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A Cathedral Singer Part 5

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"Yes, sir," he replied barely, as though the words sealed his fate.

The visitor was gone, and they had talked everything over, and the evening had ended, and it was long past his bedtime, and she waited for him to come from the bedroom and say good night. Presently he ran in, climbed into her lap, threw his arms around her neck and pressed his cheek against hers.

"Now on this side," he said, holding her tightly, "and now on the other side, and now on both sides and all around."

She, with jealous pangs at this goodnight hour, often thought already of what a lover he would be when the time came--the time for her to be pushed aside, to drop out. These last moments of every night were for love; nothing lived in him but love. She said to herself that he was the born lover.

As he now withdrew his arms, he sat looking into her eyes with his face close to hers. Then leaning over, he began to measure his face upon her face, starting with the forehead, and being very particular when he got to the long eyelashes, then coming down past the nose. They were very silly and merry about the measuring of the noses. The noses would not fit the one upon the other, not being flat enough. He began to indulge his mischievous, teasing mood:



"Suppose he doesn't like my voice!"

She laughed the idea to scorn.

"Suppose he wouldn't take me!"

"Ah, but he _will_ take you."

"If he wouldn't have me, you'd never want to see me any more, would you?"

She strained him to her heart and rocked to and fro over him.

"This is what I could most have wished in all the world," she said, holding him at arm's-length with idolatry.

"Not more than a fine house and servants and a greenhouse and a carriage and horses and a _new_ piano--not more than everything you used to have!"

"More than anything! More than anything in this world!"

He returned to the teasing.

"If he doesn't take me, I'm going to run away. You won't want ever to see me any more. And then n.o.body will ever know what becomes of me because I couldn't sing."

She strained him again to herself and murmured over him:

"My chorister! My minstrel! My life!"

"Good night and pleasant dreams!" he said, with his arms around her neck finally. "Good night and sweet sleep!"

Everything was quiet. She had tipped to his bedside and stood looking at him after slumber had carried him away from her, a little distance away.

"My heavenly guest!" she murmured. "My guest from the singing stars of G.o.d!"

Though worn out with the strain and excitements of the day, she was not yet ready for sleep. She must have the luxuries of consciousness; she must tread the roomy s.p.a.ces of reflection and be soothed in their largeness. And so she had gone to her windows and had remained there for a long time looking out upon the night.

The street beneath was dimly lighted. Traffic had almost ceased. Now and then a car sped past. The thoroughfare along here is level and broad and smooth, and being skirted on one side by the park, it offers to speeding vehicles the illusive freedom of a country road. Across the street at the foot of the park a few lights gleamed scant amid the April foliage.

She began at the foot of the hill and followed the line of them upward, upward over the face of the rock, leading this way and that way, but always upward. There on the height in the darkness loomed the cathedral.

Often during the trouble and discouragement of years it had seemed to her that her own life and every other life would have had more meaning if only there had been, away off somewhere in the universe, a higher evil intelligence to look on and laugh, to laugh pitilessly at every human thing. She had held on to her faith because she must hold on to something, and she had nothing else. Now as she stood there, following the winding night road over the rock, her thoughts went back and searched once more along the wandering pathway of her years; and she said that a Power greater than any earthly had led her with her son to the hidden goal of them both, the cathedral.

The next day brought no disappointment: he had rushed home and thrown himself into her arms and told her that he was accepted. He was to sing in the choir. The hope had become an actuality.

Later that day the choir-master himself had called again to speak to her when the pupil was not present. He was guarded in his words but could not conceal the enthusiasm of his mood.

"I do not know what it may develop into," he said,--"that is something we cannot foretell,--but I believe it will be a great voice in the world. I do know that it will be a wonderful voice for the choir."

She stood before him mute with emotion. She was as dry sand drinking a shower.

"You have made no mistake," she said. "It is a great voice and he will have a great career."

The choir-master was impatient to have the lessons begin. She asked for a few days to get him in readiness. She reflected that he could not make his first appearance at the choir school in white linen knickerbockers.

These were the only suitable clothes he had.

This school would be his first, for she had taught him at home, haunted by a sense of responsibility that he must be specially guarded. Now just as the unsafe years came on for him, he would be safe in that fold. When natural changes followed as follow they must and his voice broke later on, and then came again or never came again, whatever afterward befell, behind would be the memories of his childhood. And when he had grown to full manhood, when he was an old man and she no longer with him, wherever on the earth he might work or might wander, always he would be going back to those years in the cathedral: they would be his safeguard, his consecration to the end.

Now a few days later she stood in the same favorite spot, at her windows; and it was her favorite hour to be there, the coming on of twilight.

All day until nearly sundown a cold April rain had fallen. These contradictory spring days of young green and winter cold the pious folk of older lands and ages named the days of the ice saints. They really fall in May, but this had been like one of them. So raw and chill had been the atmosphere of the grateless garret that the window-frames had been fastened down, their rusty catches clamped.

At the window she stood looking out and looking up toward a scene of splendor in the heavens.

It was sunset, the rain was over, the sky had cleared. She had been tracing the retreating line of sunlight on the hillside opposite. First it crossed the street to the edge of the park, then crossed the wet gra.s.s at the foot of the slope; then it pa.s.sed upward over the bowed dripping shrubbery and lingered on the tree-tops along the crest; and now the western sky was aflame behind the cathedral.

It was a gorgeous spectacle. The cathedral seemed not to be situated in the city, not lodged on the rocks of the island, but to be risen out of infinite s.p.a.ce and to be based and to abide on the eternity of light.

Long she gazed into that sublime vision, full of happiness at last, full of peace, full of prayer.

Standing thus at her windows at that hour, she stood on the pinnacle of her life's happiness.

From the dark slippery street shrill familiar sounds rose to her ear and drew her attention downward and she smiled. He was down there at play with friends whose parents lived in the houses of the row. She laughed as those victorious cries reached the upper air. Leaning forward, she pressed her face against the window-pane and peered over and watched the group of them. Sometimes she could see them and sometimes not as they struggled from one side of the street to the other. No one, whether younger or older, stronger or weaker, was ever defeated down there; everybody at some time got worsted; no one was ever defeated. All the whipped remained conquerors. Unconquerable childhood! She said to herself that she must learn a lesson from it once more--to have always within herself the will and spirit of victory.

With her face still against the gla.s.s she caught sight of something approaching carefully up the street. It was the car of a physician who had a patient in one of the houses near by. This was his hour to make his call. He guided the car himself, and the great ma.s.s of tons in weight responded to his guidance as if it possessed intelligence, as if it entered into his foresight and caution: it became to her, as she watched it, almost conscious, almost human. She thought of it as being like some great characters in human life which need so little to make them go easily and make them go right. A wise touch, and their enormous influence is sent whither it should be sent by a pressure that would not bruise a leaf.

She chid herself once more that in a world where so often the great is the good she had too often been hard and bitter; that many a time she had found pleasure in setting the empty cup of her life out under its clouds and catching the showers of nature as though they were drops of gall.

All at once her attention was riveted on an object up the street. Around a bend a few hundred yards away a huge wild devil of a thing swung unsteadily, recklessly, almost striking the curb and lamp-post; and then, righting itself, it came on with a rush--a mindless destroyer. Now on one side of the street, now in the middle, now on the other side; gliding along through the twilight, barely to be seen, creeping nearer and nearer through the shadows, now again on the wrong side of the street where it would not be looked for.

A bolt of horror shot through her. She pressed her face quickly against the window-panes as closely as possible, searching for the whereabouts of the lads. As she looked, the playing struggling ma.s.s of them went down in the road, the others piled on one. She thought she knew which one,--he was the strongest,--then they were lost from her sight, as they rolled in nearer to the sidewalk. And straight toward them rushed that destroyer in the streets. She tried to throw up the sashes. She tried to lean out and cry down to him, to wave her hands to him with warning as she had often done with joy. She could not raise the sashes. She had not the strength left to turn the rusty bolts. Nor was there time. She looked again; she saw what was going to happen. Then with frenzy she began to beat against the window-sashes and to moan and try to stifle her own moans. And then shrill startled screams and piteous cries came up to her, and crazed now and no longer knowing what she did, she struck the window-panes in her agony until they were shattered and she thrust her arms out through them with a last blind instinct to wave to him, to reach him, to drag him out of the way. For some moments her arms hung there outside the shattered window-gla.s.s, and a shower of crimson drops from her fingers splashed on the paving-stones below. She kept on waving her lacerated hands more and more feebly, slowly; and then they were drawn inward after her body which dropped unconscious to the garret floor.

IV

It was a gay scene over at the art school next morning. Even before the accustomed hour the big barnlike room, with a few prize pictures of former cla.s.ses scattered about the walls, and with the old academy easels standing about like a caravan of patient camels ever loaded with new burdens but ever traveling the same ancient sands of art--even before nine o'clock the barnlike room presented a scene of eager healthy animal spirits. On the easel of every youthful worker, nearly finished, lay the portrait of the mother. In every case it had been differently done, inadequately done; but in all cases it had been done. Hardly could any observer have failed to recognize what was there depicted. Beyond smearings and daubings of paint, as past the edges of concealing clouds, one caught glimpses of a serene and steadfast human radiance. There one beheld the familiar image of that orb which in dark and pathless hours has through all ages been the guardian light of the world--the mother.

The best in them had gone into the painting of this portrait, and the consciousness of our best gives us the sense of our power, and the consciousness of our power yields us our enthusiasm; hence the exhilaration and energy of the studio scene.

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A Cathedral Singer Part 5 summary

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