A Girl of the Limberlost Part 27

Margaret sat in her chair sewing; Billy slipped in and crept beside her.

The little face was lined with tragedy.

"Why Billy, whatever is the matter?" she cried as she dropped her sewing and held out her arms. Billy stood back. He gripped his little fists tight and squared his shoulders. "I got to be shut up in the closet," he said.

"Oh Billy! What an unlucky day! What have you done now?"

"I stold!" gulped Billy. "He said it was ist a mistake, but it was worser 'an that. I took something you told me I wasn't to have."

"Stole!" Margaret was in despair. "What, Billy?"

"Cookies!" answered Billy in equal trouble.

"Billy!" wailed Margaret. "How could you?"

"It was for him and you," sobbed Billy. "He said he couldn't eat it 'fore me, but out in the barn it's all dark and I couldn't see. I thought maybe he could there. Then we might put out the light and you could have yours. He said I only made it worse, cos I mustn't take things, so I got to go in the closet. Will you hold me tight a little bit first? He did."

Margaret opened her arms and Billy rushed in and clung to her a few seconds, with all the force of his being, then he slipped to the floor and marched to the closet. Margaret opened the door. Billy gave one glance at the light, clinched his fists and, walking inside, climbed on a box. Margaret closed the door.

Then she sat and listened. Was the air pure enough? Possibly he might smother. She had read something once. Was it very dark? What if there should be a mouse in the closet and it should run across his foot and frighten him into spasms. Somewhere she had heard--Margaret leaned forward with tense face and listened. Something dreadful might happen.

She could bear it no longer. She arose hurriedly and opened the door. Billy was drawn up on the box in a little heap, and he lifted a disapproving face to her.

"Shut that door!" he said. "I ain't been in here near long enough yet!"

CHAPTER X

WHEREIN ELNORA HAS MORE FINANCIAL TROUBLES, AND MRS. COMSTOCK AGAIN HEARS THE SONG OF THE LIMBERLOST

The following night Elnora hurried to Sintons'. She threw open the back door and with anxious eyes searched Margaret's face.

"You got it!" panted Elnora. "You got it! I can see by your face that you did. Oh, give it to me!"

"Yes, I got it, honey, I got it all right, but don't be so fast. It had been kept in such a damp place it needed glueing, it had to have strings, and a key was gone. I knew how much you wanted it, so I sent Wesley right to town with it. They said they could fix it good as new, but it should be varnished, and that it would take several days for the glue to set. You can have it Sat.u.r.day."

"You found it where you thought it was? You know it's his?"

"Yes, it was just where I thought, and it's the same violin I've seen him play hundreds of times. It's all right, only laying so long it needs fixing."

"Oh Aunt Margaret! Can I ever wait?"

"It does seem a long time, but how could I help it? You couldn't do anything with it as it was. You see, it had been hidden away in a garret, and it needed cleaning and drying to make it fit to play again.

You can have it Sat.u.r.day sure. But Elnora, you've got to promise me that you will leave it here, or in town, and not let your mother get a hint of it. I don't know what she'd do."

"Uncle Wesley can bring it here until Monday. Then I will take it to school so that I can practise at noon. Oh, I don't know how to thank you. And there's more than the violin for which to be thankful. You've given me my father. Last night I saw him plainly as life."

"Elnora you were dreaming!"

"I know I was dreaming, but I saw him. I saw him so closely that a tiny white scar at the corner of his eyebrow showed. I was just reaching out to touch him when he disappeared."

"Who told you there was a scar on his forehead?"

"No one ever did in all my life. I saw it last night as he went down.

And oh, Aunt Margaret! I saw what she did, and I heard his cries! No matter what she does, I don't believe I ever can be angry with her again. Her heart is broken, and she can't help it. Oh, it was terrible, but I am glad I saw it. Now, I will always understand."

"I don't know what to make of that," said Margaret. "I don't believe in such stuff at all, but you couldn't make it up, for you didn't know."

"I only know that I played the violin last night, as he played it, and while I played he came through the woods from the direction of Carneys'.

It was summer and all the flowers were in bloom. He wore gray trousers and a blue shirt, his head was bare, and his face was beautiful. I could almost touch him when he sank."

Margaret stood perplexed. "I don't know what to think of that!" she e.j.a.c.u.l.a.t.ed. "I was next to the last person who saw him before he was drowned. It was late on a June afternoon, and he was dressed as you describe. He was bareheaded because he had found a quail's nest before the bird began to brood, and he gathered the eggs in his hat and left it in a fence corner to get on his way home; they found it afterward."

"Was he coming from Carneys'?"

"He was on that side of the quagmire. Why he ever skirted it so close as to get caught is a mystery you will have to dream out. I never could understand it."

"Was he doing something he didn't want my mother to know?"

"Why?"

"Because if he had been, he might have cut close the swamp so he couldn't be seen from the garden. You know, the whole path straight to the pool where he sank can be seen from our back door. It's firm on our side. The danger is on the north and east. If he didn't want mother to know, he might have tried to pa.s.s on either of those sides and gone too close. Was he in a hurry?"

"Yes, he was," said Margaret. "He had been away longer than he expected, and he almost ran when he started home."

"And he'd left his violin somewhere that you knew, and you went and got it. I'll wager he was going to play, and didn't want mother to find it out!"

"It wouldn't make any difference to you if you knew every little thing, so quit thinking about it, and just be glad you are to have what he loved best of anything."

"That's true. Now I must hurry home. I am dreadfully late."

Elnora sprang up and ran down the road, but when she approached the cabin she climbed the fence, crossed the open woods pasture diagonally and entered at the back garden gate. As she often came that way when she had been looking for coc.o.o.ns her mother asked no questions.

Elnora lived by the minute until Sat.u.r.day, when, contrary to his usual custom, Wesley went to town in the forenoon, taking her along to buy some groceries. Wesley drove straight to the music store, and asked for the violin he had left to be mended.

In its new coat of varnish, with new keys and strings, it seemed much like any other violin to Sinton, but to Elnora it was the most beautiful instrument ever made, and a priceless treasure. She held it in her arms, touched the strings softly and then she drew the bow across them in whispering measure. She had no time to think what a remarkably good bow it was for sixteen years' disuse. The tan leather case might have impressed her as being in fine condition also, had she been in a state to question anything. She did remember to ask for the bill and she was gravely presented with a slip calling for four strings, one key, and a coat of varnish, total, one dollar fifty. It seemed to Elnora she never could put the precious instrument in the case and start home. Wesley left her in the music store where the proprietor showed her all he could about tuning, and gave her several beginners' sheets of notes and scales. She carried the violin in her arms as far as the crossroads at the corner of their land, then reluctantly put it under the carriage seat.

As soon as her work was done she ran down to Sintons' and began to play, and on Monday the violin went to school with her. She made arrangements with the superintendent to leave it in his office and scarcely took time for her food at noon, she was so eager to practise. Often one of the girls asked her to stay in town all night for some lecture or entertainment. She could take the violin with her, practise, and secure help. Her skill was so great that the leader of the orchestra offered to give her lessons if she would play to pay for them, so her progress was rapid in technical work. But from the first day the instrument became hers, with perfect faith that she could play as her father did, she spent half her practice time in imitating the sounds of all outdoors and improvising the songs her happy heart sang in those days.

So the first year went, and the second and third were a repet.i.tion; but the fourth was different, for that was the close of the course, ending with graduation and all its attendant ceremonies and expenses. To Elnora these appeared mountain high. She had h.o.a.rded every cent, thinking twice before she parted with a penny, but teaching natural history in the grades had taken time from her studies in school which must be made up outside. She was a conscientious student, ranking first in most of her cla.s.ses, and standing high in all branches. Her interest in her violin had grown with the years. She went to school early and practised half an hour in the little room adjoining the stage, while the orchestra gathered. She put in a full hour at noon, and remained another half hour at night. She carried the violin to Sintons' on Sat.u.r.day and practised all the time she could there, while Margaret watched the road to see that Mrs. Comstock was not coming. She had become so skilful that it was a delight to hear her play music of any composer, but when she played her own, that was joy inexpressible, for then the wind blew, the water rippled, the Limberlost sang her songs of sunshine, shadow, black storm, and white night.

Since her dream Elnora had regarded her mother with peculiar tenderness.

The girl realized, in a measure, what had happened. She avoided anything that possibly could stir bitter memories or draw deeper a line on the hard, white face. This cost many sacrifices, much work, and sometimes delayed progress, but the horror of that awful dream remained with Elnora. She worked her way cheerfully, doing all she could to interest her mother in things that happened in school, in the city, and by carrying books that were entertaining from the public library.

Three years had changed Elnora from the girl of sixteen to the very verge of womanhood. She had grown tall, round, and her face had the loveliness of perfect complexion, beautiful eyes and hair and an added touch from within that might have been called comprehension. It was a compound of self-reliance, hard knocks, heart hunger, unceasing work, and generosity. There was no form of suffering with which the girl could not sympathize, no work she was afraid to attempt, no subject she had investigated she did not understand. These things combined to produce a breadth and depth of character altogether unusual. She was so absorbed in her cla.s.ses and her music that she had not been able to gather many specimens. When she realized this and hunted a.s.siduously, she soon found that changing natural conditions had affected such work. Men all around were clearing available land. The trees fell wherever corn would grow.

The swamp was broken by several gravel roads, dotted in places around the edge with little frame houses, and the machinery of oil wells; one especially low place around the region of Freckles's room was nearly all that remained of the original. Wherever the trees fell the moisture dried, the creeks ceased to flow, the river ran low, and at times the bed was dry. With unbroken sweep the winds of the west came, gathering force with every mile and howled and raved; threatening to tear the shingles from the roof, blowing the surface from the soil in clouds of fine dust and rapidly changing everything. From coming in with two or three dozen rare moths in a day, in three years' time Elnora had grown to be delighted with finding two or three. Big pursy caterpillars could not be picked from their favourite bushes, when there were no bushes.

Dragonflies would not hover over dry places, and b.u.t.terflies became scarce in proportion to the flowers, while no land yields over three crops of Indian relics.