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'Because somebody has stood nearer to you to-night than I.'
'A fogy like him!--half as old again as either of us! How can you mind him? What shall I do to show you that I do not for a moment let him come between me and you?'
'It is not for me to suggest what you should do. Though what you should permit ME to do is obvious enough.'
She dropped her voice: 'You mean, permit you to do really and in earnest what he only seemed to do in the play.'
Somerset signified by a look that such had been his thought.
Paula was silent. 'No,' she murmured at last. 'That cannot be. He did not, nor must you.'
It was said none the less decidedly for being spoken low.
'You quite resent such a suggestion: you have a right to. I beg your pardon, not for speaking of it, but for thinking it.'
'I don't resent it at all, and I am not offended one bit. But I am not the less of opinion that it is possible to be premature in some things; and to do this just now would be premature. I know what you would say--that you would not have asked it, but for that unfortunate improvisation of it in the play. But that I was not responsible for, and therefore owe no reparation to you now.... Listen!'
'Paula--Paula! Where in the world are you?' was heard resounding along the corridor in the voice of her aunt. 'Our friends are all ready to leave, and you will surely bid them good-night!'
'I must be gone--I won't ring for you to be shown out--come this way.'
'But how will you get on in repeating the play tomorrow evening if that interpolation is against your wish?' he asked, looking her hard in the face.
'I'll think it over during the night. Come to-morrow morning to help me settle. But,' she added, with coy yet genial independence, 'listen to me. Not a word more about a--what you asked for, mind! I don't want to go so far, and I will not--not just yet anyhow--I mean perhaps never.
You must promise that, or I cannot see you again alone.'
'It shall be as you request.'
'Very well. And not a word of this to a soul. My aunt suspects: but she is a good aunt and will say nothing. Now that is clearly understood, I should be glad to consult with you tomorrow early. I will come to you in the studio or Pleasance as soon as I am disengaged.'
She took him to a little chamfered doorway in the corner, which opened into a descending turret; and Somerset went down. When he had unfastened the door at the bottom, and stepped into the lower corridor, she asked, 'Are you down?' And on receiving an affirmative reply she closed the top door.
X.
Somerset was in the studio the next morning about ten o'clock superintending the labours of Knowles, Bowles, and c.o.c.kton, whom he had again engaged to a.s.sist him with the drawings on his appointment to carry out the works. When he had set them going he ascended the staircase of the great tower for some purpose that bore upon the forthcoming repairs of this part. Pa.s.sing the door of the telegraph-room he heard little sounds from the instrument, which somebody was working.
Only two people in the castle, to the best of his knowledge, knew the trick of this; Miss Power, and a page in her service called John. Miss De Stancy could also despatch messages, but she was at Myrtle Villa.
The door was closed, and much as he would have liked to enter, the possibility that Paula was not the performer led him to withhold his steps. He went on to where the uppermost masonry had resisted the mighty hostility of the elements for five hundred years without receiving worse dilapidation than half-a-century produces upon the face of man. But he still wondered who was telegraphing, and whether the message bore on housekeeping, architecture, theatricals, or love.
Could Somerset have seen through the panels of the door in pa.s.sing, he would have beheld the room occupied by Paula alone.
It was she who sat at the instrument, and the message she was despatching ran as under:--
'Can you send down a competent actress, who will undertake the part of Princess of France in "Love's Labour's Lost" this evening in a temporary theatre here? Dresses already provided suitable to a lady about the middle height. State price.'
The telegram was addressed to a well-known theatrical agent in London.
Off went the message, and Paula retired into the next room, leaving the door open between that and the one she had just quitted. Here she busied herself with writing some letters, till in less than an hour the telegraph instrument showed signs of life, and she hastened back to its side. The reply received from the agent was as follows:--
'Miss Barbara Bell of the Regent's Theatre could come. Quite competent.
Her terms would be about twenty-five guineas.'
Without a moment's pause Paula returned for answer:--
'The terms are quite satisfactory.'
Presently she heard the instrument again, and emerging from the next room in which she had pa.s.sed the intervening time as before, she read:--
'Miss Barbara Bell's terms were accidentally understated. They would be forty guineas, in consequence of the distance. Am waiting at the office for a reply.'
Paula set to work as before and replied:--
'Quite satisfactory; only let her come at once.'
She did not leave the room this time, but went to an arrow-slit hard by and gazed out at the trees till the instrument began to speak again.
Returning to it with a leisurely manner, implying a full persuasion that the matter was settled, she was somewhat surprised to learn that,
'Miss Bell, in stating her terms, understands that she will not be required to leave London till the middle of the afternoon. If it is necessary for her to leave at once, ten guineas extra would be indispensable, on account of the great inconvenience of such a short notice.'
Paula seemed a little vexed, but not much concerned she sent back with a readiness scarcely politic in the circ.u.mstances:--
'She must start at once. Price agreed to.'
Her impatience for the answer was mixed with curiosity as to whether it was due to the agent or to Miss Barbara Bell that the prices had grown like Jack's Bean-stalk in the negotiation. Another telegram duly came:--
'Travelling expenses are expected to be paid.'
With decided impatience she dashed off:--
'Of course; but nothing more will be agreed to.'
Then, and only then, came the desired reply:--
'Miss Bell starts by the twelve o'clock train.'
This business being finished, Paula left the chamber and descended into the inclosure called the Pleasance, a spot gra.s.sed down like a lawn.
Here stood Somerset, who, having come down from the tower, was looking on while a man searched for old foundations under the sod with a crowbar. He was glad to see her at last, and noticed that she looked serene and relieved; but could not for the moment divine the cause.
Paula came nearer, returned his salutation, and regarded the man's operations in silence awhile till his work led him to a distance from them.
'Do you still wish to consult me?' asked Somerset.
'About the building perhaps,' said she. 'Not about the play.'
'But you said so?'
'Yes; but it will be unnecessary.'