A Book of Myths Part 7

"In some delicious ramble, he had found A little s.p.a.ce, with boughs all woven round; And in the midst of all, a clearer pool Than e'er reflected in its pleasant cool The blue sky here, and there, serenely peeping Through tendril wreaths fantastically creeping."

As he stooped down to drink, a face looked at his through the crystal clear water, and a pair of beautiful eyes met his own. His surprise and joy at the sight of what he felt sure must be the most beautiful creature on earth, was evidently shared by the nymph of the pool, who gazed fearlessly up at him.

Round her head she had a nimbus of curls than which that of Adonis--nay, of the sun-G.o.d himself, was not more perfect, while her eyes were like the brown pools of water in a rippling mountain stream, flecked with sunshine, yet with depths untold. When Narcissus smiled at her in rapture, her red lips also parted in a smile. He stretched out his arms towards her, and her arms were stretched to him. Almost trembling in his delight, he slowly stooped to kiss her. Nearer she drew to him, nearer still, but when his mouth would have given itself to that other mouth that was formed like the bow of Eros--a thing to slay hearts--only the chilly water of the pool touched his lips, and the thing of his delight vanished away. In pa.s.sionate disappointment Narcissus waited for her to return, and as soon as the water of the pool grew still, once more he saw her exquisite face gazing wistfully up into his. Pa.s.sionately he pled with the beautiful creature--spoke of his love--besought her to have pity on him, but although the face in the pool reflected his every look of adoration and of longing, time and again he vainly tried to clasp in his arms what was but the mirrored likeness of himself.

In full measure had the avenging G.o.ddess meted out to Narcissus the restless longing of unsatisfied love. By day and by night he haunted the forest pool, and ere long the face that looked back at his was pale as a lily in the dawn. When the moonbeams came straying down through the branches and all the night was still, they found him kneeling by the pool, and the white face that the water mirrored had the eyes of one of the things of the woods to which a huntsman has given a mortal wound. Mortally wounded he truly was, slain, like many another since his day, by a hopeless love for what was in truth but an image, and that an image of his own creation. Even when his shade pa.s.sed across the dark Stygian river, it stooped over the side of the boat that it might try to catch a glimpse of the beloved one in the inky waters.

Echo and the other nymphs were avenged, yet when they looked on the beautiful dead Narcissus, they were filled with sorrow, and when they filled the air with their lamentations, most piteously did the voice of Echo repeat each mournful cry. Even the G.o.ds were pitiful, and when the nymphs would have burned the body on a funeral pyre which their own fair hands had built for him, they sought it in vain. For the Olympians had turned Narcissus into a white flower, the flower that still bears his name and keeps his memory sweet.

"A lonely flower he spied, A meek and forlorn flower, with naught of pride, Drooping its beauty o'er the watery clearness, To woo its own sad image into nearness; Deaf to light Zephyrus it would not move, But still would seem to droop, to pine, to love."

Keats.

ICARUS.

Fourteen years only have pa.s.sed since our twentieth century began. In those fourteen years how many a father's and mother's heart has bled for the death of gallant sons, greatly-promising, greatly-daring, who have sought to rule the skies? With wings not well enough tried, they have soared dauntlessly aloft, only to add more names to the tragic list of those whose lives have been sacrificed in order that the groping hands of science may become sure, so that in time the sons of men may sail through the heavens as fearlessly as their fathers sailed through the seas.

High overhead we watch the monoplane, the great, swooping thing, like a monster black-winged bird, and our minds travel back to the story of Icarus, who died so many years ago that there are those who say that his story is but a foolish fable, an idle myth.

Daedalus, grandson of a king of Athens, was the greatest artificer of his day. Not only as an architect was he great, but as a sculptor he had the creative power, not only to make men and women and animals that looked alive, but to cause them to move and to be, to all appearances, endowed with life. To him the artificers who followed him owed the invention of the axe, the wedge, the wimble, and the carpenter's level, and his restless mind was ever busy with new inventions. To his nephew, Talus, or Perdrix, he taught all that he himself knew of all the mechanical arts. Soon it seemed that the nephew, though he might not excel his uncle, equalled Daedalus in his inventive power. As he walked by the seash.o.r.e, the lad picked up the spine of a fish, and, having pondered its possibilities, he took it home, imitated it in iron, and so invented the saw. A still greater invention followed this. While those who had always thought that there could be none greater than Daedalus were still acclaiming the lad, there came to him the idea of putting two pieces of iron together, connecting them at one end with a rivet, and sharpening both ends, and a pair of compa.s.ses was made. Louder still were the acclamations of the people. Surely greater than Daedalus was here. Too much was this for the artist's jealous spirit.

One day they stood together on the top of the Acropolis, and Daedalus, murder that comes from jealousy in his heart, threw his nephew down. Down, down he fell, knowing well that he was going to meet a cruel death, but Pallas Athene, protectress of all clever craftsmen, came to his rescue. By her Perdrix was turned into the bird that still bears his name, and Daedalus beheld Perdrix, the partridge, rapidly winging his way to the far-off fields. Since then, no partridge has ever built or roosted in a high place, but has nestled in the hedge-roots and amongst the standing corn, and as we mark it we can see that its flight is always low.

For his crime Daedalus was banished from Athens, and in the court of Minos, king of Crete, he found a refuge. He put all his mighty powers at the service of Minos, and for him designed an intricate labyrinth which, like the river Meander, had neither beginning nor ending, but ever returned on itself in hopeless intricacy. Soon he stood high in the favour of the king, but, ever greedy for power, he incurred, by one of his daring inventions, the wrath of Minos. The angry monarch threw him into prison, and imprisoned along with him his son, Icarus. But prison bars and locks did not exist that were strong enough to baffle this master craftsman, and from the tower in which they were shut, Daedalus and his son were not long in making their escape. To escape from Crete was a less easy matter. There were many places in that wild island where it was easy for the father and son to hide, but the subjects of Minos were mostly mariners, and Daedalus knew well that all along the sh.o.r.e they kept watch lest he should make him a boat, hoist on it one of the sails of which he was part inventor, and speed away to safety like a sea-bird driven before the gale. Then did there come to Daedalus, the pioneer of inventions, the great idea that by his skill he might make a way for himself and his son through another element than water. And he laughed aloud in his hiding place amongst the cypresses on the hillside at the thought of how he would baffle the simple sailormen who watched each creek and beach down on the sh.o.r.e. Mockingly, too, did he think of King Minos, who had dared to pit his power against the wits and skill of Daedalus, the mighty craftsman.

Many a Cretan bird was sacrificed before the task which the inventor had set himself was accomplished. In a shady forest on the mountains he fashioned light wooden frames and decked them with feathers, until at length they looked like the pinions of a great eagle, or of a swan that flaps its majestic way from lake to river. Each feather was bound on with wax, and the mechanism of the wings was so perfect a reproduction of that of the wings from which the feathers had been plucked, that on the first day that he fastened them to his back and spread them out, Daedalus found that he could fly even as the bird flew. Two pairs he made; having tested one pair, a second pair was made for Icarus, and, circling round him like a mother bird that teaches her nestlings how to fly, Daedalus, his heart big with the pride of invention, showed Icarus how he might best soar upwards to the sun or dive down to the blue sea far below, and how he might conquer the winds and the air currents of the sky and make them his servants.

That was a joyous day for father and son, for the father had never before drunk deeper of the intoxicating wine of the G.o.ds--Success--and for the lad it was all pure joy. Never before had he known freedom and power so utterly glorious. As a little child he had watched the birds fly far away over the blue hills to where the sun was setting, and had longed for wings that he might follow them in their flight. At times, in his dreams, he had known the power, and in his dreaming fancy had risen from the c.u.mbering earth and soared high above the trees and fields on strong pinions that bore him away to the fair land of heart's desire--to the Islands of the Blessed. But when Sleep left him and the dreams silently slipped out before the coming of the light of day, and the boy sprang from his couch and eagerly spread his arms as, in his dreams, he had done, he could no longer fly. Disappointment and unsatisfied longing ever came with his waking hours. Now all that had come to an end, and Daedalus was glad and proud as well to watch his son's joy and his fearless daring. One word of counsel only did he give him.

"Beware, dear son of my heart," he said, "lest in thy new-found power thou seekest to soar even to the gates of Olympus. For as surely as the scorching rays from the burnished wheels of the chariot of Apollo smite thy wings, the wax that binds on thy feathers will melt, and then will come upon thee and on me woe unutterable."

In his dreams that night Icarus flew, and when he awoke, fearing to find only the haunting remembrance of a dream, he found his father standing by the side of his bed of soft leaves under the shadowy cypresses, ready to bind on his willing shoulders the great pinions that he had made.

Gentle Dawn, the rosy-fingered, was slowly making her way up from the East when Daedalus and Icarus began their flight. Slowly they went at first, and the goat-herds who tended their flocks on the slopes of Mount Ida looked up in fear when they saw the dark shadows of their wings and marked the monster birds making their way out to sea. From the river beds the waterfowl arose from the reeds, and with great outcry flew with all their swiftness to escape them. And down by the seash.o.r.e the mariners' hearts sank within them as they watched, believing that a sight so strange must be a portent of disaster. Homewards they went in haste to offer sacrifices on the altars of Poseidon, ruler of the deep.

Samos and Delos were pa.s.sed on the left and Lebynthos on the right, long ere the sun-G.o.d had started on his daily course, and as the mighty wings of Icarus cleft the cold air, the boy's slim body grew chilled, and he longed for the sun's rays to turn the waters of the AEgean Sea over which he flew from green-grey into limpid sapphire and emerald and burning gold. Towards Sicily he and his father bent their course, and when they saw the beautiful island afar off lying like a gem in the sea, Apollo made the waves in which it lay, for it a fitting setting. With a cry of joy Icarus marked the sun's rays paint the chill water, and Apollo looked down at the great white-winged bird, a snowy swan with the face and form of a beautiful boy, who sped exulting onwards, while a clumsier thing, with wings of darker hue, followed less quickly, in the same line of flight. As the G.o.d looked, the warmth that radiated from his chariot touched the icy limbs of Icarus as with the caressing touch of gentle, life-giving hands. Not long before, his flight had lagged a little, but now it seemed as if new life was his. Like a bird that wheels and soars and dives as if for lightness of heart, so did Icarus, until each feather of his plumage had a sheen of silver and of gold. Down, down, he darted, so near the water that almost the white-tipped waves caught at his wings as he skimmed over them. Then up, up, up he soared, ever higher, higher still, and when he saw the radiant sun-G.o.d smiling down on him, the warning of Daedalus was forgotten. As he had excelled other lads in foot races, now did Icarus wish to excel the birds themselves. Daedalus he left far behind, and still upwards he mounted. So strong he felt, so fearless was he, that to him it seemed that he could storm Olympus, that he could call to Apollo as he swept past him in his flight, and dare him to race for a wager from the AEgean Sea to where the sun-G.o.d's horses took their nightly rest by the trackless seas of the unknown West.

In terror his father watched him, and as he called to him in a voice of anguished warning that was drowned by the whistling rush of the air currents through the wings of Icarus and the moist whisper of the clouds as through them he cleft a way for himself, there befell the dreaded thing. It seemed as though the strong wings had begun to lose their power. Like a wounded bird Icarus fluttered, lunged sidewise from the straight, clean line of his flight, recovered himself, and fluttered again. And then, like the bird into whose soft breast the sure hand of a mighty archer has driven an arrow, downwards he fell, turning over and yet turning again, downwards, ever downwards, until he fell with a plunge into the sea that still was radiant in shining emerald and translucent blue.

Then did the car of Apollo drive on. His rays had slain one who was too greatly daring, and now they fondled the little white feathers that had fallen from the broken wings and floated on the water like the petals of a torn flower.

On the dead, still face of Icarus they shone, and they spangled as if with diamonds the wet plumage that still, widespread, bore him up on the waves.

Stricken at heart was Daedalus, but there was no time to lament his son's untimely end, for even now the black-prowed ships of Minos might be in pursuit. Onward he flew to safety, and in Sicily built a temple to Apollo, and there hung up his wings as a propitiatory offering to the G.o.d who had slain his son.

And when grey night came down on that part of the sea that bears the name of Icarus to this day, still there floated the body of the boy whose dreams had come true. For only a little while had he known the exquisite realisation of dreamed-of potentialities, for only a few hours tasted the sweetness of perfect pleasure, and then, by an over-daring flight, had lost it all for ever.

The sorrowing Nereids sang a dirge over him as he was swayed gently hither and thither by the tide, and when the silver stars came out from the dark firmament of heaven and were reflected in the blackness of the sea at night, it was as though a velvet pall, silver-decked in his honour, was spread around the slim white body with its outstretched snowy wings.

So much had he dared--so little accomplished.

Is it not the oft-told tale of those who have followed Icarus? Yet who can say that gallant youth has lived in vain when, as Icarus did, he has breasted the very skies, has flown with fearless heart and soul to the provinces of the deathless G.o.ds?--when, even for the s.p.a.ce of a few of the heart-beats of Time, he has tasted supreme power--the ecstasy of illimitable happiness?

CLYTIE.

The sunbeams are basking on the high walls of the old garden--smiling on the fruit that grows red and golden in their warmth. The bees are humming round the bed of purple heliotrope, and drowsily murmuring in the shelter of the soft petals of the blush roses whose sweetness brings back the fragrance of days that are gone. On the old grey sundial the white-winged pigeons sleepily croon as they preen their snowy plumage, and the Madonna lilies hang their heads like a procession of white-robed nuns who dare not look up from telling their beads until the triumphal procession of an all-conquering warrior has gone by. What can they think of that long line of tall yellow flowers by the garden wall, who turn their faces sunwards with an arrogant a.s.surance, and give stare for stare to golden-haired Apollo as he drives his blazing car triumphant through the high heavens?

"Sunflowers" is the name by which we know those flamboyant blossoms which somehow fail so wholly to suggest the story of Clytie, the nymph whose destruction came from a faithful, unrequited love. She was a water-nymph, a timid, gentle being who frequented lonely streams, and bathed where the blue dragon-flies dart across the white water-lilies in pellucid lakes. In the shade of the tall poplar trees and the silvery willows she took her midday rest, and feared the hours when the flowers drooped their heads and the rippling water lost its coolness before the fierce glare of the sun.

But there came a day when, into the dark pool by which she sat, Apollo the Conqueror looked down and mirrored his face. And nevermore did she hide from the golden-haired G.o.d who, from the moment when she had seen in the water the picture of his radiant beauty, became the lord and master of her heart and soul. All night she awaited his coming, and the Dawn saw her looking eastward for the first golden gleams from the wheels of his chariot. All day she followed him with her longing gaze, nor did she ever cease to feast her eyes upon his beauty until the last reflection of his radiance had faded from the western sky.

Such devotion might have touched the heart of the sun-G.o.d, but he had no wish to own a love for which he had not sought. The nymph's adoration irked him, nor did pity come as Love's pale subst.i.tute when he marked how, day by day, her face grew whiter and more white, and her lovely form wasted away. For nine days, without food or drink, she kept her shamed vigil. Only one word of love did she crave. Unexacting in the humility of her devotion, she would gratefully have nourished her hungry heart upon one kindly glance. But Apollo, full of scorn and anger, lashed up his fiery steeds as he each day drove past her, nor deigned for her a glance more gentle than that which he threw on the satyrs as they hid in the dense green foliage of the shadowy woods.

Half-mocking, Diana said, "In truth the fair nymph who throws her heart's treasures at the feet of my golden-locked brother that he may trample on them, is coming to look like a faded flower!" And, as she spoke, the hearts of the other immortal dwellers in Olympus were stirred with pity.

"A flower she shall be!" they said, "and for all time shall she live, in life that is renewed each year when the earth stirs with the quickening of spring. The long summer days shall she spend forever in fearless worship of the G.o.d of her love!"

And, as they willed, the nymph pa.s.sed out of her human form, and took the form of a flower, and evermore--the emblem of constancy--does she gaze with fearless ardour on the face of her love.

"The heart that has truly loved never forgets, But as truly loves on to the close; As the sunflower turns on her G.o.d when he sets The same look that she turned when he rose."

Some there are who say that not into the bold-faced sunflower did her metamorphosis take place, but into that purple heliotrope that gives an exquisite offering of fragrance to the sun-G.o.d when his warm rays touch it. And in the old walled garden, while the bees drowsily hum, and the white pigeons croon, and the dashing sunflower gives Apollo gaze for gaze, and the scent of the mignonette mingles with that of clove pinks and blush roses, the fragrance of the heliotrope is, above all, worthy incense to be offered upon his altar by the devout lover of a G.o.d.

THE CRANES OF IBYCUS.

"For murder, though it have no tongue, will speak With most miraculous organ."

Shakespeare.

Ibycus, the poet friend of Apollo, was a happy man as he journeyed on foot through the country where the wild flowers grew thick and the trees were laden with blossom towards the city of Corinth. His tuneful voice sang s.n.a.t.c.hes of song of his own making, and ever and again he would try how his words and music sounded on his lyre. He was light of heart, because ever had he thought of good, and not evil, and had always sung only of great and n.o.ble deeds and of those things that helped his fellow-men. And now he went to Corinth for the great chariot-races, and for the great contest of musicians where every true poet and musician in Greece was sure to be found.

It was the time of the return to earth of Adonis and of Proserpine, and as he was reverently about to enter the sacred grove of Poseidon, where the trees grew thick, and saw, crowning the height before him, the glittering towers of Corinth, he heard, overhead, the harsh cries of some other returned exiles. Ibycus smiled, as he looked up and beheld the great flock of grey birds, with their long legs and strong, outstretched wings, come back from their winter sojourn on the golden sands of Egypt, to dance and beck and bow to each other by the marshes of his homeland.

"Welcome back, little brothers!" he cried. "May you and I both meet with naught but kindness from the people of this land!"

And when the cranes again harshly cried, as if in answer to his greeting, the poet walked gaily on, further into the shadow of that dark wood out of which he was never to pa.s.s as living man. Joyous, and fearing no evil, he had been struck and cast to the ground by cruel and murderous hands ere ever he knew that two robbers were hidden in a narrow pa.s.s where the brushwood grew thick. With all his strength he fought, but his arms were those of a musician and not of a warrior, and very soon he was overpowered by those who a.s.sailed him. He cried in vain to G.o.ds and to men for help, and in his final agony he heard once more the harsh voices of the migratory birds and the rush of their speeding wings. From the ground, where he bled to death, he looked up to them.

"Take up my cause, dear cranes!" he said, "since no voice but yours answers my cry!"

And the cranes screamed hoa.r.s.ely and mournfully as if in farewell, as they flapped their way towards Corinth and left the poet lying dead.

When his body was found, robbed and terribly wounded, from all over Greece, where he was known and loved, there uprose a great clamour of lamentation.

"Is it thus I find you restored to me?" said he who had expected him in Corinth as his honoured guest; "I who hoped to place the victor's laurels on your head when you triumphed in the temple of song!"

And all those whom the loving personality of Ibycus and the charm of his music had made his friends were alert and eager to avenge so foul a murder. But none knew how the wicked deed had come to pa.s.s--none, save the cranes.

Then came the day to which Ibycus had looked forward with such joy, when thousands upon thousands of his countrymen sat in the theatre at Cyprus and watched a play that stirred their hearts within them.

The theatre had for roof the blue vault of heaven; the sun served for footlights and for the lights above the heads of those who acted. The three Furies--the Eumenides--with their hard and cruel faces and snaky locks, and with blood dripping from their eyes, were represented by actors so great that the hearts of their beholders trembled within them. In their dread hands lay the punishment of murder, of inhospitality, of ingrat.i.tude, and of all the cruellest and basest of crimes. Theirs was the duty of hurrying the doomed spirits entrusted to their merciless care over the Phlegethon, the river of fire that flows round Hades, and through the brazen gates that led to Torment, and their robes were robes worn "With all the pomp of horror, dy'd in gore."

Virgil.

In solemn cadence, while the thousands of beholders watched and listened enthralled, the Furies walked round the theatre and sang their song of terror: "Woe! woe! to him whose hands are soiled with blood! The darkness shall not hide him, nor shall his dread secret lie hidden even in the bowels of the earth! He shall not seek by flight to escape us, for vengeance is ours, and swifter than a hawk that strikes its quarry shall we strike. Unwearying we pursue, nor are our swift feet and our avenging arms made slow by pity. Woe! woe! to the shedder of innocent blood, for nor peace nor rest is his until we have hurried his tormented soul down to torture that shall endure everlastingly!"

As the listeners heard the dirge of doom, there were none who did not think of Ibycus, the gentle-hearted poet, so much beloved and so foully done to death, and in the tensity of the moment when the voices ceased, a great thrill pa.s.sed over the mult.i.tudes as a voice, shrill with amazed horror, burst from one of the uppermost benches: "See there! see there! behold, comrade, the cranes of Ibycus!"

Every eye looked upwards, and, harshly crying, there pa.s.sed overhead the flock of cranes to whom the poet had entrusted his dying message. Then, like an electric shock, there came to all those who beheld the knowledge that he who had cried aloud was the murderer of Ibycus.

"Seize him! seize him!" cried in unison the voices of thousands. "Seize the man, and him to whom he spoke!"

Frantically the trembling wretch tried to deny his words, but it was too late. The roar of the mult.i.tudes was as that of an angry sea that hungers for its prey and will not be denied. He who had spoken and him to whom he spoke were seized by a score of eager hands.

In white-faced terror, because the Furies had hunted them down, they made confession of their crime and were put to death. And the flock of grey-plumaged, rosy-headed cranes winged their way on to the marshes, there to beck and bow to each other, and to dance in the golden sunset, well content because their message was delivered, and Ibycus, the poet-musician who had given them welcome, was avenged.

SYRINX.

"Is it because the wild-wood pa.s.sion still lingers in our hearts, because still in our minds the voice of Syrinx lingers in melancholy music, the music of regret and longing, that for most of us there is so potent a spell in running waters?"

Fiona Macleod.

As the evening shadows lengthen, and the night wind softly steals through the trees, touching with restless fingers the still waters of the little lochans that would fain have rest, there can be heard a long, long whisper, like a sigh. There is no softer, sadder note to be heard in all Pan's great orchestra, nor can one marvel that it should be so, for the whisper comes from the reeds who gently sway their heads while the wind pa.s.ses over them as they grow by lonely lake or river.

This is the story of Syrinx, the reed, as Ovid has told it to us.

In Arcadia there dwelt a nymph whose name was Syrinx. So fair she was that for her dear sake fauns and satyrs forgot to gambol, and sat in the green woods in thoughtful stillness, that they might see her as she pa.s.sed. But for none of them had Syrinx a word of kindness. She had no wish for love.

"But as for Love, truly I know him not, I have pa.s.sionately turned my lips therefrom, And from that fate the careless G.o.ds allot."

Lady Margaret Sackville.

To one only of the G.o.ds did she give her loyal allegiance. She worshipped Diana, and with her followed the chase. As she lightly sped through the forest she might have been Diana herself, and there were those who said they would not know nymph from G.o.ddess, but that the G.o.ddess carried a silver bow, while that of Syrinx was made of horn. Fearless, and without a care or sorrow, Syrinx pa.s.sed her happy days. Not for all the gold of Midas would she have changed places with those love-lorn nymphs who sighed their hearts out for love of a G.o.d or of a man. Heartwhole, fancy free, gay and happy and lithe and strong, as a young boy whose joy it is to run and to excel in the chase, was Syrinx, whose white arms against the greenwood trees dazzled the eyes of the watching fauns when she drew back her bow to speed an arrow at the stag she had hunted since early dawn. Each morning that she awoke was the morning of a day of joy; each night that she lay down to rest, it was to sleep as a child who smiles in his sleep at the remembrance of a perfect day.

But to Syrinx, who knew no fear, Fear came at last. She was returning one evening from the shadowy hills, untired by the chase that had lasted for many an hour, when, face to face, she met with one whom hitherto she had only seen from afar. Of him the other nymphs spoke often. Who was so great as Pan?--Pan, who ruled the woods. None could stand against Pan. Those who defied him must ever come under his power in the end. He was Fear; he was Youth; he was Joy; he was Love; he was Beast; he was Power; he was Man; he was G.o.d. He was Life itself. So did they talk, and Syrinx listened with a smile. Not Pan himself could bring Fear to her.

Yet when he met her in the silent loneliness of a great forest and stood in her path and gazed on her with eyes of joyous amazement that one so fair should be in his kingdom without his having had knowledge of it, Syrinx felt something come to her heart that never before had a.s.sailed it.

Pan's head was crowned with sharp pine-leaves. His face was young and beautiful, and yet older than the mountains and the seas. Sadness and joy were in his eyes at the same time, and at the same moment there looked out from them unutterable tenderness and merciless cruelty. For only a little s.p.a.ce of time did he stand and hold her eyes with his own, and then in low caressing voice he spoke, and his words were like the song of a bird to his mate, like the call of the earth to the sun in spring, like the lap of the waves when they tell the rocks of their eternal longing. Of love he spoke, of love that demanded love, and of the nymph's most perfect beauty. Yet as he spoke, the unknown thing came and smote with icy hands the heart of Syrinx.

"Ah! I have Fear! I have Fear!" she cried, and more cruel grew the cruelty in the eyes of Pan, but his words were still the words of pa.s.sionate tenderness. Like a bird that trembles, helpless, before the serpent that would slay it, so did Syrinx the huntress stand, and her face in the shade of the forest was like a white lily in the night. But when the G.o.d would have drawn her close to him and kissed her red lips, Fear leapt to Terror, and Terror winged her feet. Never in the chase with Diana had she run as now she ran. But like a rushing storm did Pan pursue her, and when he laughed she knew that what the nymphs had said was true--he was Power--he was Fear--he was Beast--he was Life itself. The darkness of the forest swiftly grew more dark. The climbing trails of ivy and the fragrant creeping plants caught her flying feet and made her stumble. Branches and twigs grew alive and s.n.a.t.c.hed at her and baulked her as she pa.s.sed. Trees blocked her path. All Nature had grown cruel, and everywhere there seemed to her to be a murmur of mocking laughter, laughter from the creatures of Pan, echoing the merciless merriment of their lord and master. Nearer he came, ever nearer. Almost she could feel his breath on her neck; but even as he stretched out his arms to seize the nymph whose breath came with sobs like that of a young doe spent by the chase, they reached the brink of the river Ladon. And to her "watery sisters" the nymphs of the river, Syrinx breathed a desperate prayer for pity and for help, then stumbled forward, a quarry run to the death.

With an exultant shout, Pan grasped her as she fell. And lo, in his arms he held no exquisite body with fiercely beating heart, but a clump of slender reeds. Baffled he stood for a little s.p.a.ce, and, as he stood, the savagery of the beast faded from his eyes that were fathomless as dark mountain tarns where the sun-rays seldom come, and there came into them a man's unutterable woe. At the reeds by the river he gazed, and sighed a great sigh, the sigh that comes from the heart of a G.o.d who thinks of the pain of the world. Like a gentle zephyr the sigh breathed through the reeds, and from the reeds there came a sound as of the sobbing sorrow of the world's desire. Then Pan drew his sharp knife, and with it he cut seven of the reeds that grew by the murmuring river.

"Thus shalt thou still be mine, my Syrinx," he said.

Deftly he bound them together, cut them into unequal lengths, and fashioned for himself an instrument, that to this day is called the Syrinx, or Pan's Pipes.

So did the G.o.d make music.

And all that night he sat by the swift-flowing river, and the music from his pipe of reeds was so sweet and yet so pa.s.sing sad, that it seemed as though the very heart of the earth itself were telling of its sadness. Thus Syrinx still lives--still dies: "A note of music by its own breath slain, Blown tenderly from the frail heart of a reed,"

and as the evening light comes down on silent places and the trembling shadows fall on the water, we can hear her mournful whisper through the swaying reeds, brown and silvery-golden, that grow by lonely lochan and lake and river.

THE DEATH OF ADONIS.

"The fairest youth that ever maiden's dream conceived."

Lewis Morris.

The ideally beautiful woman, a subject throughout the centuries for all the greatest powers of sculptor's and painter's art, is Venus, or Aphrodite, G.o.ddess of beauty and of love. And he who shares with her an unending supremacy of perfection of form is not one of the G.o.ds, her equals, but a mortal lad, who was the son of a king.

As Aphrodite sported one day with Eros, the little G.o.d of love, by accident she wounded herself with one of his arrows. And straightway there came into her heart a strange longing and an ache such as the mortal victims of the bow of Eros knew well. While still the ache remained, she heard, in a forest of Cyprus, the baying of hounds and the shouts of those who urged them on in the chase. For her the chase possessed no charms, and she stood aside while the quarry burst through the branches and thick undergrowth of the wood, and the hounds followed in hot pursuit. But she drew her breath sharply, and her eyes opened wide in amazed gladness, when she looked on the perfect beauty of the fleet-footed hunter, who was only a little less swift than the shining spear that sped from his hand with the sureness of a bolt from the hand of Zeus. And she knew that this must be none other than Adonis, son of the king of Paphos, of whose matchless beauty she had heard not only the dwellers on earth, but the Olympians themselves speak in wonder. While G.o.ds and men were ready to pay homage to his marvellous loveliness, to Adonis himself it counted for nothing. But in the vigour of his perfect frame he rejoiced; in his fleetness of foot, in the power of that arm that Michael Angelo has modelled, in the quickness and sureness of his aim, for the boy was a mighty hunter with a pa.s.sion for the chase.

Aphrodite felt that her heart was no longer her own, and knew that the wound that the arrow of Eros had dealt would never heal until she knew that Adonis loved her. No longer was she to be found by the Cytherian sh.o.r.es or in those places once held by her most dear, and the other G.o.ds smiled when they beheld her vying with Diana in the chase and following Adonis as he pursued the roe, the wolf, and the wild boar through the dark forest and up the mountain side. The pride of the G.o.ddess of love must often have hung its head. For her love was a thing that Adonis could not understand. He held her "Something better than his dog, a little dearer than his horse," and wondered at her whim to follow his hounds through brake and marsh and lonely forest. His reckless courage was her pride and her torture. Because he was to her so infinitely dear, his path seemed ever bestrewn with dangers. But when she spoke to him with anxious warning and begged him to beware of the fierce beasts that might one day turn on him and bring him death, the boy laughed mockingly and with scorn.

There came at last a day when she asked him what he did on the morrow, and Adonis told her with sparkling eyes that had no heed for her beauty, that he had word of a wild boar, larger, older, more fierce than any he had ever slain, and which, before the chariot of Diana next pa.s.sed over the land of Cyprus, would be lying dead with a spear-wound through it.

With terrible foreboding, Aphrodite tried to dissuade him from his venture.