A Modern Utopia Part 3

We wander under the trees by the main road, watching the dim pa.s.sers-by as though they were the phantoms of a dream. We say little to one another. We turn aside into a little pathway and come to a bridge over the turbulent Reuss, hurrying down towards the Devil's Bridge in the gorge below. Far away over the Furka ridge a pallid glow preludes the rising of the moon.

Two lovers pa.s.s us whispering, and we follow them with our eyes.

This Utopia has certainly preserved the fundamental freedom, to love. And then a sweet-voiced bell from somewhere high up towards Oberalp chimes two-and-twenty times.

I break the silence. "That might mean ten o'clock," I say.

My companion leans upon the bridge and looks down into the dim river below. I become aware of the keen edge of the moon like a needle of incandescent silver creeping over the crest, and suddenly the river is alive with flashes.

He speaks, and astonishes me with the hidden course his thoughts have taken.

"We two were boy and girl lovers like that," he says, and jerks a head at the receding Utopians. "I loved her first, and I do not think I have ever thought of loving anyone but her."

It is a curiously human thing, and, upon my honour, not one I had designed, that when at last I stand in the twilight in the midst of a Utopian township, when my whole being should be taken up with speculative wonder, this man should be standing by my side, and lugging my attention persistently towards himself, towards his limited futile self. This thing perpetually happens to me, this intrusion of something small and irrelevant and alive, upon my great impressions. The time I first saw the Matterhorn, that Queen among the Alpine summits, I was distracted beyond appreciation by the tale of a man who could not eat sardines--always sardines did this with him and that; and my first wanderings along the brown streets of Pompeii, an experience I had antic.i.p.ated with a strange intensity, was shot with the most stupidly intelligent discourse on vehicular tariffs in the chief capitals of Europe that it is possible to imagine. And now this man, on my first night in Utopia, talks and talks and talks of his poor little love affair.

It shapes itself as the most trite and feeble of tragedies, one of those stories of effortless submission to chance and custom in which Mr. Hardy or George Gissing might have found a theme. I do but half listen at first--watching the black figures in the moonlit roadway pacing to and fro. Yet--I cannot trace how he conveys the subtle conviction to my mind--the woman he loves is beautiful.

They were boy and girl together, and afterwards they met again as fellow students in a world of comfortable discretions. He seems to have taken the decorums of life with a confiding good faith, to have been shy and innocent in a suppressed sort of way, and of a mental type not made for worldly successes; but he must have dreamt about her and loved her well enough. How she felt for him I could never gather; it seemed to be all of that fleshless friendliness into which we train our girls. Then abruptly happened stresses. The man who became her husband appeared, with a very evident pa.s.sion. He was a year or so older than either of them, and he had the habit and quality of achieving his ends; he was already successful, and with the promise of wealth, and I, at least, perceived, from my botanist's phrasing, that his desire was for her beauty.

As my botanist talked I seemed to see the whole little drama, rather clearer than his words gave it me, the actors all absurdly in Hampstead middle-cla.s.s raiment, meetings of a Sunday after church (the men in silk hats, frock coats, and tightly-rolled umbrellas), rare excursions into evening dress, the decorously vulgar fiction read in their homes, its ambling sentimentalities of thought, the amiably worldly mothers, the respectable fathers, the aunts, the "people"--his "people" and her "people"--the piano music and the song, and in this setting our friend, "quite clever" at botany and "going in" for it "as a profession," and the girl, gratuitously beautiful; so I figured the arranged and orderly environment into which this claw of an elemental force had thrust itself to grip.

The stranger who had come in got what he wanted; the girl considered that she thought she had never loved the botanist, had had only friendship for him--though little she knew of the meaning of those fine words--they parted a little incoherently and in tears, and it had not occurred to the young man to imagine she was not going off to conventional life in some other of the endless Frognals he imagined as the cellular tissue of the world.

But she wasn't.

He had kept her photograph and her memory sweet, and if ever he had strayed from the severest constancy, it seemed only in the end to strengthen with the stuff of experience, to enhance by comparative disappointment his imagination of what she might have meant to him.... Then eight years afterwards they met again.

By the time he gets to this part of his story we have, at my initiative, left the bridge and are walking towards the Utopian guest house. The Utopian guest house! His voice rises and falls, and sometimes he holds my arm. My attention comes and goes.

"Good-night," two sweet-voiced Utopians cry to us in their universal tongue, and I answer them "Good-night."

"You see," he persists, "I saw her only a week ago. It was in Lucerne, while I was waiting for you to come on from England. I talked to her three or four times altogether. And her face--the change in her! I can't get it out of my head--night or day. The miserable waste of her...."

Before us, through the tall pine stems, shine the lights of our Utopian inn.

He talks vaguely of ill-usage. "The husband is vain, boastful, dishonest to the very confines of the law, and a drunkard. There are scenes and insults----"

"She told you?"

"Not much, but someone else did. He brings other women almost into her presence to spite her."

"And it's going on?" I interrupt.

"Yes. _Now_."

"Need it go on?"

"What do you mean?"

"Lady in trouble," I say. "Knight at hand. Why not stop this dismal grizzling and carry her off?" (You figure the heroic sweep of the arm that belongs to the Voice.) I positively forget for the moment that we are in Utopia at all.

"You mean?"

"Take her away from him! What's all this emotion of yours worth if it isn't equal to that!"

Positively he seems aghast at me.

"Do you mean elope with her?"

"It seems a most suitable case."

For a s.p.a.ce he is silent, and we go on through the trees. A Utopian tram-car pa.s.ses and I see his face, poor bitted wretch! looking pinched and scared in its trailing glow of light.

"That's all very well in a novel," he says. "But how could I go back to my laboratory, mixed cla.s.ses with young ladies, you know, after a thing like that? How could we live and where could we live? We might have a house in London, but who would call upon us? ... Besides, you don't know her. She is not the sort of woman.... Don't think I'm timid or conventional. Don't think I don't feel.... Feel! _You_ don't know what it is to feel in a case of this sort...."

He halts and then flies out viciously: "Ugh! There are times when I could strangle him with my hands."

Which is nonsense.

He flings out his lean botanising hands in an impotent gesture.

"My dear Man!" I say, and say no more.

For a moment I forget we are in Utopia altogether.

Section 5

Let us come back to Utopia. We were speaking of travel.

Besides roadways and railways and tramways, for those who go to and fro in the earth the Modern Utopians will have very many other ways of travelling. There will be rivers, for example, with a vast variety of boats; ca.n.a.ls with diverse sorts of haulage; there will be lakes and lagoons; and when one comes at last to the borders of the land, the pleasure craft will be there, coming and going, and the swift great pa.s.senger vessels, very big and steady, doing thirty knots an hour or more, will trace long wakes as they go dwindling out athwart the restless vastness of the sea.

They will be just beginning to fly in Utopia. We owe much to M.

Santos Dumont; the world is immeasurably more disposed to believe this wonder is coming, and coming nearly, than it was five years ago. But unless we are to suppose Utopian scientific knowledge far in advance of ours--and though that supposition was not proscribed in our initial undertaking, it would be inconvenient for us and not quite in the vein of the rest of our premises--they, too, will only be in the same experimental stage as ourselves. In Utopia, however, they will conduct research by the army corps while we conduct it--we don't conduct it! We let it happen. Fools make researches and wise men exploit them--that is our earthly way of dealing with the question, and we thank Heaven for an a.s.sumed abundance of financially impotent and sufficiently ingenious fools.

In Utopia, a great mult.i.tude of selected men, chosen volunteers, will be collaborating upon this new step in man's struggle with the elements. Bacon's visionary House of Saloman [Footnote: In The New Atlantis.] will be a thing realised, and it will be humming with this business. Every university in the world will be urgently working for priority in this aspect of the problem or that. Reports of experiments, as full and as prompt as the telegraphic reports of cricket in our more sportive atmosphere, will go about the world.

All this will be pa.s.sing, as it were, behind the act drop of our first experience, behind this first picture of the urbanised Urseren valley. The literature of the subject will be growing and developing with the easy swiftness of an eagle's swoop as we come down the hillside; unseen in that twilight, unthought of by us until this moment, a thousand men at a thousand glowing desks, a busy specialist press, will be perpetually sifting, criticising, condensing, and clearing the ground for further speculation. Those who are concerned with the problems of public locomotion will be following these aeronautic investigations with a keen and enterprising interest, and so will the physiologist and the sociologist. That Utopian research will, I say, go like an eagle's swoop in comparison with the blind-man's fumbling of our terrestrial way. Even before our own brief Utopian journey is out, we may get a glimpse of the swift ripening of all this activity that will be in progress at our coming. To-morrow, perhaps, or in a day or so, some silent, distant thing will come gliding into view over the mountains, will turn and soar and pa.s.s again beyond our astonished sight....

Section 6

But my friend and his great trouble turn my mind from these questions of locomotion and the freedoms that cl.u.s.ter about them. In spite of myself I find myself framing his case. He is a lover, the most conventional of Anglican lovers, with a heart that has had its training, I should think, in the clean but limited schoolroom of Mrs. Henry Wood....

In Utopia I think they will fly with stronger pinions, it will not be in the superficialities of life merely that movement will be wide and free, they will mount higher and swoop more steeply than he in his cage can believe. What will their range be, their prohibitions?

what jars to our preconceptions will he and I receive here?

My mind flows with the free, thin flow that it has at the end of an eventful day, and as we walk along in silence towards our inn I rove from issue to issue, I find myself ranging amidst the fundamental things of the individual life and all the perplexity of desires and pa.s.sions. I turn my questionings to the most difficult of all sets of compromises, those mitigations of spontaneous freedom that const.i.tute the marriage laws, the mystery of balancing justice against the good of the future, amidst these violent and elusive pa.s.sions. Where falls the balance of freedoms here? I pa.s.s for a time from Utopianising altogether, to ask the question that, after all, Schopenhauer failed completely to answer, why sometimes in the case of hurtful, pointless, and destructive things we want so vehemently....

I come back from this unavailing glance into the deeps to the general question of freedoms in this new relation. I find myself far adrift from the case of the Frognal botanist, and asking how far a modern Utopia will deal with personal morals.

As Plato demonstrated long ago, the principles of the relation of State control to personal morals may be best discussed in the case of intoxication, the most isolated and least complicated of all this group of problems. But Plato's treatment of this issue as a question of who may or may not have the use of wine, though suitable enough in considering a small State in which everybody was the effectual inspector of everybody, is entirely beside the mark under modern conditions, in which we are to have an extraordinarily higher standard of individual privacy and an amplitude and quant.i.ty of migration inconceivable to the Academic imagination. We may accept his principle and put this particular freedom (of the use of wine) among the distinctive privileges of maturity, and still find all that a modern would think of as the Drink Question untouched.