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A Modern Instance Part 2

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She leaned forward, and lightly caught it away from him, and made a feint of tearing it. He seized her hands. "Mr. Hubbard!" she cried, in undertone.

"Let me go, please."

"On two conditions,--promise not to tear up my letter, and promise to answer it in writing."

She hesitated long, letting him hold her wrists. At last she said, "Well,"

and he released her wrists, on whose whiteness his clasp left red circles.

She wrote a single word on the paper, and pushed it across the table to him. He rose with it, and went around to her side.

"This is very nice. But you haven't spelled it correctly. Anybody would say this was No, to look at it; and you meant to write Yes. Take the pencil in your hand, Miss g.a.y.l.o.r.d, and I will steady your trembling nerves, so that you can form the characters. Stop! At the slightest resistance on your part, I will call out and alarm the house; or I will--." He put the pencil into her fingers, and took her soft fist into his, and changed the word, while she submitted, helpless with her smothered laughter. "Now the address. Dear--"

"No, no!" she protested.

"Yes, yes! Dear Mr. Hubbard. There, that will do. Now the signature.

Yours--"

"I _won't_ write that. I won't, indeed!"

"Oh, yes, you will. You only think you won't. Yours gratefully, Marcia g.a.y.l.o.r.d. That's right. The g.a.y.l.o.r.d is not very legible, on account of a slight tremor in the writer's arm, resulting from a constrained posture, perhaps. Thanks, Miss g.a.y.l.o.r.d. I will be here promptly at the hour indicated--"

The noises renewed themselves overhead,--some one seemed to be moving about. Hubbard laid his hand on that of the girl, still resting on the table, and grasped it in burlesque alarm; she could scarcely stifle her mirth. He released her hand, and, reaching his chair with a theatrical stride, sat there cowering till the noises ceased. Then he began to speak soberly, in a low voice. He spoke of himself; but in application of a lecture which they had lately heard, so that he seemed to be speaking of the lecture. It was on the formation of character, and he told of the processes by which he had formed his own character. They appeared very wonderful to her, and she marvelled at the ease with which he dismissed the frivolity of his recent mood, and was now all seriousness. When he came to speak of the influence of others upon him, she almost trembled with the intensity of her interest. "But of all the women I have known, Marcia," he said, "I believe you have had the strongest influence upon me. I believe you could make me do anything; but you have always influenced me for good; your influence upon me has been enn.o.bling and elevating."

She wished to refuse his praise; but her heart throbbed for bliss and pride in it; her voice dissolved on her lips. They sat in silence; and he took in his the hand that she let hang over the side of her chair. The lamp began to burn low, and she found words to say, "I had better get another," but she did not move.

"No, don't," he said; "I must be going, too. Look at the wick, there, Marcia; it scarcely reaches the oil. In a little while it will not reach it, and the flame will die out. That is the way the ambition to be good and great will die out of me, when my life no longer draws its inspiration from your influence."

This figure took her imagination; it seemed to her very beautiful; and his praise humbled her more and more.

"Good night," he said, in a low, sad voice. He gave her hand a last pressure, and rose to put on his coat. Her admiration of his words, her happiness in his flattery, filled her brain like wine. She moved dizzily as she took up the lamp to light him to the door. "I have tired you," he said, tenderly, and he pa.s.sed his hand around her to sustain the elbow of the arm with which she held the lamp; she wished to resist, but she could not try.

At the door he bent down his head and kissed her. "Good night, dear--friend."

"Good night," she panted; and after the door had closed upon him, she stooped and kissed the k.n.o.b on which his hand had rested.

As she turned, she started to see her father coming down the stairs with a candle in his hand. He had his black cravat tied around his throat, but no collar; otherwise, he had on the rusty black clothes in which he ordinarily went about his affairs,--the ca.s.simere pantaloons, the satin vest, and the dress-coat which old-fashioned country lawyers still wore ten years ago, in preference to a frock or sack. He stopped on one of the lower steps, and looked sharply down into her uplifted face, and, as they stood confronted, their consanguinity came out in vivid resemblances and contrasts; his high, hawk-like profile was translated into the fine aquiline outline of hers; the harsh rings of black hair, now grizzled with age, which cl.u.s.tered tightly over his head, except where they had retreated from his deeply seamed and wrinkled forehead, were the crinkled flow above her smooth white brow; and the line of the bristly tufts that overhung his eyes was the same as that of the low arches above hers. Her complexion was from her mother; his skin was dusky yellow; but they had the same mouth, and hers showed how sweet his mouth must have been in his youth. His eyes, deep sunk in their cavernous sockets, had rekindled their dark fires in hers; his whole visage, softened to her s.e.x and girlish years, looked up at him in his daughter's face.

"Why, father! Did we wake you?"

"No. I hadn't been asleep at all. I was coming down to read. But it's time you were in bed, Marcia."

"Yes, I'm going, now. There's a good fire in the parlor stove."

The old man descended the remaining steps, but turned at the parlor door, and looked again at his daughter with a glance that arrested her, with her foot on the lowest stair.

"Marcia," he asked, grimly, "are you engaged to Bartley Hubbard?"

The blood flashed up from her heart into her face like fire, and then, as suddenly, fell back again, and left her white. She let her head droop and turn, till her eyes were wholly averted from him, and she did not speak. He closed the door behind him, and she went upstairs to her own room; in her shame, she seemed to herself to crawl thither, with her father's glance burning upon her.

II.

Bartley Hubbard drove his sorrel colt back to the hotel stable through the moonlight, and woke up the hostler, asleep behind the counter, on a bunk covered with buffalo-robes. The half-grown boy did not wake easily; he conceived of the affair as a joke, and bade Bartley quit his fooling, till the young man took him by his collar, and stood him on his feet. Then he fumbled about the b.u.t.ton of the lamp, turned low and smelling rankly, and lit his lantern, which contributed a rival stench to the choking air. He kicked together the embers that smouldered on the hearth of the Franklin stove, sitting down before it for his greater convenience, and, having put a fresh pine-root on the fire, fell into a doze, with his lantern in his hand. "Look here, young man!" said Bartley, shaking him by the shoulder, "you had better go out and put that colt up, and leave this sleeping before the fire to me."

"Guess the colt can wait awhile," grumbled the boy; but he went out, all the same, and Bartley, looking through the window, saw his lantern wavering, a yellow blot in the white moonshine, toward the stable. He sat down in the hostler's chair, and, in his turn, kicked the pine-root with the heel of his shoe, and looked about the room. He had had, as he would have said, a grand good time; but it had left him hungry, and the table in the middle of the room, with the chairs huddled around it, was suggestive, though he knew that it had been barrenly put there for the convenience of the landlord's friends, who came every night to play whist with him, and that nothing to eat or drink had ever been set out on it to interrupt the austere interest of the game. It was long since there had been anything on the shelves behind the counter more cheerful than corn-b.a.l.l.s and fancy crackers for the children of the summer boarders; these dainties being out of season, the jars now stood there empty. The young man waited in a hungry reverie, in which it appeared to him that he was undergoing unmerited suffering, till the stable-boy came back, now wide awake, and disposed to let the house share his vigils, as he stamped over the floor in his heavy boots.

"Andy," said Bartley, in a pathetic tone of injury, "can't you scare me up something to eat?"

"There aint anything in the b.u.t.tery but meat-pie," said the boy.

He meant mince-pie, as Hubbard knew, and not a pasty of meat; and the hungry man hesitated. "Well, fetch it," he said, finally. "I guess we can warm it up a little by the coals here."

He had not been so long out of college but the idea of this irregular supper, when he had once formed it, began to have its fascination. He took up the broad fire-shovel, and, by the time the boy had shuffled to and from the pantry beyond the dining-room, Bartley had cleaned the shovel with a piece of newspaper and was already heating it by the embers which he had raked out from under the pine-root. The boy silently transferred the half-pie he had brought from its plate to the shovel. He pulled up a chair and sat down to watch it. The pie began to steam and send out a savory odor; he himself, in thawing, emitted a stronger and stronger smell of stable. He was not without his disdain for the palate which must have its mince-pie warm at midnight,--nor without his respect for it, either. This fastidious taste must be part of the splendor which showed itself in Mr.

Hubbard's city-cut clothes, and in his neck-scarfs and the perfection of his finger-nails and mustache. The boy had felt the original impression of these facts deepened rather than effaced by custom; they were for every day, and not, as he had at first conjectured, for some great occasion only.

"You don't suppose, Andy, there is such a thing as cold tea or coffee anywhere, that we could warm up?" asked Bartley, gazing thoughtfully at the pie.

The boy shook his head. "Get you some milk," he said; and, after he had let the dispiriting suggestion sink into the other's mind, he added, "or some water."

"Oh, bring on the milk," groaned Bartley, but with the relief that a choice of evils affords. The boy stumped away for it, and when he came back the young man had got his pie on the plate again, and had drawn his chair up to the table. "Thanks," he said, with his mouth full, as the boy set down the goblet of milk. Andy pulled his chair round so as to get an unrestricted view of a man who ate his pie with his fork as easily as another would with a knife. "That sister of yours is a smart girl," the young man added, making deliberate progress with the pie.

The boy made an inarticulate sound of satisfaction, and resolved in his heart to tell her what Mr. Hubbard had said.

"She's as smart as time," continued Bartley.

This was something concrete. The boy knew he should remember that comparison. "Bring you anything else?" he asked, admiring the young man's skill in getting the last flakes of the crust on his fork. The pie had now vanished.

"Why, there isn't anything else, is there?" Bartley demanded, with the plaintive dismay of a man who fears he has flung away his hunger upon one dish when he might have had something better.

"Cheese," replied the boy.

"Oh!" said Bartley. He reflected awhile. "I suppose I could toast a piece on this fork. But there isn't any more milk."

The boy took away the plate and goblet, and brought them again replenished.

Bartley contrived to get the cheese on his fork and rest it against one of the andirons so that it would not fall into the ashes. When it was done, he ate it as he had eaten the pie, without offering to share his feast with the boy. "There'" he said. "Yes, Andy, if she keeps on as she's been doing, she won't have any trouble. She's a bright girl." He stretched his legs before the fire again, and presently yawned.

"Want your lamp, Mr. Hubbard?" asked the boy.

"Well, yes, Andy," the young man consented. "I suppose I may as well go to bed."

But when the boy brought his lamp, he still remained with outstretched legs in front of the fire. Speaking of Hannah Morrison made him think of Marcia again, and of the way in which she had spoken of the girl. He lolled his head on one side in such comfort as a young man finds in the conviction that a pretty girl is not only fond of him, but is instantly jealous of any other girl whose name is mentioned. He smiled at the flame in his reverie, and the boy examined, with clandestine minuteness, the set and pattern of his trousers, with glances of reference and comparison to his own.

There were many things about his relations with Marcia g.a.y.l.o.r.d which were calculated to give Bartley satisfaction. She was, without question, the prettiest girl in the place, and she had more style than any other girl began to have. He liked to go into a room with Marcia g.a.y.l.o.r.d; it was some pleasure. Marcia was a lady; she had a good education; she had been away two years at school; and, when she came back at the end of the second winter, he knew that she had fallen in love with him at sight. He believed that he could time it to a second. He remembered how he had looked up at her as he pa.s.sed, and she had reddened, and tried to turn away from the window as if she had not seen him. Bartley was still free as air; but if he could once make up his mind to settle down in a hole like Equity, he could have her by turning his hand. Of course she had her drawbacks, like everybody. She was proud, and she would be jealous; but, with all her pride and her distance, she had let him see that she liked him; and with not a word on his part that any one could hold him to.

"Hollo!" he cried, with a suddenness that startled the boy, who had finished his meditation upon Bartley's trousers, and was now deeply dwelling on his boots. "Do you like 'em? See what sort of a shine you can give 'em for Sunday-go-to-meeting to-morrow morning." He put out his hand and laid hold of the boy's head, pa.s.sing his fingers through the thick red hair. "Sorrel-top!" he said, with a grin of agreeable reminiscence. "They emptied all the freckles they had left into your face,--didn't they, Andy?"

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A Modern Instance Part 2 summary

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