A Bibliographical, Antiquarian and Picturesque Tour in France and Germany Volume II Part 4

L'HISTOIRE ROMAINE: No. 6984: Folio, 3 vols. written in the French language. These are among the _shew books_ of the library. The exterior pattern of the binding is beautiful in the extreme. Such a play of lines, in all directions, but chiefly circular, I never before saw. The date, on the outside, is 1556. The writing and the illuminations are of the latter part of the XVth century; and although they are gorgeous, and in a fine state of preservation, yet is the character of the art but secondary, and rather common.

ROYAL BIOGRAPHY OF FRANCE. Fol. This exquisite volume may be justly designated as the _nonpareil_ of its kind. It is rather a book of PORTRAITS, than a MS. with intermixed illuminations. The scription, in a sort of cursive, secretary gothic character, merits not a moment's attention: the pencil of the artist having wholly eclipsed the efforts of the scribe. Such a series of exquisitely finished portraits, of all the Kings of France (with the unaccountable omission, unless it has been taken out, of that of Louis XII.) is perhaps no where else to be seen. M. Coeure, the French artist employed by me, stood in ecstasies before it! These portraits are taken from old monuments, missals, and other ancient and supposed authentic doc.u.ments. They are here touched and finished in a manner the most surprisingly perfect. The book appears to have been executed expressly for CHARLES IX.--to whom it was in fact presented by _Dutilliet_, (the artist or the superintendant of the volume) in his proper person. The gilt stamp of the two reversed C's are on the sides of the binding. I should add, that the portraits are surrounded by borders of gold, shaded in brown, in the arabesque manner. All the portraits are whole lengths; and if my time and pursuits had permitted it, I should, ere this, have caused M. Coeure to have transfused a little of his enthusiasm into faithful facsimiles of those of Francis I.--my avowed favourite--of which one represents him in youth, and the other in old age. Why do not the n.o.blesse of France devote some portion of that wealth, which may be applied to worse purposes, in obtaining a series of engravings executed from this matchless volume?!

ROMANCES, BOOKS OF TOURNAMENT, &c.

LANCELOT DU LAC shall lead the way. He was always considered among the finest fellows who ever encircled the _Table Ronde_--and _such_ a copy of his exploits, as is at this moment before me, it is probably not very easy for even Yourself to conceive. If the height and bulk of the knight were in proportion to this written record of achievements, the plume of his helmet must have brushed the clouds. This enormous volume (No. 6783) is divided into three books or parts: of which the first part is illuminated in the usual coa.r.s.e style of the latter end of the XIVth century. The t.i.tle to this first part, in red ink, is the most perfect resemblance of the earliest type used by Caxton, which I remember to have seen in an ancient ma.n.u.script. The other t.i.tles do not exhibit that similarity. The first part has ccxlviij. leaves. The second part has no illuminations: if we except a tenderly touched outline, in a brownish black, upon the third leaf--which is much superior to any specimen of art in the volume. This second part has cccj. leaves. At the end:--

_Sensuit le liure du saint graal_.

The s.p.a.ces for illuminations are regularly preserved, but by what accident or design they were not filled up remains to be conjectured. The third part, or book, is fully illuminated like the first. There is a very droll illumination on folio vij.^{xx}. xij. At the end of the volume, on folio ccx.x.xiij., recto, is the following date: "_Aujourduy iiij. Jour du Jullet lan mil ccc. soixante dix a este escript ce livre darmes par Micheaugatelet prestre demeurant en la ville de Tournay_." Just before the colophon, on the reverse of the preceding leaf, is a common-place illumination of the interment of a figure in a white sheet--with this incription:

ICI: GIST. LECORS: GALAHAVT: SEIGNEVR DES. LOINTENES. ILES. ET. AVECQVES. LVI. REPOVSE: MESIRE LANCELOT. DVLAC. MELLIEVR. CHRL. DV. MVDE. APRES. GVALEAT.

There are two or three more illuminated MSS. of our well-beloved Lancelot.

One, in six volumes, has illuminations, but they are of the usual character of those of the fifteenth century.

LANCELOT DU LAC, &C. This MS. is in three volumes. The first contains only, as it were, an incipient illumination: but there is preserved, on the reverse of the binding, and written in the same character with the text, three lines--of which the private history, or particular application, is now forgotten--although we learn, from the word _bloys_ being written at top, that this MS. came from the library of Catherine de Medici--when she resided at Blois.

The second volume of this copy is in quite a different character, and much older than the first. The colophon a.s.signs to it the date of 1344. The volume is full of illuminations, and the first leaf exhibits a fair good specimen of those drolleries which are so frequently seen in illuminated MSS. of that period. The third volume is in a still different hand-writing: perhaps a little more ancient. It has a few slight illuminations, only as capital initials.

LANCELOT DU LAC: No. 6782. This MS. is executed in a small gothic character, in ink which has now become much faded. From the character of the illuminations, I should consider it to be much more ancient than either of the preceding--even at the commencement of the thirteenth century. Among the illuminations there is a very curious one, with this prefix;

_Vne dame venant a.c. chr. q dort en son lit & ele le volt baisier. mais vne damoiselle li deffendi_

You will not fail to bear in mind that the history of Lancelot du Lac will be also found in those of Tristan and Arthur. I shall now therefore introduce you to a MS. or two relating to the former.

TRISTAN. No. 6957, 2 vols. _folio_. This is a very fine old MS. apparently of the middle of the XIVth century. The writing and the embellishments fairly justify this inference. The first volume contains three hundred and fifty-one leaves. On the reverse of the last leaf but one, is the word "_anne_" in large lower-case letters; but a ms. memorandum, in a later hand, at the end, tells us that this copy was once the property of "_the late Dame Agnes" &c_. The second volume is written in more of the secretary gothic character--and is probably somewhat later than the first. It is executed in double columns. The illuminations are little more than outlines, prettily executed upon a white ground--or rather the vellum is uncoloured. This volume seems to want a leaf at the commencement, and yet it has a t.i.tle at top, as if the text actually began there. The colophon is thus:

_Explicit le Romat de. T. et de yseut qui fut fait lan mille. iijc. iiijxx. et xix.

la veille de pasques grans._

TRISTAN, FILS DE MELIADUS. No. 6773. A folio of almost unparalleled breadth of back;--measuring more than six inches and a quarter, without the binding. A beautiful illumination once graced the first leaf, divided into four compartments, which is now almost effaced. In the third compartment, there are two men and two women playing at chess, in a vessel. What remains, only conveys an imperfect idea of its original beauty. The lady seems to have received check-mate, from the melancholy cast of her countenance, and her paralised att.i.tude. The man is lifting up both hands, as if in the act of exultation upon his victory. The two other figures are attendants, who throw the dice. Upon the whole, this is among the prettiest bits I have yet seen. It is worth noticing that the yellow paint, like our Indian yellow, is here very much used; shaded with red. The generality of the illuminations are fresh; but there is none of equal beauty with that just described. From the scription, and the style of art, I should judge this MS. to have been executed about the year 1400 or 1420; but a memorandum, apparently in a somewhat later hand, says it was finished in 1485:--_Par Michean gonnot de la brouce pstre demeurant a croysant._ Some lines below have been scratched out. The colophon, just before, is on the recto of the last leaf:

_Explicit le romans de tristan et de la Royne Yseult la blonde Royne de cornoalle._

TRISTAN: No. 6774. _Folio._ 2 vols. The illuminations are magnificent, but lightly coloured and shaded. The draperies are in good taste. The border to the first large illumination, in four parts, is equally elegant in composition and colouring, and a portion of it might be worth copying.

There is a pretty illumination of two women sitting down. A table cloth, with dinner upon it, is spread upon the gra.s.s between them:--a bottle is plunged into a running stream from a fountain, with an ewer on one side in the fore-ground. One woman plays upon the guitar while the other eats her dinner. The second volume has a fine illumination divided into four parts, with a handsome border--not quite perhaps so rich as the preceding. Among the subjects, there is a singular one of Lancelot du Lac helping a lady out of a cauldron in a state of nudity: two gentlemen and a lady are quietly looking on. The text appertaining to this subject runs thus: "_Et quant elle voit lancelot si lui dist hoa sire cheualiers pour dieu ostes moy de ceste aure ou il a eaue qui toute mait Et lancelot vint a la aure et prent la damoiselle par la main et lentrait hors. Et quant elle se voit deliure elle luy chiet aux pies et lui baise la iambe et lui dist sire benoite soit leure que vous feustes oncques nes, &c_." The top of the last leaf is cut off: and the date has been probably destroyed. The colophon runs thus:

_Cy fenist le livre de tristan et de la royne yseult de cornouaille et le graal que plus nen va_.

The present is a fine genuine old copy: in faded yellow morocco binding-- apparently not having been subjected to the torturing instruments of De Rome.

LE ROY ARTUS. No. 6963. Folio. I consider this to be the oldest illuminated MS. of the present Romance which I have yet seen. It is of the date of 1274, as its colophon imports. It is written in double columns, but the illuminations are heavy and sombre;--about two inches in height, generally oblong. There are grotesques, attached to letters, in the margin. The backgrounds are thick, shining gold. At the end:

_Explicit de lanselot. del lac[41]

Ces Roumans fu par escris. En lan del Incarnation nostre Segnor. mil deus cens et sixante et quatorse le semedi apres pour ce li ki lescrist_.

It is in a fine state of preservation. Mons. Meon shewed me a ma.n.u.script of the ST. GRAAL, executed in a similar style, and written in treble columns.

LE MEME. This is a metrical MS of the XIIIth century: executed in double columns. The illuminations are small but rather coa.r.s.e. It is in fine preservation. Bound in green velvet. Formerly the outsides of this binding had silver gilt medallions; five on each side. These have been latterly stolen. I also saw a fine PERCEFOREST, in four large folio volumes upon vellum, written in a comparatively modern Gothic hand. The illuminations were to be _supplied_--as s.p.a.ces are left for them. There is also a paper MS. of the same Romance, not illuminated.

ROMAN DE LA ROSE: No. 6983. I consider this to be the oldest MS. of its subject which I have seen. It is executed in a small Gothic character, in two columns, with ink which has become much faded: and from the character, both of the scription and the embellishments, I apprehend the date of it to be somewhere about the middle of the XIVth century. The illuminations are small, but pretty and perfect; the backgrounds are generally square, diamond-wise, without gold; but there are backgrounds of solid shining gold. The subjects are rather quaintly and whimsically, than elegantly, treated. In the whole, one hundred and sixty leaves. From Romances, of all and of every kind, let us turn our eyes towards a representation of subjects intimately connected with them: to wit,

A BOOK OF TOURNAMENTS. No. 8351. Folio. This volume is in a perfect blaze of splendour. Hither let PROSPERO and PALMERIN resort--to choose their casques, their gauntlets, their cuira.s.ses, and lances: yea, let more than one-half of the Roxburghers make an annual pilgrimage to visit this tome!-- which developes, in thirteen minutes, more chivalrous intelligence than is contained even in the mystical leaves of the _Fayt of Arms and Chyvalrye_ of our beloved Caxton. Be my pulse calm, and my wits composed, as I essay the description of this marvellous volume. Beneath a large illumination, much injured, of Louis XI. sitting upon his throne--are the following verses:

_Pour exemple aulx n.o.bles et gens darmes Qui appetent les faitz darmes hautes Le Sire de gremthumse duyt es armes Volut au roy ce livre presenter_.

Next ensue knights on horseback, heralds, &c.--with a profusion of coat-armours: each illumination occupying a full page. On the reverse of the ninth leaf, is a most interesting illumination, in which is seen the figure of _John Duke of Brittany_. He is delivering a sword to a king at arms, to carry to his cousin, the Duke of Bourbon; as he learns, from general report, that the Duke is among the bravest champions in Christendom, and in consequence he wishes to break a lance with him.

The illumination, where the Duke thus appears, is quite perfect, and full of interest: and I make no doubt but the countenance of the herald, who is kneeling to receive the sword, is a faithful portrait. It is full of what may be called individuality of character. The next illumination represents the _Duke of Bourbon accepting the challenge_, by receiving the sword. His countenance is slightly injured. The group of figures, behind him, is very clever. The ensuing illumination exhibits the herald offering the Duke de Bourbon the choice of eight coats of armour, to put on upon the occasion. A still greater injury is here observable in the countenance of the Duke. The process of conducting the tournay, up to the moment of the meeting of the combatants, is next detailed; and several illuminations of the respective armours of the knights and their attendants, next claim our attention. On the reverse of the x.x.xijnd, and on the recto of the x.x.xiijd leaf, the combat of the two Dukes is represented. The seats and benches of the spectators are then displayed: next a very large illumination of the procession of knights and their attendants to the place of contest. Then follows an interesting one of banners, coat armours, &c. suspended from buildings--and another, yet larger and equally interesting, of the entry of the judges.

I am yet in the midst of the emblazoned throng. Look at yonder herald, with four banners in his hand. It is a curious and imposing sight. Next succeeds a formal procession--preparing for the combat. It is exceedingly interesting, and many of the countenances are full of natural expression.

This is followed by a still more magnificent cavalcade, with judges in the fore-ground; and the "dames et damoiselles," in fair array to the right. We have next a grand rencontre of the knights attendant--carried on beneath a balcony of ladies

whose bright eyes Reign influence, and decide the prize.

These ladies, thus comfortably seated in the raised balcony, wear what we should now call the _cauchoise_ cap. A group of grave judges is in another balcony, with sundry mottos spread below. In the rencontre which takes place, the mace seems to be the general instrument of attack and defence.

Splendid as are these illuminations, they yield to those which follow; especially to that which _immediately_ succeeds, and which displays the preparation for a tournament to be conducted upon a very large scale. We observe throngs of combatants, and of female spectators in boxes above.

These are rather more delicately touched. Now comes ... the mixed and stubborn fight of the combatants. They are desperately engaged with each other; while their martial spirit is raised to the highest pitch by the sharp and reverberating blasts of the trumpet. The trumpeters blow their instruments with all their might. Every thing is in animation, bustle, energy, and confusion. A man's head is cut off, and extended by an arm, to which--in the position and of the size we behold--it would be difficult to attach a body. Blood flows copiously on all sides. The reward of victory is seen in the next and _last_ illumination. The ladies bring the white mantle to throw over the shoulders of the conqueror. In the whole, there are only lxxiiij. leaves. This is unquestionably a volume of equal interest and splendor; and, when it was fresh from the pencil of the illuminator, its effect must have been exquisite.[42]

BOOK OF TOURNAMENTS: No. 8204. 8vo. We have here a sort of miniature exhibition of the chief circ.u.mstances displayed in the previous and larger MS. It is questionless a very precious book; but has been cruelly cropt.

The text and ornaments are clearly of the end of the fifteenth century; perhaps about 1470. Nothing can well exceed the brilliancy and power of many of the illuminations, which are very small and very perfect. The knight, with a representation of the trefoil, (or what is called club, in card playing) upon a gold mantle, kills the other with a black star upon a white mantle. This mortal combat is the last in the book. Each of the knights, praying before going to combat, is executed with considerable power of expression. The ladies have the high (cauchoise) cap or bonnet.

The borders, of flowers, are but of secondary merit.

POLYBIUS, _Graece_. Folio. M. Gail placed before me, in a sly manner--as if to draw off my attention from the volumes of chivalry just described,--the present beautiful MS. of Polybius. It is comparatively recent, being of the very commencement of the sixteenth century: but the writing exhibits a perfect specimen of that style or form of character which the Stephenses and Turnebus, &c. appear to have copied in their respective founts of the Greek letter. It has also other, and perhaps stronger, claims to notice.

The volume belonged to Henry II. and Diane de Poictiers, and the decorations of the pencil are worthy of the library to which it was attached. The top ornament, and the initial letter,--at the beginning of the text--are each executed upon a blue ground, shaded in brown and gold, in the most exquisitely tasteful manner. This initial letter has been copied "ad amussim" by old Robert Stephen. Upon the whole, this is really an enchanting book, whether on the score of writing or of ornament.

Farewell, now, therefore--to the Collection of MSS. in the _Bibliotheque du Roi_ at Paris. Months and years may be spent among them, and the vicissitudes of seasons (provided fires were occasionally introduced) hardly felt. I seem, for the last fortnight, to have lived entirely in the "olden time;" in a succession of ages from that of Charles the Bald to that of Henri Quatre: and my eyes have scarcely yet recovered from the dazzling effects of the illuminator's pencil. "II faut se reposer un peu."

[38] Vol. i. p. ccxx-i.

[39] See _Bibl. Spenceriana_, vol. iv p. 421.

[40] The fac-simile drawing of this portrait, by M. Coeure--from which the print was taken, in the previous edition of this work--is also in the possession of my friend Mr. Ponton. See note, page 79 ante.

[41] The words "del lac" are in a later hand.

[42] What is rather singular, there is a duplicate of this book: a copy of every illumination, done towards the beginning of the sixteenth century; but the text is copied in a smaller hand, so as to compress the volume into lxviij. leaves. Unluckily, the copies of the illuminations are not only comparatively coa.r.s.e, but are absolutely faithless as to resemblances. There is a letter prefixed, from a person named _Le Hay_, of the date of 1707, in which the author tells some gentleman that he was in hopes to procure the volume for 100 crowns; but afterwards, the owner obstinately asking 200, _Le Hay_ tells his friend to split the difference, and offer 150. This book once belonged to one "_Hector Le Breton Sievr de la Doynetrie_"--as the lettering upon the exterior of the binding implies--and as a letter to his son, of the date of 1660, within the volume, also shows. This letter is signed by Le Breton.

_LETTER V._

SOME ACCOUNT OF EARLY PRINTED AND RARE BOOKS IN THE ROYAL LIBRARY.