A Black Adonis Part 9

"You don't mean to claim, do you," she replied, "that physical beauty and moral goodness always go hand in hand?"

"They should," he answered, in a tone that was meant to be impressive.

"Ah, that is another question! _Do_ they? that is all the novelist needs to know. Did you ever read Ouida's 'Sigma?' There are the two sisters, one as pure as can be, the other quite the opposite, and the beauty belongs to the depraved one. I know Oscar Wilde takes a different view in 'Dorian Grey,' but he is wrong. I am sure that the worst man or woman in the world--reckoning by what are called the 'amiable vices'--might be the most lovely to look upon, the most delightful to a.s.sociate with. Eve found the serpent attractive, remember."

Where did she learn all these things? Weil looked at her with increasing astonishment. "Amiable vices." He liked the appellation.

"Perhaps you are right," he a.s.sented, as if slowly convinced. "If you wish to be acquainted with Mr. Roseleaf, I will bring him here with pleasure. My only fear is that he will not interest you. He seems almost too perfect for earth. Think of a young man who knows nothing of women, who says he has no idea what it is to be in love, who does not understand why the ladies who pa.s.s down Fifth Avenue turn their heads to look at him! He, like yourself, is a novelist, but his characters are beautiful images that lack life. He carves marble figures and attempts to palm them off as flesh and blood. He really thinks they _are_, because he has never known the difference. If you could take him, Miss Fern, and teach him what love really is--"

The young lady blushed more than before.

"_I_--" she stammered.

"In a strictly literary way," he explained. "But," he added, thinking he was getting upon the edge of a quicksand, "we must not forget the object of my visit."

He took the parcel containing her MSS. that he had obtained from Mr.

Gouger, and began to untie the string. Manlike he soon had it in a hard knot, and Miss Millicent, coming to his rescue, her young hands touched his and made his heart beat faster.

"There," she said, when the knot had given way to their joint endeavors.

"It is all right, now. But, before we begin on this, tell me a little more about Mr. Roseleaf. What has he written? Where was it published? I will send to-morrow morning and buy a copy."

Her enthusiasm was agreeable under the circ.u.mstances, but the truth had to be explained to her.

"What he has written I will let you see, one of these days," he replied.

"As for publishing, he ran upon the same rock that you did--that of Mr.

Lawrence Gouger."

The beautiful eyes opened wider.

"So he rejected his work, too! And yet you say that it was well done?"

"Exquisitely. Shirley's lines are as symmetrical as his face and figure.

His people are dead, that is all the trouble. Gouger scented the difficulty under which he labors, in a moment. 'Go and fall in love!' he said to him, 'and you will write a story at which the world will marvel!'"

Miss Fern arranged one of her locks of t.i.tian red that had fallen down.

"And hasn't he taken the advice?" she inquired, in a low voice.

"Not yet," smiled the other. "He says, like a very child, that 'he cannot find any one to love.' I walked up the avenue with him to-day, and afterwards rode in the Park. There were hundreds of the prettiest creatures, all looking their eyes out at him. And he hadn't the courage to return one glance, not one. Ah, Miss Fern, it will be genuine love with Shirley Roseleaf, if any. The imitations one finds in the fashionable world will never answer for him."

The young lady breathed a gentle sigh, as her thoughts dwelt on the handsome figure she had seen in front of the Hoffman House.

"You may bring him here--yes, I should be glad to have you," she said, slowly. "But I must ask one favor; do not tell him what I said so thoughtlessly about his being my ideal. Let me talk with him on fair terms. It may be, as you suggest, that we shall be of advantage to each other. When can you arrange it?"

"Almost any day," smiled Weil. "I will let you know, by mail or otherwise. And now, this story of yours," he added, thinking it a shrewd plan to divert her attention from the other matter while it was still warm in her mind. "Though I have read it through, and think I understand it fairly well, I am all the more anxious to hear it from your lips. You will put into the text new meanings, I have no doubt, that have escaped my observation."

Miss Fern flushed pleasantly and inquired with a show of anxiety whether Mr. Weil had found its construction as bad as his friend, Mr. Gouger, had intimated.

"To be perfectly honest, it might be improved," he replied. "But the germ is there, Miss Fern--that necessary thing for a good novel--an interest that will hold the reader in spite of himself. I disagree with Lawrence in his essential point. I am sure that a good writer of English with a taste for fiction could make all the necessary alterations without in the least detracting from the value of the story. For instance, I believe if Mr. Roseleaf would take hold of it I could guarantee to get you a publisher this winter."

"And do you think he would?" she cried.

"I think so."

The auth.o.r.ess was so delighted with this announcement that she conquered the slight wound to her pride. It would be herself still who had drawn the picture, who had put the coloring into it; all that the other would have to do might be described as varnishing. She took up the first sheet of her writing, and turned up an oil lamp that stood upon the table at her elbow, the better to see the lines.

"Are you ready?" she asked.

"Quite ready," smiled Mr. Weil.

In a voice that trembled a little, and yet not unpleasantly to the listener, Miss Fern began to read her ma.n.u.script. The opening chapter introduced the heroine and two gentlemen, either one of whom might be the hero. As the book is now so well known it is needless to transfer its features to these pages.

Presently the auth.o.r.ess paused and seemed to wait for her guest's criticism.

"That is one chapter," she said.

"Yes. I remember. And the second one is where Algernon begins to disclose a very little of his true nature. Shall we not have that now?"

"As you like. I thought perhaps you would give me advice as we proceeded, some fault-finding here and there, a suggestion of alterations."

He shook his head affably.

"Not yet," he answered. "Up to this point I see nothing that requires condemnation."

"Nor praise, perhaps?" she said, in a low tone.

"That might be true, also," he replied. "The first chapter of a novel is only the laying of the cloth and the placing of a few dishes. The viands that form the meal are still in the kitchen."

She smiled at the simile.

"But even the laying of the cloth is important," she said.

"Your cloth is laid most admirably," he answered. "And now we will have the castor, which in this case, I believe, contains a certain quant.i.ty of mustard and red pepper."

At this she laughed the more, and glanced through a few of the sheets in her hands before she spoke again.

"Did you form any opinion about--about _me_--from this story?" she asked, constrainedly. "Did you, in brief, think it had taken a bold girl to write it?"

He hesitated a moment.

"Yes," he said, at last. "A bold girl, a daring girl, a brave girl. Not one, however, whose own conduct would necessarily be like that of the woman she has delineated."

She was so pleased that she put down the MSS. and leaned toward him with both hands clasped together.

"You are very, very kind," she said, impressively.

"No, merely truthful," he replied. "With your permission I want to retain that last quality in all my conversations with you. When you ask me a question I wish to be perfectly free to answer according to my honest convictions."