A Case Of Exploding Mangoes Part 20

The Mi Abram's cannon fired nine more sh.e.l.ls and managed to miss every single target. The tank turned towards the observers' tent, and lowered its barrel again, slowly, as if tired from all the effort. All the generals saluted, the amba.s.sador put his right hand on his heart. The Mi Abram turned back and trundled up the sand dune. The remote-controlled target vehicles, with their dummy targets still intact, started to line up at the base of the sand dune. A gust of desert wind rose from behind the dune, a swirling column of sand danced its way towards the observers' tent, everybody about-faced and waited for it to pa.s.s. As they turned round, shaking the sand off their caps and flicking it off their uniforms, General Zia noticed that the red banner had come loose from its platform on the vehicle and was fluttering away, over the sand dune. Arnold Raphel spoke for the first time. "Well, we got that one. Even if it wasn't our firepower but this anti-communist desert force."

There was forced laughter followed by a moment of silence during which everyone heard the faint but unmistakable howling of the desert winds. General Beg took his sungla.s.ses off with an exaggerated gesture. "There is another trial left, sir," he said, giving a dramatic pause. "Lunch. And then the finest mangoes of the season." He gestured towards an army truck full of wooden crates. "A gift from All Pakistan Mango Farmers Cooperative. And for today's lunch, our host is the most respected Chairman of the Joint Chiefs of Staff Committee, General Akhtar."

THIRTY-TWO.

The Martyrs' boulevard dividing the freshly whitewashed garrison mess and the football-field-size lawns in front of it, is full of screaming sirens and Kalashnikov-carrying commandos jumping in and out of open-topped jeeps. Every general with more than two stars on his shoulders is escorted by his own set of bodyguards and heralded by his personal siren song, as if the occasion were not a lunch in their own dining hall but a gladiatorial parade where the one with the most ferocious bodyguards and the shrillest siren will win. The Garrison Commander's idea of a warm welcome seems to involve whitewashing everything in sight that doesn't move. The pebbled footpath on the lawns in front of the mess is whitewashed, the wooden benches are painted white, the electricity and telephone polls are gleaming white, even the trunk of the lone keekar tree under which I have lined up my Silent Drill Squad is covered in a dull rustic white.

In this opera of wailing sirens and glinting Kalashnikovs, n.o.body seems to be bothered about a bunch of cadets at the edge of the boulevard. My boys are slouching on their G$ G$ rifles, trying to scratch their sweat-soaked bodies under starched khaki uniforms without being noticed. The Garrison Commander came to me soon after we disembarked from the truck, the enormity of the occasion seeming to overwhelm him. "I know it's not a good time but General Akhtar asked for it," he had said, gesturing towards my boys. "Can you keep it short?" I gave him an understanding smile and said, "Don't worry, sir. We won't be keeping him for long." rifles, trying to scratch their sweat-soaked bodies under starched khaki uniforms without being noticed. The Garrison Commander came to me soon after we disembarked from the truck, the enormity of the occasion seeming to overwhelm him. "I know it's not a good time but General Akhtar asked for it," he had said, gesturing towards my boys. "Can you keep it short?" I gave him an understanding smile and said, "Don't worry, sir. We won't be keeping him for long."

The only person who is really pleased to see us is the bandmaster at the head of the military band formation, three rows of overdressed men lined up in the middle of the manicured lawn in front of the mess. After eyeing me for a while he marches up to me with his silver-crested stick, trailing a tartan doublet behind him, a fake red feather quivering in his beret. His face falls in disbelief when I tell him that we don't need the band to accompany us.

"How are you going to march without a beat?"

"Our drill is silent. It doesn't require music. And anyway, we are not going to march."

"You can do it silently but your boys will need our drums to keep the timing. It'll add beauty to the drill." Despite his feathers, tartan doublet and bonnet his face is absolutely dry. Not a single drop of sweat. I wonder how he manages that.

I shake my head. "Just a rifle salute. With no commands," I say, trying to rea.s.sure him. "The President will take the salute. Meanwhile your men can rest." He looks closely at my white-gloved hand upon my scabbard. He looks beyond me towards my boys who are wriggling their toes in their boots in an attempt to keep their blood circulation going, and shakes his head. He looks at me resentfully, as if I have made the whole silent drill thing up to put him out of business, then marches back and raises his stick in the air to signal to his band to start playing. They are probably the only lot more miserable than us, with their tartan shoulder drapes, fur-covered bagpipes and polished bra.s.s drums, so shiny you can't look at them without squinting. But they play on, defying the sun, despite the comings and goings of jittery commandos jumping in and out of the jeeps with their guns pointed at the empty horizon; they play on as if the whitewashed garrison mess with its whitewashed pebbles was the most appreciative audience they have ever found.

The hilt of my sword burns through my white glove. A fine layer of sand has settled on my shoes. I inspect the squad one last time. The boys are alert despite the sweat seeping from under their peaked caps and running down their cheeks. The wooden grips of their Gj Gj rifles are probably melding into the flesh of their hands. We are under the shade of the keekar tree, but its whitewashed trunk doesn't change the fact that there are more thorns on it than leaves. Its shadow weaves a network of dried branches over a concrete floor marked with white lines for our drill movements. Obaid winks upwards. I look to see if he is pointing at any approaching clouds. Nothing. All I can see is a crow perched on a branch dozing off with its beak tucked under its wings. rifles are probably melding into the flesh of their hands. We are under the shade of the keekar tree, but its whitewashed trunk doesn't change the fact that there are more thorns on it than leaves. Its shadow weaves a network of dried branches over a concrete floor marked with white lines for our drill movements. Obaid winks upwards. I look to see if he is pointing at any approaching clouds. Nothing. All I can see is a crow perched on a branch dozing off with its beak tucked under its wings.

Inside the garrison mess the lunch awaits. The brigadiers and the generals have lined up in front of the mess entrance and their commandos have taken up positions on the roof of the surrounding buildings. The bandmaster is getting impatient with his men, his stick dances in the air, apparently asking them to play the same tune over and over again. He throws the stick in the air, catches it and gives me a triumphant look.

General Zia, it seems, is on his way.

I hear the wailing of the sirens before I see the two men on white Yamahas. They are wearing white helmets and ride parallel to each other. General Zia's convoy is probably behind them but all I can see is spiral after dancing spiral of sand; the storm seems to be chasing these motorcyclists. Oblivious to the whirlwinds that follow in their wake, they drive right up to the entrance of the garrison mess and execute a perfect split, both driving off in opposite directions, their sirens strangled in the middle of a high note.

The convoy of jeeps emerges slowly from the sand that is coming towards us in angry waves. First to arrive are open-topped jeeps with blaring sirens. The howling of the wind and the sirens compete with each other, the sirens dying down as the jeeps reach the entrance of the garrison mess. They deliver their gunmen and move to the car park. Behind the jeeps come two convertible black limousines; the commandos in them belong to a different breed. Wearing battle fatigues and crimson berets, they are not just sitting there cradling their guns; their Uzis are pointing outside, targeting us, the band, the swirling columns of sand. Behind them come three black Mercedes with tinted windows: the first one is flying a US and a Pakistani flag, the second one has a flag that carries the logos of all three armed forces and the third one a Pakistani flag on one side and the Chief of the Army's on the other. Through the tinted gla.s.s of the third Mercedes I catch a glimpse of big white teeth, a jet-black moustache and a hand that is waving to columns of sand dancing on the concrete. A matter of habit maybe, I tell myself, clutching the hilt of my sword. Suddenly it doesn't feel hot. h.e.l.l, it doesn't even feel like metal. It seems like an extension of my own hand. My own blood is flowing into the metal blade.

There is a moment of confusion at the entrance to the garrison mess. A white-turbaned waiter opens the door and for a second I suspect that the sandstorm might have convinced the General to cancel the drill, but the door closes again. I see a batch of commandos rushing towards us, followed by the three generals.

I have no business with the sidekicks.

The bandmaster's stick goes up in the air and the band starts to play a film song: the weather has got other ideas today, the weather has got something else in its heart the weather has got other ideas today, the weather has got something else in its heart. You have got to hand it to the bandmaster, I tell myself, the man knows his seasonal tunes. General Zia also seems to appreciate his taste in music. Instead of marching towards my squad, General Zia turns towards the band. The bandmaster's stick does frantic somersaults in the air before coming down and bringing the music to a stop.

General Zia pats the bandmaster on the shoulder while the other two stand back. His hands play an imaginary bagpipe, the bandmaster grins as if he has found the bagpipe player he always wanted on his team, the feather in his beret quivers with excitement, like the crown of a rooster who has just won the village beauty contest.

They are walking towards me now. General Beg, with his Top Gun Top Gun Ray-Bans, on Zia's right side and General Akhtar two steps behind them. General Akhtar hits his baton on his leg with every step that he takes. He looks through me, betraying no recollection of our meeting over a dish of roasted quails. All I see of General Zia is a blur of big white teeth and a moustache so black that it looks fake. The hilt of my sword goes to my lips for the first salute and my squad comes to attention in unison. General Zia stands exactly five steps away from me, out of the reach of my sword. It's the regulation distance between the parade commander and the guy inspecting the parade. He returns me a limp-handed salute and then, violating all parade decorum, leans back and whispers so that the other two generals can hear him. "When a son continues his father's good work, I become certain that Allah hasn't lost all hope in us sinners." Ray-Bans, on Zia's right side and General Akhtar two steps behind them. General Akhtar hits his baton on his leg with every step that he takes. He looks through me, betraying no recollection of our meeting over a dish of roasted quails. All I see of General Zia is a blur of big white teeth and a moustache so black that it looks fake. The hilt of my sword goes to my lips for the first salute and my squad comes to attention in unison. General Zia stands exactly five steps away from me, out of the reach of my sword. It's the regulation distance between the parade commander and the guy inspecting the parade. He returns me a limp-handed salute and then, violating all parade decorum, leans back and whispers so that the other two generals can hear him. "When a son continues his father's good work, I become certain that Allah hasn't lost all hope in us sinners."

"Permission to start the drill, sir?" I shout at strength 5. And suddenly, as if in respect for our drill display, the storm subsides; the wind quiets down to an occasional hiss, the sand particles, fine and scattered, are still flying in the air. In that moment, between me asking for permission and him nodding in approval, I take my first proper look at him. Instead of General Zia, he looks like his impersonator. He is much shorter than he appears on television, fatter than he seems in his official portraits. It looks like he is wearing a borrowed uniform. Everything from his peaked cap to the crossed sash across his chest is slightly ill-fitting, strangling his upper torso. There is a prominent grey mark on his forehead, probably the result of his five daily prayers. His sunken eyes are sending out mixed messages, one looking at me benevolently, the other looking beyond me at my squad with suspicion. There is a stillness about him as if he had all the time in the world for me. He opens his mouth and all I can think is that those teeth are not real.

"Please," he says. "In the name of Allah."

I take one, two steps back, execute an about turn and as my right foot lands on the concrete, my squad comes to attention. Good start. My sword flashes in the air and finds its home in the scabbard. The hilt touches the mouth of the scabbard; my squad splits in two, marches ten steps in opposite directions and comes to a halt. I am in the middle of two rows when they turn round and march nine steps and stop. The file leaders on both sides extend their arms and throw the G3 rifles at me. My antic.i.p.ating hands grab the rifles with a practised ease. I rotate them like spinning tops for exactly thirty turns and they go back to the safe and secure grip of the file leaders. The whole squad throws its rifles up in the air, with their bayonets pointing towards the sky, and catches them behind their shoulders.

I pull out my sword for the final inspection. My head is cleared of all distractions; I see everything with the dead bulging eyes of Colonel Shigri. I march towards General Zia with the sword parallel to my upper body. Halt. My squad divides itself into two files behind me. My sword hilt goes to my lips and comes down outwards. My arm is parallel to my body, the tip of my sword pointing to the ground between our feet. General Zia salutes. "Silent Squad. Ready for inspection, sir."

His left foot is hesitant but my left foot has already taken the first step for a slow march and he has no choice but to follow. Here we are at last, shoulder to shoulder, my sword stretched in front, his arms at his sides, slow-marching in step, about to enter the silent zone. Forty-five years of military service and he still doesn't have any control over his movements. If it weren't for my nimble footwork we'd be out of step. The Silent Squad is split in two files facing each other, eyeb.a.l.l.s locked, rifles at the ready. I see his head jerk back involuntarily as the first set of rifles make a loop across our path. But now that he is in the middle of the tunnel formed by flying rifles he has no option but to move in step with me.

The most heavily protected man in the country is in a circle of whirling bayonets and inches away from the hungry, poisoned tip of my sword.

He has realised that in order to go through this he needs to keep looking ahead but he can't seem to help himself; I can feel his one eye glancing towards me. It's a genuine miracle that my boys haven't mistimed their throws and pierced our faces with their bayonets. The last pair is ready with their rifles poised when I wink at the boy on my left. I would never know but I can guess that exactly at the same moment General Zia's roving right eye makes contact with the boy standing on our right. They both miss a beat, the same b.l.o.o.d.y beat, and then throw their rifles. The bayonets flash through the air as the rifles complete half a circle and instead of gliding across each other clash in mid-air, making a momentary X as if posing to be photographed for a rifle regiment's badge. Shigri to the rescue then: my boot kicks General Zia in his shins, and as he stumbles backwards my left hand breaks his fall and my righ: hand goes to work; nothing spectacular, nothing that anyone would notice, just a gentle nudge with the tip of my sword on the back of his flailing hand, drawing a single drop of blood. It couldn't have hurt more than a mosquito bite. The reaction from the spectators-rushing jackboots, c.o.c.ked rifles, commandos striking poses and the duty doctor shouting instructions at paramedics-is exaggerated, but not unexpected.

"If Allah wants to protect someone, n.o.body can harm them," he says after the duty doctor has cleaned up the drop of blood and declared his wound a minor scratch. I try not to look at the commandos posted on the mess rooftop and shake my head in agreement. He produces a pocket watch out of his uniform shirt pocket and looks towards General Akhtar, who, it seems, is not reacting very well to the heat. Monster-shaped sweat patches are beginning to appear on his uniform. "What do you think, Akhtar, shouldn't we pray before lunch?" He puts his arm around my shoulder and starts walking towards the mess without looking at General Akhtar. I notice that General Akhtar wants to say something. His mouth opens but no words come out and he follows us, almost dragging his feet. The American Amba.s.sador steps forward. "What a coincidence, Mr President. I have to attend prayers too. There is a church five miles from here and an orphanage that I am supposed to visit..."

"Oh. Of course. But you are coming back with us. I am not leaving you in this desert. And since Brother Akhtar is here, let's finalise this tank business on our flight back."

"I'll be here before take-off," says Arnold Raphel. As he walks off towards the car park, a familiar face greets him. Bannon is wearing a suit and gives me a formal nod and waves his hand as if he remembers my face but has forgotten my name. I am glad he didn't show up during the drill. I needed my concentration. A team of commandos rushes off to accompany them.

A waiter wearing a white turban opens the door of the mess and ushers us into a world where the air is sand-free and chilled, where large gla.s.s cabinets hold tank models and tennis trophies, where the white walls are covered with paintings of turbaned hors.e.m.e.n chasing spotted deer. The garrison commander leads us towards a big white hall, muttering apologies that the new garrison mosque is still under construction. General Akhtar falls in step with me. I try to quicken my pace, hoping to avoid the inevitable arm around my shoulder. He puts his arm around my shoulder. "That was very well done." He sounds disappointed. Then he leans towards my ear and whispers, "I told them to let you go, you know it was a mistake. By the way, you really know how to control that sword. It could have gone anywhere. Your father never knew when to stop."

"It all comes with practice." I give a pause and then say loudly, "Sir."

He takes his arm off my shoulder abruptly as if he doesn't want to be seen with me any more. Obaid might have told them about my sword practice but n.o.body in the whole world knows about Uncle Starchy's nectar.

My eyes track General Zia's feet for any signs. He is walking straight and steady as if his blood has never tasted the tip of my sword.

"Smooth and slow." I remind myself of Uncle Starchy's promise.

We sit down in front of a water pipe fitted with a series of stainless-steel taps for our ablutions. My memory of how to do it is vague, so I glance around and do what everybody else is doing. Hands first, then water in the mouth thrice, left nostril, right nostril, splash water over the back of my ears. I keep glancing at General Zia. There is something mechanical about his movements. He takes water in his one cupped hand, pours it into the other, then lets it go before rubbing both his hands on his face. He is not actually using the water. I have a feeling that he is not even doing his ablutions, just miming them. By the time I finish, I have water splashes all over my uniform. The zeal of the occasional worshipper, I suppose.

During the prayer I am again glancing left and right to take my cue whether to go down on my knees or raise my hands to my ears. It seems a bit like cheating at the exam, but I hope the examiner here is more understanding. General Beg seems to think so because he has got his Top Gun Top Gun Ray-Bans on. What kind of person doesn't want G.o.d to look him in the eye while praying? Then I pull my thoughts together and start reciting the only prayer I know. The prayer I said at Colonel Shigri's funeral, the prayer for the dead. Ray-Bans on. What kind of person doesn't want G.o.d to look him in the eye while praying? Then I pull my thoughts together and start reciting the only prayer I know. The prayer I said at Colonel Shigri's funeral, the prayer for the dead.

THIRTY-THREE.

General Akhtar salutes with extra care, making sure that his palm is straight, his eyes level, his spine stretched, every muscle in his body throbbing with respect. That Shigri boy lost his marbles in the end but the plane General Zia is about to board has enough VX gas on it to wipe out a village.

General Zia is a dead man and dead men in uniform deserve respect.

Under any other circ.u.mstances General Akhtar would have walked with him, right up to the plane, waited for General Zia to climb up the stairs and for the aircraft door to shut before walking back on the red carpet. But the two hundred yards of red carpet that stretches between them and the plane is the distance he is determined not to cover. He has already changed his estimated time of arrival in Islamabad twice and now he needs to leave, right now, even at the risk of appearing abrupt, rude or disrespectful. He, after all, has a country to run.

General Zia, instead of returning his salute, moves forward and put his arms around General Akhtar's waist.

"Brother Akhtar, I want to tell you a story. I called you because I wanted to share this memory with you. When I was in high school my parents couldn't afford a bicycle for me. I had to get a ride from a boy in my neighbourhood. And look at us now." He moves his arm in a half-circle, pointing at the C13O and the two small Cessna planes parked on the tarmac. "We all travel in our own planes, even when we are going to the same place."

"Allah has been kind to you," General Akhtar says, forcing a smile. "And you have been kind to me. To us." He looks towards General Beg whose eyes are fixed on the horizon where a small air force fighter has just taken off on a reconnaissance sortie. The plane's mission is to search the surroundings for any natural hazards and act as a bogey target in case anyone in the area wants to take a pot shot at Pak One.

Five miles from where the generals stand, the crow hears the roar of an aeroplane approaching. Startled out of its full-stomached slumber, the crow flutters its wings in panic, then gets distracted by a mango rotting on the branch above him and decides to continue his nap for a little longer.

General Zia doesn't notice that General Akhtar is squirming in his grip, straining to get away. He continues his reminiscence. "People always talk about the past, the good old days. Yes, those were good times, but even then there was nothing like a free ride. Every week my bicycle-owning neighbour would take me to a mango orchard near our school and wait outside while I climbed the boundary wall, went in and came back with stolen mangoes. I hope Allah has forgiven a child's indiscretions. Look at me now, brothers. Allah has brought me to a point where I have my own ride and my own mangoes gifted by my own people. So let's have a mango party on Pak One. Let's bring back the good old days."

General Beg smiles for the first time. "I am one of those unfortunate people whom Allah has not given the taste buds to enjoy the heavenly taste of mangoes. I am even allergic to the smell. But I hope you enjoy the party. There are twenty crates of them, you can take some for the First Lady as well." He salutes and turns round to go.

"General Beg." General Zia tries to muster up an authority that seems to be deserting him. General Beg turns back, his face patient and respectful, but his eyes hidden behind the mercury coating on his gla.s.ses. General Zia rubs his left eye and says, "Something has got into my eye. Can I borrow your sungla.s.ses?" General Zia has his eyes fixed on General Beg's face, waiting for the sungla.s.ses to come off, waiting to get a good look into his eyes. He remembers the intelligence profile he had ordered before giving Beg his promotion. There was something about his taste for expensive perfumes, BMWs and Bertrand Russell. There was nothing about any allergies, nothing about mangoes and absolutely nothing about sungla.s.ses.

Both of General Beg's hands move in unison. His left hand removes the sungla.s.ses and offers them to General Zia, while his right hand goes into his shirt pocket, produces an identical pair and puts them on. In the moment that his eyes are naked, General Zia discovers what he already knows: General Beg is hiding something from him.

It is General Zia's right eye that reaches the verdict. His left eye is wandering beyond Beg, beyond the sword-wielding Shigri boy trying to suppress his grin (like father like son, General Zia thinks, no sense of occasion). In the distance the mirage of a man is running on the tarmac. The man is in uniform and he is charging towards them recklessly, breaking the security cordons, ignoring the commandos' shouts to halt, ignoring their c.o.c.ked Kalashnikovs, oblivious to the confused snipers' itching forefingers. They would have shot him if he wasn't wearing his major's uniform and if he hadn't held his hands in the air to show his peaceful intentions. General Akhtar recognises him before anybody else and raises his hand to signal to the snipers to hold their tire. The snipers keep his legs and face in their cross hairs and wait for the mad Major to make any rash moves.

General Akhtar's relief is that of a man perched on the gallows, the rope already around his neck and a black mask about to come down on his face, the hangman adjusting the lever while saying hangman's prayer; the man with the noose around his neck looks at the world one last time and sees a messenger on horseback in the distance, galloping towards the scene, flailing his hands in the air.

General Akhtar is relieved to see Major Kiyani.

General Akhtar isn't sure what message Major Kiyani might have brought, but he is relieved anyway. Just at the moment when he is about to give up praying for divine intervention, his own man has come to the rescue.

General Zia, still stunned at General Beg's smooth manoeuvre, still holding the sungla.s.ses in his hand, gives only a casual look at the Major who has slowed down now and is approaching them like a marathon runner on his last lap. It is only when he stops a few feet away from them and salutes and General Zia, instead of hearing a solid thud of the military boot, hears the plopping sound of a Peshawan chappal striking the concrete that he looks at the Major's feet and says, "b.l.o.o.d.y h.e.l.l, Major, why are you running around in your slippers?"

That would prove to be General Zia's last lucid thought, his last utterance that would make any sense to his fellow travellers on Pak One.

THIRTY-FOUR.

You might have seen me on television after the crash. The clip is short and everything in it is sun-bleached and faded. It was pulled after the first few news bulletins because it seemed to be having an adverse impact on the nation's morale. You can't see it in the clip, but we are walking towards Pak One, which is parked behind the cameraman's back, still connected to generators and an auxiliary fuel pump, still surrounded by a group of alert commandos. Heat loops around its wings and fuel vapours are rising in whirlpools of white smoke. It looks like a beached whale, grey and alive, contemplating how to drag itself back to the sea. You can see General Zia's flashing white teeth in the clip but you can tell immediately that he is not smiling. If you watch closely you can probably tell that he is in some discomfort. He is walking the walk of a constipated man. General Akhtar's lips are pinched, and even though the sun has boiled everything into submission and drained all colour out of the surroundings you can see that his usually pale skin has turned a wet yellow. He is dragging his feet. General Beg is inscrutable behind his sungla.s.ses, but when he salutes and departs, his pace is brisk. He walks like someone who knows where he is going and why You can see me only for a few seconds behind them, my head rising above their shoulders, and if you look really closely you can see that I am the only one with a smile on his face, probably the only one looking forward to the journey. My squad has already flown back on another C13O with their packed lunch of roast chicken and soft buns. I have been invited onto Pak One for a mango party. I hate mangoes but I'll eat a few if I can see Colonel Shigri's killer foaming at the mouth and gasping for his last breath.

The clip also doesn't show that when I salute General Zia and start walking towards Pak One, my smile vanishes. I know I am saluting a dead man but that doesn't change anything. If you are in uniform you salute; that is all there is to it.

THIRTY-FIVE.

The telephone logs kept at Langley's Ops Room would later reveal that the early shift on the South Asia Desk logged one hundred and twelve calls in an attempt to locate the US Amba.s.sador to Pakistan, Arnold Raphel. The search for Arnold Raphel was triggered by a tip-off that the local CIA chief received from a major in the Pakistan Army; there are too many mangoes on Pak One and the air conditioning might not work. Chuck Coogan did not have the patience or the time to work with culture-specific codes. He informed Langley and when the duty a.n.a.lyst told him that they had intercepted a message from a Pakistani general about Pak One and mangoes, Chuck got worried. "Let's keep the amba.s.sador off that plane." Chuck Coogan made a mental note to include a paragraph about the breakdown of the chain of command in the Pakistan Army in his monthly debrief and started working the phone.

The calls were routed through the SouthEast Asia Bureau in Hong Kong, through the Islamabad Emba.s.sy and finally through the liaison office in Peshawar. In a last desperate attempt, a communication satellite was ordered to change its...o...b..t to get a bearing on his satellite phone receiver. The logbook wouldn't mention the reason for this urgency. The logbook wouldn't say that Arnold Raphel had decided to visit an orphanage a.s.sociated with a local church in an attempt to not get stuck with General Zia, to avoid the embarra.s.sing post-mortem on the Mi Abram's performance.

The satellite receiver, a clunky silver contraption cased in a hard plastic box, is switched off and stashed under the back seat of the amba.s.sador's black Mercedes. The Mercedes is parked in the brick-lined courtyard of a Catholic church under construction. The scaffolding has been covered with white plastic sheets for the amba.s.sador's visit, the emblem of the Carmelite sisters, with its three stars and a silver cross, hangs limp from the mast on the roof of the church. Behind the Mercedes, the commandos from the Pakistan Army are stretching their limbs in the open-topped jeeps, cooling down under the scarce shade of date trees and listening to the strains of music coming through the church door.

Arnold Raphel is inside the low-ceilinged hall, sitting on the front bench surrounded by barefoot nuns, listening to the strangest choir of his life. There is a man on the harmonium and a twelve-year-old boy sits besides him playing the tabla. "In the school of the crucified one, in the school of the crucified one," sings the man playing the harmonium, and a choir of well-scrubbed children wearing khaki shorts and white half-sleeved shirts stretch their arms out and tilt their heads towards the right to mime the crucified one. The ceiling fan, the iced c.o.ke, the sound of proper American English in this remote desert village, lulls Arnold Raphel, a strange calm descends on him and for a few moments he forgets about the awful tank trial and about his impending return journey with General Zia. This is not the kind of church he occasionally visited in a Washington DC suburb. There is incense on the altar, and the nuns smile at him extravagantly. A plump Jesus painted on a backdrop in various shades of gold and pink, with a marigold garland around his neck, looks down on the congregation with his kohl-lined eyes. "You don't pay any fees, you don't pay any fees" Arnold Raphel bends forward to hear the nun's whisper who is translating the hymn for him. "You don't pay any fees, in the school of the crucified one." His eyes are transfixed by the nun's bare feet. There are rows and rows of delicate crosses on both her feet, tattooed with henna. A smile plays on Arnold Raphel's face and he decides to stay on till the end of the service. General Zia can have his own G.o.ddam mango party on Pak One, he thinks, I should go back on my own Cessna. "You have to pay with your head, you have to pay with your head, on the chopping board." The orphans cut their throats with imaginary swords and the chorus sings on. "In the school of the crucified one. In the school of the crucified one."

The chief communication officer in Langley throws his hands up in the air and reports that the amba.s.sador is probably having a very long siesta. "Pak One has got clearance to taxi. It is taking off within minutes," reports the communication satellite picking up the air traffic control's calls from the garrison. The duty a.n.a.lyst at the South Asia Desk looks at all the calls logged in his register, starting with the first call made by a general with the unlikely name of Beg who had pleaded that the US Amba.s.sador shouldn't join the mango part on Pak One and decides that there is no need to pursue the matter any further.

Trust these Pakistani generals to get excited about a G.o.ddam smelly fruit, he tells his colleagues, clocking off his shift.

THIRTY-SIX.

Major Kiyani looks down at his slippers and for a moment forgets why he isn't wearing his military boors. His head feels dizzy as if he has just come off a roller coaster. He sucks in air with the l.u.s.t of a dying fish. Throughout the entire five-hundred-and-thirty-mile drive he has rehea.r.s.ed one sentence: "It's a matter of life and death, sir, it's a matter of life and death, sir." He looks around. Arnold Raphel is nowhere in sight. There is not a single American on the tarmac. General Akhtar looks at him with pleading eyes, imploring him to say G.o.d knows what. Major Kiyani suddenly feels that he should salute, walk back to his car, drive back to his office, at a reasonable speed this time, and resume his duties. But he can feel the snipers' guns pointed at the back of his head and two pairs of very curious eyes inspecting his face, waiting for an explanation. A matter of life and death, sir, he says quietly once again to himself, but then between gulping a few more cubic feet of oxygen blurts: "It's a matter of national security, sir."

A dark shadow falls across General Akhtar's tense, yellow face. He wants to shoot Major Kiyani in the head, board his Cessna and fly back to Islamabad. He expects his men to take decisive action, to cover his flanks in battle, to provide him an exit when he needs one, not behave like pansies discussing national security.

He sucks in his thin lips and holds on to his baton tightly. Suddenly Major Kiyani seems to him not the rescuer on horseback waving the irrefutable proof of his innocence, but the Angel of Death himself.

General Zia's eyes light up, he punches the air with his clinched fist and shouts: "By jingo, let's suck the national security. We've got twenty crates. General Akhtar, here my brother, my comrade, we are going to have a feast on the plane." He puts one arm around General Akhtar's waist, the other around Major Kiyani's and starts walking towards Pak One.

General Zia is feeling safe surrounded by these two professionals but his mind is racing ahead. A jumble of images and words and forgotten tastes are coming back to him. He wishes he could speak as fast as his mind is working but he can't arrange his words properly. By jingo, he thinks, we will get rid of that b.a.s.t.a.r.d with sungla.s.ses; we'll hang him by the barrel of Abram One and fire the gun. We'll see how Abram One misses that one. He laughs out loud at that thought. "We'll buy those tanks. We need those tanks," he says to Arnold Raphel and then realises that the amba.s.sador isn't at his side.

"Where is Brother Raphel?" he shouts. General Akhtar sees his opportunity and squirms in General Zia's grip. "I'll go and look for him." General Zia tightens his arm around General Akhtar's waist, looks into his eyes and says in a spurned lover's voice. "You don't want to suck national security with me? You can slice it with a knife and eat it like those city begums. You can have it anyway you want, brother. We have got twenty crates of the finest national security gifted by our own people."

General Zia approaches the red carpet and a dozen generals line up to salute him. As their hands reach their eyebrows, General Zia winces and instead of returning their salute inspects their faces. General Zia wonders what they are thinking. He wants to ask them about their wives and children, to start a conversation to get an insight into his commanders' thinking but he ends up issuing an invitation that sounds like an order. "The party is on the plane." He points his finger at Pak One. "All aboard, gentlemen. All aboard. By jingo, let's get this party started."

It is at this point, taking his first step on the red carpet and chaperoning a dozen confused generals towards Pak One that General Zia feels the first pang of an intense, dry pain in his lower abdomen.

The army of tapeworms, sensing a sudden surge in his blood circulation, begins to wake from their slumber. The tapeworms feel ravenous. A tapeworm's average age is seven years and it spends its entire life searching for and consuming food. The life cycle of this generation begins on a very lucky note. Climbing up from his r.e.c.t.u.m, they attack the liver first. They find it healthy and clean, the liver of a man who has not touched a drop of alcohol in twenty years and has quit smoking nine years earlier.

His innards taste like the innards of a man who has had food tasters taste every morsel that he ate for an entire decade. Having worked through his liver, the army starts to make a tunnel in his oesophagus and keeps moving up and up.

Their seven-year life cycle would be cut down to twenty minutes, but while they were alive, they would eat well.

THIRTY-SEVEN.

Pak One is a palace compared to the C130 that flew us here. It's got air conditioning. The floor smells of lemony disinfectants. We are sitting behind the VIP pod, in proper seats with armrests. There is even a waiter in a white turban offering us iced Coca-Cola in plastic gla.s.ses. This is the good life, I tell myself. I am poking Obaid in his ribs with my elbow, trying to point towards the cargo lift that's depositing a stack of crates through the plane's ramp. Obaid has got his nose buried in the book. He doesn't even glance towards me. Warrant Officer Fayyaz's bald head appears from behind the stack of wooden crates. Elaborate messages have been stencilled in blue ink on the crates. "The mangoes that we present you are not just seasonal fruits, they are tokens of our love, a sign of our devotion." All Pakistan Mango Farmers Cooperative is stencilled in bold letters on all the crates. Secretary General's fellow travellers are still playing their double game. Warrant Officer Fayyaz secures the crates to the floor of the plane with a plastic belt and gives the belt a forceful shake to see if it is secure. It is.

As the ramp door on the aircraft comes up and creaks shut, the cabin is suddenly full of the overwhelming smell of mangoes. One mango's smell is nice, the smell of a tonne of them can induce nausea. Fayyaz looks through me as if he had never tried to molest me. Major Kiyani is standing with his back reclined against the VIP pod as if he expects to be invited in at any time. He seems strait jacketed in a uniform a size too small. I give Obaid another nudge in the ribs. "Look at his feet." Obaid glances at him impatiently. "He is wearing slippers. So? At least he has started wearing a uniform. One thing at a time." He buries his nose in his book again. Major Kiyani comes towards me and stares at my face as if he has suddenly remembered that he has seen me somewhere but doesn't quite know what to say to me. I vacate my seat. "Sir, why don't you sit here?" He almost falls into the seat as if his knees have refused to carry his weight. Warrant Officer Fayyaz shouts from behind the mango crates. "I'll have to offload you, Under Officer. We are not allowed to carry standing pa.s.sengers on Pak One." I have half a mind to squash his head with a mango crate, but two bearded commandos manning the C13O door are already looking at me suspiciously. "Let's go, Obaid," I say, moving towards the door without looking at him, feeling as if I have been ejected from my ringside seat at General Zia's deathbed. From the door I look back and Obaid waves his book towards me and at the same time mouths what to me sounds like: "I am about to finish."

I give him a scornful look, nod towards Major Kiyani who has slumped in his chair with his eyes closed, tip my peaked cap to the commandos on the door and shout, "Enjoy your VVIP flight."

"Brother Raphel, you have not had lunch with us," General Zia says in a complaining voice and takes Arnold Raphel's hand in both his hands and starts walking towards Pak One. "I know you were taking a siesta with Jesus and Mary." General Zia puts an arm around his waist and lowers his voice to a whisper. "Now we must put our heads together and suck national security." Arnold Raphel, still reeling from his spiritual encounter with the Carmelite sisters and their singing orphans, thinks General Zia is cracking a joke.