither the _Saint-Genest_ of Rotrou, nor the _Zaire_ of Voltaire, in spite of their various beauties, have dethroned _Polyeucte;_ in fame as well as in date it remains the first of the few pieces in which Christianism appeared, to gain applause, upon the French cla.s.sic stage.

[Ill.u.s.tration: Corneille at the Hotel Rambouillet---342]

Richelieu was no longer there to lay his commands upon the court and upon the world: he was dead, without having been forgiven by Corneille:--

"Of our great cardinal let men speak as they will, By me, in prose or verse, they shall not be withstood; He did me too much good for me to say him ill, He did me too much ill for me to say him good!"

The great literary movement of the seventeenth century had begun; it had no longer any need of a protector; it was destined to grow up alone during twenty years, amidst troubles at home and wars abroad, to flourish all at once, with incomparable splendor, under the reign and around the throne of Louis XIV. Cardinal Richelieu, however, had the honor of protecting its birth; he had taken personal pleasure in it; he had comprehended its importance and beauty; he had desired to serve it whilst taking the direction of it. Let us end, as we began, with the judgment of La Bruyere: "Compare yourselves, if you dare, with the great Richelieu, you men devoted to fortune, you who say that you know nothing, that you have read nothing, that you will read nothing. Learn that Cardinal Richelieu did know, did read; I say not that he had no estrangement from men of letters, but that he loved them, caressed them, favored them, that he contrived privileges for them, that he appointed pensions for them, that he united them in a celebrated body, and that he made of them the French Academy."

The Academy, the Sorbonne, the Botanic Gardens (_Jardin des Plantes_), the King's Press have endured; the theatre has grown and been enriched by many masterpieces, the press has become the most dreaded of powers; all the new forces that Richelieu created or foresaw have become developed without him, frequently in opposition to him and to the work of his whole life; his name has remained connected with the commencement of all these wonders, beneficial or disastrous, which he had grasped and presaged, in a future happily concealed from his ken.

CHAPTER XLIII.----LOUIS XIV., THE FRONDE, AND THE GOVERNMENT OF CARDINAL MAZARIN. (1643-1661.)

[Ill.u.s.tration: LOUIS XIV.----344]

Louis XIII. had never felt confidence in the queen his wife; and Cardinal Richelieu had fostered that sentiment which promoted his views. When M.

de Chavigny came, on Anne of Austria's behalf, to a.s.sure the dying king that she had never had any part in the conspiracy of Chalais, or dreamt of espousing Monsieur in case she was left a widow, Louis XIII.

answered, "Considering the state I am in, I am bound to forgive her, but not to believe her." He did not believe her, he never had believed her, and his declaration touching the Regency was entirely directed towards counteracting by antic.i.p.ation the power intrusted to his wife and his brother. The queen's regency and the Duke of Orleans' lieutenant- generalship were in some sort subordinated to a council composed of the Prince of Conde, Cardinal Mazarin, Chancellor Seguier, Superintendent Bouthillier, and Secretary of State Chavigny, "with a prohibition against introducing any change therein, for any cause or on any occasion whatsoever." The queen and the Duke of Orleans had signed and sworn the declaration.

King Louis XIII. was not yet in his grave when his last wishes were violated; before his death the queen had made terms with the ministers; the course to be followed had been decided. On the 18th of May, 1643, the queen, having brought back the little king to Paris, conducted him in great state to the Parliament of Paris to hold his bed of justice there.

The boy sat down and said with a good grace that he had come to the Parliament to testify his good will to it, and that his chancellor would say the rest. The Duke of Orleans then addressed the queen. "The honor of the regency is the due altogether of your Majesty," said he, "not only in your capacity of mother, but also for your merits and virtues; the regency having been confined to you by the deceased king, and by the consent of all the grandees of the realm, I desire no other part in affairs than that which it may please your Majesty to give me, and I do not claim to take any advantage from the special clauses contained in the declaration." The Prince of Condo said much the same thing, but with less earnestness, and on the evening of the same day the queen regent, having sole charge of the administration of affairs, and modifying the council at her pleasure, announced to the astounded court that she should retain by her Cardinal Mazarin. Not a word had been said about him at the Parliament; the courtiers believed that he was on the point of leaving France; but the able Italian, attractive as he was subtle, had already found a way to please the queen. She retained as chief of her council the heir to the traditions of Richelieu, and deceived the hopes of the party of Importants, those meddlers of the court at whose head marched the Duke of Beaufort, all puffed up with the confidence lately shown to him by her Majesty. Potier, Bishop of Beauvais, the queen's confidant during her troubles, "expected to be all-powerful in the state; he sought out the Duke of Orleans and the Prince of Conde, promising them governorships of places, and, generally, anything they might desire.

He thought he could set the affairs of state going as easily as he could his parish-priests; but the poor prelate came down from his high hopes when he saw that the cardinal was advancing more and more in the queen's confidence, and that, for him, too much was already thought to have been done in according him admittance to the council, whilst flattering him with a hope of the purple." [_Memoires de Brienne,_ ii. 37.]

Cardinal Mazarin soon sent him off to his diocese. Continuing to humor all parties, and displaying foresight and prudence, the new minister was even now master. Louis XIII., without any personal liking, had been faithful to Richelieu to the death; with different feelings, Anne of Austria was to testify the same constancy towards Mazarin.

A stroke of fortune came at the very first to strengthen the regent's position. Since the death of Cardinal Richelieu, the Spaniards, but recently overwhelmed at the close df 1642, had recovered courage and boldness; new counsels prevailed at the court of Philip IV., who had dismissed Olivarez; the house of Austria vigorously resumed the offensive; at the moment of Louis XIII.'s death, Don Francisco de Mello, governor of the Low Countries, had just invaded French territory by way of the Ardennes, and laid siege to Rocroi, on the 12th of May. The French army was commanded by the young Duke of Enghien, the Prince of Conde's son, scarcely twenty-two years old; Louis XIII. had given him as his lieutenant and director the veteran Marshal de l'Hopital; and the latter feared to give battle. The Duke of Enghien, who "was dying with impatience to enter the enemy's country, resolved to accomplish by address what he could not carry by authority. He opened his heart to Ga.s.sion alone. As he was a man who saw nothing but what was easy even in the most dangerous deeds, he had very soon brought matters to the point that the prince desired. Marshal de l'Hopital found himself imperceptibly so near the Spaniards that it was impossible for him any longer to hinder an engagement." [_Relation de 31 de la Houssaye._] The army was in front of Rocroi, and out of the dangerous defile which led to the place, without any idea on the part of the marshal and the army that Louis XIII. was dead. The Duke of Enghien, who had received the news, had kept it secret. He had merely said in the tone of a master "that he meant to fight, and would answer for the issue. His orders given, he pa.s.sed along the ranks of his army with an air which communicated to it the same impatience that he himself felt to see the night over, in order to begin the battle. He pa.s.sed the whole of it at the camp-fire of the officers of Picardy." In the morning "it was necessary to rouse from deep slumber this second Alexander. Mark him as he flies to victory or death! As soon as he had kindled from rank to rank the ardor with which he was animated, he was seen, in almost the same moment, driving in the enemy's right, supporting ours that wavered, rallying the half-beaten French, putting to flight the victorious Spaniards, striking terror everywhere, and dumbfounding with his flashing looks those who escaped from his blows. There remained that dread infantry of the army of Spain, whose huge battalions, in close order, like so many towers, but towers that could repair their breaches, remained unshaken amidst all the rest of the rout, and delivered their fire on all sides. Thrice the young conqueror tried to break these fearless warriors; thrice he was driven knack by the valiant Count of Fuentes, who was seen carried about in his chair, and, in spite of his infirmities, showing that a warrior's soul is mistress of the body it animates. But yield they must: in vain through the woods, with his cavalry all fresh, does Beck rush down to fall upon our exhausted men the prince has been beforehand with him; the broken battalions cry for quarter, but the victory is to be more terrible than the fight for the Duke of Enghien. Whilst with easy mien he advances to receive the parole of these brave fellows, they, watchful still, apprehend the surprise of a fresh attack; their terrible volley drives our men mad; there is nothing to be seen but slaughter; the soldier is drunk with blood, till that great prince, who could not bear to see such lions butchered like so many sheep, calmed excited pa.s.sions, and to the pleasure of victory joined that of mercy. He would willingly have saved the life of the brave Count of Fuentes, but found him lying amidst thousands of the dead whose loss is still felt by Spain. The prince bends the knee, and, on the field of battle, renders thanks to the G.o.d of armies for the victory he hath given him. Then were there rejoicings over Rocroi delivered, the threats of a dread enemy converted to their shame, the regency strengthened, France at rest, and a reign, which was to be so n.o.ble, commenced with such happy augury." [Bossuet, _Oraison funebre de Louis de Bourbon, Prince de Conde._] Victory or death, below the cross of Burgundy, was borne upon most of the standards taken from the Imperialists; and "indeed," says the Gazette de France, "the most part were found dead in the ranks where they had been posted. Which was n.o.bly brought home by one of the prisoners to our captains when, being asked how many there had been of them, he replied, "Count the dead."

Conde was worthy to fight such enemies, and Bossuet to recount their defeat. "The prince was a born captain," said Cardinal de Retz. And all France said so with him, on hearing of the victory of Rocroi.

The delight was all the keener in the queen's circle, because the house of Conde openly supported Cardinal Mazarin, bitterly attacked as he was by the Importants, who accused him of reviving the tyranny of Richelieu.

[Ill.u.s.tration: The Great Conde----348]

A ditty on the subject was current in the streets of Paris:--

"He is not dead, he is but changed of age, The cardinal, at whom men gird with rage, But all his household make thereat great cheer; It pleaseth not full many a chevalier They fain had brought him to the lowest stage.

Beneath his wing came all his lineage, By the same art whereof he made usage And, by my faith, 'tis still their day, I fear.

He is not dead.

"Hush! we are mum, because we dread the cage For he's at court--this eminent personage There to remain of years to come a score.

Ask those Importants, would you fain know more And they will say in dolorous language, 'He is not dead.'"

And indeed, on pretext offered by a feminine quarrel between the young d.u.c.h.ess of Longueville, daughter of the Prince of Conde, and the d.u.c.h.ess of Montbazon, the Duke of Beaufort and some of his friends resolved to a.s.sa.s.sinate the cardinal. The attempt was a failure, but the Duke of Beaufort, who was arrested on the 2d of September, was taken to the castle of Vincennes. Madame de Chevreuse, recently returned to court, where she would fain have exacted from the queen the reward for her services and her past sufferings, was sent into exile, as well as the Duke of Vendome. Madame d'Hautefort, but lately summoned by Anne of Austria to be near her, was soon involved in the same disgrace. Proud and compa.s.sionate, without any liking for Mazarin, she was daring enough, during a trip to Vincennes, to ask pardon for the Duke of Beaufort.

"The queen made no answer, and, the collation being served, Madame d'Hautefort, whose heart was full, ate nothing; when she was asked why, she declared that she could not enjoy anything in such close proximity to that poor boy." The queen could not put up with reproaches; and she behaved with extreme coldness to Madame d'Hautefort. One day, at bedtime, her ill temper showed itself so plainly, that the old favorite could no longer be in doubt about the queen's sentiments. As she softly closed the curtains, "I do a.s.sure you, Madame," she said, "that if I had served G.o.d with as much attachment and devotion as I have your Majesty all my life, I should be a great saint." And, raising her eyes to the crucifix, she added, "Thou knowest, Lord, what I have done for her." The queen let her go to the convent where Mademoiselle de la Fayette had taken refuge ten years before. Madame d'Hautefort left it ere long to become the wife of Marshal Schomberg; but the party of the Importants was dead, and the power of Cardinal Mazarin seemed to be firmly established.

"It was not the thing just then for any decent man to be on bad terms with the court," says Cardinal de Retz.

Negotiations for a general peace, the preliminaries whereof had been signed by King Louis XIII. in 1641, had been going on since 1644 at Munster and at Osnabriick, without having produced any result; the Duke of Enghien, who became Prince of Conde in 1646, was keeping up the war in Flanders and Germany, with the co-operation of Viscount Turenne, younger brother of the Duke of Bouillon, and, since Rocroi, a marshal of France. The capture of Thionville and of Dunkerque, the victories of Friburg and Nordlingen, the skilful opening effected in Germany as far as Augsburg by the French and the Swedes, had raised so high the reputation of the two generals, that the Prince of Conde, who was haughty and ambitious, began to cause great umbrage to Mazarin. Fear of having him unoccupied deterred the cardinal from peace, and made all the harder the conditions he presumed to impose upon the Spaniards. Meanwhile the United Provinces, weary of a war which fettered their commerce, and skilfully courted by their old masters, had just concluded a private treaty with Spain; the emperor was trying, but to no purpose, to detach the Swedes likewise from the French alliance, when the victory of Lens, gained on the 20th of August, 1648, over Archduke Leopold and General Beck, came to throw into the balance the weight of a success as splendid as it was unexpected; one more campaign, and Turenne might be threatening Vienna whilst Conde entered Brussels; the emperor saw there was no help for it, and bent his head. The house of Austria split in two; Spain still refused to treat with France, but the whole of Germany clamored for peace; the conditions of it were at last drawn up at Munster by MM.