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A Love Story Part 30

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The wind came howling down from the black volcanic looking ridges--then swept tempestuously through some deep ravine.

On either side the road, tall red poles presented themselves, a guide to the traveller during winter's snows; while, in one exposed gully, were built large stone embankments for his protection--as a Latin inscription intimated--from the violence of the gales.

Few signs of life appeared.

Here and there, her white kerchief shading a sun-burnt face, a young Bolognese shepherd girl might be seen on some gra.s.sy ledge, waving her hand coquettishly; while her neglected flock, with tinkling bell, browsed on the edge of the precipice. As they neared Bologna, however, the scenery changed.

Festoons of grapes, trained to leafy elms, began to appear--white villas chequered the suburbs--and it was with a pleasurable feeling, that they neared the peculiar looking city, with its leaning towers, and old facades. It is the only one, where the Englishman recals Mrs, Ratcliffe's harrowing tales; and half expects to see a Schedoni, advancing from some covered portico.

The next day found them in the Bolognese gallery, which is the first which duly impresses the traveller, coming from the north, with the full powers of the art.

The soul of music seems to dwell in the face of the St. Cecilia; and the cup of maternal anguish to be filled to the brim, as in Guide's Murder of the Innocents, the mother clasps to her arms the terrified babe, and strives to flee from the ruthless destroyer.

It was on the fourth morning from their arrival in Bologna, that they approached the poet's "mansion and his sepulchre."

As they threaded the green windings of vine covered hills, these gradually a.s.sumed a bolder outline, and, rising in separate cones, formed a sylvan amphitheatre round the lovely village of Arqua.

The road made an abrupt ascent to the Fontana Petrarca. A large ruined arch spanned a fine spring, that rushes down the green slope.

In the church-yard, on the right, is the tomb of Petrarch.

Its peculiarly bold elevation--the numberless thrilling a.s.sociations connected with the poet--gave a tone and character to the whole scene. The chiaro-scuro of the landscape, was from the light of his genius--the shade of his tomb.

The day was lovely--warm, but not oppressive. The soft green of the hills and foliage, checked the glare of the flaunting sunbeams.

The brothers left the carriage to gaze on the sarcophagus of red marble, raised on pilasters; and could not help deeming even the indifferent bronze bust of Petrarch, which surmounts this, to be a superfluous ornament in such a scene.

The surrounding landscape--the dwelling place of the poet--his tomb facing the heavens, and disdaining even the shadow of trees--the half-effaced inscription of that hallowed shrine--all these seemed appropriate, and melted the gazer's heart.

How useless! how intrusive! are the superfluous decorations of art, amid the simpler scenes of nature.

Ornament is here misplaced. The feeling heart regrets its presence at the time, and attempts, albeit in vain, to banish it from after recollections.

George could not restrain his tears, for he thought of the dead; and they silently followed their guide to Petrarch's house, now partly used as a granary. Pa.s.sing through two or three unfinished rooms, whose walls were adorned with rude frescoes of the lover and his mistress, they were shown into Petrarch's chamber, damp and untenanted.

In the closet adjoining, were the chair and table consecrated by the poet.

There did he sit--and write--and muse--and die!

George turned to a tall narrow window, and looked out on a scene, fair and luxuriant as the garden of Eden.

The rich fig trees, with their peculiar small, high scented fruit, mixed with the vines that cl.u.s.tered round the lattice.

The round heads of the full bearing peach trees, dipped down in a leafy slope beneath a gra.s.sy walk;--and this thicket of fruit was charmingly enlivened, by bunches of the scarlet pomegranate, now in the pride of their blossom.

The poet's garden alone was neglected--rank herbage choking up its uncultivated flowers.

A thousand thoughts filled the mind of George Delme.

He thought of Laura! of his own Acme!

With swimming glance, he looked round the chamber.

It was almost without furniture, and without ornament. In a niche, and within a gla.s.s case, was placed the skeleton of a dumb favourite of Petrarch's.

Suddenly George Delme felt a faintness stealing over him:--and he turned to bare his forehead, to catch the slight breeze from below redolent of sweets.

This did not relieve him.

A sharp pain across the chest, and a fluttering at the heart, as of a bird struggling to be free, succeeded this faintness.

Another rush of blood to the head:--and a snap, as of some tendon, was distinctly felt by the sufferer.

His mouth filled with blood.

A small blood-vessel had burst, and temporary insensibility ensued.

Sir Henry was wholly unprepared for this scene.

a.s.sisted by Thompson, he bore him to the carriage--sprinkled his face with water--and administered cordials.

George's recovery was speedy; and it almost seemed, as if the rupture of the vessel had been caused by the irregular circulation, for no further bad effects were felt at the time.

The loss of blood, however, evidently weakened him; and his spasms henceforward were more frequent.

He became less able to undergo fatigue; and his mind, probably in connection with the nervous system, became more than ordinarily excited.

There was no longer wildness in his actions; but in his thoughts and language, was developed a poetical eccentricity--a morbid sympathy with surrounding scenes and impressions, which kept Sir Henry Delme in a constant state of alarm,--and which was very remarkable.

"What! at Mestre already, Pietro?" said Sir Henry.

"Even so, Signore! and here is the gondola to take you on to Venice."

"Well, Pietro! you must not fail to come and see us at the inn."

The vetturino touched his hat, with the air of a man who would be very sorry _not_ to see them.

It was not long ere the glittering prow of the gondola pointed to Venice.

Before the travellers, rose ocean's Cybele; springing from the waters, like some fairy city, described to youthful ear by aged lip.

The fantastic dome of St. Mark--the Palladian churches--the columned palaces--the sable gondolas shooting through the ca.n.a.ls--made its aspect, as is its reality, unique in the world.

"Beautiful, beautiful city!" said George, his eye lighting up as he spoke, "thou dost indeed look a city of the heart--a resting place for a wearied spirit. And our gondola, Henry, should be of burnished silver; and those afar--so noiselessly cutting their way through the gla.s.sy surface--those should be angels with golden wings; and, instead of an oar flashing freely, a snowy wand of mercy should beat back the kissing billows.

"And Acme, with her George, should sit on the crystal cushion of glory--and we would wait expectant for you a long long time--and then you should join us, Henry, with dear Emily.

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A Love Story Part 30 summary

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