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"Haven't you learned that yet, Edith?"
"I want you to go away."
"Very well," he said quietly, but his face whitened visibly.
"You say that as if you had been expecting it."
"I have. I knew from the beginning that when this was over you would dislike me for having seen you suffer. I have grown my Gethsemane in a full realization of what was coming, but I could not leave you, Edith, so long as it seemed to me that I was serving you. Does it make any difference to you where I go?"
"I want you where you will be loved, and good care taken of you."
"Thank you!" said Henderson, smiling grimly. "Have you any idea where such a spot might be found?"
"It should be with your sister at Los Angeles. She always has seemed very fond of you."
"That is quite true," said Henderson, his eyes brightening a little. "I will go to her. When shall I start?"
"At once."
Henderson began to tack for the landing, but his hands shook until he scarcely could manage the boat. Edith Carr sat watching him indifferently, but her heart was throbbing painfully. "Why is there so much suffering in the world?" she kept whispering to herself. Inside her door Henderson took her by the shoulders almost roughly.
"For how long is this, Edith, and how are you going to say good-bye to me?"
She raised tired, pain-filled eyes to his.
"I don't know for how long it is," she said. "It seems now as if it had been a slow eternity. I wish to my soul that G.o.d would be merciful to me and make something 'snap' in my heart, as there did in Phil's, that would give me rest. I don't know for how long, but I'm perfectly shameless with you, Hart. If peace ever comes and I want you, I won't wait for you to find it out yourself, I'll cable, Marconigraph, anything. As for how I say good-bye; any way you please, I don't care in the least what happens to me."
Henderson studied her intently.
"In that case, we will shake hands," he said. "Good-bye, Edith. Don't forget that every hour I am thinking of you and hoping all good things will come to you soon."
CHAPTER XXV
WHEREIN PHILIP FINDS ELNORA, AND EDITH CARR OFFERS A YELLOW EMPEROR
"Oh, I need my own violin," cried Elnora. "This one may be a thousand times more expensive, and much older than mine; but it wasn't inspired and taught to sing by a man who knew how. It doesn't know 'beans,' as mother would say, about the Limberlost."
The guests in the O'More music-room laughed appreciatively.
"Why don't you write your mother to come for a visit and bring yours?"
suggested Freckles.
"I did that three days ago," acknowledged Elnora. "I am half expecting her on the noon boat. That is one reason why this violin grows worse every minute. There is nothing at all the matter with me."
"Splendid!" cried the Angel. "I've begged and begged her to do it. I know how anxious these mothers become. When did you send? What made you?
Why didn't you tell me?"
"'When?' Three days ago. 'What made me?' You. 'Why didn't I tell you?'
Because I can't be sure in the least that she will come. Mother is the most individual person. She never does what every one expects she will.
She may not come, and I didn't want you to be disappointed."
"How did I make you?" asked the Angel.
"Loving Alice. It made me realize that if you cared for your girl like that, with Mr. O'More and three other children, possibly my mother, with no one, might like to see me. I know I want to see her, and you had told me to so often, I just sent for her. Oh, I do hope she comes! I want her to see this lovely place."
"I have been wondering what you thought of Mackinac," said Freckles.
"Oh, it is a perfect picture, all of it! I should like to hang it on the wall, so I could see it whenever I wanted to; but it isn't real, of course; it's nothing but a picture."
"These people won't agree with you," smiled Freckles.
"That isn't necessary," retorted Elnora. "They know this, and they love it; but you and I are acquainted with something different. The Limberlost is life. Here it is a carefully kept park. You motor, sail, and golf, all so secure and fine. But what I like is the excitement of choosing a path carefully, in the fear that the quagmire may reach out and suck me down; to go into the swamp naked-handed and wrest from it treasures that bring me books and clothing, and I like enough of a fight for things that I always remember how I got them. I even enjoy seeing a canny old vulture eyeing me as if it were saying: 'Ware the sting of the rattler, lest I pick your bones as I did old Limber's.' I like sufficient danger to put an edge on life. This is so tame. I should have loved it when all the homes were cabins, and watchers for the stealthy Indian canoes patrolled the sh.o.r.es. You wait until mother comes, and if my violin isn't angry with me for leaving it, to-night we shall sing you the Song of the Limberlost. You shall hear the big gold bees over the red, yellow, and purple flowers, bird song, wind talk, and the whispers of Sleepy Snake Creek, as it goes past you. You will know!" Elnora turned to Freckles.
He nodded. "Who better?" he asked. "This is secure while the children are so small, but when they grow larger, we are going farther north, into real forest, where they can learn self-reliance and develop backbone."
Elnora laid away the violin. "Come along, children," she said. "We must get at that backbone business at once. Let's race to the playhouse."
With the brood at her heels Elnora ran, and for an hour lively sounds stole from the remaining spot of forest on the Island, which lay beside the O'More cottage. Then Terry went to the playroom to bring Alice her doll. He came racing back, dragging it by one leg, and crying: "There's company! Someone has come that mamma and papa are just tearing down the house over. I saw through the window."
"It could not be my mother, yet," mused Elnora. "Her boat is not due until twelve. Terry, give Alice that doll----"
"It's a man-person, and I don't know him, but my father is shaking his hand right straight along, and my mother is running for a hot drink and a cushion. It's a kind of a sick person, but they are going to make him well right away, any one can see that. This is the best place.
"I'll go tell him to come lie on the pine needles in the sun and watch the sails go by. That will fix him!"
"Watch sails go by," chanted Little Brother. "'A fix him! Elnora fix him, won't you?"
"I don't know about that," answered Elnora. "What sort of person is he, Terry?"
"A beautiful white person; but my father is going to 'colour him up,' I heard him say so. He's just out of the hospital, and he is a bad person, 'cause he ran away from the doctors and made them awful angry. But father and mother are going to doctor him better. I didn't know they could make sick people well."
"'Ey do anyfing!" boasted Little Brother.
Before Elnora missed her, Alice, who had gone to investigate, came flying across the shadows and through the sunshine waving a paper. She thurst it into Elnora's hand.
"There is a man-person--a stranger-person!" she shouted. "But he knows you! He sent you that! You are to be the doctor! He said so! Oh, do hurry! I like him heaps!"
Elnora read Edith Carr's telegram to Philip Ammon and understood that he had been ill, that she had been located by Edith who had notified him.
In so doing she had acknowledged defeat. At last Philip was free. Elnora looked up with a radiant face.
"I like him 'heaps' myself!" she cried. "Come on children, we will go tell him so."
Terry and Alice ran, but Elnora had to suit her steps to Little Brother, who was her loyal esquire, and would have been heartbroken over desertion and insulted at being carried. He was rather dragged, but he was arriving, and the emergency was great, he could see that.