A London Life and Other Tales Part 2

The girl looked over her head a moment. 'Why do your men marry for money?'

'Why indeed, my dear? And before your troubles what used your father to give you for your personal expenses?'

'He gave us everything we asked--we had no particular allowance.'

'And I daresay you asked for everything?' said Lady Davenant.

'No doubt we were very dressy, as you say.'

'No wonder he went bankrupt--for he did, didn't he?'

'He had dreadful reverses but he only sacrificed himself--he protected others.'

'Well, I know nothing about these things and I only ask _pour me renseigner_,' Mrs. Berrington's guest went on. 'And after their reverses your father and mother lived I think only a short time?'

Laura Wing had covered herself again with her mantle; her eyes were now bent upon the ground and, standing there before her companion with her umbrella and her air of momentary submission and self-control, she might very well have been a young person in reduced circ.u.mstances applying for a place. 'It was short enough but it seemed--some parts of it--terribly long and painful. My poor father--my dear father,' the girl went on. But her voice trembled and she checked herself.

'I feel as if I were cross-questioning you, which G.o.d forbid!' said Lady Davenant. 'But there is one thing I should really like to know. Did Lionel and his wife, when you were poor, come freely to your a.s.sistance?'

'They sent us money repeatedly--it was _her_ money of course. It was almost all we had.'

'And if you have been poor and know what poverty is tell me this: has it made you afraid to marry a poor man?'

It seemed to Lady Davenant that in answer to this her young friend looked at her strangely; and then the old woman heard her say something that had not quite the heroic ring she expected. 'I am afraid of so many things to-day that I don't know where my fears end.'

'I have no patience with the highstrung way you take things. But I have to know, you know.'

'Oh, don't try to know any more shames--any more horrors!' the girl wailed with sudden pa.s.sion, turning away.

Her companion got up, drew her round again and kissed her. 'I think you would fidget me,' she remarked as she released her. Then, as if this were too cheerless a leave-taking, she added in a gayer tone, as Laura had her hand on the door: 'Mind what I tell you, my dear; let her go!'

It was to this that the girl's lesson in philosophy reduced itself, she reflected, as she walked back to Mellows in the rain, which had now come on, through the darkening park.

II

The children were still at tea and poor Miss Steet sat between them, consoling herself with strong cups, crunching melancholy morsels of toast and dropping an absent gaze on her little companions as they exchanged small, loud remarks. She always sighed when Laura came in--it was her way of expressing appreciation of the visit--and she was the one person whom the girl frequently saw who seemed to her more unhappy than herself. But Laura envied her--she thought her position had more dignity than that of her employer's dependent sister. Miss Steet had related her life to the children's pretty young aunt and this personage knew that though it had had painful elements nothing so disagreeable had ever befallen her or was likely to befall her as the odious possibility of her sister's making a scandal. She had two sisters (Laura knew all about them) and one of them was married to a clergyman in Staffordshire (a very ugly part) and had seven children and four hundred a year; while the other, the eldest, was enormously stout and filled (it was a good deal of a squeeze) a position as matron in an orphanage at Liverpool.

Neither of them seemed destined to go into the English divorce-court, and such a circ.u.mstance on the part of one's near relations struck Laura as in itself almost sufficient to const.i.tute happiness. Miss Steet never lived in a state of nervous anxiety--everything about her was respectable. She made the girl almost angry sometimes, by her drooping, martyr-like air: Laura was near breaking out at her with, 'Dear me, what have you got to complain of? Don't you earn your living like an honest girl and are you obliged to see things going on about you that you hate?'

But she could not say things like that to her, because she had promised Selina, who made a great point of this, that she would never be too familiar with her. Selina was not without her ideas of decorum--very far from it indeed; only she erected them in such queer places. She was not familiar with her children's governess; she was not even familiar with the children themselves. That was why after all it was impossible to address much of a remonstrance to Miss Steet when she sat as if she were tied to the stake and the f.a.gots were being lighted. If martyrs in this situation had tea and cold meat served them they would strikingly have resembled the provoking young woman in the schoolroom at Mellows. Laura could not have denied that it was natural she should have liked it better if Mrs. Berrington would _sometimes_ just look in and give a sign that she was pleased with her system; but poor Miss Steet only knew by the servants or by Laura whether Mrs. Berrington were at home or not: she was for the most part not, and the governess had a way of silently intimating (it was the manner she put her head on one side when she looked at Scratch and Parson--of course _she_ called them Geordie and Ferdy) that she was immensely handicapped and even that they were.

Perhaps they were, though they certainly showed it little in their appearance and manner, and Laura was at least sure that if Selina had been perpetually dropping in Miss Steet would have taken that discomfort even more tragically. The sight of this young woman's either real or fancied wrongs did not diminish her conviction that she herself would have found courage to become a governess. She would have had to teach very young children, for she believed she was too ignorant for higher flights. But Selina would never have consented to that--she would have considered it a disgrace or even worse--a _pose_. Laura had proposed to her six months before that she should dispense with a paid governess and suffer _her_ to take charge of the little boys: in that way she should not feel so completely dependent--she should be doing something in return. 'And pray what would happen when you came to dinner? Who would look after them then?' Mrs. Berrington had demanded, with a very shocked air. Laura had replied that perhaps it was not absolutely necessary that she should come to dinner--she could dine early, with the children; and that if her presence in the drawing-room should be required the children had their nurse--and what did they have their nurse for? Selina looked at her as if she was deplorably superficial and told her that they had their nurse to dress them and look after their clothes--did she wish the poor little ducks to go in rags? She had her own ideas of thoroughness and when Laura hinted that after all at that hour the children were in bed she declared that even when they were asleep she desired the governess to be at hand--that was the way a mother felt who really took an interest. Selina was wonderfully thorough; she said something about the evening hours in the quiet schoolroom being the proper time for the governess to 'get up' the children's lessons for the next day. Laura Wing was conscious of her own ignorance; nevertheless she presumed to believe that she could have taught Geordie and Ferdy the alphabet without antic.i.p.atory nocturnal researches. She wondered what her sister supposed Miss Steet taught them--whether she had a cheap theory that they were in Latin and algebra.

The governess's evening hours in the quiet schoolroom would have suited Laura well--so at least she believed; by touches of her own she would make the place even prettier than it was already, and in the winter nights, near the bright fire, she would get through a delightful course of reading. There was the question of a new piano (the old one was pretty bad--Miss Steet had a finger!) and perhaps she should have to ask Selina for that--but it would be all. The schoolroom at Mellows was not a charmless place and the girl often wished that she might have spent her own early years in so dear a scene. It was a sort of panelled parlour, in a wing, and looked out on the great cushiony lawns and a part of the terrace where the peac.o.c.ks used most to spread their tails.

There were quaint old maps on the wall, and 'collections'--birds and sh.e.l.ls--under gla.s.s cases, and there was a wonderful pictured screen which old Mrs. Berrington had made when Lionel was young out of primitive woodcuts ill.u.s.trative of nursery-tales. The place was a setting for rosy childhood, and Laura believed her sister never knew how delightful Scratch and Parson looked there. Old Mrs. Berrington had known in the case of Lionel--it had all been arranged for him. That was the story told by ever so many other things in the house, which betrayed the full perception of a comfortable, liberal, deeply domestic effect, addressed to eternities of possession, characteristic thirty years before of the unquestioned and unquestioning old lady whose sofas and 'corners' (she had perhaps been the first person in England to have corners) demonstrated the most of her cleverness.

Laura Wing envied English children, the boys at least, and even her own chubby nephews, in spite of the cloud that hung over them; but she had already noted the incongruity that appeared to-day between Lionel Berrington at thirty-five and the influences that had surrounded his younger years. She did not dislike her brother-in-law, though she admired him scantily, and she pitied him; but she marvelled at the waste involved in some human inst.i.tutions (the English country gentry for instance) when she perceived that it had taken so much to produce so little. The sweet old wainscoted parlour, the view of the garden that reminded her of scenes in Shakespeare's comedies, all that was exquisite in the home of his forefathers--what visible reference was there to these fine things in poor Lionel's stable-stamped composition? When she came in this evening and saw his small sons making compet.i.tive noises in their mugs (Miss Steet checked this impropriety on her entrance) she asked herself what _they_ would have to show twenty years later for the frame that made them just then a picture. Would they be wonderfully ripe and n.o.ble, the perfection of human culture? The contrast was before her again, the sense of the same curious duplicity (in the literal meaning of the word) that she had felt at Plash--the way the genius of such an old house was all peace and decorum and the spirit that prevailed there, outside of the schoolroom, was contentious and impure. She had often been struck with it before--with that perfection of machinery which can still at certain times make English life go on of itself with a stately rhythm long after there is corruption within it.

She had half a purpose of asking Miss Steet to dine with her that evening downstairs, so absurd did it seem to her that two young women who had so much in common (enough at least for that) should sit feeding alone at opposite ends of the big empty house, melancholy on such a night. She would not have cared just now whether Selina did think such a course familiar: she indulged sometimes in a kind of angry humility, placing herself near to those who were laborious and sordid. But when she observed how much cold meat the governess had already consumed she felt that it would be a vain form to propose to her another repast. She sat down with her and presently, in the firelight, the two children had placed themselves in position for a story. They were dressed like the mariners of England and they smelt of the ablutions to which they had been condemned before tea and the odour of which was but partly overlaid by that of bread and b.u.t.ter. Scratch wanted an old story and Parson a new, and they exchanged from side to side a good many powerful arguments. While they were so engaged Miss Steet narrated at her visitor's invitation the walk she had taken with them and revealed that she had been thinking for a long time of asking Mrs. Berrington--if she only had an opportunity--whether she should approve of her giving them a few elementary notions of botany. But the opportunity had not come--she had had the idea for a long time past. She was rather fond of the study herself; she had gone into it a little--she seemed to intimate that there had been times when she extracted a needed comfort from it. Laura suggested that botany might be a little dry for such young children in winter, from text-books--that the better way would be perhaps to wait till the spring and show them out of doors, in the garden, some of the peculiarities of plants. To this Miss Steet rejoined that her idea had been to teach some of the general facts slowly--it would take a long time--and then they would be all ready for the spring. She spoke of the spring as if it would not arrive for a terribly long time. She had hoped to lay the question before Mrs. Berrington that week--but was it not already Thursday? Laura said, 'Oh yes, you had better do anything with the children that will keep them profitably occupied;' she came very near saying anything that would occupy the governess herself.

She had rather a dread of new stories--it took the little boys so long to get initiated and the first steps were so terribly bestrewn with questions. Receptive silence, broken only by an occasional rectification on the part of the listener, never descended until after the tale had been told a dozen times. The matter was settled for 'Riquet with the Tuft,' but on this occasion the girl's heart was not much in the entertainment. The children stood on either side of her, leaning against her, and she had an arm round each; their little bodies were thick and strong and their voices had the quality of silver bells. Their mother had certainly gone too far; but there was nevertheless a limit to the tenderness one could feel for the neglected, compromised bairns. It was difficult to take a sentimental view of them--they would never take such a view of themselves. Geordie would grow up to be a master-hand at polo and care more for that pastime than for anything in life, and Ferdy perhaps would develop into 'the best shot in England.' Laura felt these possibilities stirring within them; they were in the things they said to her, in the things they said to each other. At any rate they would never reflect upon anything in the world. They contradicted each other on a question of ancestral history to which their attention apparently had been drawn by their nurse, whose people had been tenants for generations. Their grandfather had had the hounds for fifteen years--Ferdy maintained that he had always had them. Geordie ridiculed this idea, like a man of the world; he had had them till he went into volunteering--then he had got up a magnificent regiment, he had spent thousands of pounds on it. Ferdy was of the opinion that this was wasted money--he himself intended to have a real regiment, to be a colonel in the Guards. Geordie looked as if he thought that a superficial ambition and could see beyond it; his own most definite view was that he would have back the hounds. He didn't see why papa didn't have them--unless it was because he wouldn't take the trouble.

'I know--it's because mamma is an American!' Ferdy announced, with confidence.

'And what has that to do with it?' asked Laura.

'Mamma spends so much money--there isn't any more for anything!'

This startling speech elicited an alarmed protest from Miss Steet; she blushed and a.s.sured Laura that she couldn't imagine where the child could have picked up such an extraordinary idea. 'I'll look into it--you may be sure I'll look into it,' she said; while Laura told Ferdy that he must never, never, never, under any circ.u.mstances, either utter or listen to a word that should be wanting in respect to his mother.

'If any one should say anything against any of my people I would give him a good one!' Geordie shouted, with his hands in his little blue pockets.

'I'd hit him in the eye!' cried Ferdy, with cheerful inconsequence.

'Perhaps you don't care to come to dinner at half-past seven,' the girl said to Miss Steet; 'but I should be very glad--I'm all alone.'

'Thank you so much. All alone, really?' murmured the governess.

'Why don't you get married? then you wouldn't be alone,' Geordie interposed, with ingenuity.

'Children, you are really too dreadful this evening!' Miss Steet exclaimed.

'I shan't get married--I want to have the hounds,' proclaimed Geordie, who had apparently been much struck with his brother's explanation.

'I will come down afterwards, about half-past eight, if you will allow me,' said Miss Steet, looking conscious and responsible.

'Very well--perhaps we can have some music; we will try something together.'

'Oh, music--_we_ don't go in for music!' said Geordie, with clear superiority; and while he spoke Laura saw Miss Steet get up suddenly, looking even less alleviated than usual. The door of the room had been pushed open and Lionel Berrington stood there. He had his hat on and a cigar in his mouth and his face was red, which was its common condition.

He took off his hat as he came into the room, but he did not stop smoking and he turned a little redder than before. There were several ways in which his sister-in-law often wished he had been very different, but she had never disliked him for a certain boyish shyness that was in him, which came out in his dealings with almost all women. The governess of his children made him uncomfortable and Laura had already noticed that he had the same effect upon Miss Steet. He was fond of his children, but he saw them hardly more frequently than their mother and they never knew whether he were at home or away. Indeed his goings and comings were so frequent that Laura herself scarcely knew: it was an accident that on this occasion his absence had been marked for her.

Selina had had her reasons for wishing not to go up to town while her husband was still at Mellows, and she cherished the irritating belief that he stayed at home on purpose to watch her--to keep her from going away. It was her theory that she herself was perpetually at home--that few women were more domestic, more glued to the fireside and absorbed in the duties belonging to it; and unreasonable as she was she recognised the fact that for her to establish this theory she must make her husband sometimes see her at Mellows. It was not enough for her to maintain that he would see her if he were sometimes there himself.

Therefore she disliked to be caught in the crude fact of absence--to go away under his nose; what she preferred was to take the next train after his own and return an hour or two before him. She managed this often with great ability, in spite of her not being able to be sure when he _would_ return. Of late however she had ceased to take so much trouble, and Laura, by no desire of the girl's own, was enough in the confidence of her impatiences and perversities to know that for her to have wished (four days before the moment I write of) to put him on a wrong scent--or to keep him at least off the right one--she must have had something more dreadful than usual in her head. This was why the girl had been so nervous and why the sense of an impending catastrophe, which had lately gathered strength in her mind, was at present almost intolerably pressing: she knew how little Selina could afford to be more dreadful than usual.

Lionel startled her by turning up in that unexpected way, though she could not have told herself when it would have been natural to expect him. This att.i.tude, at Mellows, was left to the servants, most of them inscrutable and incommunicative and erect in a wisdom that was founded upon telegrams--you couldn't speak to the butler but he pulled one out of his pocket. It was a house of telegrams; they crossed each other a dozen times an hour, coming and going, and Selina in particular lived in a cloud of them. Laura had but vague ideas as to what they were all about; once in a while, when they fell under her eyes, she either failed to understand them or judged them to be about horses. There were an immense number of horses, in one way and another, in Mrs. Berrington's life. Then she had so many friends, who were always rushing about like herself and making appointments and putting them off and wanting to know if she were going to certain places or whether she would go if they did or whether she would come up to town and dine and 'do a theatre.' There were also a good many theatres in the existence of this busy lady. Laura remembered how fond their poor father had been of telegraphing, but it was never about the theatre: at all events she tried to give her sister the benefit or the excuse of heredity. Selina had her own opinions, which were superior to this--she once remarked to Laura that it was idiotic for a woman to write--to telegraph was the only way not to get into trouble. If doing so sufficed to keep a lady out of it Mrs.

Berrington's life should have flowed like the rivers of Eden.

III

Laura, as soon as her brother-in-law had been in the room a moment, had a particular fear; she had seen him twice noticeably under the influence of liquor; she had not liked it at all and now there were some of the same signs. She was afraid the children would discover them, or at any rate Miss Steet, and she felt the importance of not letting him stay in the room. She thought it almost a sign that he should have come there at all--he was so rare an apparition. He looked at her very hard, smiling as if to say, 'No, no, I'm not--not if you think it!' She perceived with relief in a moment that he was not very bad, and liquor disposed him apparently to tenderness, for he indulged in an interminable kissing of Geordie and Ferdy, during which Miss Steet turned away delicately, looking out of the window. The little boys asked him no questions to celebrate his return--they only announced that they were going to learn botany, to which he replied: 'Are you, really? Why, I never did,' and looked askance at the governess, blushing as if to express the hope that she would let him off from carrying that subject further. To Laura and to Miss Steet he was amiably explanatory, though his explanations were not quite coherent. He had come back an hour before--he was going to spend the night--he had driven over from Churton--he was thinking of taking the last train up to town. Was Laura dining at home? Was any one coming? He should enjoy a quiet dinner awfully.

'Certainly I'm alone,' said the girl. 'I suppose you know Selina is away.'

'Oh yes--I know where Selina is!' And Lionel Berrington looked round, smiling at every one present, including Scratch and Parson. He stopped while he continued to smile and Laura wondered what he was so much pleased at. She preferred not to ask--she was sure it was something that wouldn't give _her_ pleasure; but after waiting a moment her brother-in-law went on: 'Selina's in Paris, my dear; that's where Selina is!'