65 Short Stories Part 87

'Interesting book that one you lent me last night,' he said suddenly, and I could not help thinking his voice did not sound quite natural. The words issued from his lips as though they were pushed from behind.

'Oh, the Life of Byron?' I said breezily. 'Have you read it already?'

'A good deal of it. I read till three.'

'I've heard it's very well done. I'm not sure that Byron interests me so much as all that. There was so much in him that was so frightfully second-rate. It makes one rather uncomfortable.'

'What do you think is the real truth of that story about him and his sister?'

'Augusta Leigh? I don't know very much about it. I've never read Astarte.' Do you think they were really in love with one another?'

'I suppose so. Isn't it generally believed that she was the only woman he ever genuinely loved?'

'Can you understand it?'

'I can't really. It doesn't particularly shock me. It just seems to me very unnatural. Perhaps "unnatural" isn't the right word. It's incomprehensible to me. I can't throw myself into the state of feeling in which such a thing seems possible. You know, that's how a writer gets to know the people he writes about, by standing himself in their shoes and feeling with their hearts.'

I know I did not make myself very clear, but I was trying to describe a sensation, an action of the subconscious, which from experience was perfectly familiar to me, but which no words I knew could precisely indicate. I went on: 'Of course she was only his half-sister, but just as habit kills love I should have thought habit would prevent its arising. When two persons have known one another all their lives and lived together in close contact I can't imagine how or why that sudden spark should flash that results in love. The probabilities are that they would be joined by mutual affection and I don't know anything that is more contrary to love than affection.'

I could just see in the dimness the outline of a smile flicker for a moment on my host's heavy, and it seemed to me then, somewhat saturnine face. 'You only believe in love at first sight?'

'Well, I suppose I do, but with the proviso that people may have met twenty times before seeing one another. 'Seeing" has an active side and a pa.s.sive one. Most people we run across mean so little to us that we never bestir ourselves to look at them. We just suffer the impression they make on us.'

'Oh, but one's often heard of couples who've known one another for years and it's never occurred to one they cared two straws for each other and suddenly they go and get married. How do you explain that?'

'Well, if you're going to bully me into being logical and consistent, I should suggest that their love is of a different kind. After all, pa.s.sion isn't the only reason for marriage. It may not even be the best one. Two people may marry because they're lonely or because they're good friends or for convenience sake. Though I said that affection was the greatest enemy of love, I would never deny that it's a very good subst.i.tute. I'm not sure that a marriage founded on it isn't the happiest.'

'What did you think of Tim Hardy?'

I was a little surprised at the sudden question, which seemed to have nothing to do with the subject of our conversation.

'I didn't think of him very much. He seemed quite nice. Why?'

Did he seem to you just like everybody else?'

'Yes. Is there anything peculiar about him? If you'd told me that, I'd have paid more attention to him.'

'He's very quiet, isn't he? I suppose no one who knew nothing about him would give him a second thought'

I tried to remember what he looked like. The only thing that had struck me when we were playing cards was that he had fine hands. It pa.s.sed idly through my mind that they were not the sort of hands I should have expected a planter to have. But why a planter should have different hands from anybody else I did not trouble to ask myself His were somewhat large, but very well formed with peculiarly long fingers, and the nails were of an admirable shape. They were virile and yet oddly sensitive hands. I noticed this and thought no more about it. But if you are a writer instinct and the habit of years enable you to store up impressions that you are not aware of Sometimes of course they do not correspond with the facts and a woman for example may remain in your subconsciousness as a dark, ma.s.sive, and ox-eyed creature when she is indeed rather small and of a nondescript colouring. But that is of no consequence. The impression may very well be more exact than the sober truth. And now, seeking to call up from the depths of me a picture of this man I had a feeling of some ambiguity. He was clean-shaven and his face, oval but not thin, seemed strangely pale under the tan of long exposure to the tropical sun. His features were vague. I did not know whether I remembered it or only imagined now that his rounded chin gave one the impression of a certain weakness. He had thick brown hair, just turning grey, and a long wisp fell down constantly over his forehead. He pushed it back with a gesture that had become habitual. His brown eyes were rather large and gentle, but perhaps a little sad; they had a melting softness which, I could imagine, might be very appealing.

After a pause Featherstone continued: 'It's rather strange that I should run across Tim Hardy here after all these years. But that's the way of the F.M.S. People move about and you find yourself in the same place as a man you'd known years before in another part of the country. I first knew Tim when he had an estate near Sibuku. Have you ever been there?'

'No. Where is it?'

'Oh, it's up north. Towards Siam. It wouldn't be worth your while to go. It's just like every other place in the F.M.S. But it was rather nice. It had a very jolly little club and there were some quite decent people. There was the schoolmaster and the head of the police, the doctor, the padre, and the government engineer. The usual lot, you know. A few planters. Three or four women. I was A.D.O. It was one of my first jobs. Tim Hardy had an estate about twenty-five miles away. He lived there with his sister. They had a bit of money of their own and he'd bought the place. Rubber was pretty good then and he wasn't doing at all badly. We rather cottoned on to one another. Of course it's a toss-up with planters. Some of them are very good fellows, but they're not exactly ...' he sought for a word or a phrase that did not sound sn.o.bbish. 'Well, they're not the sort of people you'd be likely to meet at home. Tim and Olive were of one's own cla.s.s, if you understand what I mean.'

'Olive was the sister?'

'Yes. They'd had a rather unfortunate past. Their parents had separated when they were quite small, seven or eight, and the mother had taken Olive and the father had kept Tim. Tim went to Clifton, they were West Country people, and only came home for the holidays. His father was a retired naval man who lived at Fowey. But Olive went with her mother to Italy. She was educated in Florence; she spoke Italian perfectly and French too. For all those years Tim and Olive never saw one another once, but they used to write to one another regularly. They'd been very much attached when they were children. As far as I could understand, life when their people were living together had been rather stormy with all sorts of scenes and upsets, you know the sort of thing that happens when two people who are married don't get on together, and that had thrown them on their own resources. They were left a good deal to themselves. Then Mrs Hardy died and Olive came home to England and went back to her father. She was eighteen then and Tim was seventeen. A year later the war broke out. Tim joined up and his father, who was over fifty, got some job at Portsmouth. I take it he had been a hard liver and a heavy drinker. He broke down before the end of the war and died shortly after a lingering illness. They don't seem to have had any relations. They were the last of a rather old family; they had a fine old house in Dorsetshire that had belonged to them for a good many generations, but they had never been able to afford to live in it and it was always let. I remember seeing photographs of it. It was very much a gentleman's house, of grey stone and rather stately, with a coat of arms carved over the front door, and mullioned windows. Their great ambition was to make enough money to be able to live in it. They used to talk about it a lot. They never spoke as though either of them would marry, but always as though it were a settled thing that they would remain together. It was rather funny considering how young they were.'

'How old were they then?' I asked.

'Well, I suppose he was twenty-five or twenty-six and she was a year older. They were awfully kind to me when I first went up to Sibuku. They took a fancy to me at once. You see, we had more in common than most of the people there. I think they were glad of my company. They weren't particularly popular.'

Why not?' I asked.

'They were rather reserved and you couldn't help seeing that they liked their own society better than other people's. I don't know if you've noticed it, but that always seems to put people's backs up. They resent it somehow if they have a feeling that you can get along very well without them.'

'It's tiresome, isn't it?' I said.

'It was rather a grievance to the other planters that Tim was his own master and had private means. They had to put up with an old Ford to get about in, but Tim had a real car. Tim and Olive were very nice when they came to the club and they played in the tennis tournaments and all that sort of thing, but you had an impression that they were always glad to get away again. They'd dine out with people and make themselves very pleasant, but it was pretty obvious that they'd just as soon have stayed at home. If you had any sense you couldn't blame them. I don't know if you've been much to planters' houses. They're a bit dreary. A lot of gimcrack furniture and silver ornaments and tiger skins. And the food's uneatable. But the Hardys had made their bungalow rather nice. There was nothing very grand in it; it was just easy and homelike and comfortable. Their living-room was like a drawing-room in an English country house. You felt that their things meant something to them and that they had had them a long time. It was a very jolly house to stay at. The bungalow was in the middle of the estate, but it was on the brow of a little hill and you looked right over the rubber trees to the sea in the distance. Olive took a lot of trouble with her garden and it was really topping. I never saw such a show of cannas. I used to go there for weekends. It was only about half an hour's drive to the sea and we'd take our lunch with us and bathe and sail. Tim kept a small boat there. Those days were grand. I never knew one could enjoy oneself so much. It's a beautiful bit of coast and it was really extraordinarily romantic. Then in the evenings we'd play patience and chess or turn on the gramophone. The cooking was d.a.m.ned good too. It was a change from what one generally got. Olive had taught their cook to make all sorts of Italian dishes and we used to have great wallops of macaroni and risotto and gnocchi and things like that. I couldn't help envying them their life, it was so jolly and peaceful, and when they talked of what they'd do when they went back to England for good I used to tell them they'd always regret what they'd left.

"We've been very happy here," said Olive.

'She had a way of looking at Tim, with a slow, sidelong glance from under her long eyelashes, that was rather engaging.

'In their own house they were quite different from what they were when they went out. They were so easy and cordial. Everybody admitted that and I'm bound to say that people enjoyed going there. They often asked people over. They had the gift of making you feel at home. It was a very happy house, if you know what I mean. Of course no one could help seeing how attached they were to one another. And whatever people said about their being stand-offish and self-centred, they were bound to be rather touched by the affection they had for one another. People said they couldn't have been more united if they had been married, and when you saw how some couples got on you couldn't help thinking they made most marriages look rather like a wash-out. They seemed to think the same things at the same time. They had little private jokes that made them laugh like children. They were so charming with one another, so gay and happy, that really to stay with them was, well, a spiritual refreshment. I don't know what else you could call it. When you left them, after a couple of days at the bungalow, you felt you'd absorbed some of their peace and their sober gaiety. It was as though your soul had been sluiced with cool clear water. You felt strangely purified.'

It was singular to hear Featherstone talking in this exalted strain. He looked so spruce in his smart white coat, technically known as a b.u.m-freezer, his moustache was so trim, his thick curly hair so carefully brushed, that his high-flown language made me a trifle uncomfortable. But I realized that he was trying to express in his clumsy way a very sincerely felt emotion.

'What was Olive Hardy like?' I asked.

'I'll show you. I've got quite a lot of snapshots.'

He got up from his chair and going to a shelf brought me a large alb.u.m. It was the usual thing, indifferent photographs of people in groups and unflattering likenesses of single figures. They were in bathing dress or in shorts or tennis things, generally with their faces screwed up because the sun blinded them, or puckered by the distortion of laughter. I recognized Hardy, not much changed after ten years, with his wisp of hair hanging across his forehead. I remembered him better now that I saw the snapshots. In them he looked nice and fresh and young. He had an alertness of expression that was attractive and that I certainly had not noticed when I saw him. In his eyes was a sort of eagerness for life that danced and sparkled through the fading print. I glanced at the photographs of his sister. Her bathing dress showed that she had a good figure, well-developed, but slender; and her legs were long and slim.

'They look rather alike,' I said.

'Yes, although she was a year older they might have been twins, they were so much alike. They both had the same oval face and that pale skin without any colour in the cheeks, and they both had those soft brown eyes, very liquid and appealing, so that you felt whatever they did you could never be angry with them. And they both had a sort of careless elegance that made them look charming whatever they wore and however untidy they were. He's lost that now, I suppose, but he certainly had it when I first knew him. They always rather reminded me of the brother and sister in Twelfth Night. You know whom I mean.'

'Viola and Sebastian.'

'They never seemed to belong quite to the present. There was something Elizabethan about them. I don't think it was only because I was very young then that I couldn't help feeling they were strangely romantic somehow. I could see them living in Illyria.'

I gave one of the snapshots another glance.

'The girl looks as though she had a good deal more character than her brother,' I remarked.

'She had. I don't know if you'd have called Olive beautiful, but she was awfully attractive. There was something poetic in her, a sort of lyrical quality, as it were, that coloured her movements, her acts, and everything about her. It seemed to exalt her above common cares. There was something so candid in her expression, so courageous and independent in her bearing, that-oh, I don't know, it made mere beauty just fall flat and dull.'

'You speak as if you'd been in love with her,' I interrupted.

'Of course I was. I should have thought you'd guessed that at once. I was frightfully in love with her.'

Was it love at first sight?' I smiled.

'Yes, I think it was, but I didn't know it for a month or so. When it suddenly struck me that what I felt for her-I don't know how to explain it, it was a sort of shattering turmoil that affected every bit of me-that that was love, I knew I'd felt it all along. It was not only her looks, though they were awfully alluring, the smoothness of her pale skin and the way her hair fell over her forehead and the grave sweetness of her brown eyes, it was more than that; you had a sensation of well-being when you were with her, as though you could relax and be quite natural and needn't pretend to be anything you weren't. You felt she was incapable of meanness. It was impossible to think of her as envious of other people or catty. She seemed to have a natural generosity of soul. One could be silent with her for an hour at a time and yet feel that one had had a good time.'

'A rare gift,' I said.

'She was a wonderful companion. If you made a suggestion to do something she was always glad to fall in with it. She was the least exacting girl I ever knew. You could throw her over at the last minute and however disappointed she was it made no difference. Next time you saw her she was just as cordial and serene as ever.'

'Why didn't you marry her?'

Featherstone's cheroot had gone out. He threw the stub away and deliberately lit another. He did not answer for a while. It may seem strange to persons who live in a highly civilized state that he should confide these intimate things to a stranger; it did not seem strange to me. I was used to it. People who live so desperately alone, in the remote places of the earth, find it a relief to tell someone whom in all probability they will never meet again the story that has burdened perhaps for years their waking thoughts and their dreams at night. And I have an inkling that the fact of your being a writer attracts their confidence. They feel that what they tell you will excite your interest in an impersonal way that makes it easier for them to discharge their souls. Besides, as we all know from our own experience, it is never unpleasant to talk about oneself 'Why didn't you marry her?' I had asked him.

'I wanted to badly enough,' Featherstone answered at length. 'But I hesitated to ask her. Although she was always so nice to me and so easy to get on with, and we were such good friends, I always felt that there was something a little mysterious in her. Although she was so simple, so frank and natural, you never quite got over the feeling of an inner kernel of aloofness, as if deep in her heart she guarded, not a secret, but a sort of privacy of the soul that not a living person would ever be allowed to know. I don't know if I make myself clear.'

'I think so.'

'I put it down to her upbringing. They never talked of their mother, but somehow I got the impression that she was one of those neurotic, emotional women who wreck their own happiness and are a pest to everyone connected with them. I had a suspicion that she'd led rather a hectic life in Florence and it struck me that Olive owed her beautiful serenity to a disciplined effort of her own will, and that her aloofness was a sort of citadel she'd built to protect herself from the knowledge of all sorts of shameful things. But of course that aloofness was awfully captivating. It was strangely exciting to think that if she loved you, and you were married to her, you would at last pierce right into the hidden heart of that mystery; and you felt that if you could share that with her it would be as it were a consummation of all you'd ever desired in your life. Heaven wouldn't be in it. You know, I felt about it just like Bluebeard's wife about the forbidden chamber in the castle. Every room was open to me, but I should never rest till I had gone into that last one that was locked against me.'

My eye was caught by a chik-chak, a little brown house lizard with a large head, high up on the wall. It is a friendly little beast and it is good to see it in a house. It watched a fly. It was quite still. On a sudden it made a dart and then as the fly flew away fell back with a sort of jerk into a strange immobility.

'And there was another thing that made me hesitate. I couldn't bear the thought that if I proposed to her and she refused me she wouldn't let me come to the bungalow in the same old way. I should have hated that, I enjoyed going there so awfully. It made me so happy to be with her. But you know, sometimes one can't help oneself I did ask her at last, but it was almost by accident. One evening, after dinner, when we were sitting on the veranda by ourselves, I took her hand. She withdrew it at once.

"'Why did you do that?" I asked her.

n don't very much like being touched," she said. She turned her head a little and smiled. "Are you hurt? You mustn't mind, it's just a funny feeling I have. I can't help it."

n wonder if it's ever occurred to you that I'm frightfully fond of you," I said. 'I expect I was terribly awkward about it, but I'd never proposed to anyone before.' Featherstone gave a little sound that was not quite a chuckle and not quite a sigh. Tor the matter of that, I've never proposed to anyone since. She didn't say anything for a minute. Then she said: "I'm very glad, but I don't think I want you to be anything more than that."

"'Why not?" I asked.

"I could never leave Tim."

"But supposing he marries?"

"He never will."

'I'd gone so far then that I thought I'd better go on. But my throat was so dry that I could hardly speak. I was shaking with nervousness.

"I'm frightfully in love with you, Olive. I want to marry you more than anything in the world."

'She put her hand very gently on my arm. It was like a flower falling to the ground.

"'No, dear, I can't," she said.

'I was silent. It was difficult for me to say what I wanted to. I'm naturally rather shy. She was a girl. I couldn't very well tell her that it wasn't quite the same thing living with a husband and living with a brother. She was normal and healthy; she must want to have babies; it wasn't reasonable to starve her natural instincts. It was such a waste of her youth. But it was she who spoke first.

"'Don't let's talk about this any more," she said. "D'you mind? It did strike me once or twice that perhaps you cared for me. Tim noticed it. I was sorry because I was afraid it would break up our friendship. I don't want it to do that, Mark. We do get on so well together, the three of us, and we have such jolly times. I don't know what we should do without you now"

"I thought of that too," I said.

"'D'you think it need?" she asked me.

"My dear, I don't want it to," I said. "You must know how much I love coming here. I've never been so happy anywhere before!"

"'You're not angry with me?"

"'Why should I be? It's not your fault. It only means that you're not in love with me. If you were you wouldn't care a hang about Tim."

"'You are rather sweet," she said.

'She put her arm around my neck and kissed me lightly on the cheek. I had a notion that in her mind it settled our relation. She adopted me as a second brother.

'A few weeks later Tim went back to England. The tenant of their house in Dorset was leaving and though there was another in the offing, he thought he ought to be on the spot to conduct negotiations. And he wanted some new machinery for the estate. He thought he'd get it at the same time. He didn't expect to be gone more than three months and Olive made up her mind not to go. She knew hardly anyone in England, and it was practically a foreign country to her, she didn't mind being left alone, and she wanted to look after the estate. Of course they could have put a manager in charge, but that wasn't the same thing. Rubber was falling and in case of accidents it was just as well that one or other of them should be there. I promised Tim I'd look after her and if she wanted me she could always call me up. My proposal hadn't changed anything. We carried on as though nothing had happened. I don't know whether she'd told Tim. He made no sign that he knew. Of course I loved her as much as ever, but I kept it to myself I have a good deal of self-control, you know. I had a sort of feeling I hadn't a chance. I hoped eventually my love would change into something else and we could just be wonderful friends. It's funny, it never has, you know. I suppose I was. .h.i.t too badly ever to get quite over it.

'She went down to Penang to see Tim off and when she came back I met her at the station and drove her home. I couldn't very well stay at the bungalow while Tim was away, but I went over every Sunday and had tiffin and we'd go down to the sea and have a bathe. People tried to be kind to her and asked her to stay with them, but she wouldn't. She seldom left the estate. She had plenty to do. She read a lot. She was never bored. She seemed quite happy in her own company, and when she had visitors it was only from a sense of duty. She didn't want them to think her ungracious. But it was an effort and she told me she heaved a sigh of relief when she saw the last of them and could again enjoy without disturbance the peaceful loneliness of the bungalow. She was a very curious girl. It was strange that at her age she should be so indifferent to parties and the other small gaieties the station afforded. Spiritually, if you know what I mean, she was entirely self-supporting. I don't know how people found out that I was in love with her; I thought I'd never given myself away in anything, but I had hints here and there that they knew. I gathered they thought Olive hadn't gone home with her brother on my account. One woman, a Mrs Sergison, the policeman's wife, actually asked me when they were going to be able to congratulate me. Of course I pretended I didn't know what she was talking about, but it didn't go down very well. I couldn't help being amused. I meant so little to Olive in that way that I really believe she'd entirely forgotten that I'd asked her to marry me. I can't say she was unkind to me, I don't think she could have been unkind to anyone; but she treated me with just the casualness with which a sister might treat a younger brother. She was two or three years older than I. She was always terribly glad to see me, but it never occurred to her to put herself out for me; she was almost amazingly intimate with me, but unconsciously, you know, as you might be with a person you'd known so well all your life that you never thought of putting on frills with him. I might not have been a man at all, but an old coat that she wore all the time because it was easy and comfortable and she didn't mind what she did in it. I should have been crazy not to see that she was a thousand miles away from loving me.

'Then one day, three or four weeks before Tim was due back, when I went to the bungalow I saw she'd been crying. I was startled. She was always so composed. I'd never seen her upset over anything.

"Hullo, what's the matter?" I said.

"'Nothing."

"Come off it, darling," I said. 'What have you been crying about?" 'She tried to smile.

"I wish you hadn't got such sharp eyes," she said. "I think I'm being silly. I've just had a cable from Tim to say he's postponed his sailing."

"Oh, my dear, I am sorry," I said. "You must be awfully disappointed."

"I've been counting the days. I want him back so badly."

"'Does he say why he's postponing?" I asked.

"'No, he says he's writing. I'll show you the cable."

'I saw that she was very nervous. Her slow quiet eyes were filled with apprehension and there was a little frown of anxiety between her brows. She went into her bedroom and in a moment came back with the cable. I felt she was watching me anxiously as I read. So far as I remember it ran: Darling, I cannot sail on the seventh after all. Please forgive me. Am writing fully. Fondest love. Tim.

"Well, perhaps the machinery he wanted isn't ready and he can't bring himself to sail without it," I said.

"'What could it matter if it came by a later ship? Anyhow, it'll be hung up at Penang."

"It may be something about the house."

"If it is why doesn't he say so? He must know how frightfully anxious I am."

"It wouldn't occur to him," I said. "After all, when you're away you don't realize that the people you've left behind don't know something that you take as a matter of course."

'She smiled again, but now more happily.

"I dare say you're right. In point of fact Tim is a little like that. He's always been rather slack and casual. I dare say I've been making a mountain out of a molehill. I must just wait patiently for his letter."

'Olive was a girl with a lot of self-control and I saw her by an effort of will pull herself together. The little line between her eyebrows vanished and she was once more her serene, smiling, and kindly self She was always gentle: that day she had a mildness so heavenly that it was shattering. But for the rest of the time I could see that she kept her restlessness in check only by the deliberate exercise of her common sense. It was as though she had a foreboding of ill. I was with her the day before the mail was due. Her anxiety was all the more pitiful to see because she took such pains to hide it. I was always busy on mail day, but I promised to get up to the estate later on and hear the news. I was just thinking of starting when Hardy's seis came along in the car with a message from the amah asking me to go at once to her mistress. The amah was a decent, elderly woman to whom I had given a dollar or two and said that if anything went wrong on the estate she was to let me know at once. I jumped into my car. When I arrived I found the amah waiting for me on the steps.

"'A letter came this morning," she said.