A Crooked Mile Part 16

"Oh!" He nodded. "Very well."

He strode forward from the mantelpiece and approached the desk at which she sat.

"I suppose Cosimo wants to know; very well. As a matter of fact I'm rather glad you've come. Look here----"

He grabbed a newspaper from the desk and thrust it almost roughly into her hands.

"Read that," he said, stabbing the paper with his finger.

The part in which he stabbed it was so unbrokenly set that it must have struck Katie Deedes as overwhelmingly learned.--"There you are--read that!" he ordered her.

Then, striding back to the mantelpiece, he stood watching her as if he had paid for a seat in a playhouse and had found standing-room only.

Amory supposed that it must be something in that close and grey-looking oblong that was at the bottom of his imperious curtness. She was sure of this when, before she had read half a dozen lines, he cut in with a sharp "Well? I suppose you see what it means to us?"

"Just a moment," she said bewilderedly; "you always did read quicker than I can----"

"Quicker!--" he said. "Just run your eye down it. That ought to tell you."

She did so, and a few capitals caught her eye.

"Do you mean this about the North-West Banks?" she asked diffidently.

"Do I mean----! Well, yes. Rather."

"I do wish you'd explain it to me. It seems rather hard."

But he did not approach and point out particular pa.s.sages. Instead he seemed to know that leaden oblong by heart. He gave a short laugh.

"Hard? It's hard enough on the depositors out there!... They've been withdrawing again, and of course the Banks have had to realize."

"Yes, I saw that bit," said Amory.

"A forced realization," Mr. Strong continued. "Depreciation in values, of course. And it's spreading."

It sounded to Amory rather like smallpox, but, "I suppose that's the Monsoon?" she hazarded.

"Partly, of course. Not altogether. There's the rupee too, of course. At present that's at about one and twopence, but then there are these bi-metallists.... So until we know what's going to happen, it seems to me we're bound hand and foot."

Amory was awed.--"What--what do you think will happen?" she asked.

Edgar gave a shrug.--"Well--when a Bank begins paying out in pennies it's as well to prepare for the worst, you know."

"Are--are they doing that?" Amory asked in a whisper. "Really? And is that the bi-metallists' doing--or is it the Home Government? Do explain it to me so that I can visualize it. You know I always understand things better when I can visualize them. That's because I'm an artist.--Does it mean that there are long strings of natives, with baskets and things on their heads to put the pennies in, all waiting at the Banks, like people in the theatre-queues?"

"I dare say. I suppose they have to carry the pennies somehow. But I'm afraid I can't tell you more than's in the papers."

Amory's face a.s.sumed an expression of contempt. On the papers she was quite pat.

"The papers! And how much of the truth can we get from the capitalist press, I should like to know! Why, it's a commonplace among us--one is almost ashamed to say it again--that the 'Times' is always wrong! We have _no_ Imperialist papers really; only Jingo ones. Is there _no_ way of finding out what this--crisis--is really about?"

This was quite an easy one for Mr. Strong. Many times in the past, when pressed thus by his proprietor's wife for small, but exact, details, he had wished that he had known even as much about them as seemed to be known by that smart young man who had once come to The Witan in a morning coat and had told Edgar Strong that he didn't know what he was talking about. But he had long since found a way out of these trifling difficulties. Lift the issue high enough, and it is true of most things that one man's opinion is as good as another's; and they lifted issues quite toweringly high on the "Novum." Therefore in self-defence Mr.

Strong flapped (so to speak) his wings, gave a struggle, cleared the earth, and was away in the empyrean of the New Imperialism.

"The 'Times' always wrong. Yes. We've got to stick firmly to that," he said. "But don't you see, that very fact makes it in its way quite a useful guide. It's the next best thing to being always right, like us; we can depend on its being wrong. We've only got to contradict it, and then ask ourselves why we do so. There's usually a reason.... So there is in this--er--crisis. Of course you know their argument--that a lot of these young native doctors and lawyers come over here, and stop long enough to pick up the latest wrinkles in swindling--the civilized improvements so to speak--and then go back and start these wildcat schemes, Banks and so on, and there's a smash. I think that's a fair statement of their case.--But what's ours? Why, simply that what they're really doing is to give the Home Government a perfectly beautiful opportunity of living up to its own humane professions.... But we know what that means," he added sadly.

"You mean that it just shows," said Amory eagerly, "that we aren't humane at all really? In fact, that England's a humbug?"

Mr. Strong smiled. He too, in a sense, was paying out in pennies, and so far quite satisfactorily.

"Well ... take this very crisis," he returned. "Oughtn't there to be a grant, without a moment's loss of time, from the Imperial Exchequer? I'm speaking from quite the lowest point of view--the mere point of view of expediency if you like. Very well. Suppose one or two natives _are_ scoundrels: what about it? Are matters any better because we know that?

Don't the poverty and distress exist just the same? And isn't that precisely our opportunity, if only we had a statesman capable of seeing it?... Look here: We've only got to go to them and say, 'We are full of pity and help; here are a lot of--er--lakhs; lakhs of rupees; rupee one and twopence: you may have been foolish, but it isn't for us to cast the first stone; it's the conditions that are wrong; go and get something to eat, and don't forget your real friends by and by.'--Isn't that just the way to bind them to us? By their grat.i.tude, eh? Isn't getting their grat.i.tude better than blowing them from the muzzles of guns, eh? And isn't that the real Empire, of which we all dream? Eh?..."

He warmed up to it, while keeping one ear open for anybody who might come along the pa.s.sage; and when he found himself running down he grabbed the newspaper again. He doubled it back, refolded it, and again thrust it under Amory's nose.... There! That put it all in a nutsh.e.l.l, he said! The figures spoke for themselves. The Home Government, he said, knew all about it all the time, but of course they came from that hopeless slough of inept.i.tude that humorists were pleased to call the "governing cla.s.ses," and that was why they dragged such red herrings across the path of true progress as--well, as the Suffrage, say....

What! Hadn't Amory heard that all this agitation for the Suffrage was secretly fomented by the Government itself? Oh, come, she must know that! Why, of course it was! The Government knew dashed well what they were doing, too! It was a moral certainty that there was somebody behind the scenes actually planning half these outrages! Why? Why, simply because it got 'em popular sympathy when a Minister had his windows smashed or a paper of pepper thrown in his face. They were only too glad to have pepper thrown in their faces, because everybody said what a shame it was, and forgot all about what fools they'd been making of themselves, and when a real--er--crisis came, like this one, people scarcely noticed it.... But potty little intellects like Brimby's and Wilkinson's didn't see as deep as that. It was only Edgar Strong and Amory who saw as deep as that. That was why they, Edgar and Amory, were where they were--leaders of thought, not subordinates....

"Just look rather carefully at those figures," he concluded....

Nevertheless, lofty as these flights were, they had a little lost their thrill for Amory. She had heard them so very, very often. She had trembled in the taxi in vain if _this_ was all that her stealthy coming to the "Novum's" offices meant. Nor had she put on her new sea-holly velvet to be told, however eloquently, that Wilkinson and Brimby were minor lights when compared with Edgar and herself, and that the "Times"

was always wrong. Perhaps the figures that Edgar had thrust under her nose as if he had been clapping a muzzle on her meant something to the right person, but they meant nothing to Amory, and she didn't pretend they did. They were man's business; woman's was "visualizing." The two businesses, when you came to think of it, _were_ separate and distinct.

Whoever heard of a man wrapping himself up in a carpet and being carried by Nubians into his mistress's presence? Whoever heard of a man's face launching as much as an up-river punt, let alone fleets and fleets of full-sized ships? And whoever heard of the compelling beauty of a man's eyes, as he lay on a sofa with one satiny upper-arm upraised, simply making--making--a woman come and kiss him?... It was ridiculous.

Amory saw now. Even Joan of Arc must have put on her armour, not so much because of all the chopping and banging of maces and things (which must have been very noisy), but more with the idea of _inspiring_.... Yes, inspiring: that was it. There _was_ a difference. Why, even physically women and men were not the same, and mentally they were just as different. For example, Amory herself wouldn't have liked to blow anybody from the mouth of a gun, but she wasn't sure sometimes that Edgar wouldn't positively enjoy it. He had that hard eye, and square head, and capacity for figures....

She wasn't sure that her heart didn't go out to him all the more because of that puzzle of noughts and dots and rupees he had thrust into her hands....

And so, as he continued (so to speak) to gain time by paying in pennies, and to keep an ear disengaged for the pa.s.sage, it came about that Edgar Strong actually overshot himself. The more technical and masculine he became, the more Amory felt that it was fitting and feminine in her not to bother with these things at all, but just to go on inspiring. She still kept her eyes bent over the column of figures, but she was visualizing again. She was visualizing the Channel steamer, and the Latin Quarter, and satiny upper-arms. And the taxi-tremor had returned....

Suddenly she looked softly yet daringly up. She felt that she must be Indian--yet not too Indian.

"And then there's suttee," she said in a low voice.

"Eh?" said Strong. He seemed to scent danger. "Abolished," he said shortly.

But here Amory was actually able to tell Edgar Strong something. She happened to have been reading about suttee in a feminist paper only a day or two before. No doubt Edgar read nothing but figures and grey oblongs.

"Oh, no," she said softly but with a knowledge of her ground. "That is, I know it's prohibited, but there was a case only a little while ago. I read it in the 'Vaward.' And it was awful, but splendid, too. She was a young widow, and I'm sure she had a lovely face, because she'd such a n.o.ble soul.--Don't you think they often go together?"

But Edgar did not reply. He had walked to a little shelf full of reference books and books for review, and was turning over pages.

"And the whole village was there," Amory continued, "and she walked to the pyre herself, and said good-bye to all her relatives, and then----"

Edgar shut his book with a slap.--"Abolished in 1829," he said. "It's a criminal offence under the Code."

Amory smiled tenderly. Abolished!... Dear, fellow, to think that in such matters he should imagine that his offences and Codes could make any difference! Of course the "Vaward" had made a mere Suffrage argument out of the thing, but to Amory it had just showed how cruel and magnificent and voluptuous and grim the East could be when it really tried.... And then all at once Amory thought, not of any particular poem she had ever read, but what a ripping thing it would be to be able to write poetry, and to say all those things that would have been rather silly in prose, and to put heaps of gorgeous images in, like the many-breasted what-was-her-name, and Thingummy--what-did-they-call-him--the G.o.d with all those arms. And there would be carpets and things too, and limbs, not plaster ones, but flesh and blood ones, as Edgar said his own were, and--and--and oh, stacks of material! The rhymes might be a bit hard, of course, and perhaps after all it might be better to leave poetry to somebody else, and to concentrate all her energies on inspiring, as Beatrice inspired Dante, and Laura Petrarch, and that other woman Camoens, and Jenny Rossetti, and Vittoria Colonna Michael Angelo. She might even inspire Edgar to write poetry. And she would be careful to keep the verses out of Cosimo's way....

"Abolished!" she smiled in gay yet mournful mockery, and also with a touch both of reproach and of disdain in her look.... "Oh well, I suppose men think so...."

But at this he rounded just as suddenly on her as he had done when he had told her that she ought not to have come to the office. Perhaps he felt that he was losing ground again. You may be sure that Edgar Strong, actor, had never had to work as hard for his money as he had to work that afternoon.